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Highly interesting, but triggering mixed feelings. 1) this is possibly one of the best completions I heard so far, since it goes much beyond the usual, endless, boring combinatorics by other "finishers" (sorry Mr. Göncz). Beyond the +/- mandatory combinations, there are some new ideas here, much in the style of JSB himself (see for instance his own rewriting of the end of BWV1080/I, which interrupts the flow : breaks are not taboo, nor are divertimenti). 2) ... but I share Leonhardt's later views that the main theme of the Art of Fugue does not belong here, and that the Fuga a tre soggetti is not part of the Art of Fugue. My dream would be to hear another conclusion by Thierry Escaich NOT introducing that main AoF subject as a fourth subject, and "simply" (and masterfully) developing the three original subjects. So did PF Boëly for instance... an old debate that might never be resolved. 3) Pianists *tend* to hammer fugue subjects as if there were a need to permanently draw attention to it, creating a sense of repetition, if not a headache. In my opinion it impoverishes the music. Countersubjects etc. should not be permanently rejected into the background. But maybe that's an organist's or harpsichordist's prejudice, so please pardon my rant.

So Clean! Wow… More videos needs to be like this!!

La mia passione ,le ascolto tutte .

i love the Strauss Violin sonata very much....so young so beautiful and one can imagine the genius of the later great Richard Strauss , who became on of the greatest Composer ever....very beautiful played...thx for posting🙂

i really addicted to your sound. Thank you so much

Für mich die beste verfügbare Interpretation, elegant, klar und im schwebend- gehenden Andante Tempo, eben kein Adagio

Excellent!

Почему почти все так быстро играют начало? Ведь это большой колокол, это должно быть просто супер - медленно, чем медленнее - тем более эпично и величаво! Как жаль, что сам пока не играю этот концерт... Это не критика, а просто мнение. Другие ваши интерпретации просто замечательны, я с удовольствием подписался!

Magnificent playing 🎶⭐️

Meraviglia!!! Grazie

Vous ete très belle et competent Eloise. Bravo!

Quelle musique vous avez executer, sil vous plaît? Je voir ecouter cette musique, mais "esqueci"

beautiful!

Séquence très amusante ! Les reactions de chacun font qu'une atmosphère très légère se dégage ! Bravo Eloïse et Stéphane

This is a very good performance of the Strauss violin sonata. Unfortunately, the first movement is missing. Could you please post the first movement soon. Thanks.

Il est touchant d’entendre cette vieille Viennoise parler de « François» Liszt, comme il était d’usage en France au XIXÈ siècle.

Émission très intéressante.

What splendid playing, Eloïse. I love your playing, which lives in its own special universe. I love your pianos. Their voices fit you so well. A great Yamaha can bring so many unique colors and dynamics and articulation with it. Please keep playing and playing.

Très belle interprétation. J'aime beaucoup cette pianiste, que j'ai découverte récemment|

Bravo Eloïse! Je suis Carlos et Je suis pianiste aussi de Mexique! Enchanté!

seen Bruno at the Philharmonie Berlin. Best live cello sound ive heard so far. Incredible!

seen Bruno at the Philharmonie Berlin. Best live cello sound ive heard so far. Incredible!

Tasteful, elegant!

Merci de ce post.