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Thanks! And thanks for watching!

Thanks and Thanks for watching! You'd think so. honestly still not sure how I feel about this "upgrade."

Thanks for watching! Glad you liked it.

Thanks for watching! Happy to have helped! Nashville is definitely one of my favorites. Still take it everywhere!

Thanks and thanks for watching! Yeah, you can pair as a R/L Pair or have full output to both speakers. It's your choice which mode you want to put it in and there is a different button press sequence to determine the mode. I haven't really noticed much, if any lag but, a lot of this will also be dependent on the connected device. You'll want the later gen BT chip on your phone/tablet/computer as well -- or it may bottleneck your connectivity.

Thanks for the comment and for watching! I appreciate it. :)

Thats awesome! Great deal!

Thanks for the input and for your kind words! I love what I do and, while my format may not inspire as many views as others, I feel its the right way to go about it. I try to be as informative as possible and help however I can. Appreciate you saying that. :) As for the W9 and the 350 killer, if you like the sound of Klipsch/Detroit, have you given The Three a listen? It's not a portable speaker but, to my knowledge, those two aren't either, are they? May be something to check out! As for fully portable though, Detroit's been my favorite in this tier. Plan to move on to the party speakers at some point in the future though. We will see how those do in comparison.

Thanks! and thanks for watching! To be fully transparent, I have never messed with the 1st version in person so --- Ill be commenting based on gen II alone. Starting with sound, I dont *think* sound profile changed much gen 1 to gen 2 in Marshall. I personally like the sound of the Klipsch better but, Marshall is a close second for me. If you already own the emberton and it sounds good, I don't see a need to upgrade for sound. Now...Tech wise, Youll get a huge bump in battery life moving to a new gen. More than double brand new. Bluetooth tech has also moved forward so, youll get a better connection and more range out of a Nashville or Emberton II. ----All of that said, the Emberton III was just released. I haven't gotten my hands on it yet but just got it into the studio and will be breaking it out shortly. I plan to do a compare of gen II vs Gen III and then a compare of Gen III to the Nashville. You may want to hold off and scope that option out as well.. That may be the one to go for based on the specs i've read. :)

@@AudioInsideScoop Wow. I wasn’t expecting such a detailed answer. Thanks for taking the time to write it, I really appreciate it. Can’t wait to see your Emberton 3 review.

No problem at all! Here to help in any way I can!!

Thanks for watching! Feel like flip/nashville/emberton tier at the minimum would be what you'd want. Next stages up with xtreme, detroit, or middleton would be icing on the cake.

Thanks for watching and for your comment! At the time of this videos release, there was no 5 so this is the 4. I plan to get a new video out comparing to the 5 here shortly!

@AudioInsideScoop i have the 5 and its quite the step up from the 4.

Yeah, totally agree. I compared the 4 vs the 5 when the 5 came out. I need to break the Austin back out to compare to the 5 as, the contest is definitely getting more fierce in this market. Same with the Willen. Marshall is stepping up their game as well!

Thanks and thanks for watching!

Thanks for watching and for your input. Super helpful to have community input as well in the comments. Love to see everyone's thoughts here as well. :)

Thanks for watching and totally agree. For sure moving in the right direction!

Thanks for watching! Yeah, when you give it that extra juice, it'll sing! I find that most of these portables sound best around 80% volume but with klipsch, you're typically good all the way through the range. They've tuned it really well at all points.

Thanks for watching and for your thoughts! In some cases, a tune can help immensely. Even on the higher tier brands, tuning to your liking can make a huge difference. That said, I would say the vast majority of people are listening straight out of the box and will never touch these options. Having something that you can just yank out of the box, connect, and listen is key.

Actually most of them are not flat eq'ed. Most are crappy on treble and too high on bass, I've had tons of them and yeah usually unless you are using studio monitors or studio headphones, the speakers are gonna be bass heavy

Thanks for watching and, as always, for your feedback. The Marshall is no slouch though! Super excited to get the new Marshalls in to compare to the old versions. May have to come back and re-do Marshall vs Klipsch. We will see how the new gens stack up to the old. Coming soon!

Thanks for watching and happy early birthday! Please make sure you double-check the rules of entry! Subscriptions must be set to public to be fully eligible for entry. Best of luck to you in the giveaway!

@@AudioInsideScoop Thanks for the wishes man. I have set my subs to public and emailed you 😅. Loved your video.

All set! 25 subs left to go and I'll be announcing the winner! Tell your friends. :)

I can make that happen, by tomorrow you will have 500 subs I promise. Keep up the good work

Thanks and thanks for watching! Haha. Appreciate that. We will get there soon enough!

Thanks for watching and for your comment! I totally get that there is a huge variance in volume between my ins and outs and the track listenings. While it can be a harsh transition--- This is because I master the audio on the Ins and Outs but, for the listening, I do not. If I were to do so, It would alter what you guys are hearing and I want to avoid that as much as possible. I want it to stay as true as possible and as close as possible to what we hear in room. I do boost gain identically across the board on all listening portions but am limited to where the loudest tracks peak at the 100% volume segments. One thing I have considered is to drop ins and outs significantly to match roughly the mid tier volumes of the listenings. That way as a viewer you wouldn't have to tinker with the volume knob as much but we can still remain true to the volume of the tracks-- What are your thoughts on that? We've got another listening coming shortly with the Emberton VS Nashville. May give it a go there.

@@AudioInsideScoop It won't change what the differences are if they are all given the same level adjustment. If you multiply an equation by the same number on both sides of the equals sign the equation remains the same. You aren't removing the authenticity of the sound, you are only making the volume of the video more consistent. The volume differences in the track should remain exactly the same if every track is lifted by the same amount. If someone comes from another channel or video and then one video is very hard to hear they will instantly click off the video, you know? so lowering the intro doesn't make sense. But the 100% volume parts are quieter than the outro music. That doesn't make sense either. I'm saying that someone viewing the video should not have to physically change the volume of their system to hear the comparison. You want the whole video to be hearable. If you lower the intro, people will not understand why they can't hear it. They will assume something is wrong and just click off. I guess if there is a happy middle ground that you can find so that if someone were to need to change volume a little and only do it once that would be better. I guess I don't know what you mean by the authenticity of the sound in your point. Do you mean between videos and different speakers all being the exact distance from the same microphone? and how they are heard by that microphone? There are different microphones that gather sound from wider or narrower fields. Is that microphone optimal for that distance or environment? (this is mostly rhetorical) I don't really think that it matters to people in general that every speaker be kept exactly the same distance, but rather to hear the differences between the speakers on the current comparison. (obviously considering your disclaimer) I don't mean to be critical, and I hope you don't think I'm being ridiculous. I'm just trying to give feedback on things that make me stop and take notice. If I didn't care I would just click away and not worry about it..

Thanks for the clarification. I really do appreciate the feedback. I want to make this as helpful as possible, as well as as enjoyable as possible. I don't think you're being hyper critical at all! I did boost all tracks on this video but, probably could have pushed em a bit further. Maybe another 2-4 throughout. The thought on the ins and outs is more of a balance thing. If you can adjust according to the intro and have some items come in a bit hotter and some a bit less, it may balance a bit better and, hopefully avoid the click off rate you were mentioning. Will give it a try and we will see! As for the comparing video to video---this was something I was toying with originally -- thinking I could give viewers the option to click back and forth between videos if i hadn't put the specific speaker they were interested in side by side yet. I genuinely believe nobody is doing this though so, I am kinda getting away from this and, as you mentioned, solely focusing on the two in the current compare. I will just try and release more remixes to accommodate the other as people request them, though. Lastly, I think we are saying the same thing here. I'll use a real example referencing an upcoming video as -- the Emberton VS Nashville will release in a few days and I'm working on its edit as we speak. --- I said I am limited to where the loudest speaker on the loudest track at 100% volume segment peaks - In this video I boosted all by 8. With this. we will have the Nashville coming in about -2 at its loudest point. When Nashville is at about -2, we have Emberton hanging around -6 to -8ish. Now we transition to our 50% portions and, though we've boosted by about 8 on all tracks, we are still sitting around -18 on the Emberton and -12 on the Nashville. It's going to feel super quiet but, If I boost the 50-70% portions any further without touching the 100%, it would give an unrealistic compare of the level differences when you hit 100%. If I boost all tracks further including the 100%, itll peak the loudest speaker and give a rough representation there. Basically what I am doing with the edit on this next one is pushing as far as possible on the tracks to just before peaking and dropping my intro and outro to about 70%ish of what the loudest point of the loudest speaker so itll hopefully avoid knob turning. When this one drops, please shoot me a comment and let me know your thoughts as, the feedback is much appreciated!

Thanks for watching :)

Thanks!

They do! The Littles on the market have come a long way!

Unfortunately nothing lasts forever! What do you plan to replace with?

Thanks for watching! I do the listenings separate. (Chapters are listed if you'd like to bypass hearing me talk more) th-cam.com/video/P7VP9C0NYWg/w-d-xo.html Also, Marshall vs Klipsch reviews are out. Sound tests coming shortly. :)

Not cheating physics. Just using physics better than previously thought possible. :)

Thanks for watching! Perhaps next time I will attempt to convey the information telepathically! If I can't though, not sure how else to do this.

Thanks for watching!

Thanks for watching! -- You know, I have been thinking about doing that one for a while now. Enough requests and I will have to make it happen! :)

Thanks for watching! Yeah, the thing sounds great. Have you heard it and aren't a fan or are you just surprised as, its a tough accomplishment for a portable?

@@AudioInsideScoop Just read it! 🤘

Take a listen sometime! Feel like it earns any high marks it gets. :)

Thanks! And thanks for watching!

Thanks for watching! Happy to hear you found the info you were looking for either way. :)

If you have any Bluetooth speaker with a microphone connected, you should be able to select it as your mic source and speaker source within zoom or within your audio settings. That said, audio quality will be similar to a phone or laptop so, if you're looking to improve the quality of the record, I would lean more towards an external mic as opposed to a speaker. :)

The Detroit has 2x 3" full range drivers and 2x 1" HF drivers.----The Xtreme has 2x 2.75" LF drivers and 2x 0.75" HF drivers.

Funniest part about this comment is you thinking I am actually paid. I wish. I'm pretty far in the negatives with this channel -- going out of pocket for all costs associated. I'm making these to help and because I enjoy the products. 0 money whatsoever and I have paid full price for both of these speakers. Anyways...that said...I do mic them up and play them as well but it's a separate video. This one/this style is a first impression and me testing for a review and giving my thoughts. If you want to hear the speakers (kinda/through a mic/over the internet)---check out my "Hear with me segments." You can listen along and compare there.

Yeah - I love seeing the generational differences in these! They have come a long way through the different iterations and through the years!

Glad to hear it! Thanks for watching!

Thanks for watching!

Coming soon! Also going to do a clip 4 vs 5. This is just a clip from a video we launched a few months ago :)

@@AudioInsideScoop ok cool

Thanks for watching! This would be a perfect gift for that!! Please make sure you're subscriptions are set to public to be fully eligible for entry and best of luck to you in the giveaway!

For sure! Super easy to toss in a backpack or just take along with ya everywhere.

Thanks for watching. :)

Thanks! Try to keep em audio related. :)

Thanks for watching! It'd be great for walks as well as just a little carry everywhere type speaker. Please make sure you double-check the rules of entry! Subscriptions must be set to public and an email sent to the email in the description to be fully eligible for entry. Best of luck to you in the giveaway!

@@AudioInsideScoop is it over or can I still send you an email?

Not over yet. Still 45 subs away. Giveaway will happen when we hit 500 subscribers. :)

Email was received but, looks like subscriptions are still not set to public. Still time though. Make sure those are set to public for verification purposes and --- good luck on the giveaway!!

Love this. Thanks for giving your honest opinion. Thats legit what I request in the comments section. I didn't lie though, no...I really do love the speaker but, one person's opinion doesn't mean it's for everyone. If we can get varying opinions in the comments -- people saying what they do and dont like--my hope is it'll help everyone decide what's best for them. Thanks for your thoughts and thanks for watching!

Thanks for watching! They are definitely entering the market in a big way. This line is awesome! Good luck in the giveaway!

Thanks and thanks for watching!

Thanks for watching! Good luck in the giveaway!

Thanks for watching and for your input! I agree that sound trumps all else but, man I wish it had track skipping lol. Good luck on the giveaway!

Thanks and thanks for watching! Doing my best to cover anything and everything you guys wanna see. :) Just as a side note - Looks like you are one step away from being eligible for the giveaway/getting the Austin for free! Per the giveaway rules, Make sure you shoot an email over to enter. :)

Thanks for watching! Yeah, it just kinda seemed to fit! haha.