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La voce baritonale per eccellenza...grande Bastianini!!

Flaviano Labò bravissimo

Amazing

Meglio di tutti 👏👏👏👏👏

Благодарю ютьюб за открытие для меня всё новых и новых удивительных оперных певцов.

Удивительное впечатление от этого выступления! Мороз по коже. Браво, браво, браво!

Musique sublime du génial Wagner !!!Excellente interprétation !!!!

Grandes voces , grandes artistas❤❤❤❤

what a beautiful version of this aria!

Nobody sang this monologue like London.

Bastianini Forever!

Una voce lirica dal timbro bellissimo e svettante negli acuti, per certi aspetti assimilabile a quella di Jussi Bjoerling ma con il calore latino. Vorrei anche ricordare uno dei presentatori storici dell'Italia di quegli anni, un vero signore del palcoscenico, Daniele Piombi, che appunto presenta il grande Gianni Raimondi in questo bellissimo concerto.

Voi pe ce lume traiti!?!?Nu ati auzit de Nicolae Herlea!!!!

Bravissimo!!!!

Granforte studied in Argentina for around 8 years before starting his career full time. One of the great Scarpia voices of his time & his bel canto training was invaluable in adding many years of performing a heavy baritone repertoire. An exciting instrument somewhat reminiscent of Giangiacomo Guelfi a couple generations later.

WOW!!! i was a baby. Thanks for this. Never better!!!

Corelli non delude mai. ❤

Nach wie vor einer der größten Baritone.

Спасибо 😅

He was my Great Uncle.

Bastianini is perfect, Cleva is bad!

Meraviglioso 👏🏻👏🏻👏🏻👏🏻👏🏻

Splendid artist in his prime but by 1962 time he was often singing slightly out of the side of his mouth. This was also noticeable in a Scarpia performance from Stuttgart the year before. Was London trying to compensate for some indisposition? This visual element was not quite the case yet when singing in his more extreme upper range which is still pretty impressive here although not on as high a level as a few years prior. The problem with London‘s vocal chords remains a controversial opinion but, IMO, the gradual deterioration of his instrument was slightly apparent at this time & became more severe in a couple years from this performance. Close listening to London‘s voice from around 1959 even, in live recordings, reveals the origins of his technical problems. In a live Scarpia from the MET in 1959 even, it took some time for his voice to achieve its superb timbre. Scarpia‘s initial entrance is a case in point. It made little impact but improved as the performance continued. I write all of this regrettably since London‘s singular & unique sonority in his best years always gave me great pleasure. There has never been an instrument at all like London‘s & as with some of the comments made below I agree that he had all the virtues vocally & dramatically that few artists during his prime could equal.

❤😂ain‘t care, he‘d got balls🎉

❤❤🎉🎉what a Great one❤ please more❤

This was Corelli's role debut as Rodolfo.

Ator competente..versatil...criativo...disciplinado...😊

Nessun baritono come lui! Divino

Wow

Una bella interpretación de este buen tenor ligero lirico y lo que falta es el agudo final.

Nemico della Patria?! È vecchia fiaba che beatamente ancor la beve il popolo. Nato a Costantinopoli? Straniero! Studiò a Saint Cyr? Soldato! Traditore! Di Dumouriez un complice! E poeta? Sovvertitor di cuori e di costumi! Un dì m'era di gioia passar fra gli odi e le vendette, puro, innocente e forte. Gigante mi credea... Son sempre un servo! Ho mutato padrone. Un servo obbediente di violenta passione! Ah, peggio! Uccido e tremo, e mentre uccido io piango! Io della Redentrice figlio, per primo ho udito il grido suo pel mondo ed ho al suo il mio grido unito... Or smarrita ho la fede nel sognato destino? Com'era irradiato di gloria il mio cammino! La coscienza nei cuor ridestar delle genti, raccogliere le lagrime dei vinti e sofferenti, fare del mondo un Pantheon, gli uomini in dii mutare e in un sol bacio, e in un sol bacio e abbraccio tutte le genti amar! e in un sol bacio e abbraccio tutte le genti amar! Or io rinnego il santo grido! Io d'odio ho colmo il core, e chi così m'ha reso, fiera ironia è l'amor! Sono un voluttuoso! Ecco il novo padrone: il Senso! Bugia tutto! Sol vero la passione!

Stunning!! Aragall exquisite

Immortale Bastianini !

Aragall parece un joven Pavarotti.

❤❤Magistral y Unica...Victoria.❤❤

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With Tauber, lost in paradise😢❤

gorgeous; no one like him today.

George London! Amfortas=God!❤

Amazing sound a true performer of the image of the germanic gods Wotan 😊

Ein wahrer Wotan!❤❤❤

Maravilloso, ¿qué otra cosa puedo decir? Svanholm era fabuloso, uno de los mejores, y sin embargo no estaba siempre del mismo "humor" y sus interpretaciones en vivo son mejores, más naturales y sentidas. En concreto, de Walther von Stolzing sólo parece existir completa una versión en sueco y de los años 60, momento demasiado tardío. ¡Esta versión es gloriosa! Y, además y viendo el reparto, con unos Sachs, Beckmesser y Eva de campeonato. „Keiner wie du so hold zu werben weiß"

Vielen Dank.

Um dos timbres mais bonitos que eu escutei na minha vida!

Awe-inspiring.

A God!!!

Non si può dire che una cosa....Franco Corelli sei stato unico e noi tutti ti rimpiangono.Grande artista,voce sublime,uomo unico nell'opera eccelso... sentirti cantare è come sentire un insieme di strumenti musicali

Great! IMHO, he was not true bass-baritone, he was bass with great top register (and that is not true definition of bass-baritone, true bass-baritone is between bass and baritone). His timbre is bit darker than Ghiaurov's. I have note pleasure to listen them live, so my oppinion is based on recordings.

Two giants of the opera world. De los Angeles, the best Lyric soprano of her time. Merrill the most beautiful baritone instrument ever.

Be grateful. The human voice really doesn't rise to greater wonder than this.