วีดีโอ

Thanks a lot. I was very fortunate to be included.

Not at all, if it is anything you can make use of 😁

I tend to avoid using a mixer for my gigs unless it's absolutely necessary, as I'm fiercely lazy when it comes to carrying gear with me, but I once found that a DI box can be super valuable as all venues don't have other plugin options than XLR. So the DI box at the end of the signal chain is mostly to give me an XLR out into the house PA system. However it does have two quite useful features being an active DI box. It has a Cab simulator which does give some added grit to the overall sound. It also has a few different loudness settings so I can make the signal hotter or quieter depending on what is needed. Anyway, to cap this off, I have a DI box with me for almost every gig, it comes between my Output and the house mixer Input. It can kill some unwanted grounding buzz and also works as an adapter incase the house mixer only takes XLR. Hope you found an answer inbetween my rambling writings 😅

@@bryskt Thanks so much for this reply! Might be worth investing in a DI box by the sound of it. Super helpful, I appreciate you taking the time to respond

No worries. for stereo stuff I use a passive DI box that was around 50€ back in the day. The mono one is a cheap clone of Mooers mini pedal DI box. Have fun! ☺️

Great! Hopefully it inspires you to make all kinds of sonic experiments. Definitely try out the ebow, maybe if you have a violin bow etc. Everything is worth trying out! Thanks 🙏

good question! I am actually not sure, as it's a bit out of my own area of expertise. However I think the Behringer UO300 is cheap enough to buyand experiment with, but thatyjust my personal opinion. Hope you find something that fits your needs and let me know how it works out.

Awesome set btw!

Hah, sorry for the barrage of comments, just typing while I watch. When you switched the y- splitter to the slicer input that made a lot more sense!

No worries. I always try to reply to any questions I receive. I had to go back and see what I've actually done Based on how I have done the connections on plug is connected to an output, so the Y-cable just sends the same input signal forward to the two inputs they are connected to which means that the signal starts to feedback as one input is before the output, the other input takes the signal forward in the path ie. after the output if you think about the signal chain in a linear matter (which it is 😅). Hope this makes some sense.

indeed it does ☺️

huge thanks 🙏

Thank you very much 🙏 Highly appreciated.

Cheers, Sadly I don't have a diagram and just figured it out. with that said, you just need to solder the light dependent resistor between the tip connections on the plugs. and normally connect a ground wire between the ring connections on the plugs.

@@bryskt Thank you very much, I can't get this system to work with a photoresistor because even if I black it out the sound still gets through, but I've just succeeded with a photodiode.

Great work! 👍

@@bryskt Is the only component you use a photoresistor? Or do you have other hidden ones? What is the value of the photoresistors? In my tests, the sound comes through and the different types of photoresistors don't react with the lights. I've been trying to solve my problem for weeks. Thank you very much for your help

Sorry to hear you have problems with this. 😔 It's only a tip to tip connection with the LDR and barrel to barrel ground wire, so there shouldn't be many issues with that. Not at all sure what to advice you as this worked for me fine first time around so I have no idea where to start troubleshooting. I bought a batch of different LDRs and tested first with a temporary setup which one sounded best to me with just blacking out the LDR with my finger. I think they might be 30k-90k , but don't quote me on that as I also tested with 16k-50k, 8k-20k, 5k-10k and 2k-6k.

Much appreciated 🙏

Thank you my friend 🙏❤️

Thanks! I pretty much rebuild my setup each time but there are some pics on my instagram page / instagram.com/bryskt

Well, hope you find something that works.

the best sounds 🤘

Thank you so much. Hugely appreciate it and love that pedal. It is amazing ❤️

Depends much on the situation. Running just a few pedals I might have individual 9v powersupplies. Sometimes I may even daisychain them. I also have a Mooer micro power but that one doesn't have isolated outputs. Mostly you should be aware that the cheap ones don't necessarily have isolated power outs which might cause trouble for some pedals. Right now I'm really happy with Palmer powersupplies from Germany.

Yhank you so much! Glad you enjoyed it 🙏

Thank you my friend! I am extremely grateful 🙏

Thank you 🙏

Thank you my friend!

Thanks!

Thanks so much 🙏

Both models work just fine and are amazing taking into account the price point. I have both and switch around depending on which I happen to grab first, or if I have a need for more or less channels. The 802 has 6 channels + stereo AUX return 1002 has 10 channels. So for the 1002 you have to use one of the stereo channels for FX return, but for me it isn't an issue as I often do that anyway. The 1002 has a master volume fader while the 802 has a pot. So not sure if the differences ammount to too much, mostly how many channels you need and how much you want to spend on the mixer. I've had mine for years and used both of them on numerous gigs and recordings.

There is always space for more noise.

Glad you liked it! It means a lot!

I would not dear to play on this hypothetical, but if you find the answer I'm very interested in hearing it 🤣

Thank you so much 🙏

Thanks a lot! The Lusters collab was amazing, glad you enjoyed it!

As always, thanks for your support! Really appreciate it.

Thanks a lot! 🙏

Thank you very much 🙏

Thank you so much! 🙏

Thank you, I'm really glad you're enjoying it. 🙏

🙏

Thank you! I'm glad you enjoyed it!

For sure. I've been toying around a lot by patching delays back into themselves. There are a lot of great soundsources around when you just experiment.

@bryskt hell yeah! I mostly use it for my vocals, I got a Caroline rotary pedal coming in today, and I am very excited to see what it can do

Nice one. I've never used the Rotary pedal, looking forward to hearing your thoughts on it.

@@bryskt new track out tomorrow or Monday fingers crossed, maybe a music video, so we'll see how well he plays with the others!

The video pretty much shows the signal chain as I build the setup. It's FX out from mixer into delay pedal stereo out from delay to reverb stereo out from reverb into two different distortions and finally distortions into mixer on two individual channels.

Indeed, you can do really strange stuff with it, but it's also an amazing fuzz pedal.

@bryskt quite! I did a little peice of nastiness where I ran my field recorded cassettes through it chained to a vocoder pedal and a synth and found I could make a hideous voice come out

That sounds like great fun! I have done some trials with samples and field recordings but haven't been too interested in incorporating that myself. Still great stuff, hope you find something that really resonates with you from your trials.

@bryskt and to you as well, love your videos!

Thank you so much 🙏

Thank you so much! 🙏

Thanks!

Thanks a lot for your comment. Really good insights and your gear sounds amazing! I really love the low end and obscure stuff, sadly in Finland the 2nd hand market isn't super good according to my experience.

Thank you so much 🙏

Yeah, it tends to turn a bit on the harsh side for me often. Sorry, not sorry. 😁 It's fun what you can do with stereo pedals. I don't have too many Boss pedals, but the PS-3 seems like a bunch of fun. I need to look into that. Hope you have fun with the SL-2, I at least find it highly inspirational.

Wheres the musical application on these?

Sorry, not sure what you mean. I just show possibilities for making noise music with different devices, so for more melodic or "musical application" I think there are much better channels to investigate that aspect.

Ah ok yeah i get it now.

No worries!

Thank you so much! camera angle is a bit off, but that's the magic of live recordings 😁

Thanks so much for sharing. It's great to hear about different ways people set up and do things. It's great when there are not just 1 correct way to do things and sometimes even the wrong way leads to interesting results. I usually build a new setup for each gig to keep it fresh for myself.

@@bryskt Yes, each person’s workflow is their own, and definitely unique to them getting and end result. What works for you in the end is the best practice.

This is a brilliant insight to possible viewers who aren't that well versed in the process. My way is by no means correct or the only way, but someone who doesn't know where to start can pick up an idea and go forward from there. I try to emphasize that people should try things and take hold of the elements that work for them. Thanks again for your valuable insights! 🙏

Awesome idea, I might try to do something like that in the future!

Thank you so much!

Thank you 🙏