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素晴らしい演奏です。 まず、最初に、まろやかな響きに魅せられました。そして、無調性音楽特有の刺激的な要素は、感じられず、むしろ、エレガンスを感じるのが良いですね。

I'd never heard this in a quartet setting before. All the players have a lot to cover in such an arrangement! _Bravi_ to all the fiddle players! ;-)

Terrific. You all really know how to sing, the technique is solid and clear, the ensemble is tight. (And that purple is a great color on all of you.) I'm surprised I'd never heard this piece before. This performance makes me think it deserves a place alongside the other major French works in the standard quartet repertoire. And a message to TH-cam: Ads between movements are bad enough, but an ad *_in the middle of the slow movement???_* *NOT ACCEPTABLE.* Fix your damned system.

_Molti bravi!_ Outstanding performance. The tightness of the ensemble; the fantastic balance at all times; the gorgeous, singing tone; the fluidity and effortlessness of the technique... and I really like your interpretation too. One thing in particular I wanted to offer praise for, in all three movements, is your control at _pianissimo_ - *especially* in the low register. Very impressive (and not nearly as easy as you make it seem!). I have a playlist on TH-cam of standard classical saxophone repertoire that I have my students listen to. Your performance just became the representative of Glazunov's _Quartet._

Really terrific. The Schumann variation sounded so much "lighter" than it usually does - no trains roaring through here. And the articulation in the final variation was so _leggiero,_ so effortless sounding. Alas, I'm afraid I must make one criticism, with all due respect to Miura-san: In the Chopin variation, four bars from the end, that should be a written D-flat, not a D-natural. The key signature on that line is misprinted in the baritone part, but if you look at the score, which includes a concert-pitch, two-stave reduction, it is clearly meant to be a concert E-natural (the minor 6th). I've heard so many performances and recordings that get this wrong, so you're far from alone, but I always try to point it out when I get the chance.

I was going to wait until I'd heard all three movements to say something - but this is just *so good* ... I had to say at least that!

I think the variation with the slap tonguing standing in for the left-hand pizzicato works particularly well.

Playing with this kind of refinement and control is nowhere near as easy as they make it seem.

The smoothness with which the extended lines are passed among the horns... And that liquid tone in the alto solos... So good.

The control, and the quality of the tone, in the soprano altissimo... Fantastic.

アルトサックスの美しさが際立つ楽曲ですね♪

Everytime I hear your quartet I doubt that I play myself Saxophone. Your level is simply unbelievable. This video in particular it seems to me that for Rui on the Soprano only the sky is the limit !

ブラボーーーー👏👏👏👏👏素晴らしいです！鳥肌立ちました😆

Bravo! 🎉

ブラボー🎉🎉🎉

The best performance I have ever heard.

The thumbnail says the arrangement is by Vincent David, but the description says it's by Alexandros Markeas. Which is correct?

❤❤❤

Bravíssimo!!! ❤

須川門下生のサクソフォンQuartetかなぁ？ 瑞季ちゃんも゙編曲なんだ。

😮 my face when I learn there’s more than one female Japanese saxophone quartet!! (Lumie being the other one) Awesome playing!

Thank you.❤️ Great piece and playing.🎹🎷🎷🎷🎷🔥🔥🔥🔥🔥🙏🙏🙏🙏🙏❤️

Beautiful playing.❤ Thank you🙏🙏🙏🙏🎷🎷🎷🎷🔥🔥🔥🔥❤

Fantastic.❤ Love you sound.🎷🎷🎷🎷🔥🔥🔥🔥❤️ Thank you. Would it be possible to add english names to the description.🙏🙏

先日初めてコンサートに行かせていただき、演奏に圧倒されました。次回のコンサートを心待ちにしながら配信楽しみにしてます。

Beautiful. Thank you.❤️🎷🔥🙏

Fantastic. Thank you.🎷🔥🙏❤️

I was surprised I had never heard of this piece, until I plugged the Japanese text into Google Translate, and found that this was the world premiere. Good piece! I hope it gets played a lot.

優しく伸びやかに響きわたる感じがいいです

I don't think I've ever heard slap tonguing in the 3rd movement before.

👏👏👏👏👏🤗✌️

音程感覚やサウンドは良いですが、縦のラインがたまにズレる。ブレス、フレーズの取り方、テンポ感に違和感があり、どこがメインなのか分かりづらいです。この曲の解釈の仕方はそれぞれありますが、固く感じられました。

Excellent performance! (Although I don't think my flutist colleague will like it... ;-) )　　おつかれさまでした！ I do think that the saxophone entrance in the second movement, between rehearsal numbers 2 and 3, should be a measure earlier. (In other words, the saxophone part is right, and the piano score is wrong.) You can hear it played this way in a performance on my channel.

Amazing

Amazing!

素敵な演奏ありがとうございます！ この曲吹いてみたいのですが、オリジナルで作られた楽譜なのでしょうか？もし購入でしたらどちらのものか教えていただけませんか？ これからも楽しみにしてます🎷

いつもながら完璧と思える演奏ですね。 私は特にテナーとバリトンの品のある音色に感心しています。 次回の演奏を楽しみにしています。

Well harmonized!

素晴らしい演奏です、本当に素敵でした。

Incredible! I wish more saxophones were included in orchestra! Incredible how this family of instruments is so flexible!

It’s a wonderful arrangement, and you play it beautifully! Are you planning to perform the other two movements as well?

😍喜歡小澤瑠衣的高音, 聲音又軟又準

す…すごすぎます！

Do you have a place to purchase the score + parts? Thank you, y’all sounds wonderful!

Quatuor vraiment d'un excellent niveau et qui fait parfaitement ressortir ce style de musique française de la première moitié du XXème siécle (même si cette œuvre date de 1964).

大学の授業のアンサンブルでこの曲を演奏することになったので参考にさせていただきます！

演奏は素晴らしいのですが、ただ1812年は帝政ロシアの勝利を称えた内容であったと思うと、今の世界情勢と重ね合わせてしまい、複雑な心境になりました。

輝かしく美しいサクソフォンらしいハーモニー♪これを聴くとリュエフのコンセールも聴きたくなります。ありがとうございます。

BRAVO👏👏👏👏👏👏👏👏👏👏

Absolutely brilliant! THanks Diana