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This recording is made using a baroque bow. The violin is from 1870-1900 Markneukirchen, Germany. Jana Kaminsky's studio website: janakaminskyviolin.com/media

Jana Kaminsky's studio website: janakaminskyviolin.com/media

Jana Kaminsky's studio website: janakaminskyviolin.com/media

Jana Kaminsky's studio website: janakaminskyviolin.com/media

Jana Kaminsky's studio website: janakaminskyviolin.com/media Recorded June 22nd 2023

Music: Copyright Alphonse Leduc & Cie 1934, A. I.. 18496 Jana Kaminsky's studio website: janakaminskyviolin.com/media

Jana Kaminsky's studio website: janakaminskyviolin.com/media

Jana Kaminsky's studio website: janakaminskyviolin.com/media Played live with restricted audience in the hall (adhering to covid-epidemic rules) and online.

Cadenzas and Leadups by Jana Kaminsky, Violin. Meagan Milatz: Piano Jana Kaminsky's studio website: janakaminskyviolin.com/media

Jana Kaminsky violin, Meagan Milatz piano Jana Kaminsky's studio website: janakaminskyviolin.com/media

Talk about a paper on absolute structures of hops and derivatives. This talk was recorded with the help of KCTS 9.

A while ago, in 1994 I wrote this as a modern music exam piece for alto-recorder and pipe organ. The recording is from a rehearsal. There are minute differences to the published version in Miroprint, Catalogue No. EM1051. The piece becomes quite loud in the fourth section and is just about two 'motives' not quite understanding each other.

Written for strings only and recorded (audio) in 1981, this is the original piece. The recording of 'Romance' from this year (2015) has winds added and a few changes applied by Alan Futterman, also taking it considerably slower (or in other words, we were rushing quite a bit in this old recording).

This piece, written by me in 1981 for string orchestra and violin solo (after a charming but disappointing date), was re-arranged for small orchestra by Alan Futterman this year (2015). It describes an experience that involves the emotional sequence of 'preparation-anticipation-enthusiasm-disappointment-reflection-resolve'. I used slow quarters against triolic quarters for the 'mental' sections...

Liquid crystal film under microscope and electric field (Fluessigkristalle)

broiling meat and egg white under the microscope (Fleisch / Eiweiss grillen unterm Mikroskop)

Real-time imaging of Induced birefringence in a glass slab

Cyclops Waterflea color coded Eigenray (Wasserfloh, optische Ausloeschung)

Cyclops Waterflea (Wasserfloh)

Waterflea color coded Eigenrays (Wasserfloh, optische Ausloeschung)

Waterflea color coded birefringence (Wasserfloh, Doppelbrechung)

Cyclops Waterflea (Wasserfloh)

Cyclops Waterflea Birefringence (Wasserfloh Doppelbrechung)