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AboutProSound
United States
เข้าร่วมเมื่อ 4 ก.ย. 2020
About Pro Sound & Pro Audio, Technology, People, History, Applications
AboutProSound is not part of any product company or business; rather, it is a group of experienced professionals' passion project. Our content is designed to build an online community and invite all to participate in additional content production. Topics expand the exchange of knowledge - understanding the technology, trends, history, and people who make up our industry.
We have multiple new videos in various production stages, and we expect to add new interviews, technical and historical videos each week. Please subscribe, and contact us with ideas for content you want to help create or to tell us about the content you want to see us cover (info@AboutProSound.com).
AboutProSound is not part of any product company or business; rather, it is a group of experienced professionals' passion project. Our content is designed to build an online community and invite all to participate in additional content production. Topics expand the exchange of knowledge - understanding the technology, trends, history, and people who make up our industry.
We have multiple new videos in various production stages, and we expect to add new interviews, technical and historical videos each week. Please subscribe, and contact us with ideas for content you want to help create or to tell us about the content you want to see us cover (info@AboutProSound.com).
Kenton Forsythe - EAW the Early Days
Join Ken Berger and Kenton Forsythe, the co-founders of Eastern Acoustic Works (EAW), as they discuss the evolution of rock and roll sound systems and their contributions to the modern professional concert sound industry. In 1976, they joined forces to overcome the limitations of early sound systems. Together they dtsrted Eastern Acoustic Works (EAW) in 1978. In 1981, EAW introduced the CS3, the first off-the-shelf "one-box" concert loudspeaker system. After several iterations, in 1987, EAW introduced the KF850, which became the first world touring standard loudspeaker system.
According to Ted Leamy (Electrosound, JBL, Pro Media/UltraSound), "Kenton's development of the KF850 made an affordable, powerful, well-made, manufactured loudspeaker system available to hundreds of regional and international sound companies. This single development changed the way business was done and how companies with the same inventory came together to share resources."
From their beginnings to becoming two of the most influential figures in live sound, this video documents their remarkable journey and lasting legacy. Berger says, "Kenton is the greatest guy in the world. I've known him since I was 18, and we worked side by side for the next 23 years. You could only sometimes count on him being at the office first thing in the morning, but you could always count on him being there at 8 or 10 pm".
If you like this and our other videos, please subscribe to the channel and hit the bell icon to ensure you don't miss any upcoming videos.
About Pro Sound on Twitter: AboutKenBerger
About Pro Sound on Instagram: aboutprosound
About Pro Sound Website: aboutprosound.com
About Pro Sound on Facebook: aboutprosound
According to Ted Leamy (Electrosound, JBL, Pro Media/UltraSound), "Kenton's development of the KF850 made an affordable, powerful, well-made, manufactured loudspeaker system available to hundreds of regional and international sound companies. This single development changed the way business was done and how companies with the same inventory came together to share resources."
From their beginnings to becoming two of the most influential figures in live sound, this video documents their remarkable journey and lasting legacy. Berger says, "Kenton is the greatest guy in the world. I've known him since I was 18, and we worked side by side for the next 23 years. You could only sometimes count on him being at the office first thing in the morning, but you could always count on him being there at 8 or 10 pm".
If you like this and our other videos, please subscribe to the channel and hit the bell icon to ensure you don't miss any upcoming videos.
About Pro Sound on Twitter: AboutKenBerger
About Pro Sound on Instagram: aboutprosound
About Pro Sound Website: aboutprosound.com
About Pro Sound on Facebook: aboutprosound
มุมมอง: 4 220
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Trends in Acoustical design of performance & production spaces
มุมมอง 2.3K2 ปีที่แล้ว
SIA acoustic webinar - 2022 Trends in Acoustical design of performance & production spaces - - Studios, Concert Halls, Theaters, Video Conference Centers, Worship Spaces and More. Sam Berkow - SIA Acoustics / Robert Derector Associates Christian Carvin - Acoustique Design & Tyler Cottrell - SIA Acoustics / Robert Derector Associates Today, successful acoustical design requires a design team to ...
Sam Berkow - The Development of Smaart (Part 3)
มุมมอง 1.8K2 ปีที่แล้ว
Sam Berkow is a legend in the Pro Audio industry with extensive audio measurement and acoustical design experience. Sam began his career in the 1980s working in acoustics as a consultant with Artec Consultants, studying musical performance spaces design under the late Russell Johnson's tutelage. Sam's efforts to improve acoustical measurement and sound system alignment tools led him to create S...
Bob Heil - Touring Sound Pioneer Part 1 (The Who US Tour PA 1971-74)
มุมมอง 15K2 ปีที่แล้ว
Ken Talks with Bob Heil about the inception of the concert sound industry Anyone who came up in the concert audio scene in the late 60s and early 70s knows Bob's contributions and inventions that helped define the embryonic rock and roll production industry and ultimately landed him an exhibit in the Rock and Roll Hall of Fame. Bob was gracious enough to invite Ken & Josh to his home studio thi...
Jazz Performance Venues - Ali Jackson & Sam Berkow
มุมมอง 7473 ปีที่แล้ว
Ali Jackson (Award-winning Master Jazz Musician, Drummer, Composer, Arranger, Educator and Producer) talks with Sam & Ken - Is This Sh#t Swinging'? AboutProSound's Ken Berger hosts a conversation about Jazz and Performance spaces with Sam Berkow of SIA Acoustics and award-winning musician, composer, arranger, educator, and percussionist Ali Jackson. Ali has contributed significant musical works...
Is This S#%t Swingin' - Trailer -Ali Jackson with Sam & Ken
มุมมอง 2863 ปีที่แล้ว
Ali Jackson with Sam & Ken - This Shit Swinging' Coming in May 2021 Ali Jackson (World Famous Jazz Drummer) talks with Sam & Ken while hanging out in the IIWII Studio control room at STT in NJ. Ali defines what "Is This Sh#t Swingin'" means and how music influences us and makes us feel alive. Ali is a positive bomb of creative and beautiful energy - a joy to make music with. - Chick Corea Ali J...
Sam Berkow - Developing Smaart FFT Analyzer - Part 2
มุมมอง 2.2K3 ปีที่แล้ว
Sam Berkow Dialogues - Part 2 - Sam & Ken talk about developing Smaart FFT Analyzer Sam Berkow is a legend in the Pro Audio industry with extensive audio measurement and acoustical design experience. Sam began his career in the 1980s working in acoustics as a consultant with Artec Consultants, studying musical performance spaces design under the late Russell Johnson's tutelage. Sam's efforts to...
Billy Perez - The Focusrite Studio Console and SST Rentals & IIWII Studios
มุมมอง 3.1K3 ปีที่แล้ว
Sam sits with Billy Perez of SST Studios/IIWII Studio to discuss studio design and the Focusrite Studio Console. Great information about the history of IIWII's extremely rare Focusrite Studio Console that went through Hurricane Sandy, the flood, and a complete rebuild. From: The History Of The Focusrite Studio Console by Bobby Owsinski bobbyowsinskiblog.com/history-focusrite-consoles/ "Founded ...
Trailer - Ken's interview with Sam Berkow Part 1
มุมมอง 633 ปีที่แล้ว
Sam Berkow is a legend in the Pro Audio industry with extensive experience in both audio measurement and acoustical design. Watch Part 1 at: th-cam.com/video/qHVe6DaYwfA/w-d-xo.html Sam began his career in the 1980s working in acoustics as a consultant with Artec Consultants, studying the design of musical performance spaces under the tutelage of the late Russell Johnson. Sam's efforts to impro...
Sam Berkow: How He Got Started in Audio - Part 1
มุมมอง 3K3 ปีที่แล้ว
Sam Berkow is a legend in the Pro Audio industry with extensive experience in both audio measurement and acoustical design. Sam began his career in the 1980s working in acoustics as a consultant with Artec Consultants, studying the design of musical performance spaces under the tutelage of the late Russell Johnson. Sam's efforts to improve the tools for acoustical measurement and sound system a...
Josh Paints The AboutProSound Vista Studio
มุมมอง 8374 ปีที่แล้ว
The AboutProSound team is hard at work putting together the pieces parts that will be used to make better videos. Josh has been hard at work cleaning up and setting up our new Vista CA studio. We all are learning to use Davinci Resolve to edit multi-camera video and multi-track audio into a meticulously crafted visual metaphor that is our interview and Tech-Topic and historical videos. Link for...
Shawn London - Many Lost Headphones - Part 1
มุมมอง 3304 ปีที่แล้ว
Josh & Ken talk to Shawn London about decades of mixing and tour, production, and stage managing work. This segment includes Shawn's introduction and Josh's question about what track Shawn caries with him and how he gain stages his mixing. We shot this video before we built the new Vista Studio. (please excuse some of the technical issues:) Shawn London - Partial list of events and tours: David...
EAW Tour 2004 by Dave Menard
มุมมอง 7654 ปีที่แล้ว
Dave Menard's 2004 "Quick'N' Dirty " tour of EAW A bit of Pro Audio history, a video tour of Whitinsville, Massachusetts and EAW's manufacturing facility a few years after being acquired by Mackie /LOUD. Dave did most of EAW's video and animation along with the EAW marketing team (which had been reduced or moved to LOUD headquarters in Woodinville, WA by this point). We had to replace the origi...
Impulse Response, FFT, Measuring Rooms - Tech Topic 01
มุมมอง 3324 ปีที่แล้ว
Josh & Ken Talk About ProSound Impulse Response, FFT, Measuring Rooms - Tech Topic 01 Defining "the best seat in the house" and Understanding the concept behind FFT measurements.
Josh & Ken talk to Greg Kirkland (Part 1) about decades of Pro Sound Industry work.
มุมมอง 4974 ปีที่แล้ว
Greg has worked with every type of artist, from Tony Bennett, Julie Andrews, and Burt Bacharach to Kenrick Lamar and Pharrell Williams. Greg started his Pro Audio career at famed McCune Sound and included: Director S. California Ops, David Carroll Associates, Inc. • Director of Application Install USA, Media Director, First Christian Church of North Hollywood • L-Acoustics • Technical Engineeri...
what an interesting dude. Of course have heard of him, but beyond this and knowing of his mics, I don't know much else. Hope to see pt2 at some point
Thanks for this You Tube Channel Interview with Bob Heil. It’s a remarkable achievement story . I own a HEIL SOUND The NASHVILLE Marissa , Illinois U.S.A. 4 Channel with dual 1/4” Inputs Bass Treble Volume ( Left ) Reverb ( Right ) With Reverb Master Volume Monitor 1/4 @ Monitor Out . With Two Black Cabinets that had a thick black foam it was falling apart so I made something of it . Yes ! How about the Talk Box . My first Guitar was Electric a Gibson Melody Maker 63-64 original sunburst Like the Les Paul Jr. and the friendly seller was lead guitar player in a psychedelic band and watched and heard him play with a tube in his mouth like a harmonica but played it . All our eyes bulged out at the clear volume at the high end . It was great . Thanks agin for this Channel remembrance of Mr . Bob Heil . He had class . That’s what I enjoy here . Personal opinion .
Great interview.Love that console. Did you make any provisions if mother nature comes calling again. Nope it never does
Glad they got that room back togather sorry what happen
i swear that these old systems sounded so amazing. the punch of these bass horns was so amazing.
Way too busy with annoying graphics and flying pictures. Cool, you got special effects. Use them sparingly. Bob Heil was ahead of his time
The production values of this video are atrocious, with images constantly popping on and off the screen, right over top of the people we're trying to watch. Who thought that adding those distractions would make for a better interview?
System for The OZARK MUSIC FESTIVAL 1974 Hardest rock to acoustic that system kicked butt! Heil guys on towers all day and half the night, 100° temperatures. Legends of the 70s. Thanks.
Had the fiberglass sound system had to EQ them out to sound good !
Love this guy.
We just lost Bob and I was blessed to have been his friend via ham radio and as a co-host on his Ham Nation webcast for over a decade. I loved this man like an uncle. Will there ever be a part 2? AE5DW.
RIP to the the legendary Bob Heil
I hate spotify and mp3 and digital lossless technology.
Thank you for part 1 of a good friend and brother, Dr. BOB Heil. Bob is an awesome guy and a friend to all whom he meets. I've talked to Bob quite a few times on the phone and on the air. He takes the time to help anybody that needs help as long as they are willing to listen. Bob is a wealth of information when it comes to sound. He has done a lot for Amateur Radio as well. His input was used for the transmit audio settings on two of the latest top names in tranceivers including the Parametric EQ Settings for the latest Yaesu radio's. I can hardly wait for Part II of your session with Dr. Heil. If you see him tell him that i said hello as we all wait for Part II. He is a very accomplished organist too. ✌️
Kenton is my cousin who sadly recently passed 😔
Rip
I remember chunking my 2 huge Collins units for a sleek Swan 350... Duh. Ham radio is probably created more electronic techs in the past; just because of basic electronics knowledge and Ohm’s Law being on the application for a novice. Bob, you took it to another level. I used to lug Phase Linear tube amps around with multiple Altec A7 cabinets. The first Kustom 300 blew my mind. But your book from the mid 70’s??? changed everything. Thanks immensely for all your work, inspiration, and tenacity.
45 years ago I bought the components to build a pair of studio speakers from Ken Berger, Kenton built the x-overs. The system had ATC bass long coil 12” woofers with Emilar EA-175 compression drivers on Community Light & Sound EW-500 horns with an acoustic lens and JBL slot tweeters. Sweet system that was quite enjoyable, still have all the drivers but the boxes are long gone. K&L was my first experience with high output PA equipment, still remember hearing Willie ‘Loco’ Alexander & The Boom Boom Band cranked through a Community Leviathan with the EAW MR-109 midrange horn and a large format Altec driver (288?) on the high end, changed my life I tell you what.
Great stuff!
My first real DJ speakers were EAW PM315's. I bought them used in 1988 and stopped using them about 10 years ago. They then went to my son for a PA system for his band. Rock solid and great sounding speakers.
I'm actually about to get my hands on a pair of these. They seem to be a bit lost with time but I'm glad to see other supporters of them!
OMG, I LOVE This! Even better, I'm in a few pics! (y)
Yes you made it into the big time.
@@KBConsulting LOL! :-D
Fantastic! Great banter and lots of memories of how it all started from two pioneers. All the best to both of you!
Thanks it was fun to make.
Thanks Costa glad you enjoyed it.
Love this. More please!
More coming lots of work doing these...
hello. amazing video. can i use asymetrical corner as bass trap? put some rockwool etc in the back of the alc brick in corner and add hole in top and bottom as ventilation? thanks
Rupert Neve, was my boss and friend. The first job we did when there was 3 of us working at Focusrite was the sub-mixer that went into the SSL at Air Montserrat after they'd sold the custom Neve to A&M. I went down to Air London to deliver with Rupert's son John. A genius and a true gentleman, greatly missed.
I enjoyed this fascinating video immensely, and look forward to watching Part 2. Thank you, Bob, for your incredible contribution to the world of sound! 73 de Haskell Moore, W5HLM PS Oh, I think you know my brother, Woodie Moore, W0ODY, in Springfield, Missouri.
I worked for Sam’s father, Dr. Lester Berkow Gyn-OB , back in 70s in Perth Amboy NJ
Very interesting and inspiring talk. Thanks a lot!
Glad you enjoyed it!
@@AboutProSound thanks you for this.
😔 ᵖʳᵒᵐᵒˢᵐ
Wuaoooo excellent congratulations for Mr Sam , and Ken .
Thanks
Thanks, Glad you enjoyed the video.
This is so awesome, Very smart people
Thanks glad you enjoyed it.
Great show can't wait to see Bob in Part 2 TNX 73 de G6JMX
Fantastic content but there's really no need to have cheesy background music throughout the whole thing.
All these years later, Bob is still very clear and concise. Great interview. The drop down picture boxes are a great idea for younger viewers, giving a visual aid to identify what he's talking about.
Beautiful speakers made in Whitinsville, rock on!!!
This is amazing! Thank you for sharing these highly educational videos for the rest of us to reference and better understand the science behind the physical space and time!
Thanks, Glad you enjoyed it.
If you haven't tried Bob Heil's Mics, you should. I have 4 of them so far, and they really get the job done.
epic
WoW.................
Thanks
Mr. Heil. Want you to know how much I appreciate all your contributions to professional sound! And importantly how you’ve communicated to the professionals as well as little kid in day like me who listened to you and Jim White on the “Mighty KMOX! Wonderful memories and learning for all!
Love the interview I own a small sound company building bass Scoops and folding horns in my heydays then I bought use turbo sound TMS 3 and TMS 4 For indoors and outdoors Events.But learning about the history of life sound and all the audio equipment and the pioneers that Started the whole live sound industry I gave them a lot of respect please show more videos and interviews I’d like to see more thank you.
Thanks we are working to get more up this year.
I was there at the NAMM in 2012 and met him then at his booth. I remember his presentation then. I played the main stage with Tori Roze & The Hot Mess. I am the Drummer. Serge' Chaloff McCoy. I met him then and was quit impressed with these mics. My Uncle Dr. Lonni Smith, World renown Organist who recently passed was at that show as well as Stevie Wonder. I have pic of him playing an edrum kit. I played drums at 10 High in Atlanta Ga. Live Band Soul Karaoke that we started and is still going. The Sound guy Jay Randell, because of my playing wanted to hear more of my technique through the system so he purchased all Heil mics for the drums and for vocals too. It transformed that sound into something I never heard before and that was something I never forgot. I now own a Heil PR22 for my vocals and will purchase the PR35 and the PR48 Kick drum Mic so on. I used to use the Sure SM58 and the Beta 58A the Beta was surprisingly better than the SM but when I used the PR22 I could actually hear how my voice naturally sounded amplified. I dropped my beta and it broke. No longer works at all. So with these Heil's, I love them!!!!
Thanks
Fun stuff Ken
Thanks. Glad you enjoyed it.
Love the content but I feel like I have A.D.D. watching this. Its just so hard to follow when it isn't a natural flowing conversation, but instead constant jump cuts. This causes all the inserted photos to fly across the screen before you even understand what you are seeing.
Thanks for you comments, there is a lot of information. We are working to make future videos smoother running.
@aboutprosound Suggestion- This content is "nurd" driven. Let the video editor take the weekend off. Loose the BK music. Keep the historical pics on screen for more than .3 seconds. Throw the jump cuts out the window and just let the thing roll for an hour. This aint History channel cutting up motorcycles to make choppers and tryin to dig up dirty drama for ratings. Some of the BIGGEST channels on YT right now are dudes building stuff with lawnmower engines without a stitch of background music and ZERO editing. Serious. MILLIONS of subs and even more views. Strip it down and let the CONTENT speak for its self or in this case for HIM self. Youve got Bob Heil sitting RIGHT IN FRONT OF YOU and the editor is making a TV commercial out of it. Ugggg! FWIW its worth ive met Bob a couple times at NAMM and he was super. Loved telling John Entwistle stories ha ha
We are sorry you didn't like our 1st Bob Heil video. However, we are trying to create an alternative to the multitudes of talking head videos (many of which are very popular). If you prefer to "watch" podcasts, then AboutProSound not for you. Nevertheless, your feedback regarding both the image timing and the background music is something we continue to refine. AboutProSound focuses on the development of the sound reinforcement industry rather than stories about the musicians etc.
@@AboutProSound i understand that this channel is aimed at people interested in Pro Sound...thats why im here seeking information and historical insight, and thats EXACTLY why employing all the typical hollywood style editing methods dont so the CONTENT any justice. The actual meat of what you guys are trying to set in front of a viewer is swept off the plate and a piece of cake is set before them as the main course. The Bob Heil interview felt as though it was a trailer for the up comming feature. Its a manner of editing thats used to convey this sort of mood that unfourtunatly your editor does not recognize or understand. Forest through the trees scenerio etc. I doubt the editor or producers actually wanted or intended to diminish the content they are making but they are simply approaching the task from the wrong angle. As i said, jump cuts, music overlay, fast graphics etc dont line up with the content nor the intent. Editing is a very emotionally tuned function of film making. A good editor can tune the emotion and help create a deeper experience for the viewer. I felt this video did the polar opposite of that. Simplify simplify simplify....this is something that works REAL well in sound production as well, as i know you guys must be well awear of. Thanks for taking the time to reply and good luck.
Awesome and not too stuffy like some audio acoustic tech interviews can be !
Thanks, glad you enjoyed it. We are working hard to provide great content in format that provides informational depth while being light hearted.
i would wish you do a less cut down version / docu once pt 2 has been done... you seem to have enough material for a comfortable full length feature there :) nice going!
Thanks, we are still refining the format. Once we have more videos we plan on doing longer compilation videos.
My dad drove me to Ye Old Music Shop in Marissa from St. Louis when I was 13 (1973). Together we picked out my new Gibson Les Paul guitar--tobacco sunburst. A broken Gibson SG hung from the ceiling--it was one that Pete Townsend had destroyed in a recent show. Cool! Before we finalized the Les Paul purchase... we walked down the street to the diner for a burger, fries and a Coke. (Same place in the video where Jerry Garcia grabbed an ice cream in this video?). That Les Paul is still my #1. GREAT rock & roll memories. Thanks dad. Love you! 🥰🎸
Glad you enjoyed the video.
What a man he is ******
Thanks, Glad you enjoyed the video. Bob is a very cool.
ALL EARS AUDIO ENGEBEER I ONLY STUDIED HIGH FREQUENCY TO LIHJT SPEED BUT ALWAT UNDER 3RD HARMONIC BEEN WAITING FOR AUDIO INFO LIKR DESERT GOT A VAMPIRE WITH YOUR SONIC 8TH HARMONIC INCLUDING MRI SYSYEMS SONAR LADAR?
Around 1974 I went to a concert of the Jay Barry band at the theme park Six Flags over St. Louis (then called ... over Mid-America). The Old Glory Amphitheater in the park had it's own permanent system but Barry supplied four identical speaker stacks spaced in the four corners of the House, and the mixing console had joysticks for quad positioning. When Jay Barry played ELP's "Lucky Man", synth sounds were re-positioned in the various speaker stacks. It was great to see that quad console in this video, and hear from the innovator.
Thanks, Glad you enjoyed the video; Bob was very much way ahead of his time in many ways. You were fortunate to have seen and heard the Quad system with ELP. If you have any photos from that era by chance, we would love to see them.