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Ernst Ströer - The Drumming of the Gods
Germany
เข้าร่วมเมื่อ 30 พ.ย. 2018
Welcome to the TH-cam Channel of Ernst Ströer, Percussionist, Hand Drummer, Composer, Producer, Lecturer and Author.
„South Indian Music is an enormous cultural treasure and a great gift to the world, going back to the Indian gods. The rhythms, techniques and sounds of South Indian percussions build a cosmos on their own - beautiful, complex and awe inspiring. I like to share my personal approach on what and how to practice, unusual setups and ways to combine and crossover the musical worlds of South India and the West. Enjoy!“
„South Indian Music is an enormous cultural treasure and a great gift to the world, going back to the Indian gods. The rhythms, techniques and sounds of South Indian percussions build a cosmos on their own - beautiful, complex and awe inspiring. I like to share my personal approach on what and how to practice, unusual setups and ways to combine and crossover the musical worlds of South India and the West. Enjoy!“
Mridangam - Korvai 14
This is a variation of a wonderful Korvai played by the great Shri B. Harikumar. It involves a lot of different strokes and techniques. The pauses are getting shorter with every round of the Korvai. Each time I play it, it reminds me to rehearse … ;-) Enjoy!
Prequel
Since I was a child, I wanted to dive into the secrets of Indian Music. The band „Shakti“ had infected me with this enjoyable virus. But when I set out to become a professional drummer, percussionist, producer and composer at the age of 17, there were many other things that needed and still need to be done. Have a look here if you like:
www.estroer.de/home.html
In 2012, I came across a series of educational DVDs by Dr. Umayalpuram Sivaraman, one of the great old masters of the South Indian Mridangam. I instantly ordered a Mridangam directly from India and began to practice. In 2013, I luckily got to know Rohan Krishnamurthy, one of the great young masters of South Indian drumming. His playing is outstanding and a steady inspiration. Together, we did two workshop tours in Germany and Austria before Corona came up. All I had learned so far, I put into my book „The Drumming of the Gods“.
„The Drumming of the Gods“ is not about playing Mridangam, it’s about what you learn in India before you start to play your instrument - Solkattu, the Indian drum language.
An english version of the book is available at Google Play:
play.google.com/store/books/details?id=So8kEQAAQBAJ&pli=1
I never had the ambition to turn into „kind of“ an Indian musician - far too big is my respect for the huge and wonderful cosmos of Indian music and Indian musicians. I simply try to combine everything I had learned so far on my own experience with the instruments and possibilities of South Indian Music - an enormous cultural treasure and a great gift to the world, going back to the gods.
„The Drumming of the Gods“ is also a musical project. It offers a garden for musical flowers of all kinds, linked by the fusion of Western and Indian flavors. Watch out on all streaming services. Enjoy!
Prequel
Since I was a child, I wanted to dive into the secrets of Indian Music. The band „Shakti“ had infected me with this enjoyable virus. But when I set out to become a professional drummer, percussionist, producer and composer at the age of 17, there were many other things that needed and still need to be done. Have a look here if you like:
www.estroer.de/home.html
In 2012, I came across a series of educational DVDs by Dr. Umayalpuram Sivaraman, one of the great old masters of the South Indian Mridangam. I instantly ordered a Mridangam directly from India and began to practice. In 2013, I luckily got to know Rohan Krishnamurthy, one of the great young masters of South Indian drumming. His playing is outstanding and a steady inspiration. Together, we did two workshop tours in Germany and Austria before Corona came up. All I had learned so far, I put into my book „The Drumming of the Gods“.
„The Drumming of the Gods“ is not about playing Mridangam, it’s about what you learn in India before you start to play your instrument - Solkattu, the Indian drum language.
An english version of the book is available at Google Play:
play.google.com/store/books/details?id=So8kEQAAQBAJ&pli=1
I never had the ambition to turn into „kind of“ an Indian musician - far too big is my respect for the huge and wonderful cosmos of Indian music and Indian musicians. I simply try to combine everything I had learned so far on my own experience with the instruments and possibilities of South Indian Music - an enormous cultural treasure and a great gift to the world, going back to the gods.
„The Drumming of the Gods“ is also a musical project. It offers a garden for musical flowers of all kinds, linked by the fusion of Western and Indian flavors. Watch out on all streaming services. Enjoy!
มุมมอง: 66
วีดีโอ
The Drumming of the Gods - A lesson book on Solkattu
มุมมอง 8921 วันที่ผ่านมา
The english version is available now at Google Play: play.google.com/store/books/details?id=So8kEQAAQBAJ&pli=1 South Indian Music is an enormous cultural treasure and a great gift to the world, going back to the Indian gods. The rhythms, techniques and sounds of South Indian percussions build a cosmos on their own - beautiful, complex and awe inspiring. My book „The Drumming of the Gods“ offers...
Mridangam - Korvai 12
มุมมอง 173หลายเดือนก่อน
This is a tricky one. The two parts of this Korvai in Rupaka Chapu Tala (3 beats per Tala) are played in different Gathis. Part 1 of the Korvai is played in Thisra Gathi (6 subdivisions per beat) for 18 beats. Part 2 of the Korvai is played in Sankima Gathi (9 subdivisions per beat) for 17 beats. In sum the Korvai only covers 35 beats - one beat too short to fit into the Rupaka Chapu Tala schem...
Mridangam - Chaabi Modulation
มุมมอง 1062 หลายเดือนก่อน
Chaabi is a traditional marrocian groove, usually played on marrocian instruments. Usually, its played in 6/8 (Thisra Gathi). Here, I start by playing a Khanda Gathi version (5 subdivisions per beat). Then I go on to the original groove in Thisra Gathi (6 subdivisions per beat), moving on to a Misra Gathi version (7 subdivisions per beat) and finally to Chatusra Gathi (8 subdivisions per beat)....
Mridangam - Korvai 11
มุมมอง 2153 หลายเดือนก่อน
This Korvai is written in Adi Tala (8 beats per Tala) and Thisra Gathi (6 subdivisions per beat). A part of it is looking like this: Taka na thomdhin,, Tham, Dheen, Taka na thomdhin,, Tham, Dheen, Taka na thomdhin,, Tham, Dheen, Tham,, Tham, Dheen Tham,, Tham, Dheen Tham,, Tham, Dheen Tham,, Dheen Tham,, Dheen Tham,, Dheen In the second round, a variation takes place. The part is played like th...
Mridangam - Korvai 10 Speed
มุมมอง 983 หลายเดือนก่อน
This quite fast Korvai is written in Kanda Chapu Tala (5 beats per Tala) and Thisra Gathi (6 subdivisions per beat). Enjoy! Prequel Since I was a child, I wanted to dive into the secrets of Indian Music. The band „Shakti“ had infected me with this enjoyable virus. But when I set out to become a professional drummer, percussionist, producer and composer at the age of 17, there were many other th...
Mridangam - Korvai 9
มุมมอง 1034 หลายเดือนก่อน
Mridangam - Korvai 9 A little Korvai in Adi Tala. The Korvai is played in Chatusra Gathi (4 subdivisions per beat) first. Then there is a variation in Thisra Gathi (6 subdivisions per beat) and after that the original form is repeated in Thisra Gathi (6 subdivisions per beat). Enjoy! Prequel Since I was a child, I wanted to dive into the secrets of Indian Music. The band „Shakti“ had infected m...
Mridangam - 20 Grooves - 1 Bassline - Part 2
มุมมอง 814 หลายเดือนก่อน
Here is my approach to create and vary basic grooves on the Mridangam, the main drum of traditional South Indian Music. I keep the bass rhythm constant and go through 20 different rhythms with the right hand on the Karanai, the high side of the Mridangam. The excercise is played in Adi Tala (8 beats per cycle) and Chatusra Gathi (4 subdivisions per beat). The bass line: Thom,, Tha,, Tha,,, Thom...
Mridangam - 20 Grooves - 1 Bassline - Part 1
มุมมอง 544 หลายเดือนก่อน
Here is my approach to create and vary basic grooves on the Mridangam, the main drum of traditional South Indian Music. I keep the bass rhythm constant and go through 20 different rhythms with the right hand on the Karanai, the high side of the Mridangam. The excercise is played in Chatusra Gathi (4 subdivisions per beat). The bass line: Thom, Thom, Thom, Thom,, Thom Thom, Thom, Thom, The aim o...
Mridangam - Korvai 4 Conversions
มุมมอง 974 หลายเดือนก่อน
00:00 - 1. Misra Chapu Tala and Chatusra Gathi / Thisra Gathi 00:54 - 2. Rupaka Chapu Tala and Misra Gathi / Chatusra Gathi 01:41 - 3. Rupaka Chapu Tala and Thisra Gathi Depending of the number of subdivisions, Korvais can be converted in different Talas and Gathis. This Korvai with 84 Aksharas (subdivisions) can be played in: Rupaka Chapu Tala (3 beats per cycle) and Chatusra Gathi (4 subdivis...
Mridangam - Korvai 3
มุมมอง 1345 หลายเดือนก่อน
I start with a variation of a standard Mora, which is usually played before a Korvai. It can be seen as a little piece to rehearse the phrase Kitakita tharikita Thom, This phrase is not easy to play, as the first four beats are played with the fingers of the right hand only, while the other five beats are played hand to hand - that is, the left and right hands alternate. Playing hand to hand is...
Mridangam Groove Modulation - Part 3
มุมมอง 475 หลายเดือนก่อน
Modulating advanced grooves can give you mindblowing results. Here, I am combining a Mridangam pattern for the right hand with a Clave pattern for the left hand. The Clave, originally from Africa, has become a central ingredient of Cuban and Latin American music. I start with Chatusra Gathi (4 subdivisions per beat) and transform the groove by modulating stepwise to Khanda Gathi (5 subdivisions...
Mridangam - Reductions & Expansions 2
มุมมอง 1695 หลายเดือนก่อน
In this example, the phrase is „Thadhikinathom“ (5) respectively „Thadhikinathom kita“ (7). I combine the reduction in Khanda Gathi (5 subdivisions per beat) with a similar kind of reduction in Misra Gathi (7 subdivisions per beat). Played together, they perfectly fit in Adi Tala (5 beats per cycle). By reversing the order of the phrases, you can turn a reduction to an expansion - and vice vers...
Mridangam - Tirmanams 9
มุมมอง 1376 หลายเดือนก่อน
A Tirmanam (or Arudi) is kind of a short, rhythmical cadenza. It consists of three phrases separated by two rests. The longer the phrases, the longer the rests, the more difficult it is to make the Tirmanam fit into the scheme of the Tala - because it should always end on the Sam, the first beat of the Tala. The ending defines the starting point of the Tirmanam! You have to think backwards … In...
Mridangam - Tirmanams 7
มุมมอง 2536 หลายเดือนก่อน
A Tirmanam (or Arudi) is kind of a short, rhythmical cadenza. It consists of three phrases separated by two rests. The longer the phrases, the longer the rests, the more difficult it is to make the Tirmanam fit into the scheme of the Tala - because it should always end on the Sam, the first beat of the Tala. The ending defines the starting point of the Tirmanam! You have to think backwards … In...
Mridangam - High Speed Phrases - Part 4
มุมมอง 2068 หลายเดือนก่อน
Mridangam - High Speed Phrases - Part 4
Good 👍😊
🙏
Amazing 🔥
Many thanks!
Wow perfection...
Phenomenal hands. Not easy to play
Many thanks!
🎶🎵🎼🙏💚💐👍🧡
🙏
🙏
sehr schön
This is such a cool series, thanks for sharing
Thank you ! I'm glad you like it!
Hi Sir, I'm a fellow Mridangam student and truly inspired by your playing! Your mastery of the instrument is incredibly motivating. Thank you for sharing this video-wishing you continued success and greatness in your musical journey!
Many thanks!
Please send me jati
Hello, thank you for your question! What exactly do you mean with Jathi? Jathi is referring to the counting of a Laghu. Maybe you want to know about the Tala? The meter bell indicates Mana Tala (4 beats per cycle), but what I play here also works in Adi Tala (8 beats per cycle). Let me know if my answer was helpful!
Please send me jati
Amazing mastery and rendition 🙏
Many thanks!
Thanks for taking the time to put this up. Will your book be available in English too at some point?
Thank you for your kind message. An english version of the book is in planning. I will let you know when its available. Best, Ernst
Hi, my book is now available as Ebook in English language at the Google Play Store. Greetings, Ernst
Thanks for sharing these, really awesome!
Glad you enjoyed!
💐🎼🎵🎶👍🧡💚🙏💐
Haha, thank you!
Very interesting !
Thank you!
each mridangam, school has its prescribed syllabus. I am a disciple of Sri Umayalpuram Sivaraman sir, if you are interested, I can provide certain important insights regarding fingering and rhythm patterns. this initiative is lively and wonderful there is great regard and passion for the music. Bravo!
Thank you very much Sir, I am honored by your comment! Of course I (and the other viewers) would be happy about the insights you mentioned. 🙏
Very Nice
🙏