วีดีโอ

What recording was the tempo of this based on?

Once, you won't remember If you said Hollywood Hers was the face you'd think of Her face on every billboard In just a single week She'd get ten thousand letters Men would offer Fortunes for a bloom from her corsage Or a few strands of her hair Today, she's half-forgotten But it's the pictures that got small She is the greatest star of all Then, you can't imagine How fans would sacrifice themselves to touch her shadow There was a maharajah Who hanged himself with one of her discarded stockings She's immortal Caught inside that flickering light beam Is a youth which cannot fade Madame's a living legend I've seen so many idols fall She is the greatest star of all

This job is not to be believed And I cannot believe my luck I'm at the literary prime of my life And I'm about to have the time of my life Unless I'm easily deceived Though Buddy doesn't tend to sugarcoat his comments He'll all right All bark, no bite I've always longed for a chance to be watching A book of my own on the screen To look up and see Stone on the screen Would be better than fine Sit with my wife in a crowd As the credits are shown on the screen In a frame all alone on the screen It says "Screenplay by Stine" For making movies out of books They say that Buddy wrote the book I can depend on him to give me some lip But you can trust a guy who shoots from the hip Out here where nothing's how it looks It's hard to disregard a candid stand-up guy Who skips the double talk And lets you know exactly what he's thinking about you And I can beat the odds And meet his demands Though I'm a stranger in This strangest of lands This mad adventure I've begun Is unlike anything I know It's gonna be a lotta work And lots of fun And pots of dough

What shows are coming up next?

I go to bed at night Hoping when I wake This will all be gone Like it was just a dream And I'll be home again Back again in Brooklyn Back with people who look like I do And talk like I do And think like I do But then The sun rises in Atlanta again These people make me tense I live in fear they'll start a conversation These people make no sense They talk and I just stare and shut my mouth It's like a foreign land I didn't understand That being southern's not just Being in the South When I look out on all this How can I call this home? (La-la-la in the land o' cotton) These men belong in zoos It's like they never joined civilization The Jews are not like Jews I thought that Jews were Jews But I was wrong I thought I would be fine But four years down the line With every word it's very clear I don't belong I don't cuss, I don't drawl So how can I call this home? Home calls and I'm free of The southern breeze Free of magnolia trees And endless sunshine! ever more lives the dream of Atlanta But not mine! Of Atlanta Not mine (we stand together) A yankee with a college education Who by his own design In the great state of Georgia! Is trapped inside the land That time forgot! (Strong and proud) I'm trapped inside this life And trapped beside a wife Who would prefer I'd say "Howdy!", not "Shalom!" Well, I'm sorry, Lucille (God bless the sight) But I feel what I feel (of the old hills of Georgia) (ever more lives the dream of Atlanta) And this place is surreal (the old red hills of) (ever more Her eternal) So how can I call this home? (Old red hills of home! Old red hills of home!)

1:38

스타인: 내게 빌붙어 탐정 행세뿐, 그저 대사만 내뱉는 주제에 네가 진짜란 착각은 그만 너의 운명은 내 손에 달렸어 자 따라하기만 해 넌 그게 임무야 날 화나게 한다면 한 순간에 지워져 넌 스톤: 내게 빌붙어 작가 행세뿐, 내 멋진 인생 질투한 주제에 초라한 몰골 허약의 심볼 유혹엔 깜놀 도망치는 약골 니 세곈 너무 좁아 스타인: What? 스톤 : 날 지루하게 해, 자- 그냥 가서 쉬어 니 펜보다 내가 강해 같이: 넌 안돼 나 없이, 그 누구도 모를걸 널 이름도 없고 흔적도 없어 니 생각은 나만의 것 그 허세 그 허울 다 가짜인 거짓된 삶 자 인정해 나 없는 넌 그저 먼지일뿐 스타인: 넌 내 작품의 등장 할 뿐이야 착각 하지마 벗어날 수 없어 스톤: 너는 위선자 꿈속에 살지 쓰레기 얘기 논리는 답 없지 스타인: 난 널 만든 창조주 넌 내 꼭두각시 스톤: 난 세기의 명탐정 넌 이름도 없는 작가 같이: 넌 안돼, 나 없이 네 삶의 구원자는 나 너 같은 존재 신경도 안써 그 누구도 모를걸 널 요란한 빈 깡통 그 자체가 드러날껄 난 꿈속에 완벽한 네 이상형 자 이제는 인정해 진짜 나를 나 없이 넌 안돼, 넌 안돼 나 없이 절대

Beautiful!❤

Do you hear that playin'? [COMPANY] Yes, we hear that playin'! [RENO] Do you know who's playin'? [COMPANY] No, who is that playin'? [RENO] Well, it's Gabriel, Gabriel playin'! Gabriel, Gabriel sayin' "Will you be ready to go When I blow my horn?" Oh, blow, Gabriel, blow, Go on and blow, Gabriel, blow! I've been a sinner, I've been a scamp, But now I'm willin' to trim my lamp, So blow, Gabriel, blow! Oh, I was low, Gabriel, low, Mighty low, Gabriel, low. But now since I have seen the light, I'm good by day and I'm good by night, So blow, Gabriel, blow! Once I was headed for hell, Once I was headed for hell; But when I got to Satan's door I heard you blowin' on your horn once more, So I said, "Satan, farewell!" And now I'm all ready to fly, Yes, to fly higher and higher! 'Cause I've gone through brimstone And I've been through the fire, And I purged my soul And my heart too, So climb up the mountaintop And start to blow, Gabriel, blow [ALL] Come on and blow, Gabriel, blow! [RENO] I want to join your happy band And play all day in the Promised Land. So blow, Gabriel, blow! Come on you scamps, get up you sinners! You're all too full of expensive dinners. Stand up on your lazy feet and sing! [ALL] Blow, Gabriel, blow, (Blow, Gabriel!) Go on and blow, Gabriel, blow. (Blow, Gabriel!) I've been a sinner, I've been a scamp, But now I'm willin' to trim my lamp, So blow, Gabriel, blow. I was low, Gabriel, low, (Low, Gabriel!) Mighty low, Gabriel, low. But now since that I have seen the light I'm good by day and I'm good by night So blow, Gabriel, blow. [RENO] Once I was headed for hell, Once I was headed for hell; But when I got to Satan's door I heard you blowin' on your horn once more, So I said, "Satan, farewell!" And now I'm all ready to fly, Yes, to fly higher and higher! 'Cause I've gone through brimstone And I've been through the fire, And I purged my soul And my heart too, So climb up the mountaintop And start to blow, Gabriel, blow [ALL] Go on and blow, Gabriel, blow! [RENO] I want to join your happy band And play all day in the Promised Land. So blow, Gabriel! [ALL] Go on and... Blow, Gabriel, blow Blow, Gabriel, blow Blow, Gabriel, blow I wanna join your happy band And play all day in the Promised Land, So blow, Gabriel, blow, Gabriel, blow, Gabriel, blow!

All the parts of the man's voice in the background 0:12 - 0:15 , 2:12 - 2:17 , 3:12 - 3:15 , 4:12 - 4:17 , 5:11 - 5:14

3:25

3:00 - 4:21

THANK YOU SO MUCH FOR HAVING THIS, I NEEDED IT FOR AN AUDITION AND ITS THE ONLY GOOD ONE I COULD FIND TYSM

1:30

But it isn't my fault, I was given those beans You persuaded me to trade away my cow for beans And without those beans, there'd have been no stalk To get up to the giants in the first place Wait a minute, magic beans for a cow so old But you had to tell a lie to sell it, which you told Were they worthless beans? Were they oversold? Oh, and tell us, who persuaded you to steal that gold? See, it's your fault! (No!) Yes, it's your fault (no!) Yes, it is! (It's not!) It's true Wait a minute though I only stole the gold to get my cow back from you So it's your fault! (Yes!) No, it isn't! I'd have kept those beans, but our house was cursed She made us get the cow to get the curse reversed It's his father's fault that the curse got placed And the place got cursed in the first place Oh, then it's his fault! (So) It was his fault! (No) Yes, it is, it's his (I guess) Wait a minute though I chopped down the beanstalk, right? That's clear But without any beanstalk, then what's queer is How did the second giant get down here In the first place, second place? (Yes!) How? Hmm? Well, who had the other bean? The other bean? The other bean? You pocketed the other bean I didn't, yes, I did So it's your fault! No, it isn't, 'cause I gave it to my wife So it's her fault! No, it isn't! (Then whose is it?) Wait a minute! She exchanged that bean to obtain your shoe So the one who knows what happened to that bean is you You mean that old bean that your wife - oh, dear But I never knew, and so, I threw, well, don't look here! So it's your fault! (But-) See, it's her fault! (But-) And it isn't mine at all! (But what?) Well, if you hadn't gone back up again We were needy (you were greedy!) Did you need that hen? But I got it for my mother! So it's her fault then! Yes, and what the harp in the third place? (The harp, yes) She went and dared me to (I dared you to?) You dared me to, she said that I was scared (me?) So she dared me (no, I didn't) So it's your fault! (Wait a minute!) If you hadn't dared him to- And you had left the harp alone We wouldn't be in trouble (well, if you hadn't thrown away) In the first place (the bean in the first place) Well, if she hadn't raised them It was your fault (in the first place) Yes, if you hadn't raised them in the first place Right! It's you, you raised the beans in the first place It's your fault You're responsible, you're the one to blame It's your fault

The floor creaks The door squeaks There's a fieldmouse a-nibblin' on a broom And I set by myself Like a cobweb on a shelf By myself in a lonely room But when there's a moon in my winder And it slants down a beam 'cross my bed Then the shadder of a tree starts a-dancin' on the wall And a dream starts a-dancin' in my head And all the things that I wish fer Turn out like I want them to be And I'm better than that smart-aleck cowhand Who thinks he is better'n me And the girl I want Ain't afraid of my arms And her own soft arms keep me warm And her long, yeller hair Falls across my face Jist like the rain in a storm The floor creaks The door squeaks And the mouse starts a-nibblin' on the broom And the sun flicks my eyes- It was all a pack o' lies I'm awake in a lonely room I ain't gonna dream about her arms no more I ain't gonna leave her alone Goin' outside Git myself a bride Git me a womern to call My own

3:27

Yay!!!! Super excited to see "Sunset Boulevard" added to the site. I bought all the tracks.

ES SU NOMBRE EL SONIDO MÁS DULCE QUE NUNCA OÍ MARÍA, MARÍA, MARÍA, MARÍA… CADA HERMOSO SONIDO DEL MUNDO EN UN SOLO SER MARÍA, MARÍA, MARÍA, ¡MARÍA! HOY HE CONOCIDO A MARÍA, Y TODO VA A CAMBIAR YA NADA SERÁ IGUAL QUE AYER. ¡MARÍA! HOY YO HE BESADO A MARÍA, DE PRONTO PUDE VER QUE HAY ALGO EN QUE CREER POR FIN. ¡MARÍA! GRÍTALO Y LLENARÁ TU ALMA. CÁNTALO Y SENTIRÁS TANTA CALMA MARÍA… REPITO MIL VECES MARÍA . ¡MARÍA! ¡MARÍA! ¡MARÍA! ¡MARÍA! ¡MARÍA! ¡MARÍA! ¡MARÍA! ¡MARÍA! ¡MARÍA! GRÍTALO Y LLENARÁ TU ALMA. CÁNTALO Y SENTIRÁS TANTA CALMA MARÍA… REPITO MIL VECES MARÍA ES SU NOMBRE EL SONIDO MÁS DULCE QUE NUNCA OÍ MARÍA

1:49

TOWNSPEOPLE] Ever more lives the dream of Atlanta Ever more Her eternal pride! Strong and sure is the dream of Atlanta When Her brothers are unified! [LEO] Twenty-eight boxes of caps At four dollars the gross- This is wrong, this is wrong I can fix this-wait Nine more boxes in back Twenty-eight minus nine And then thirty-one girls on the line... [LUCILLE FRANK, LEO] Suit and a tie... Times six, one eighty six... Terribly quiet... Divide... seven sixty... Quite a well-paid position God - all the noise "Go on, Lucille..." And on Yontiff yet... "Bring him his coffee..." Four cents a girl for the week... At ten cents an hour... [LUCILLE] Mama, he's comin' around today- Mama, he's at the door! Mama, I don't know what I should say... "Well, what are you waitin' for, Lucille?" What am I waiting for? [LEO] This is wrong, this is wrong It's an eight, not a six... [LUCILLE] House and a maid; Two sets of China- Everything I was wishin'- New winter coat; Real ermine collar Who would have known, Lucille? Married so well, Lucille? How can he want me, so plain, so prim? How can he be so sure? Don't I wish I could be sure like him? Like Leo? [LEO] Yes, Lucille, I am building a life for us... [LUCILLE] For Leo? [LEO] No, Lucille, we cannot have a picnic... [LUCILLE] Didn't my wishes come true for me The day he walked through the door? Isn't he all that I knew he'd be? Brilliant and filled with humility? Loyal and stable as any tree? So why do I wait for more? What am I waiting for? [LEO] Twenty-three cartons of leads At two-sixty the gross This is wrong, this is wrong I can fix this... [MARY, spoken] Hey [LEO, spoken] Yes? [MARY, spoken] I came for my pay [LEO, spoken] Name? [MARY, spoken] Mary Phagan

1:30- 2:37 is perfect for my audition!

Thanks for the Broadway key!

Nailed it

[Jo, sung] I came to New York on a dream I knew it might take me awhile But all I've been hearing since I arrived Is leave it right there on the pile So today I woke up And decided it's time Time to achieve Time to thrive Time to climb [Professor Bhaer, spoken] Miss March, tell us what happened [Jo, sung] Sometimes when you dream Your dream is just a guess Sometimes, when you work really hard You don’t know if you’ll ever find success So I grabbed a story to sell And got ready to raise hell Then I marched out the door And headed right for The Weekly Volcano Press [Professor Bhaer, spoken] Henry Dashwood, now he is a man of taste [Jo, sung] Dashwood was a fiend He sneered at my distress Tossed my story high on a stack But I was determined I would progress I said ‘Sir, I’ll wait while you read’ But alas, he disagreed So I jumped on a chair And read it right there at The Weekly Volcano Press [Professor Bhaer, spoken] You did what? [Jo, as Clarissa] Keep away from me, you wretch! [Jo, as Braxton] I cannot keep away Your beauty draws me Your passion ignites me [Professor Bhaer, spoken] Oh, it’s the one with all the horror in it The blood bath [Jo, spoken] That’s the one But I took to heart what you said and I embellished I made it better [Jo/Braxton, sung] I’ve got to have you [Jo/Clarissa, sung] I defy you! [Braxton] I will take you! [Clarissa] Let me by you! Let go! Let go! Let go, let go, let go! [Jo, spoken] Rodrigo appears, in magnificent splendor! [Rodrigo, spoken] Unhand that woman, villain! [Clarissa & Braxton, spoken] Who are you? [Rodrigo, sung] I am your destiny Your bitterest foe I’ve come to avenge your crimes Of ten years ago [Braxton/Clarissa, spoken] Agh!/Ahh! [Rodrigo, spoken] Run to the forest! Run! [Clarissa] I can’t! The forest is dangerous! My sister went in there and never returned! [Rodrigo] You must risk it! You must take the dark path! Your fate awaits you! [Braxton] She will never escape me! [Rodrigo] Hurry! [Braxton] En garde [Rodrigo] Go, now! [Clarissa] Ah! [Jo, sung] Dashwood was aghast But I could not care less Words I spoke ignited the air I felt like a publishing lioness That’s when Dashwood started to shout And I thought he’d throw me out But then I persevered, and a forest appeared At The Weekly Volcano Press (spoken) The forest is dark and scary Clarissa enters, trembling, fearful of what fate awaits her She comes to a fork in the road and stops [Clarissa] Which way do I go? [Jo] A Hag appears [Clarissa] Ahh! [Hag, sung] I can help you choose But you must make a sacrifice Give me something, dear Those combs are nice [Clarissa, sung] Without these combs What will I be? [Hag] Perhaps a Hag as dull as me [Clarissa] I can’t [Hag] You’ll never know your destiny Unless you give up vanity [Clarissa] I’ve got to know Please show me where to go [Hag] Your fate awaits you there! [Jo, spoken] The path is perilous She avoids swamps, she loses her footing! Her shoes tumble off The sleeve of her dress gets caught on a twisted limb She comes to wild rapids and can go no further [Clarissa, spoken] How should I get across? [Jo] A troll appears [Troll, sung] If you want to cross You must pay me I’ve the only boat that can get you there alive I see you wear a necklace That holds a pretty jewel My price to get across is what you’re wearing ‘round your neck Oh how it’s glitter makes me drool [Clarissa, sung] I’ve nothing left but this My prospects are so bleak [Troll] You’ll never know what wisdom is Unless you give up all your riches [Clarissa] Here, it’s yours Now show me distant shores [Troll] I’ll take you to your fate! [Jo] Sometimes when you dream Your dreams come true In extraordinary ways Suddenly a day can be so amazing And sometimes when you yearn You burn the air And someone else feels the flame You always knew was there [Knight, spoken] Stop, please! [Clarissa, spoken] I cannot stop! [Knight] Can you not give a tired old knight some assistance? [Clarissa] I have nothing left to give [Knight] Give me your time! [Clarissa] My fate awaits me! [Knight] Can you not care for me? It’s been years since I felt the touch of another hand [Clarissa] Then take mine And take my shawl, ragged as it is [Knight] You have now completed your journey My sword is yours It will protect you against your enemies You may now return to the moors (sung) Your fate is in your hands [Jo, spoken] And Clarissa raced from the forest Raced to the moors where she called “I have returned, Braxton! I will free the moors of your tyranny! Fight me!” [Braxton, spoken] I always knew you’d come back to me They always do [Clarissa] Ahh! [Jo] Clarissa thrusts, she parries! She backs up Braxton and pins him against a tree! She leaps up on a craggy rock, her sword Swishing and swooshing! Never has she been more determined She is on fire! Pity she hadn’t taken dueling lessons Out of nowhere, who should appear But the long forgotten Rodrigo! [Rodrigo] This is your end, villain! I’ve waited I lifetime to destroy you! [Braxton] Who are you? [Rodrigo] I am your worst nightmare, Braxton [Beth as Rodrigo] I am her sister! [Clarissa] Ahh! [Braxton] Agghh! [Jo, sung] And then Dashwood got on his knees Crying "sell this to me please." [Professor Bhaer, spoken] Miss March! [Jo] Then he ordered four more Now I’m writing for The Weekly Volcano Press [Jo/Clarissa/Rodrigo] | [Bhaer/Hag/Troll/Knight/Mrs.Kirk] I’m ready for destiny | Sometimes when you dream My tresses are curled | Your dreams come true I’ll take what is rightly mine | In extraordinary ways With curtains unfurled | Suddenly a day can be so amazing I will not quit, I won’t be forgotten | And sometimes when you yearn I will shine, I’ll dazzle and more | You burn the air I’m ready to take a bow | And then you are not the same I’ve taken a solemn vow | When someone else feels the flame My destiny here, and now | You always knew I’ll astonish the world | Was there

[CADY] Eu vivi Dezesseis anos só entre amigos animais Como dói Deixar vocês pra trás Tudo bem, já é esperado Eu preciso partir de vez Meus monstros Não vou esquecer vocês Daylyt 'A PLATE OF COLLARED GREENS' Official Lyrics & Meaning | Genius Verified Longe daqui, sei que posso encontrar Gente que não vai querer me devorar Gente igual a mim Que só quer no fim Falar de meninos, sonhos e memes E não engolir meu rim Sabe aquele sentimеnto Que nos diz que todo mundo Tem amigos е é feliz E somente a gente não? Esse estranho sentimento Já desperta o leão Que há em nós Em nós Já dancei com os massai Já andei até Nakuru Qual é então o meu futuro? O meu futuro Sabe aquele sentimento De que um mundo nos espera Onde a gente é feliz Com amigos de montão? Esse forte sentimento Alimenta o leão Que há em nós Em nós Em nós! Ok, acho que não me viram Só olham pro celular São só jovens, não vou ligar Oi, jovem! Já saquei Eu só preciso achar o meu bando animal Atacar aqui é natural Eu vou achar Um lugar que eu me encaixe no fim Sei que eles também precisam de alguém E essa chance vem pra mim Pra mim Sabe aquele sentimento De que um mundo nos espera? Essa escola já me diz Que o ano vai ser meu Pra passar o sofrimento Eu me lembro que há um leão feroz Que solta a voz Em nós

Tonta CADY] Eu lembro bem Que já ao seis Me apaixonei Tentei expor Pro cara o meu amor Mas ele riu e eu chorei E depois, desiludida Encontrei na matemática o meu lema Pra não sonhar Eu aprendi quanto era pi E mil sistemas, equações e teoremas Pra nunca mais me achar Tão tonta no amor Eu não dei conta Só me dei conta que eu sou Boa em conta e tonta no amor Mas me dei conta Que agora a conta fechou O cálculo já se tornou O meu herói O cálculo Foi quem me trouxe esse boy Ele é padrão tevê Com essa pinta de galã que compra flores As mãos, as roupas Eu só queria me perder nesse olhar Que vejo ao vivo e em cores É o astro do meu show E eu sou tonta no amor Mas eu dou conta Meu faz-de-conta chegou Boa em conta e tonta no amor Mas me dei conta Que agora a conta fechou E no "x" da sedução Ele é a solução Já pensou no seu corpão Molhado de suor? Nunca mais eu vou deixar Essa imagem se apagar Nessa escola até o ar Ficou melhor Com ele agora Tonta no amor Mas eu dou conta Eu consigo aprender Boa em conta e pronta pro amor Não sou mais tonta Zerei a conta, vão ver Vão ver Vão ver!

1:40

Yet I get a kick out of you I get a kick every time I see you standing there before me I get a kick though it's clear to me you obviously don't adore me I get no kick in a plane Flying too high With some guy in the sky is my idea of nothing to do Yet I get a kick out of you

Beautiful! Absolute Perfection. Very helpful indeed.

OMG you are a lifesaver!

Give me somebody to dance for, Give me somebody to show. Let me wake up in the morning to find I have somewhere exciting to go. To have something that I can believe in. To have something to be. Use me... Choose me. God, I'm a dancer, A dancer dances! Give me somebody to dance with. Give me a place to fit in. Help me return to the world of the living By showing me how to begin. Play the music. Give me the chance to come through. All I ever needed was the music, and the mirror, And the chance to dance for you. Give me a job and you instantly get me involved. If you give me a job, Then the rest of the crap will get solved. Put me to work, You would think that by now I'm allowed. I'll do you proud. Throw me a rope to grab on to. Helpome to prove that I'm strong. Give me the chance to look forward to sayin': "Hey. listen, they're playing my song." Play me the music. Give me the chance to come through. All I ever needed was the music, and the mirror, And the chance to dance... Play me the music, Play me the music, Play me the music. Give me the chance to come through. All I ever needed was the music, and the mirror, And the chance to dance...

Begin singing at 0:15

At words poetic, I'm so pathetic That I always have found it best Instead of getting 'em off my chest To let 'em rest unexpressed I hate parading my serenading As I'll probably miss a bar But if this ditty is not so pretty At least it'll tell you How great you are You're the top! You're the Coliseum You're the top! You're the Louver Museum You're a melody from a symphony by Strauss You're a Bendel bonnet A Shakespeare's sonnet You're Mickey Mouse You're the Nile You're the Tower of Pisa You're the smile on the Mona Lisa I'm a worthless check, a total wreck, a flop But if, baby, I'm the bottom, you're the top You're the top You're Mahatma Gandhi You're the top You're Napoleon Brandy You're the purple light Of a summer night in Spain You're the National Gallery You're Garbo's salary You're cellophane You're sublime You're a turkey dinner You're the time of a Derby winner I'm a toy balloon that's fated soon to pop But if, baby, I'm the bottom You're the top You're the top You're an Arrow collar You're the top You're a Coolidge dollar You're the nimble tread Of the feet of Fred Astaire You're an O'Neill drama You're Whistler's mama You're camembert You're a rose You're Inferno's Dante You're the nose On the great Durante I'm just in the way As the French would say, "de trop" But if, baby, I'm the bottom You're the top You're the top You're a Waldorf salad You're the top You're a Berlin ballad You're the baby grand of a lady and a gent You're an Old Dutch master You're Mrs. Aster You're Pepsodent You're romance You're the steppes of Russia You're the pants on a Roxy usher I'm a lazy lout, who's just about to stop But if, baby, I'm the bottom You're the top

It's the little things you do together Do together Do together That make perfect relationships The hobbies you pursue together Savings you accrue together Looks you misconstrue together That make marriage a joy Mmhmm It's the little things you share together Swear together Wear together That make perfect relationships The concerts you enjoy together Neighbors you annoy together Children you destroy together That keep marriage intact It's not so hard to be married When two maneuver as one It's not so hard to be married And Jesus Christ, is it fun It's sharing little winks together Drinks together Kinks together That make marriage a joy The bargains that you shop together Cigarettes you stop together Clothing that you swap together That make perfect relationships Uh-huh Mmhmm It's not talk of God and the decade ahead that Allows you to get through the worst It's, "I do, " and, "You don't, " and, "Nobody said that, " And, "Who brought the subject up first?" It's the little things The little things, the little things, the little things The little ways you try together Cry together Lie together That make perfect relationships Becoming a cliche together Growing old and gray together Withering away together That make marriage a joy It's not so hard to be married It's much the cleanest of crimes It's not so hard to be married I've done it three or four times It's people that you hate together Bait together Date together That make marriage a joy It's things like using force together Shouting till you're hoarse together Getting a divorce together That make perfect relationships Uh-huh Kiss kiss Mmhmm

Start singing at 15 secs

1:56

thank you

감사합니다

1:08

Your website doesn't even work.

[GHOST OF JACOB MARLEY, spoken] Scrooge! Scrooge! [SCROOGE, spoken] Marley? Ah now what do you want of me? Who are you? [GHOST OF JACOB MARLEY, spoken] Much [SCROOGE, spoken] Who are you? [GHOST OF JACOB MARLEY, spoken] Don't you recognize me? In life I was your partner, Jacob Marley! [SCROOGE, spoken] What? [GHOST OF JACOB MARLEY, spoken] Scrooge, my dear, dear Scrooge! [SCROOGE, spoken] Humbug! [GHOST OF JACOB MARLEY, spoken] I see you don't believe in me [SCROOGE, spoken] A little thing can affect the senses You might be an undigested bit of beef A blot of mustard A crumb of cheese An underdone potato There's more gravy than grave about you, whatever you are [The GHOST OF JACOB MARLEY roars loudly] [SCROOGE, spoken] I believe! I beliеve! Oh dreadful apparition, why do you walk the Earth, and why do you troublе me? [GHOST OF JACOB MARLEY] It is required of every man that his spirit travel far Lending help to those he can no matter who they are But if you don't go forth in life, spreading joy and easing pain Your spirit will go forth in death, and you shall wear a chain Ahhh! These were coins I hoarded for a rainy day Now with every jingle I'm disgraced, ahh! Locks and keys that helped me keep the poor away That's what put these locks and keys around my waist! Link by link, my chain was getting longer Link by link, I should've heard it clink Link by link, each year a little stronger Link by link by horrifying link! Ahhh Stacking up my silver and my bits of gold Filling up my vault when day was done Vaults are made of lead, and cash is very cold And around your neck they weigh a bloody ton! Link by link, you're on the brink It's written here, in blood-red ink Unlock your heart, it's not too late Or you'll be dragging something more than twice this weight [SCROOGE, spoken] No, please, I beg you! [GHOST OF JACOB MARLEY, spoken] Ebenezer Scrooge... [SCROOGE, spoken] Yes? [GHOST OF JACOB MARLEY, spoken] You will be visited by three ghosts [SCROOGE, spoken] Umm, no thank you [GHOST OF JACOB MARLEY, spoken] When the clock strikes one The Ghost of Christmas Past [SCROOGE, spoken] I prefer not to think about the past [GHOST OF JACOB MARLEY] When the clock strikes two The Ghost of Christmas Present [SCROOGE, spoken] At present, I'd rather go to bed Good night [GHOST OF JACOB MARLEY] When the clock strikes three The Ghost of Christmas Yet to Be Three ghosts who yet may stop you ending up like me... [Ghosts of other greedy men and women invade Scrooge's room.] [GHOST OF JACOB MARLEY, spoken] Our colleague, remember him? [GHOST #1, spoken] Scrooge, ahhh! [GHOST #2, spoken] I never lent a hand! [GHOST #3, spoken] I never weighed the consequences! [GHOST OF JACOB MARLEY, spoken] Look! [SCROOGE, spoken] No! [GHOST Chorus] See these sorry spirits who were once like you Dragging chains of all that we acquired All the good in life it's now too late to do Not to mention this can really make you tired (Spoken) He wanted to get ahead [GHOST Chorus] Link by link [GHOST OF JACOB MARLEY] Your chain is in the making [GHOST Chorus] Link by link [GHOST OF JACOB MARLEY] No way to make it shrink Link by link [GHOST Chorus] Just listen to it shaking! Ahhhhhh! Link by link by horrifying... Link by link by link by link by link by link by... link by link Your life must be corrected Link by link, and sooner than you think Link by link, or you shall be connected Link by link by horrifying link! [SCROOGE, spoken] No, no, ahhh!

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Oh, the places I would like to show you Although I hardly know you I've a funny feeling we make a perfect pair Famous sites I want to see you seeing Then nights of you and me-ing Me. You. We - Wait a minute! Just a minute! No, no, no, no! I'm a Joe with just one aim Ev'ry night to date a diff'rent dame Call each one of 'em the same pet name "Hey, baby!" In a row, I have my ducks Loads of gals to give me loads of yucks Leave the cooing to the other clucks I don't mean maybe Got it good. What do I need with love? Always practice what I preach Keep temptation out of easy reach Stick to dolls who wash their hair in bleach I'm happy Come and go the way I choose Never gonna sing the tied-down blues Other guys would kill to fill my shoes No wing-clipped sappy Got it good. What do I need with love? That was a near miss, talk about a close shave Flirted with disaster There must be someone up there watching over me Talk about a four-leaf-clover-me Peter Rabbit's missing footsie Means I roll without a tootsie Got it good. What do I need with love? I got it good. What do I need with love? Skip the vows and all that rot Tell the minister that "I do" not Bright and breezy is the - Birds and bees-y is the - Free and easy is the life I got Without her. Although I hardly know you What do I need with love? I got it good Got it good But now I got it bad!

*Rony* Olha la Vamos ver Essa batalha Aconteceu Quando menos se espera Surpresa fatal! *Harry* Não era De se esperar Que o xadrez Iria ganhar E quando menos se espera Surpresa fatal *Draco* Antes de gritar E comemorar Por mim não foi justo E então trapaceou *Hermione* Sem chorar É demais Esse drama Vai causar Então aceita essa Surpresa fatal! *Draco (fala):* isso não é justo, vou contar tudo pro meu pai, vocês vão ver o que eu vou fazer com vocês, com essa poção da coragem qualquer um pode ganhar *Rony (fala):* qualquer um? Então eu duvido você conseguir fazer isso! *Hermione* 5,6,7 e 8 *(Rony faz sequencia de sapateado e todos se chocam)* *Draco(fala):* mas isso é muito facil de fazer *(draco tenta imitar a sequencia e tropeça caindo no chão)* *Tonks* Eis que ta perdido Isso agora é um fato Chama o seu papai Ele nem se importa *( pausa todos congelados olhando com cara de susto)* Brincadeira *Todos* Vamos ver Quem sera A casa que vai ganhar E quando menos se espera Surpresa fatal! *Luna* Então vamos la Nos concentrar Pra tudo se acertar E assim vencer *Todos* Surpresa fatal! *Draco* Ah não *Grifinória* Olha quem venceu *Draco* Nem pensar *Grifinoria* Olha quem venceu *Draco* Surpresa *Grifinoria* Veja quem ganhou Grifinória! *Rony* É tão bom Só eu sei Pois eu fiz E ganhei Rouba os meus sentidos Surpresa fatal! *Todos* Olha la Vamos ver Essa batalha Aconteceu Quando menos se espera Surpresa fatal! *(comemoração)* Então fique feliz com a surpresa fatal

Hello, I am Bae Jung-min and I work as an art high school instructor in Korea.
First of all, thank you very much for working so that you can purchase such valuable data. Can I get montage part 3? This time, our art high school raises the chorus line as a performance, so I'm contacting you because I'm curious if it's possible.

What is it about her That makes me want her? What is it about her That turns me pale? Something in her smile Something that I'll never understand Her wild abandon What is it about her (I know it's wrong) That parts the waters? (I know he's rough) What is it about her That hoists the sail? (I don't know what to do but we've been through enough) Something in her hair Instructing where to touch Why do I need her so much? This woman makes me cry This woman makes me burn This woman's eye can cut me to the core The hatred that I see Has been reserved for me Yet I want more And more And more And what is it about her (Oooh) That pulls me closer? (The way he's always there) What is it about her That tips the scale? (His strange and silent stare) This girl is all I have So soft, so fair, so fine And she's forever mine This woman builds me up This woman tears me down This woman speaks and I can break apart Now comes another man Pretending he can win her heart Well, let him start What is it about her So slight, so secret? Something in the way she catches light (Who's wrong? Who's right?) (I've never known) Should I hold my own (Now) Or be alone (We fall) Tonight? (We fight) What is it about her? (What is it about him?) That jumbles feelings inside? (So coarse, so queer) What is it about her (What is it about him?) That mixes passion with pride? (That holds me here?) Could I live without her And let her go? How loud must I scream No!

is there a backing track for Candide's lament ?

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