วีดีโอ

Was Yuliana Avdeeva grundsätzlich von den meisten Pianisten unterscheidet ist der Umstand, daß sie keine Attitüden hat und die Komposition immer im Vordergrund steht. Hier ist die Komposition der Star und nicht umgekehrt und nicht zuletzt deshalb spielt sie so überlegen gut. Und sie läßt sich von der Plattenindustrie nicht vergeben. Ein reizende, natürliche und hochintelligente Künstlerin. Bravo. Ein Geschenk für den wirklichen Klassikenthusiasten.und nicht für den oberflächlichen Klassik "Voyeur".

This is music

Wenn sie spielt ist das wie ein Eintauchen in eine andere Dimension. Unfassbar!

Maybe the most beautiful passage in all of classical music is the stretch from 1:00-1:20, with 1:19-1:20 itself being the very peak. It’s a simple four note motif, played 4 times with slightly different harmonization each time, getting progressively more intimate, poignant, and bittersweet-sweeter each time. The changes to the harmony pierce deeper and deeper (and at a slightly different “angle”) each time, until at 1:20, it’s reached the deepest level of human feeling. You can tell by how it’s played here, how much they feel that chord, even though it’s played pianissimo, as if too personal to belt it out. But turn up the volume, and you are hearing a musical moment at its most intimate and personal.

Where is Martha Argerich?

With God all things are possible.🌹

Prefiero otras interpretaciones, francamente.

11:25 tr❤

She nailed it

She is the finest of her generation. Outstanding.

9:39

我爱这个钢琴演奏

I just saw her perform in Seattle a few weeks ago playing a mix of Liszt and Chopin. She is impressive and has a large repertoire.

Sublime

Guys if you're gonna talk about cziffra, do it in his performance's comments alright ? This isn't Gyorgy

Великолепная пианистка

These lightning fast performances miss the entire musical point. It is a galop. It is supposed to start a a fast but deliberate pace and get faster with each iteration. If you start out at a full galop, there is no place to go. You end at full speed. This performance, and Cziffra, are to show-off, not be musical at all.

Es increíble el talento, sentimientos de Alexander, su expresión en la cara, todas sus expresiones las deja salir cada vez que pulsa una tecla, dedo por dedo. Nos deja a todos consternados... Que gran placer escucharte! Gracias Alexander!!! 👏👏👏 ❤

“For beauty is nothing but the beginning of terror which we are barely able to endure, and it amazes us so, because it serenely disdains to destroy us. Every angel is terrible.” ― Rainer Maria Rilke, Duino Elegies

Wooooow, the coda!

Geweldig

あっさりしすぎるところと演歌っぽいところのバランスがあまり良くない。 あとffのところが打鍵が強めというか強すぎて刺す感じなのが好みではない。

❤

Sublime <3

cravei o like 900. 😂

A superb symbiosis,thx to both,what can music more offer than this special way of intimacy.Bravo.🙏🏼❣🌞

Wow on so many levels

To be honest, Avdeeva is such an underrated artist, especially someone who won first prize at Chopin. The Prokofiev last movement is much more monumental than Trifonov’s too fast tempo

This is the most awesome rendition I have ever heard. What a perfect and wonderful concert from Yuliana Avdeeva and the orchestra. Dynamic, strength ,sensitivity and musical empathy and this unique touch. Yuliana Avdeeva is an utterly and unique singular pianist. She makes me absolutely happy .Really wonderful. 6 of 5 claps. 👋👋👋👋👋👋

Великолепно 👏👏👏👏👏

I feel like floating in waves.

Beautiful virile performance, great sound, à la Gina BACHAUER!

Only just tiny it. And it will be Franz Shubert

Shubert tipically. When melody line in swirling

Шуберт...... типичный.... только мотив в разработке чуть чуть укоротить

Esecuzione e sensibilità bella fino alle lacrime

Dignidade , beleza e arte ; é uma rainha!!!!❤ 🌹🌹🌹

Best version

Yulianna Avdeeva è una pianista emozionante che rende uniche la bellezza della Musica e la formidabile tecnica che le appartiene.. Davvero bravo il Direttore Vasily Petrenko e la Finnish Radio Symphony Orchestra.. Regia audio ottima; in una eventuale incisione penserei a qualche piccolo incremento d'accento negli Schoeps del piano

This is one of the most difficult and at the same time most idiotic arrangements of a vocal aria for piano. There are, as you can see, good and bad paraphrases. Good ones are, for example, Wieniawski's Faust Fantasy for violin and piano, Liszt's Rigoletto, and bad ones - this one here. The original of Rossini's aria is perfect, but Ginzburg's adaptation has nothing in it - neither beauty, nor wit, nor idea. Lisitsa's masterful performance is not enough to give this worthless piece meaning.

Why doesn’t the score have the key signature (F♯ major) for the Promenade at 8:49, and it has these needless sharps all over?

Why playing this after Horowitz ... ?

An advert right in the middle of var. 18...what a way to ruin a nice video

Penso che in due occasioni abbia sofferto di un attacco doloroso. Comunque é molto coraggiosa. Brava Alice. Guardate ai minuti 8:28 e 8:45, sono espressioni di dolore.

Fantástica pianista, ❤❤ me encantó sus propinas también, me gustó escucharla interpretando a Bach, hágalo más por favor

Fantástica pianista, ❤❤

The most incredible performance I've ever seen. So much passion. I will never forget this.

One notices how beautiful the music is, rather than the undeniable excellence of the pianist, which is what Chopin would have wanted.

Excellent. One of the best Hammerklavier interpretations…

1. Promenade 2. Gnome 3. Promenade 2 4. The old castle 5. Promenade 3 6. Tuileries 7. Bydlo 8. Promenade 4 9. Dance of Chickens in their Shells 10. Samuel Goldenberg and Schmuyle 11. Promenade 5 (*) 12. The Market At Limoges 13. Catacombs 14. With Death In The Dead Lake 15. Baba Yaga - The Hut on Fowl's Legs 16. The Great Gate of Kiev - Grand Finale *: Promenade 5 has been omitted from the 1st movement from Ravel's orchestral arrangement.