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Frenchie Color Grading
เข้าร่วมเมื่อ 31 ต.ค. 2011
Hi everyone !
Being a professional colorist, I would like to share with you some tips and tricks about color grading
Being a professional colorist, I would like to share with you some tips and tricks about color grading
Director explains how he EDITED this commercial ! - Black Friday MotionVFX
30% off MotionVFX with BW30 : mvfx.co/FrenchieColorGrading/BW2024
Thank you Sam Koay for coming and presenting your commercial !
If you want to follow his work, his instagram : @samkoaycreates
Thank you MotionVFX for sponsoring the video !
____________________
Let's catchup !
TH-cam : @frenchiecolorgrading
Instagram: frenchie_ct?hl=en
Website : www.frenchiecolor.com/
For business inquiries : contact@frenchiecolor.com
____________________
Time code:
0:00 Intro
0:09 MotionVFX
1:10 The commercial
2:20 Tutorial
2:54 Director explains the concept
4:00 Motion VFX Transitions
18:16 Last Notes on MotionVFX
19:00 Outro
Thank you Sam Koay for coming and presenting your commercial !
If you want to follow his work, his instagram : @samkoaycreates
Thank you MotionVFX for sponsoring the video !
____________________
Let's catchup !
TH-cam : @frenchiecolorgrading
Instagram: frenchie_ct?hl=en
Website : www.frenchiecolor.com/
For business inquiries : contact@frenchiecolor.com
____________________
Time code:
0:00 Intro
0:09 MotionVFX
1:10 The commercial
2:20 Tutorial
2:54 Director explains the concept
4:00 Motion VFX Transitions
18:16 Last Notes on MotionVFX
19:00 Outro
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Great live stream :)
Thanks ☺️
The rainbow was born today.
Ahhaha, thanks, you make me blush !
Thank you so much
Completely over my head! Based on every colorist video I have watched, it seems to me they make this foolishness way more complicated than it has to be. Theoretically, if you white balance and expose correctly, this stuff shouldn't be this complicated. And how does somebody that young, get to be a professional colorist?
Really liked to watch this explained episode. By the way i do like the look blueish given to your productions and would love to follow some teaching lessons about how you would color grading some iphone footages (there are so many differents ways on youtube). Thanks
I think this is a great idea of video !
Thanks for having me! 🎉🎉🎉
Always a pleasure to have you here !
Nice One !
Thanks !!!
Lol. love it
Is there anything the old panel can do that the new one can't? The price & portability aren't a huge deal for me as both are on sale and i only edit at home.
Super vidéos Frenchie ! Mais du coup petite question. Sommes-nous obligés de calibrer avec une sonde ? N’est-il pas possible de changer simplement le profil couleur de l’écran du Mac dans les paramètres comme le propose le Mac M1 ? Merci !
hello Frenchie, thanks a lot. I have a question about render accuracies. These days I have experienced that what I edit is different from the actual output. the output is very dark and washed out of colors. can you help me fix .. thanks !
sory not sure you are right, I tested couple of times and REC709-A looks only right working way to keep all same images on reference monitor and UI and players Quicktime and Browser Safari/Chrome, but when I choose 2.2 or 2.4 all gets diferent, if you able to show some test real pictures why 2.4 or 2.2. is only the right way, thanks! the main thing only Mac system color Sync can read right Color Tag, but other system like windows or other player just not able to see this info like it looks same any gamma
Blame Apple, not adhering to industry standards (as usual).
Thank you!
Is it at least 99% dci-p3 😅😅😅
When I apply the DCTL I get nothing. There is no other control below the effect other than the Global Blend and nothing changes in the image.
Thank you for sharing. I tried that out a while ago and personally If you want to go for that colour Separation look then it works. If you don’t then it’s not a neutral starting point. I also think it shifts the colours in a little unnatural way. So I think it’s not ideal as a neutral way
I went outside, but all I got is rain...
I'm gonna get it and play with it and see.. Thanks 😊
When I upload to instagram my colors don't look the same. I am using rec709 and gamma 2..2. What codec should I be selecting? h.264?
This tool is amazing. Thank you so much for sharing!
id love to see it with RAW files, it just give me a more vibrant touch in the file with a warmer WB, nothing very special, also keeping in mind that sony color space scks! compared to real RAW footage, can you do it with real RAW footage?
Merci!!! C’est le genre de pizza qui change la Life!!!
Interesting
Great work! I feel I am getting smarter with your videos … but only time will tell.
Very interesting approach, I will try to apply this to my footage and see what it does! There is a typo in your video description. We must download the file JP_2499_DRT.dctl and not JP_24499_DRT.dctl (with two 4s)
lil Frenchie!! live this drt. could you do a breakdown of all the controls, also, if I'm going for like a black bypass, should it be after the drt with all that color separation or before
0 seconds ago Have been using that lol you just discovered that choel ? wow is amazing tool i got to know about it on reedit when he posted that on the forum, thank you for explaining the use frenchie
Great video, Chloe! I'm so gutted this DCTL didn't work on my system (Windows) for some reason when I tried it. It looks really nice.
hey Marie, is your gpu AMD? that is the only gpu I am aware of that had issue but I fixed a few weeks ago , you should try again
@@juanpablozambrano8906 Hi Juan, thank you for your suggestion. My GPU is Nvidia 3080. But knowing you've updated the DCTL, I'll try again. Thank you so much for the heads up!
@@juanpablozambrano8906 Again great video, Chloe! I have davinci 18.6 on my mac m1 max and it doesn't work :(
it can create artifacts in high satuation when making all the parameter to "0" value
Yes, most other transforms do that by default and I do think that in some extreme scenarios maybe the colorist will want this result but it shouldn't be the default , hence why the default values are not all zeros , I could make it so this never happens but that could be creatively limiting in my opinion
thank you for clarification and what does 2499 log do and how i can use it
Is this still valid for color sensitive applications?
IMPORTANT NOTE : To download the dctl please click on the link Double click on the folder “Davinci Resolve” And download the DCTL : JP_2499_DRT.dctl If the download file has an extension “.dctl.txt”, remove the .txt in the extension to install it in Resolve
Nice content Frenchie! Thanks for sharing it!
Thank you for sharing! Great effect and well explained 🙏🏻👍🏻
❤❤😂😂😂
When I see some of the Big Hitters in Colour Grading discuss this version of gamma curve then I will consider it. But at the moment I'm happy with using CST's. If colours are too saturated, it only takes a second or two to make them play nicely in the vectorscope.
Cullen Kelly uses this DCTL in some workflows!
Dude JP2499 rocks, you’re missing out
@@hirobriquet I miss out on a lot of things. I have a handful of subs and tens of views per episode. I don't think a DCTL is going to rock my world when a Colour Space Transform does a good enough job converting my consumer camera log profiles.
@@onoratomedia Some!
@@frankinblackpool you don't have to see it as something that is magic , nor a complete replacement for the CST, I tried to make it as simple as possible and a bunch big and small productions have been getting great results with it without changing their workflow . One of the main goals of 2499 is to show that there are many ways to transform log footage , so people can explore and try new things that match their process
I heard Cullen Kelly mention this as well. Thanks for making a video about it so I can learn about it too.
Just tried it, definitely didn't work as I intended it to
And I'm learning with you! Thank you very much!
I’m confused, so if I use this DRT , I don’t need a CST to rec709 ? Thanks
Yes, the DRT is mapping the Rec709 output :) So in “output” you can choose “rec709 gamma2.4” in the JP2499 like I did :)
Great tutorial Frenchie!!!
😍🙏
Hmm the jp is awesome but i find annoying when im balancing the image the colors goes crazy because jp is trying to curve the colors towards yellow and the blue to cyan like the kodak film 2383 so personally people should have that in mind but anyways is a good drt overall 👌🏽
Agree, it works in jobs that require this introduction of “filmic look”
Yeah, I love the look, but it really changes the colors. It's suited for some works, but not all
@@marinacgmb Yup totally intended to be the case , you have some control with the knobs but not all footage is made to work well with 2499 as that is very hard, I tried to make it as broad as possible but one can only go so far. If I were to work on a production I would build a totally different DRT specifically for that project but not everyone can do that so 2499 give a bit of control but not all.
A pizza pitch, now there’s an idea!
Something to dig more on ahahha
@ If the next ResolveCon is in person, I sense a huge collab.
Ahahahh, pizza hut collab 😂
Nice!