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Scott Frankfurt Studio
United States
เข้าร่วมเมื่อ 19 ธ.ค. 2012
Scott Frankfurt Studio is a state of the art recording studio featuring an innovative workflow and relaxed atmosphere. Located in the Los Angeles community of Woodland Hills, we have provided world-class recording, mixing, mastering, and sound design services for over 25 years.
For more information: www.scottfrankfurtstudio.com
For booking inquiries: info@scottfrankfurtstudio.com
Instagram: @scottfrankfurtstudio
Facebook.com/scottfrankfurtstudio
For more information: www.scottfrankfurtstudio.com
For booking inquiries: info@scottfrankfurtstudio.com
Instagram: @scottfrankfurtstudio
Facebook.com/scottfrankfurtstudio
1942 featuring Hannah Rose Lewis and Scott Frankfurt
"1942 feat. Hannah Rose Lewis"
Get the video, audio, and Atmos at the Scott Frankfurt Studio Store:
scottfrankfurt.com/collections/1942
CREDITS
Music and Lyrics | SCOTT FRANKFURT & HANNAH ROSE LEWIS
Vocals | HANNAH ROSE LEWIS
String Arrangement and Orchestration | GRANT FONDA Violin & Viola | LUANNE HOMZY
Cello | CHARLIE TYLER
Piano, Synthesis | SCOTT FRANKFURT
Stereo and Atmos Mix | SCOTT FRANKFURT
Director of Photography:| BRANDON SORIANO
Product Photography | VALERIE HERNANDEZ
SFS Production Staff | VALERIE HERNANDEZ & SHARON FRANKFURT
Album Artwork | JAVIER M..
Copyright © 2023 Bleach Bros. Music (BMI), Scott Frankfurt, Hannah Rose Lewis All Rights Reserved.
www.scottfrankfurtstudio.com
LINER NOTES
From the album, 10 Million Miles, “1942” is the first release from an eclectic project I’ve been aiming to make for many years.
By 2019 both of my parents had passed on. The family piano I took lessons on as a kid - an old Wurlitzer spinet made in 1942 - arrived at my studio after Jim Wilson (LA Piano Service) restored it and gave it new life - and new tricks - like soft hammers and a felt mechanism for muting the instruments tone. In the first 30 minutes alone with the piano, I hit “record,” and out came this piano improvisation in one piece.
Fascinated with it I decided to give it a Lanois-style mix treatment, where the mixing board and effects are the instrument and turned the improv into swirls of reverbs and delays that mimic synthesizers - and I fell in love with it. It reminds me of a puzzle or maybe an old warmup exercise that Terry Trotter had me practice!
The unwritten rules for my album are that it be personal, purposeful and created with the people and the things that I love, steeped with the stories and experiences lived. As I encounter the material, I am flooded with emotions - exactly as I hoped - either elated or saddened from tip to tail, but always with a sense of wonder and gratefulness to still be here doing what I love for almost five decades.
I reached out to Hannah Rose Lewis, whom I met via her mother, famed session cellist Paula Hochhalter. I was immediately intoxicated by Hannah’s sound and musical depth and felt she would be the perfect person to collaborate with not only on the melody but on the lyric as well. The result ties together recent instability, the traumas of 1942, my childhood piano reflections and the final key inspiration - the late Jeremy Lubbock’s “How Many Lives To Go” - sung by Chaka Khan, which may be the most potent recording of any type I’ve ever known.
Enter my dear friend, Grant Fonda, who scored haunting string lines, along with performances by Luanne Homzy (vln, vla) and Charlie Tyler (vc) that wonderfully helped us realize the mood and crescendo we heard in our heads. Mixing was a journey including a 7.1.4 Dolby Atmos mix (an experience in itself), but the sound still packs a punch in the Binaural output. Please note there is a lot of dynamic range, and that is intentional. It makes me happy to hear the soft and the loud of it all, something that is harder and harder to find these days.
Finally, our video is homemade, and I’m so glad that Hannah was willing to perform this in such an intimate way - filmed point blank by her love, Brandon Soriano. I think Hannah’s eyes convey it all, and it makes me very fulfilled to have made this music with her and to share it with you.
- Scott Frankfurt
LYRICS:
OOOH OOOH
I TOOK A WALK AMONG THE STARS TODAY
I THINK I NEEDED A CHANGE OF PACE
DYED MY KALEIDOSCOPE IN SHADES OF GRAY
TO MAGNIFY THE LINES ACROSS MY FACE
MY EYES TO THE SKY AND I’M WAITING
FOR THE PAVEMENT BENEATH MY FEET
OOOH
I CAN'T CONTROL THIS LIFE I SEEK
TRAPPED IN THIS HOLE SO TIRED AND WEAK
WHERE IS THE LIGHT? WHY CAN'T I SEE
THAT MY CLEVER WORDS ARE
THE THING SLOWLY KILLING ME
THEY CAN'T CONTROL THIS LIFE I SEEK
THEIR CLEVER WORDS ARE
THE THING SLOWLY KILLING THE
PEOPLE I SEE TEARDROPS ON SCREENS
I CANNOT STOP IT I FEAR THEIR DISEASE AND THE
RAGE AND THE HATE THE BRIDGES ON FIRE
THE SPIT IN MY FACE AND THE FLAGS RAISING HIGHER
I KNOW THERE IS ONE TO FOLLOW THE RHYME
TO REOPEN WOUNDS OF MEN'S ANCIENT SPITE
AND I HOPE WE'RE THE ONES
TO LIVE THROUGH THE NIGHT
TO GIVE ALL WE HAVE
'TIL THE TOURNIQUET IS TIED
Get the video, audio, and Atmos at the Scott Frankfurt Studio Store:
scottfrankfurt.com/collections/1942
CREDITS
Music and Lyrics | SCOTT FRANKFURT & HANNAH ROSE LEWIS
Vocals | HANNAH ROSE LEWIS
String Arrangement and Orchestration | GRANT FONDA Violin & Viola | LUANNE HOMZY
Cello | CHARLIE TYLER
Piano, Synthesis | SCOTT FRANKFURT
Stereo and Atmos Mix | SCOTT FRANKFURT
Director of Photography:| BRANDON SORIANO
Product Photography | VALERIE HERNANDEZ
SFS Production Staff | VALERIE HERNANDEZ & SHARON FRANKFURT
Album Artwork | JAVIER M..
Copyright © 2023 Bleach Bros. Music (BMI), Scott Frankfurt, Hannah Rose Lewis All Rights Reserved.
www.scottfrankfurtstudio.com
LINER NOTES
From the album, 10 Million Miles, “1942” is the first release from an eclectic project I’ve been aiming to make for many years.
By 2019 both of my parents had passed on. The family piano I took lessons on as a kid - an old Wurlitzer spinet made in 1942 - arrived at my studio after Jim Wilson (LA Piano Service) restored it and gave it new life - and new tricks - like soft hammers and a felt mechanism for muting the instruments tone. In the first 30 minutes alone with the piano, I hit “record,” and out came this piano improvisation in one piece.
Fascinated with it I decided to give it a Lanois-style mix treatment, where the mixing board and effects are the instrument and turned the improv into swirls of reverbs and delays that mimic synthesizers - and I fell in love with it. It reminds me of a puzzle or maybe an old warmup exercise that Terry Trotter had me practice!
The unwritten rules for my album are that it be personal, purposeful and created with the people and the things that I love, steeped with the stories and experiences lived. As I encounter the material, I am flooded with emotions - exactly as I hoped - either elated or saddened from tip to tail, but always with a sense of wonder and gratefulness to still be here doing what I love for almost five decades.
I reached out to Hannah Rose Lewis, whom I met via her mother, famed session cellist Paula Hochhalter. I was immediately intoxicated by Hannah’s sound and musical depth and felt she would be the perfect person to collaborate with not only on the melody but on the lyric as well. The result ties together recent instability, the traumas of 1942, my childhood piano reflections and the final key inspiration - the late Jeremy Lubbock’s “How Many Lives To Go” - sung by Chaka Khan, which may be the most potent recording of any type I’ve ever known.
Enter my dear friend, Grant Fonda, who scored haunting string lines, along with performances by Luanne Homzy (vln, vla) and Charlie Tyler (vc) that wonderfully helped us realize the mood and crescendo we heard in our heads. Mixing was a journey including a 7.1.4 Dolby Atmos mix (an experience in itself), but the sound still packs a punch in the Binaural output. Please note there is a lot of dynamic range, and that is intentional. It makes me happy to hear the soft and the loud of it all, something that is harder and harder to find these days.
Finally, our video is homemade, and I’m so glad that Hannah was willing to perform this in such an intimate way - filmed point blank by her love, Brandon Soriano. I think Hannah’s eyes convey it all, and it makes me very fulfilled to have made this music with her and to share it with you.
- Scott Frankfurt
LYRICS:
OOOH OOOH
I TOOK A WALK AMONG THE STARS TODAY
I THINK I NEEDED A CHANGE OF PACE
DYED MY KALEIDOSCOPE IN SHADES OF GRAY
TO MAGNIFY THE LINES ACROSS MY FACE
MY EYES TO THE SKY AND I’M WAITING
FOR THE PAVEMENT BENEATH MY FEET
OOOH
I CAN'T CONTROL THIS LIFE I SEEK
TRAPPED IN THIS HOLE SO TIRED AND WEAK
WHERE IS THE LIGHT? WHY CAN'T I SEE
THAT MY CLEVER WORDS ARE
THE THING SLOWLY KILLING ME
THEY CAN'T CONTROL THIS LIFE I SEEK
THEIR CLEVER WORDS ARE
THE THING SLOWLY KILLING THE
PEOPLE I SEE TEARDROPS ON SCREENS
I CANNOT STOP IT I FEAR THEIR DISEASE AND THE
RAGE AND THE HATE THE BRIDGES ON FIRE
THE SPIT IN MY FACE AND THE FLAGS RAISING HIGHER
I KNOW THERE IS ONE TO FOLLOW THE RHYME
TO REOPEN WOUNDS OF MEN'S ANCIENT SPITE
AND I HOPE WE'RE THE ONES
TO LIVE THROUGH THE NIGHT
TO GIVE ALL WE HAVE
'TIL THE TOURNIQUET IS TIED
มุมมอง: 21 920
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Verdine White's bass. WOW !!
黒人音楽が世界を変えたことにいつも驚かされます。なんて素晴らしいことでしょう。
Dude. This is amazing.
Thanks! Really appreciate it!
Means a lot to me!!
LOVE THIS! THANK YOU!
Ok she's hot and has a great voice so that's been established but who's the bass player. He looks familiar.
Listening on a loop ❤❤❤❤❤❤❤❤❤
Awesome❤❤❤❤❤❤
Everyone is wonderful specially Vi Jordan in vocals
Fantastic music!!! From Spain.
Still one of my favorite arrangements of all times does anyone know what's Vi is doing Now, December 5 2024
I saw Smoke on his 80th birthday. This is a great interpretation with one of my favorites.EWF & Beautiful female voices etc. I'm older but Damn this brings back my youth.
Really means a lot to me! Thank you!
Groupe très homogène , sublime et exquise chanteuse avec une voix tres chaude👍😍
Love Vi! she’s an amazing singer&pianist! Love this Quincy Jones cover! Looking forward to more from Vi and always love my fave E,W&F!! They are 🔥🔥 in concert!
Great story. VI WANTED TO RECORD THIS IN A RED DRESS.
I don't have an MCI, wished i did. But I'm one of the fortunate ones that does have a 1/2" analog 8 track and I've always been happy with it. Unlike digital that needs constant firmware upgrades and is figity, Analog just works! Great vid of yer studio! 😉👍
I am still digging on V
Yeh that was real nice, I love the vibe of this track.
What makes this really special is all the great muso's facial expressions which show how happy they are knowing that they are crushing it on every bar , and that is why the do what they do 👌
My favourite video!! Doesn’t get better. Floating on clouds.
I wish I could give my like more than one time.
Great beautiful work of art ❤
Дивовижна музика! Супер музики!
Thank you Michael, I love you and I miss you every day.
I still love her
I can not overstate how awesome this track is - everyone is in the zone , on point, and just superb . I watch reruns everyday to lift my spirits - so huge thanks to all of you , from a drummer that started in 1967 .
Quincy jones wrote it
The son. G was originally composed by average white band diversion was great war harmony
A stellar performance. Also he touched this great song. R.I.P Quincy.
de la pure bombe 🙂, hélas Quincy est parti, mais merci à vous de le faire vivre !
Still on my playlist of favorites.
i love this song conngrats vi
Verdine!!
th-cam.com/video/WUgITqEQhog/w-d-xo.htmlsi=5TkR_PYgFHNhc6Mv The original. The best.
Brilliant vocal, very dishy singer girl. Quentin (UK)
I5 s soooooo gooood 😍😋
like..
Nice!!!!
Should I release this in Atmos? Anyone interested?
Great engineering love it 🎉🎉🎉🎉🎉🎉🎉🎉🎉
It really means a lot to me when someone notices the love put into the arrangement, production and mixing. Thank you, sir.
Such a pleasure watching elite musicians so into their groove and having such undeniable fun and joy playing off each other. AWB’s classic done justice. Bravo, all!
Thank's guys. I can say that the arrangement is for sure a state of art.
I first heard the song sung by our South African born guitarist Jonathan Butler
❤😊🎵🎶 👍
This is Average White Band!!!!!
This is so addictive. Watching all bouncing up tempo is mesmerizing. The song is simply beautiful and exquisitely executed. Can't stop watcthing over and over.
I love my voice.And I also love this arrangement.Great song
Yeh man!
Trying to negotiate with Nostromo but to no cat victimised.
You guys , sound like you're ready for anything. Hope You are well , Vi. Wojtek stary. Number ❤❤❤.
I associate this song with Carly. Forever. Didn’t know Michael McDonald wrote it until I heard him do it in concert.