วีดีโอ

@@N3tro_VVZZ Enjoyability is subjective. For you enjoyability could go to Konosuba, but for me it’s re zero

@Re_Zero_Fan_Edits fair enough

@@SHADOW_TOWN1 That’s a non argument, his power isn’t unstoppable nor is it limitless. His growth is limitless, not his power, and it can’t get stronger than his cos

@@Mushoku-fan-edits I left a community post out

?

@@Cas-edits Shut up blue lock fan. Or should I say frame lock.

@@Re_Zero_Fan_Edits please...

@@Cas-edits slide lock

@@Re_Zero_Fan_Edits mid piece.

@@Cas-edits Ok frame lock

@@XepoTheQuestor Than explain which points Konosuba takes and why

​ @Re_Zero_Fan_Edits Now the "I don't care" statement Is in Konosuba Volume 17 and it show Kazuma's firm denial to the Demon King, summarized as "I don't care," and his final sacrifice, reveals a deep, philosophical moment which extends beyond the simple plot. The scene shows existential defiance and the character of human agency, which can also be associated with values such as freedom, heroism, and moral prioritization. This can be further contextualized from an existentialist perspective of thinkers such as Jean-Paul Sartre, Albert Camus, and Friedrich Nietzsche, who were concerned with issues of meaning, free will, and the confrontation of the absurd. The Demon King's attempt to influence Kazuma, appealing to curiosity and human desire to know things, manifests great insight into human psychology. The questions he asks-the origin of the name of the Demon King, the reason behind this army's existence, and other mysteries-represent the allure of the unknown and mankind's intrinsic drive to uncover truths about existence. But Kazuma's sudden "I don't care" shatters this paradigm. Not because the knowledge itself is unimportant, but because Kazuma, at this juncture, values action and responsibility over intellectual indulgence. His response is a direct challenge to the allure of esoteric distractions in the face of immediate moral duty. Immediately recognizable are some very similar existentialist themes, which operate in the name of action rather than idle speculation. From an existentialist perspective, "I don't care" can be an act of freedom and defiance. Sartre emphasized that individuals are condemned to be free, meaning they must take responsibility for their choices in a world without preordained meaning. In refusing the Demon King's temptation, Kazuma exerts his agency. He is not swayed by the grand nature of the Demon King's narrative or even by the knowledge that he could gain. Instead, he defines his own values; to him, the lives and wellbeing of those he cares about outweigh any conceptualized gain. This is an instant of existential authenticity where Kazuma refuses the imposed value from the outside and chooses his path, at the cost of self-sacrifice. Albert Camus's philosophy of the absurd also provides a lens through which this scene can be understood. The absurd results from the contrast between man's needing meaning and the silent, insouciant universe. The Demon King's offer of cognizance and Kazuma's subsequent rebuff reflect this tension. The Demon King is the appeal of building a meaning via power and mystery, imposing a storyline on the chaos that is living. Kazuma does the opposite: embracing the absurd by denying constructed meaning. His "I don't care" is his acknowledgment of that futile high-end narrative in the face of immediate reality concerning his loved ones' peril. He acts not in regard to some ultimate truth or cosmic purpose but because of the values he has chosen for himself. In this way, his decision to attack the Demon King with Explosion Magic becomes an act of rebellion against the absurd-so similar to Camus's idea of the "absurd hero" who defiantly and courageously faces a meaningless world. Another idea echoing within Kazuma's actions would be Friedrich Nietzsche's idea of the Übermensch, or Overman. The Übermensch creates values for himself, independent from society's bonds, rejecting meanings imposed from without. In that sense, Kazuma, too, fits this ideal when he denies the Demon King his chance to manipulate him. His final act of self-sacrifice is not because he clings to conventional heroism or religious morality but because of an internal code that he has set for himself. He has lived a life defined by his own desires and quirks, hitherto selfishly, but in this climactic moment, he acts selflessly, guided not by oncoming forces but instead by his own resolve. This is a Nietzschean affirmation of life and self-created purpose even in the face of possible annihilation. Kazuma's repetition of "I don't care" further speaks to his unshaken resolve. That is a declaration of independence against the Demon King's attempts to hijack the narrative. The Demon King, be it in the literal interpretation or as a metaphor for existential despair, is that kind of tyrant-an entity that basically wishes to enforce their will and lord over others. Kazuma's denial is an act of liberation first for himself and secondly for the world he protects. His defiance is not just about physically defeating the Demon King but about the ideological domination that the Demon King represents. That follows the existentialist concept of rebellion: as Camus described it, rebellion against the oppressive forces is done to reclaim the dignity and freedom of humanity. In such a context, the ultimate use of Explosion Magic is a poetic layer added to Kazuma's sacrifice. Explosion, being the ultimate destructive force, also symbolizes Kazuma's determination to wipe out not only the Demon King but also the burden of expectations, manipulations, and imposed narratives. The magic itself-always a symbol of absurdity through Megumin's obsession-becomes an instrument of deliverance in Kazuma's hands. His sacrifice is not just an act of destruction but also of renewal, a symbolic erasure of tyranny to make way for a freer, more authentic world. Philosophically, Kazuma’s actions critique the human tendency to become ensnared by promises of power, knowledge, or meaning that ultimately serve to enslave rather than liberate. And the last words of the Demon King indicate an ego appeal and intellectual curiosity that would make Kazuma abandon his principles in favor of personal gain. However, Kazuma's "I don't care" denies him this trap, as the meaning really is not about the big narrative or above-ourselves kinds of validation, but about the choices in the here and now. His self-sacrifice underscores this philosophy: the fact that he would sooner act in accordance with his values than be swayed by the manipulation of the Demon King. By the end, Kazuma's defiance is symbolic of the triumph of individual agency and moral clarity over existential despair and manipulation. His last act is not just a rejection of the Demon King's offer but one about the nature of heroism, freedom, and the human spirit. By sacrificing himself, Kazuma epitomizes the existential hero-confronting the absurdity of life with courage, creating meaning through choices and actions rather than seeking it out from external sources. His declaration, "I don't care," therefore rises as a rallying cry for authenticity and resistance that reverberates through the philosophies of Sartre, Camus, and Nietzsche, while leaving an indelible mark upon the narrative of KonoSuba

​@@Re_Zero_Fan_EditsNow, I've more takes that I disagree but I'll let it slide since I don't wanna write that much longer

*pinterest links lol autocorrect sucks

@@Outerdebt3-on6fv Yea I made a community post with my discord dm

@Re_Zero_Fan_Edits It tells me the link is invalid. I use the browser version of discord if that makes a difference tho

@ add me with definatlynotaserialkiller

@Re_Zero_Fan_Edits okay, btw my username is some mashup of mushoku tensei re zero and tbate

@@em_monarch He gets jumped than turns the tables with a reverse jump

@@Re_Zero_Fan_Edits GOAT showing them how to jump

Fr

Fools gambit is an auto loss gambit......

@ not for him

🗿🗿🗿🗿🗿

@@reblex3697 and?

And he still solos all of animanga if combined with his if stories too

@@reblex3697 🗣️

@@reblex3697 damn, you didn't need to cook this hard

@@NoobPro-cd2fz He lost count so yea

@@rezibichelashvili195 Not very far. He doesn’t have the Scd feats to outsmart anything past arc 2. Also the deaths are more painful in re zero. He can get by Elsa, and solve the mansion issue, but arc 3 would be very iffy. He might overcome it, however arc 4, 5, 6, 7, and 9 are all hard stops

@@Re_Zero_Fan_Edits so he can just go in "sloth if" wey. maybe it will be best choice for him.(Even in his anime he tries find most peaceful line)

@@rezibichelashvili195 Sloth if is not good at all. Upon death via old age you would reset back to when you first left with rem

@@Re_Zero_Fan_Edits yeah. It's not good enough.. but the fact that he can survive even in this way is good..( most heroes will just stop at first ark) And maybe if he hed scd he will go far... For itself okabe still one of the best written hero. I think losing someone is more painful than rbd. even if death pain is insane mental suffer is stronger

You can comment if you want to add something or say something. However your like will enough too:) I think You are pretty good person Keep making good videos,me and people enjoy them👍

@@justsealy I hate him from a moral standpoint but love him as a character.

@@DelusionalMf618 How am I that far ahead 😭😭

@@levigraves4833 Thank you, your the goat brother in law

@@jolieh9307 🗣️🗣️