We Need to Talk About Oscar
We Need to Talk About Oscar
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'September 5' director Tim Fehlbaum on the weight of history
It’s one thing to make a film about tragic historical events, but it’s another to depict them gracefully and objectively. This is exactly what director Tim Fehlbaum, his crew, and the stellar ensemble of Peter Sarsgaard, John Magaro, Ben Chaplin, and Leonie Benesch set out to do in the movie September 5.
During our sit-down with Tim, he shared what led him to his third feature, his connection to the 1972 Munich events, his approach to directing this incredibly talented cast, and the complexities of the emotional and technical sides of the story.
(Photo credit: Jürgen Olczyk / Paramount Pictures)
มุมมอง: 29

วีดีโอ

Shea Whigham breaks out of character
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Very few actors possess the level of versatility and underappreciation as Shea Whigham. From starring in indie gems like Wristcutters: A Love Story and Take Shelter to blockbuster franchises such as Mission: Impossible and acclaimed TV shows like Boardwalk Empire, Shea’s range is undeniable. Last June marked the Tribeca premiere of his team-up with Carrie Coon for Jeffrey Reiner’s crime dramedy...
How ‘The Brutalist’ cinematographer Lol Crawley moved what's immobile
มุมมอง 235วันที่ผ่านมา
You probably know by now that we wouldn’t even risk not talking about the unexpected yet glorious return of VistaVision, with none other than The Brutalist cinematographer Lol Crawley! Brady Corbet’s third feature’s been the talk of the town ever since it’s buzzy Venice premiere and Silver Lion win. Lol tells us not only about his approach to photographing buildings, but what makes his collabor...
How DoP Jomo Fray’s camera joined the act in ‘Nickel Boys’
มุมมอง 3714 วันที่ผ่านมา
Our coverage of one of 2024's most masterfully crafted films wouldn’t be complete without the mind responsible for executing its extraordinary visual language. So, with that, we present our breakdown of Nickel Boys, featuring cinematographer Jomo Fray. Among other things, Jomo tells us about how he is choosing projects, the evolution of the film’s unique look and the creative process behind it,...
Rina Yang fights the battle of perception in ‘The Fire Inside’
มุมมอง 2514 วันที่ผ่านมา
2024's final episode features cinematographer Rina Yang, who joins us to discuss her work on The Fire Inside, the debut feature from cinematographer-turned-director Rachel Morrison. In our chat, we dig into the challenges of capturing the inspiring yet painfully real story of boxer Claressa Shields, from adapting to the Flint, Michigan setting to incorporating different lighting techniques into...
The brutal art of indie filmmaking with Tyler Nilson and Michael Schwartz, co-directors of 'Los F...
มุมมอง 1821 วันที่ผ่านมา
The Peanut Butter Falcon, you remember that one, right? Well, the directing duo of Michael Schwartz and Tyler Nilson are back with Los Frikis! And what’s more punk than staying in the world of indies instead of chasing a big studio deal? In our in-depth conversation with the two, we dive into the creative decisions behind their follow-up to their debut feature, their choice to take a universal ...
Exploring emotions through the lens of cinematographer Cambio in 'Daughters'
มุมมอง 3028 วันที่ผ่านมา
We don't talk enough about the cinematography of documentaries. But we should. And this time, we did. Daughters premiered in January at Sundance and was released on Netflix in August. The film, co-directed by Natalie Rae and Angela Patton, centers on and follows four young girls preparing for a special Daddy-Daughter Dance with their incarcerated fathers. This event is part of a unique fatherho...
We Need to Talk About Emmy #16: The cinematography of ‘One Hundred Years of Solitude’
มุมมอง 4228 วันที่ผ่านมา
The series adaptation of Gabriel García Márquez’s One Hundred Years of Solitude has captivated audiences for a week now in its highly anticipated series adaptation. While a story of this scale requires time to fully absorb, we’ve got a little “nudge” to help you dive deeper: our interview with the TV show’s cinematographers, Maria Sarasvati Herrera and Paulo Perez. In this conversation, they ta...
Inside the Control Room of 'September 5'
มุมมอง 23หลายเดือนก่อน
To start the week strong, we sit down with cinematographer Markus Förderer and production designer Julian M. Wagner to discuss their work on Tim Fehlbaum’s September 5. The duo shares their initial reactions to the script, how they approached the sensitive subject of the Munich massacre, and the extensive research that went into their technical and material decisions, in order to ensure that th...
Directing and portraying the cross-generational tragedy of 'Nickel Boys'
มุมมอง 24หลายเดือนก่อน
After its world premiere in late August at the Telluride Film Festival, the adaptation of Colson Whitehead’s 2019 novel, Nickel Boys has taken festivals, awards season, and audiences by storm over the past few months. We had the opportunity to sit down with writer-director RaMell Ross after a screening and Q&A of the film at the Camerimage Festival, where it played as part of the Directors’ Deb...
Co-writer Clint Bentley on exploring the reality of ‘Sing Sing’
มุมมอง 447หลายเดือนก่อน
Our coverage of Sing Sing is far from over! Why would it be? Awards season has just begun! This week, we’re joined by the film’s co-writer and producer, Clint Bentley. After his feature directorial debut, Jockey, Clint passed the director’s chair to his longtime collaborator, Greg Kwedar. In our conversation with Clint, we explored his and Greg’s working relationship, its dynamics, the delicacy...
Rodrigo Prieto takes the stand in the director’s chair
มุมมอง 189หลายเดือนก่อน
After lensing one of last year’s most unexpected yet remarkable double-feature pairings - Barbie and Killers of the Flower Moon - Rodrigo Prieto, widely regarded as one of his generation’s finest cinematographers, brings us his feature directorial debut, Pedro Páramo. This time around on the show, we had the privilege of sitting down with Rodrigo at Camerimage, the world’s No1 festival dedicate...
Ray Fisher goes from stage to screen in 'The Piano Lesson'
มุมมอง 83หลายเดือนก่อน
Following the widely successful stage production of August Wilson’s The Piano Lesson, Malcolm Washington has chosen the story as his feature directorial debut, with the film produced by his father, Denzel Washington, and Netflix. Three actors reprise their roles from the stage production, bringing their immense talent to the screen: Samuel L. Jackson, John David Washington, and, last but not le...
DoP Benjamin Kračun on concocting ‘The Substance’
มุมมอง 3262 หลายเดือนก่อน
Without a doubt one of 2024’s biggest cinematic events is The Substance. Coralie Fargeat’s body horror premiered at this year’s Cannes Film Festival to great critical acclaim and has been gathering more and more attention ever since. We managed to sit down with the film’s cinematographer Benjamin Kračun for an interview. If you’ve seen the film, you surely know just how gripping it looks and fe...
When everything falls into its right place, with 'Anora' cinematographer Drew Daniels
มุมมอง 3142 หลายเดือนก่อน
Despite Sean Baker’s impressive track record, his seventh feature, Anora, might be what brings him the next level of critical- and, more importantly, commercial- success. Baker, who shoots his projects on film, reteamed with DoP Drew Daniels for the second time after Red Rocket. Drew, whose work you might know from projects such as Waves or It Comes at Night (both directed by Trey Edward Shults...
Genre dynamics, with ‘Don’t Move’ co-directors Adam Schindler and Brian Netto
มุมมอง 1122 หลายเดือนก่อน
Genre dynamics, with ‘Don’t Move’ co-directors Adam Schindler and Brian Netto
A memory to live by, with the Director of ‘The Remarkable Life of Ibelin’
มุมมอง 4832 หลายเดือนก่อน
A memory to live by, with the Director of ‘The Remarkable Life of Ibelin’
College life on 'The Line', with director Ethan Berger
มุมมอง 1742 หลายเดือนก่อน
College life on 'The Line', with director Ethan Berger
Fiction in truth, with 'Woman of the Hour' writer Ian McDonald
มุมมอง 1222 หลายเดือนก่อน
Fiction in truth, with 'Woman of the Hour' writer Ian McDonald
Timeless timelines, with 'Caddo Lake' co-directors Celine Held & Logan George, plus cinematograph...
มุมมอง 733 หลายเดือนก่อน
Timeless timelines, with 'Caddo Lake' co-directors Celine Held & Logan George, plus cinematograph...
An out-of-body (swap) experience, with 'It's What's Inside' director Greg Jardin and actor David ...
มุมมอง 2463 หลายเดือนก่อน
An out-of-body (swap) experience, with 'It's What's Inside' director Greg Jardin and actor David ...
Familiar grief and familial dynamics, with 'His Three Daughters' writer-director Azazel Jacobs
มุมมอง 2193 หลายเดือนก่อน
Familiar grief and familial dynamics, with 'His Three Daughters' writer-director Azazel Jacobs
Rewind #1: Director (of Photography) Paul Cameron goes back in time
มุมมอง 6314 หลายเดือนก่อน
Rewind #1: Director (of Photography) Paul Cameron goes back in time
We Need to Talk About Emmy #15: The fever dream - like tragedy of ‘Lady in the Lake’
มุมมอง 3564 หลายเดือนก่อน
We Need to Talk About Emmy #15: The fever dream - like tragedy of ‘Lady in the Lake’
We Need to Talk About Emmy #14: Immersed in the world of 'Shōgun', with DP Sam McCurdy
มุมมอง 3065 หลายเดือนก่อน
We Need to Talk About Emmy #14: Immersed in the world of 'Shōgun', with DP Sam McCurdy
Finding freedom within a system, with editor Parker Laramie
มุมมอง 3715 หลายเดือนก่อน
Finding freedom within a system, with editor Parker Laramie
Indie, studio film, and the middle ground, with director Michael Sarnoski
มุมมอง 6055 หลายเดือนก่อน
Indie, studio film, and the middle ground, with director Michael Sarnoski
We Need to Talk About Emmy #13: The timeless tragedy of 'Under the Bridge', with star Vritika Gup...
มุมมอง 1.1K5 หลายเดือนก่อน
We Need to Talk About Emmy #13: The timeless tragedy of 'Under the Bridge', with star Vritika Gup...
We Need to Talk About Emmy #12: Production designer Tommaso Ortino on how limitations turned into...
มุมมอง 2105 หลายเดือนก่อน
We Need to Talk About Emmy #12: Production designer Tommaso Ortino on how limitations turned into...
Capturing humanity on different budgets, with cinematographer Pat Scola
มุมมอง 4696 หลายเดือนก่อน
Capturing humanity on different budgets, with cinematographer Pat Scola

ความคิดเห็น

  • @jaylansalahsalman
    @jaylansalahsalman 15 วันที่ผ่านมา

    This has been amazing and insightful, thank you for sharing this conversation with us.

  • @timchristian3870
    @timchristian3870 17 วันที่ผ่านมา

    She did a really good job on the entire project, that Olympic shot out the tunnel is part of the marketing looked great, it worked out beautifully!

  • @sherho1842
    @sherho1842 หลายเดือนก่อน

    He deserves an oscar

  • @ivantabori1492
    @ivantabori1492 8 หลายเดือนก่อน

    It’s worth checking the whole episode!