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Keith Buncke
เข้าร่วมเมื่อ 11 ธ.ค. 2011
Shostakovich 10 bassoon solos - Keith Buncke
From live concerts by the Chicago Symphony from October 2016.
David Afkham conducting.
0:00 - 1st movement solo
1:26 - 3rd movement solo
2:10 - 4th movement slow intro solo
3:19 - 4th movement allegro solo
Listen to the full performance here until May 19th: csosoundsandstories.org/cso-radio-david-afkham-and-emanuel-ax/
David Afkham conducting.
0:00 - 1st movement solo
1:26 - 3rd movement solo
2:10 - 4th movement slow intro solo
3:19 - 4th movement allegro solo
Listen to the full performance here until May 19th: csosoundsandstories.org/cso-radio-david-afkham-and-emanuel-ax/
มุมมอง: 2 630
วีดีโอ
Blue Set No. 2 for Four Bassoons - Peter Schickele
มุมมอง 1.1K3 ปีที่แล้ว
0:00 - 1. Bassooner or Later 3:07 - 2. Portlandia in Cerulean 8:00 - 3. Gang of Wolves All four parts recorded by me in my Chicago apartment (video included in second movement). This was a fun little project. Sorry for key noise in first movement! 😱 This piece was commissioned by the Bassoon Brothers (former Oregon Symphony bassoonists) and premiered in 1997. Mark Eubanks, one of the members, w...
Beethoven: Septet in E-flat Major, Op. 20 - Curtis Institute of Music, Jan. 2013
มุมมอง 149K11 ปีที่แล้ว
Curtis Institute of Music, Field Concert Hall, Jan. 21, 2013 Samuel Boutris, Clarinet Keith Buncke, Bassoon Maureen Young, Horn Yu-Chien Tseng, Violin Hyeri Shin, Viola Timotheos Petrin, Cello Nathan Paer, Bass
Very dramatic and great writing. I kind of a gift for bassoon but adding character really helps, great job Keith
Bravissimo!! Sounds wonderful👏👏👏
セプテットありがとうございます!
20:25 31:23
Bravo!
Thanks Dave! Good to hear from you
I've heard someone refer to the bassoon as the clown of the orchestra. Now I think I know why. RIP Peter Schickele (1935-2024)
Wonderful playing👏
3 20:25 5 31:23
Movimiento nº3 Tiempo de Minueto. En minuto 20:27
35:18
23:59
31:27
28:52
What a treat to discover this Septet, so beautifully played. Thank you for posting it.
Compliments
mediocre and conventional - presages nothing original - my least favorite of Beethoven's works - dum dum dum
Superbement musical et fin merci
Not an easy piece to make sound this fluid. Bravo, bravo. Tutti bravo!!
Bravo.
Curtis musicians are the BEST!
Although Beethoven disliked this piece (burn the score, he is thought to have said), it was enormously popular even in Beethoven's time and made him a lot of money.
early beethoven played expertly by the young. just wow.
one of the best way to connect people is to play together; it is similar to an artist drawing your portrait: he/she gets to know you deeply and in a way others cannot figure out; the same with playing together as you get to know the others -- and they you -- in a different and profound way that words or even time spent together cannot really match
A wonderful performance by some magnificent musicians. Curtis Institute presents truly great performances. The quality of performance is outstanding. The ridiculous comments about the ensemble tuning between movements are bizarre. It is very common for ensembles to tune between movements. This is a live performance, not a CD. Nothing should be edited out. When I attend concerts at Lincoln Center, the Kennedy Center, the Library of Congress tuning is a common activity between movements. It is good to keep in mind that some instruments that are used are 300 years old. Temperature changes and the tension put on the strings can cause an instrument to require re-tuning between movements. However, the focus here should be on these wonderful musicians. I am grateful that this performance has been shared here. I wish all of these young people great success and happiness.
To tune, or not to tune? That seems to be the question.
Each one of those Curtis kids is pro quality no compromise! I love this German stuff!
You don't tune between movements. You just don't. Come on, you're at Curtis!
Would you prefer they play out of tune?
you madame, are an uninformed or ignorant fool. doesn't matter where you are.
I particularly enjoyed the musical bass playing of Nathan Paer: always elegant, clear and warm. Intelligent playing and ensemble consciousness.
Disliked because of a cough. I'm kidding, of course. one doesn't not simply dislike chamber music from Curtis.
I am a clarinetist. Samuel, I like your tone. It is solid.
I was playing the viola then some layman complaint I was not playing the melody so?
Three idiots disliked :)
One tone-deaf, one had a bad stomach and disliked everything, and one misclick.
Beautiful music especially the clairnet :)
Very nice and I recognize Yu-Chien Tseng who just won the silver medal at Tchaikovsky XV.
The main theme of the 1st movement is such a wonderful preview of the Beethoven to come, and this group performs it with energy and drive.. Really enjoyed the pacing throughout the Septet, especially in the 2nd movement. Good balance and blending. A treat! Thank you.
Hi, Keith, I am currently in my senior year of high school and I am applying/auditioning for Curtis on bassoon (I know, what are the odds, right?) this coming February. In fact, I only live about 25 minutes from the campus. I was wondering if you have any helpful tips and/or suggestions for auditions regarding pre-screening and live. Could you please give me some insight on what the audition process is like? Do I have to play just melodic minor, natural minor, harmonic minor, or all of them? Sorry for the questions... just a little anxious about it thats all. Thanks a bunch :)
Magnifique Septuor Op. 20 très bien joué , malgré quelques bruit de fond ! mais à quoi bon chercher la perfection sans bruit ! Composé en 1799 -1800 !.
It's very disturbing, though, that you're tuning between movement's; maybe nezcessary ... but couldn't you at least have cut it out before uploading? Little complaint, but ... well: stilll THANKS!
+visemanden This is just the normal presentation of a live recital or concert. If you prefer a dead event you can do your own editing or even pay for a disc or download rather than get free here. Those of us used to attending live events are less bothered by the tuning than by its cutting out anyway! (also the tuning gives opportunity for jokes about Is this the Messaien now? etc!)
That's kind of an expectation of live events.
It's a live performance and it is common practice for ensembles to tune between mvts. Get out more, and get over yourself.
Wonderful performance of this fantastic piece of music! I LOVE "The Septet" ... and Schubert's "Octet"; played them both many times in my youth (as a clarinet-player; more wonderful clarinet-parts than these two doesn't exist!). Will you - PLEASE - "do" "The Octet" too and upload it here on YT?? I would be gratefull! Thank you so much for this!!
Bravo, Keith! My former band director at Ithaca College, Bassoonist Edward J. Gobrecht, Jr., himself a Curtis grad, would have been very pleased to hear this performance too. He worked with us for many hours on stylistic interpretation, the balances and phrasing relationships among instruments, intonation, etc. and we often heard stories in that regard about those matters from his own experiences studying under Oboist Marcel Tabuteau at Curtis. I'm guessing Tabuteau would have been very pleased with your performance too. What catches my own ear especially is the careful attention to matters of intonation, which always matters so much. Don Campfield, D.M.A.
Well done!
Love hearing very talented YOUNG people playing this youthful work. There are many fine performances available here on TH-cam, but this one, despite a few glitches here and there, gives me the most pleasure--and vivid memories. Wind dynamics are terrific--Bravi tutti!
Bravoooooooo jovenes talentosos :) gracias Keith Buncke por compartir este video les felicito ustedes tocan exelente y bonito <3
phenomenal Keith! would love to catch you live in Santa Barbara this summer.