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Thanks so much :)

Absolutely agree - to be honest I haven't found much about it, it was taught to me by my uni teacher who was a master of gospel! Parallel voicings is the only term I could think of to describe it :) Cheers for watching :)

Thank you kindly, enjoy the jam!

Not on me for the piano solo but if you are super keen I could whip one up pretty easy - just send me an email if you would like this done lachlancourtmusic@gmail.com

Cheers for the comment! Hey as long as you enjoy the steps along the way nothing wrong with 2050! Have fun!

Cheers! Hope it works for you :)

Thanks for the feedback - glad you enjoyed the exercise :)

This is awesome to hear, I'm so stoked this clicked with you!! Thanks for letting me know, have fun!! ❤️

Cheers for watching :)

Thank you kindly!! ❤️

@pianoproductivitypeace your didatics are from other world. Greetings from Brasil

Thanks so much! I'm glad you are finding the videos helpful :)

Thanks for that, a huge compliment and I'm glad you've found it useful ❤️ PS my name is Lachlan :)

Cheers! :)

Cheers for that, enjoy the jam :)

Aww thanks, the best feedback - have fun ❤️

Thanks for that, glad you've found it helpful :)

Cheers for this, I'm sort of thinking you may be looking at a bluesish kinda progression as your I - IV - V are dominant 7s ( F7 - Bb7 - C7) depending on what sound you want to create you can also experiment by making the Dm7 and Gm7 dominant 7s also? Blues as a genre leaves the rules that we are discussing in this video - the video is about DIATONIC HARMONY - that is harmony derived from a major scale There are many different ways to arrange these chords but the standard 12 bar formula might look like this | F7 | Bb7 | F7 | F7 | | Bb7 | Bb7 | F7 | Dm7 | | Gm7 | C7 | F7 | C7 | If making a melody in your piece you could try F major pentatonic mixed with F blues for variety: F maj pentatonic (F G (Ab) A C D) F blues (F Ab Bb B C Eb) Hope this helps :)

Thank you maestro for your suggestions. I ll try in that way.. See you.. Soon.. Gratitude!

This could be helpful - conveniently it's in F 😊 th-cam.com/video/YAJ0VM94v2Q/w-d-xo.htmlsi=wvEkMzc0RaWKTJIv

Thanks for watching ❤️

Hey cheers for watching and the feedback - I do get carried away sometimes - will keep this in mind for future :)

Cheers, hope you enjoy the jam :)

Thanks so much for the feedback :) Essentially you can base your song around a Major key or a Minor key... If in Major your chords are I - IV - V and vi - ii - iii If in minor your chords are i - iv - v/V and III - VI - VII The chords should all link together nicely as they come from the same scale - but just try different combinations and see what you like - a lot of people vibe with the I-V-vi-IV progression for example. I'll be following up eventually with a lesson that explains that more, and starts identifying all 6 chords in one sequence, but currently I'm working on a rhythm lesson. Thanks for your words and encouragement, I am super keen to make more content where possible around my full-time job. Cheers!

This is great feedback, thank you so much! Enjoy the jam :)

Cheers for this, glad it has helped - thanks for the comment :)

For sure, I use pro-tools and the default plugins from xpand2 When I record the lesson it's just a basic beat to keep me in time with no bass, then I go back and play along with the lesson :) Also means if I make a mistake when I speak I can redo vocals etc... Let me know if you need more details :) Thanks for your interest :)

Cheers for watching :)

Absolutely - although if the song overall is in a Major key the minor chords will be best labelled vi, ii and iii If the song is in a minor key then the Major chords would be labelled as III, VI and VII I hope that makes sense!

@@pianoproductivitypeace absolutely. It makes perfect sense. Thanks🙏

For sure, once you can hear it the skill should stay with you. Come together and Black magic woman are good songs to practice hearing the minor i iv V with - Although I usually play Come Together with Dorian mode and feel the IV chord as major. Hope this exercise helps you - cheers Dan

Cheers! I haven't released the beats for this one as it is a cover Taylor's Cube by Directions in Groove - an Australian acid jazz group. I whipped it up as a backing track. Here is the original recording: music.th-cam.com/video/_j6GfLuGlls/w-d-xo.html&si=M1OZC-9xjh1KS117 Cheers :)

Thanks so much - enjoy the Mixolydian jam :)

Thank you :)

Hey cheers for feedback, I'm still figuring out what works best for playing along - my theory with this one was keep it simple so it's easy to follow but I am keen to explore building it up dynamically etc...

Cheers!

@@pianoproductivitypeace you too

Cheers!

Thank you, enjoy the jam!

Hey, in short there is only one note difference - C/C# If you use the G major scale over E, it is essentially the E Aeolian scale (or natural minor) The 6th note C sounds 'darker' and more serious If you play C# instead (using D major scale/E Dorian) the 6th note sounds 'brighter' and more fun Hope this makes sense, cheers for the question!

Thanks!

Thank you for the comment :) Hope you enjoy the jam!

Thank you so much, very generous! Yes Juno is much better, leg healed and we avoided an amputation - a great result!

One of my favourites!