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Oz Fritz
เข้าร่วมเมื่อ 17 ก.พ. 2014
Deleuze: 34th Series of Primary Order and Secondary Organization
This series begins by looking at the development of the phantasm as a pendular motion swinging between the two extremes of the metaphysical surface and the partial objects and drives in the depths. The greatest danger is the collapse of the surface into the depths. The greatest potential lies in the constitution of a metaphysical surface of great range on which even the objects of the depths are projected.
Deleuze calls this pendular motion the forced movement of the phantasm; this forced movement increases its amplitude. The full amplitude brings about the metaphysical surface which he also calls Thanatos or the Death Instinct. Deleuze defines the Death Instinct differently than Freud - not as a wish for death but a wish to go beyond death.
He envisions a struggle between Thanatos, or the metaphysical surface and the destructive drives of the depths. If the metaphysical surface wins out then an infinitive verb or an Eternal Truth gets inscribed on this surface. What Lewis Carroll calls "Impenetrability" and "Radiancy" gets actualized.
Impenetrability comes from the 6th chapter in "Through the Looking Glass," and is uttered by Humpty Dumpty. Examples of Radiancy can be found in Carroll's poems:
"Phantasmagoria": www.gutenberg.org/files/651/651-h/651-h.htm
"Dreamland": www.netpoets.com/classic/poem/013010
"Beatrice": pinkmonkey.com/dl/library1/carol11.pdf
In the infinitive verb inscribed upon the metaphysical surface, the secondary organization is brought about and from this organization, the entire ordering of language. This allows the event as that which can be expressed.
The sexual organization is a prefiguration of the organization of language just as the physical surface was a preparation for the metaphysical surface.
Perversion is an art of the surface as opposed to subversion as a technique of the depths. Most sexual crimes are subversion not perversion.
The real problem of perversion (radical change) is shown correctly in the essential mechanism which corresponds to it, that of "Verleugnung" (denial). Verleugnung is not an hallucination, but rather an esoteric knowledge.
Primary order goes from the beginning sounds and noises in the depths then to the voice on high followed by speech then language. Words are directly actions and passions of the body. They are demonic possession or divine privation.
In relation to the voice, words can reach an excessive equivocation. (Perhaps the best example gets found in Joyce's "Finnegans Wake".)
An equivocation which ends equivocity and makes language ripe for something else. This something else is that which comes from the "other" , desexualized and metaphysical surface - the revelation of the univocal, the advent of Univocity - that is, the Event which communicates the unvocity of being to language. Humor constructs all univocity.
The dynamic genesis doesn't end. There is the problem of the work of art yet to come. A construction of "Music für ein Haus."
See Karlheinz Stockhausen's 1968 group composition project:
"Music für ein Haus":
en.wikipedia.org/wiki/Musik_f%C3%BCr_ein_Haus
Deleuze calls this pendular motion the forced movement of the phantasm; this forced movement increases its amplitude. The full amplitude brings about the metaphysical surface which he also calls Thanatos or the Death Instinct. Deleuze defines the Death Instinct differently than Freud - not as a wish for death but a wish to go beyond death.
He envisions a struggle between Thanatos, or the metaphysical surface and the destructive drives of the depths. If the metaphysical surface wins out then an infinitive verb or an Eternal Truth gets inscribed on this surface. What Lewis Carroll calls "Impenetrability" and "Radiancy" gets actualized.
Impenetrability comes from the 6th chapter in "Through the Looking Glass," and is uttered by Humpty Dumpty. Examples of Radiancy can be found in Carroll's poems:
"Phantasmagoria": www.gutenberg.org/files/651/651-h/651-h.htm
"Dreamland": www.netpoets.com/classic/poem/013010
"Beatrice": pinkmonkey.com/dl/library1/carol11.pdf
In the infinitive verb inscribed upon the metaphysical surface, the secondary organization is brought about and from this organization, the entire ordering of language. This allows the event as that which can be expressed.
The sexual organization is a prefiguration of the organization of language just as the physical surface was a preparation for the metaphysical surface.
Perversion is an art of the surface as opposed to subversion as a technique of the depths. Most sexual crimes are subversion not perversion.
The real problem of perversion (radical change) is shown correctly in the essential mechanism which corresponds to it, that of "Verleugnung" (denial). Verleugnung is not an hallucination, but rather an esoteric knowledge.
Primary order goes from the beginning sounds and noises in the depths then to the voice on high followed by speech then language. Words are directly actions and passions of the body. They are demonic possession or divine privation.
In relation to the voice, words can reach an excessive equivocation. (Perhaps the best example gets found in Joyce's "Finnegans Wake".)
An equivocation which ends equivocity and makes language ripe for something else. This something else is that which comes from the "other" , desexualized and metaphysical surface - the revelation of the univocal, the advent of Univocity - that is, the Event which communicates the unvocity of being to language. Humor constructs all univocity.
The dynamic genesis doesn't end. There is the problem of the work of art yet to come. A construction of "Music für ein Haus."
See Karlheinz Stockhausen's 1968 group composition project:
"Music für ein Haus":
en.wikipedia.org/wiki/Musik_f%C3%BCr_ein_Haus
มุมมอง: 83
วีดีโอ
Deleuze: 33rd Series of Alice's Adventures
มุมมอง 127ปีที่แล้ว
In this Series Deleuze plugs "Alice's Adventures in Wonderland," and "Through the Looking Glass" into the three orientations of the dynamic genesis: the depths, the heights, and the surface. He mentions the circular mushroom that causes Alice to grow or to shrink depending upon which side she eats from. This circles the reader back to the very beginning of "The Logic of Sense" as that's how the...
Deleuze: 32nd Series on the Different Kinds of Series
มุมมอง 76ปีที่แล้ว
The 32nd Series returns to earlier concepts in "The Logic of Sense" but this time in the context of Freudian psychology and analysis. The serial form begins with the release of the sexual drives. It talks about three different kinds of series and the type of synthesis they provide; the connective, conjunctive and dynamic syntheses. It recapitulates the dynamic genesis of the developing child le...
Deleuze: 31st Series of Thought
มุมมอง 67ปีที่แล้ว
This Series looks at the process of the phantasm engendering thought. A narcissistic wound or trace of castration causes desexualized/neutral energy to create a metaphysical/cerebral surface resulting in thought. This metaphysical surface of thought is invested by the sexual surface of the body (sublimation) and by the objects of the depths and the heights (symbolization). Deleuze uses a metaph...
Deleuze: 30th Series of the Phantasm
มุมมอง 159ปีที่แล้ว
Deleuze first presents his interpretation of the concept of the phantasm and its relation to sense. He comes from a Freudian point of view saying that psychoanalysis is the science of the event. He goes into three characteristics of the phantasm in this series and continues the discussion of it in the next series. 1. The phantasm is the resultant of an action (outer) and a passion (inner) and r...
Deleuze: 29th Series - Good Intentions Are Inevitably Punished
มุมมอง 115ปีที่แล้ว
The 29th Series continues looking at the process of the dynamic genesis. It continues directly from where the 28th Series leaves off speaking of Oedipus as the hero of the surface. The good intentions concerns Oedipus restoring the image of the mother from the depths and evoking the father image of the heights to produce the surface. The surface is where the development of the ego mostly occurs...
Deleuze: 28th Series of Sexuality
มุมมอง 103ปีที่แล้ว
This series continues the dynamic genesis looking at infant psychology in the first year of life. Sexuality is Melanie Klein's third position after the paranoid/schizoid position of the depths and the manic-depressive position of the heights. The sexual position produces the surface, the meeting place of bodies and language. The sexual position gets formed by libidinal energy getting freed from...
Deleuze: 27th Series of Orality
มุมมอง 86ปีที่แล้ว
Series 27 begins Deleuze's deep dive into psychoanalysis looking at a process he calls the dynamic genesis. He bases it on the theories of Sigmund Freud, Jaques Lacan, and Melanie Klein. Klein and Freud are most obvious here. It's very helpful to get some background on Klein's work to understand what's going on: A basic primer video on Klein's theories: th-cam.com/video/Sv-iJc8c52E/w-d-xo.html ...
Deleuze: 26th Series of Language
มุมมอง 84ปีที่แล้ว
Deleuze begins this series with the statement that "Events make language possible." This describes, in a general way, the subject for the rest of the book. This series marks a dividing line or a major inflection point in "The Logic of Sense" as he shifts his focus to psychoanalysis in the next series and stays with it until the Appendices. Deleuze performs his philosophy with the form of the bo...
Deleuze: 25th Series of Univocity
มุมมอง 1682 ปีที่แล้ว
Deleuze gives his ontology in this series as Univocity or Univocal Being. "The univocity of Being signifies that Being is Voice, that it is said, and that it is said in one and the same "sense" of everything about which it is said." This sense is that of the eternal return. With the affirmation of divergence and disjunction as a positive synthesis, the problem has changed. It no longer appears ...
Deleuze: 24th Series of the Communication of Events
มุมมอง 1402 ปีที่แล้ว
Deleuze begins this series by examining causality dividing it into the causality of bodies in their depths (and the depths can go down to the quantum level), and the causality from the incorporeal effects that result - quasi-causality. Destiny results from both causes from bodies and quasi-causality. The former acts from necessity, but this shifts in quasi-causality to expression. Moving from n...
Deleuze: 23rd Series of the Aion
มุมมอง 3272 ปีที่แล้ว
This series discusses Deleuze's two opposing readings of Time, Chronos and the Aion. Chronos is presented from the point of view of Plato's philosophy. Chronos is circular, encased by God. Chronos, the present, is the time of mixtures and blendings and corporeal causes. The Stoics distinguished between good and bad mixtures, whether they spread order or chaos. The "bad mixtures" Deleuze calls t...
Deleuze: 22nd Series - Porcelain and Volcano
มุมมอง 982 ปีที่แล้ว
In this series Deleuze explores a concept he calls "the crack," a crack in the surface organization. He uses F. Scott Fitzgerald's memoir piece, "The Crack-Up" as a jumping off point. In it, Fitzgerald discusses the disintegration of his life comparing it to a cracked plate (porcelain). He also looks at the crack through Malcolm Lowry's novel "Under the Volcano." " Deleuze attributes the crack ...
Deleuze: 21st Series of the Event
มุมมอง 1732 ปีที่แล้ว
Transforming hardship like a Stoic. Illustrated with the story of French poet Joe Bousquet and his wound. How he apprehended the universal truth of the pure event of his wound and through Will became a quasi-cause for transmuting it into something else; in his case, becoming a poet and writer. The only ethics worth having - to be not unworthy of what happens to you. This relates with Nietzsche'...
Deleuze: 20th Series on the Moral Problem in Stoic Philosophy
มุมมอง 1282 ปีที่แล้ว
This chapter concerns the spatio-temporal actualization of the event into a state of affairs. The Stoic master wills the embodiment of the event into a limited present. The Stoic master identifies with the quasi-cause (events causing other events) to will the embodiment of the event. This also becomes the representation of the event. This willing of the event seems a dramatisation with the Stoi...
Deleuze: 18th Series of the 3 Images of Philosophers
มุมมอง 922 ปีที่แล้ว
Deleuze: 18th Series of the 3 Images of Philosophers
Deleuze: 17th Series of the Static Logical Genesis
มุมมอง 942 ปีที่แล้ว
Deleuze: 17th Series of the Static Logical Genesis
Deleuze Logic of Sense 16th Series of the Ontological Genesis
มุมมอง 1412 ปีที่แล้ว
Deleuze Logic of Sense 16th Series of the Ontological Genesis
Deleuze Logic of Sense 14th Series of Double Causality
มุมมอง 1222 ปีที่แล้ว
Deleuze Logic of Sense 14th Series of Double Causality
13th Series of the Schizophrenic and the Little Girl
มุมมอง 1342 ปีที่แล้ว
13th Series of the Schizophrenic and the Little Girl
Gilles Deleuze Logic of Sense 10th Series of The Ideal Game
มุมมอง 1262 ปีที่แล้ว
Gilles Deleuze Logic of Sense 10th Series of The Ideal Game
Deleuze Logic of Sense 15th Series of Singularities
มุมมอง 2092 ปีที่แล้ว
Deleuze Logic of Sense 15th Series of Singularities
Deleuze Logic of Sense Eighth Series of Structure
มุมมอง 1592 ปีที่แล้ว
Deleuze Logic of Sense Eighth Series of Structure
Gilles Deleuze Logic of Sense 7th Series of Esoteric Words
มุมมอง 2082 ปีที่แล้ว
Gilles Deleuze Logic of Sense 7th Series of Esoteric Words
Deleuze Logic of Sense 6th Series of Serialization
มุมมอง 1902 ปีที่แล้ว
Deleuze Logic of Sense 6th Series of Serialization
Deleuze Logic of Sense Fifth Series of Sense
มุมมอง 2602 ปีที่แล้ว
Deleuze Logic of Sense Fifth Series of Sense
Thank you so much for this video
these really are wonderful, so much better expressed than any other guide could.
I just don't get on what basis Deleuze posits these stages of dynamic genesis? Take BWO it's clearly not based on a report by an infant, who cannot speak so is there some logical or Causal necessity for the organizing processes in infant development to be imagined that way, no neuroscientist that I know is in need of such an absurdity, or good object of the heights? not to say anything about the phallus?
Your videos are helping me a lot! Deleuze is very hard and you're manking this softer
Ra-Hoor-Khuit is also a god of War.
Your French probably would not have been up to the task. | dəlœz / fontəne: | 𝕹𝖎𝖊𝖙𝖟𝖘𝖈𝖍𝖊, ə not i || You Americans can't bother to do the extra quarter hour of research to get the names right. 😅
Thank-you for commenting and pointing out my mispronunciation. Pardon my non-French. My French or lack thereof has nothing to do with the task.
I thought he was refering to Gombrowicz's novel Cosmos, because earlier he said about its plot(hanging of sprrow with its esoteric meaning)
I really don’t understand why “being an entity means it’s alive.” There’s nothing in the text, at least thus far, that indicates this. Also, Deleuze isn’t just talking about creative thought. I don’t know where you’re drawing that from either. Deleuze talks about thought in general. Thought, in general, is forced upon the thinker; even habitual and repetitive thought. That quote literally just says that we stop to think when there are contrary things in our view, not just paradoxes, although paradoxes can be things that seem contrary to themselves. Also, what? Deleuze doesn’t want to give rid of transcendental ideas. In D&R he goes into the whole notion of Ideas and how they’re actualized as transcendental conditions. It’s just not the same model as Plato where it’s not a different realm but an imminent becoming. It’s the back and forth between the virtual and the actual through the intensive. But the catalyst is very much these transcendental Ideas that are actualized. Hence his association with the term “transcendental materialist.” He does what Marx does to Hegel to Kant and Plato I don’t understand your reading of Deleuze at all. It seems so far off.
Non existent entity is right out of the stoics. Incorporeal realities. For the stoics everything is real but does not necessarily exist. Being an entity doesn’t imply life. Not sure where you pulled that from. Pretty crazy presupposition though.
Hylozoism represents the doctrine that everything is alive whether organic or not. I'm not sure where I originally got it from either. Could have been Heraclitus, Spinoza, Taoism or perhaps somewhere else. The last sentence on the Wikipedia page for Hylozoism reads: "The metaphysics of Gilles Deleuze has been described as a form of hylozoism." You can go to the page and find the citation for that "crazy pre-supposition." en.wikipedia.org/wiki/Hylozoism
Promo sm
Thank you Oz, it was very wonderful to be on this journey with you!
You're welcome
That quote at the ending refers back to Fitzgerald's »The crack-up«.
Thank-you!
Thank you very very much sir
You're most welcome.
Wow, this series is just what I have been looking for! I have spent the whole summer reading The Logic of Sense without following any proper guide or class. I have a foundational knowledge of continental philosophy, but I must admit that Logic of Sense was a hard nut to crack. However I feel like I did understand some of the liguistic, ontological and psychoanalytical elements of the series, but when Deleuze compares his thougt to other philosophers, I really get lost - probably because of my still limited knowledge of philosophy. Finding this series really motivates me to continue my studies, and get back to reading more. I will start from the beginning and follow your videos, and see what happens. Thank you so much!
You're welcome. Thanks for your comment.
If you haven’t read Twain’s Diary of Adam and Eve you most definitely should, I trust you’ll draw the connections
Thanks for the recommendation. I love MT but haven't read his title.
In Logic of sense Deleuze is not explaining how things come to existence but how sense is generated (sense genesis). Sense is not a thing, it is incorporeal, and since language is insuficient, he explores the methapysical and psycoanalitical genesis and structure of sense. In Diference and Repetition it might be acceptable the argument that he is trying to explain how things come to existence. More, the book is not divided in paradoxes but SERIES! and that is different, why? series operate in structure where 2 or more series are interrelated and in interrelation and in some cases there is a paradoxe. Anyway congratulations, u are already a legend bcs this mf is hard to understand and this type of content is good content and rare.
You wouldn't happen to be related to John Malkovich are you? Love the video!
No, I'm not , but I've heard that before.
Thank you. These videos are so helpful!
It's pronounced "dahlet" 😊
Duality??
@@ozfritz539 the 4th letter of the Hebrew alphabet, "dahleth" not "dayleth"
I looked at your blog but still can't figure out how S and C add up to 68 by gematria. They certainly don't by using the Hebrew letter equivalent, unless you make C correspond to ח, cheyt, which would be kind of bizarre.
Using Qabalah Golden Dawn style, C can correspond with either Kaph or Cheth, usually, but not always, a soft C for the latter. This way of reckoning appears to originate with Rabelais when he writes of "Sainte Chapelle" Book 3, chapter 15. More info in the link posted about Deleuze and 68
@@ozfritz539 wow. Wreaking havoc in the Hebrew, is Rabelais? Cheyt, the eighth letter of the Hebrew alephbeit is very far from any C sound, it's a guttural H.
@@jakobson219 How about a gutteral ch sound? Rabelais was far from the only one to drift from traditional Hebrew kabbalah.
@@ozfritz539 this is not about kabbalah it's about linguistics. So Rabelais didn't know what sound was behind the letter ח. Must we all follow him in his mistake?
@@jakobson219 Ok, we're talking about different things then. I am not talking about linguistics, I am talking about Qabalah. For this blasphemous bastardization of traditional kabbalah see "777 and Other Qabalistic Writings" by Aleister Crowley. See the chart in the back, English equivalent of Hebrew Letters. The different ways of spelling Kabbalah or Cabbala or Qabalah indicate different ways of using The Tree of Life and Gematria. If you want to call these differences mistakes because it doesn't agree with how you see it, fine. In Deleuzean terms, you see kabbalah as arborescent - one particular way, a set form. Writers who followed Rabelais in his "mistake" include James Joyce, Thomas Pynchon and Robert Anton Wilson that I know of.
Following. Thank you for this! (Would be a good idea to create a playlist for this series)
Thanks for the suggestion
Great series. Thanks for making these
I actually enjoyed this chapter
These are so helpful. Please keep making them
Thank-you, I will.
Very helpful
This book is insanely tough…even by studying and understanding what he’s saying I still don’t really have a deep grasp of wtf is going on and why it even exists in the first place. The deeper meaning is lost on me. I wish he would “ground” the end of each series with a broader implication because it feels insanely myopic. I’m absolutely floored and intrigued by the depth of each sentence but I keep having fleeting thoughts of this entire effort being pointless categorization and over complicating simple concepts. I thought I was really intelligent before handling this book. Maybe it wasn’t the wisest choice as my intro to Deleuze.
Man this book is tough. I’m understanding each chapter upon re-reads but failing to understand what the broader implication or meaning is. I know what he’s saying but not what he’s SAYING. Hopefully things iron out as I progress.
It does get easier with repetition.
@@ozfritz539 what about difference?
@@Whocares1987 Yes, you learn something different every time.
@@ozfritz539 difference and repetition…was my attempt at a joke
@@Whocares1987 I thought so.
Just found your channel! Love your comprehensive analysis and review of Delueze's work! More impressive still is that though your channel doesn't have much of an audience to appreciate these videos, it's only that much more impressive that you continue to make the effort of putting out new videos. I have a limited data plan on my phone, so I'm definitely going to be downloading these videos to watch offline. I suppose there must be some channels in French that cover the same material, but alas... I don't speak French. So, thank you for your contribution, and keep up the good work!
Thanks for watching!
Based on your videos, I have just ordered the book, and will look forward to watching your series in conjunction with my reading. Many thanks.
You're welcome.
Playback at x1.5.
Grow up
@@MatauReviews How tetchy of you! I find it very useful to accelerate the pace on various videos, and I appreciate being notified when it’s appropriate by others who have done the same. It’s pretty presumptuous of you to think it’s a criticism. Don’t be a dick.
@@Anabsurdsuggestion I’m criticizing YOU for doing something like this. But I’m glad you and the other amphetamine-addled children can find each other in the comments. But I don’t care that badly. Do what you will, I just find it insufferable in any context to watch something at double speed or even 1.5. Like it’s a TikTok compilation or a Netflix original or any other algorithmic slop you wanna name. It is disrespectful to me but fair enough. It’s not a criticism to suggest that something is too slow and meandering or that someone speaks too slowly for your liking so adjusting the Playback Speed will be necessary. Okay! Sorry I was ornery. Hope you have a good day
Thank you !
Nice, thanks. I agree, a video like this was needed, I hope you'll follow up
Thank-you. Yes, I plan to have a video for all the series. I'm up to Series 26 on Language which I'm about to post.
@@ozfritz539 great :)
Hello! I've been working on a Blur documentary / retrospective project along with a friend, and we're currently looking over a section on a 2000 studio session with your longtime friend, Bill Laswell. One of the cover arts for a Blur CD ("Rarities Four") displays your name, credited as an engineer for both tracks "1", and "3". Do you have any recollections of the studio sessions, or general impressions of the band? If so, how did the band reach out to you and Laswell? What was the process like? On a side note, these videos have helped me get an introduction into Deleuze's work while in my downtime. Thank you very much!
Hi! Thanks for watching these Deleuze videos. Yes, I remember the sessions. Someone from Blur or their office reached out to Laswell to do some bonus tracks for a greatest hits compilation and he contacted me to engineer it. I believe we worked at the Island records studio in London? We tracked all the instrumentation with the band for two songs. Damon Albarn was around on the first day. I remember him and Bill talking for awhile in the studio about world music, I believe, I didn't hear the conversation. We arrived on the third day record his vocals. Damon was already in the studio apparently writing lyrics. He asked us if we could give him another hour so we walked down to a local pub and had a beer. We came back to the studio 90 minutes later to find that Damon had split. A half hour after that we got a call from his manager saying that Damon was going through some stuff, nothing to do with us, he had just gone through or was going through a romantic break-up and that he didn't have his lyrics ready so wouldn't be back to record anything. So we had the rest of the day off and the following day as we were supposed to mix, but the tracks had no vocals to mix. I never heard what happened to the tracks we recorded. Glad to hear they finished and released it. It's a bonus that I got a credit. I hope the songs came out well. I wasn't involved with Blur after that and I don't think Bill was either. Good luck with your doc, I'll keep my eyes open for it.
Really enjoyed, and found this very helpful for, my research- Thank you
Thanks for letting me know.
Thanks for making this series. Very helpful.
Thanks for watching.
Deep and scholarly !!
Thank-you
Please Oz, keep up these magnificent lectures on Deleuze!! Also, wish you a happy new year❤️
Posting a new one now. Happy New Year to you too!!
Thank you so much for this elucidating introduction to the enigmatic text!
You're welcome
It's at least somewhat remarkable that there are 34 series in Logique du Sens and 34 rows in the tables in 777
Indeed. I believe Deleuze had qabaliatic considerations when constructing the form of Logique du Sens.
(TH-cam deleted my first version of this.) Finally made it back, Oz. This is pretty heady stuff for three pages of writing. I jotted down a question about how Deleuze views Platonism and you cleared up my questions at the end of the video. I've always been curious about the hostility I sense from some thinkers towards Plato, perhaps I am too distant from the realms where Plato is king to understand. To me, when occult historians highlight neo-Platonism as a clear example of ancient magical philosophy, I wonder why they don't just include Platonism as well. I've also thought that philosophies which are predicated on the idea that language is part of the fundament of reality have more in common with Platonic idealism as well, but perhaps that simply the non-materialist angle of both ideas. I appreciate the metaphor of the looking glass at the end which helped me understand that Deleuze isn't throwing away any bathwater, but simply trying to drink it. Or something like that. As for the paradoxes discussed by Deleuze and yourself: I've always found the White Queen's cry of pain disconcerting. I guess I eventually interpreted it as a commentary on Newton's Third Law, contrarywise. As for "the stability of the universe is change," I've always felt like this is a commentary on human perspective versus the macrocosmic workings of the universe. "The Ten Secret Joys of the Master," from Khaled Khan's The Heart of the Master is one of the most profound statements on magical philosophy I have been exposed to over the years. Will Parfitt, the psychosynthesist, has an excellent meditation based around it in his The Living Qabalah. While discussing "becoming female" in your video, it reminded me of Wilson's assertion that Joyce arrived at his "agnostic enlightenment" by pondering deeply what it would be like to be a woman in Masks of the Illuminati. I don't remember reading that in Ellman, who I should reread, but I always thought it must have some weight, considering the Penelopiad. Last week I was thinking about Godel, Escher, Bach and looked up Carroll's "What the Tortoise Said to Achilles," and its all still Greek to me. I was never very apt at comprehending/grokking Xeno's paradoxes to begin with.
Thank-you for the thoughtful comment. Yes, Deleuze doesn't intend to reject Platonism but rather reverse it. Elsewhere, he maintains that Plato himself provides the key for this reversal. I sometimes think of it like Newtonian physics after Einstein came along though the correspondences are far from exact. I've also not seen the notion of Joyce pondering being a woman in Ellman. Joyce appears key in "Logic of Sense" in the later series, particularly the 6th. "Becoming-woman" appears an important concept in Deleuze and Guattari's, "A Thousand Plateaus." I'll have to take another look at "The Ten Secret Joys of the Master."
『p』『r』『o』『m』『o』『s』『m』 🏃
Thank you so much for still doing this!
You're very welcome.
Helped a lot, thanks.
Thank-you
Thank you very much for this elucidating lecture on Deleuzian singularities.
You're most welcome.
Hey Oz! This is great, you have a great demeanor and pacing. I'm still waiting on my copy of Logic of Sense to come in, probably will be here next week. In the meantime: Have you read Deleuze's book on Bergson? I didn't know it was what led to his late-century reevaluation (not that it seems to have lasted). I really enjoyed "Creative Evolution" and find Bergson to be one of the more uplifting philosophers. Also, I'm sure you know this, but his sister was "Moina" Mathers nee Mina Bergson, the shadow director of the Golden Dawn. Re: Carroll I went through my phase with Rev. Dodgson when I was twenty, a little older than the recommended age for his books, because of John Crowley's "Little, Big." I had reread "Alice" and "Looking Glass" a few years earlier on Crowley's recommendation, I'll revisit that in a second, but it wasn't until then that I read his complete works. "Sylvie and Bruno" is wildly underrated and as funny (and occasionally as weird) as his earlier works and poetry. I haven't read any biographies of Carroll but I've read a lot about him (although, I still can't say for sure), but I'm pretty sure he wasn't directly inspired by Qabalah. I think that was more Crowley's projection onto his works...not that that means anything. [Much as Samuel and Moina Mathers *made* the tarot deck magical by aligning it so perfectly with the Qabalah, Crowley or his children can make Carroll Qabalistic using the same methodology.] Carroll was writing about non-Euclidean mathematics which seems close enough to Qabalah in spirit, especially for someone as adept in gematria as yourself. I believe both Wilson and Regardie reiterated that Carroll's famous works were great Qabalah texts, but I don't believe that was the author's intent. However, I will always maintain that the Humpty Dumpty chapter in "Through the Looking Glass" is one of the best treatises on linguistics and specifically the apprehension of language ever penned. I look forward to learning more! Kallisti!
Gregory, I really appreciate the feedback on my delivery which I'm very critical of but imagine and hoping that I'm getting better. Yes, I've read Bergsonism by Deleuze, it's great, your comment makes me wish to read it again. I didn't know it caused a re-evaluation, but am not surprised. He did the same with his book on Nietzsche in the early 60s. I highly recommend that one too. I did know about the Mathers connection. Bergson also married the cousin of Marcel Proust and had a huge influence on Proust. Through family, Proust connects with Mathers. One of his volumes ends basically with a Golden Dawn. Excellent that you'll soon have The Logic of Sense book. There's only so much I can put in the videos trying to keep the length of them down. Reading the book also alters consciousness, it is a grimoire. Reading "The Hunting of the Snark" along with the series of Esoteric Words I found to be quite mind expanding, etc. etc. I don't think Carroll consciously put Qabalah in his children's stories nor do I think Crowley et al projected it on to him. Other people have seen Qabalah in it independent of Crowley. I call it invocational writing when things come in outside the writer's consciousness. Joyce seems a great example of that, but so does RAW. Carroll was a member of the Society for Psychical Research so would have had an open mind. I also don't think Carroll consciously put in all the Stoic philosophy Deleuze finds there. I wrote an essay that elaborates invocational Qabalah: oz-mix.blogspot.com/2011/07/invocational-qabalah.html
@@ozfritz539 The essay looks great, can't wait to read it! I did not know Carroll was a member of the Society of Psychical Research, that's really neat! (I also didn't know about the Mathers-Bergson-Proust connection. Which novel are you referring to? I've only read "Swann's Way."
@@Ilmarienfeynman It's at the very end of "Within A Budding Grove," the second volume of "In Search of Lost Time." It reminded me of the Golden Dawn the first time I read it.
Thank you so much for taking the time of making all these videos on such great book (And the resources). That last reference to Pynchon just makes one's day!
You're welcome. Thanks for watching and commenting.
I would really love to see the rest of the episodes as there is so little videos of this book.
Working on it at about a rate of one a week, or two weeks maximum. After this one it goes back to the 10th Series of the Ideal Game. Next up is the 11th Series of Nonsense hopefully up later today.
Helpful examples at the end. Thank you. I'm appreciating this whole set of videos.
Thank-you for watching.
@@ozfritz539 me too….you’re literally the only person on TH-cam breaking down each series
Lovely to see a bit of your book collection in the background. Also this picture of the Day of the Dead, is the one used as a front cover of my Penguin edition of Under The Volcano. I remember reading your piece on this book and the pandemic. -Spookah
Thanks for the series Oz! Would be cool if that was Kerouac's Vanity of Duluoz behind you😃😃😃
Thank-you dharmahum The Kerouac book behind me is called "Some of the Dharma" and is a collection of his Buddhist notes and things.
Try as I looked I couldn't figure it out and I have the book but its a larger version! Goes well with his book of paintings. With all of your reading and symbology, would love to get your take in a video someday on the analytic view of word and representation ala Wittg. and the possibilities of language/meaning through music. @@Bhavani33