Alex
Alex
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วีดีโอ

THE CAMP 2019 Latin Group Lesson by Marco Cuocci
มุมมอง 13K4 ปีที่แล้ว
THE CAMP 2019 WUPPERTAL, produced by Helmut Roland
THE CAMP 2019 Ballroom Group Lesson by Emanuel Valeri
มุมมอง 43K4 ปีที่แล้ว
THE CAMP 2019 WUPPERTAL, produced by Helmut Roland
THE CAMP 2019 Latin Group Lecture by Gennadiy Oseshnyuk
มุมมอง 37K4 ปีที่แล้ว
THE CAMP 2019 WUPPERTAL, produced by Helmut Roland
THE CAMP 2015 Latin Lecture on Understanding the Idea of Each Movement by Ilya Danilov
มุมมอง 17K5 ปีที่แล้ว
THE CAMP WUPPERTAL 2015, produced by Helmut Roland
THE CAMP 2015 Latin Lecture on Expressing Emotions by Svetlana Tverianovich
มุมมอง 8K5 ปีที่แล้ว
THE CAMP WUPPERTAL 2015, produced by Helmut Roland
THE CAMP 2015 Ballroom Lecture on Important technical Details by Alexandr Melnikov
มุมมอง 39K5 ปีที่แล้ว
THE CAMP WUPPERTAL 2015, produced by Helmut Roland
THE CAMP 2015 Ballroom Lecture on Understanding Body Action by Edita Danuite & Mirko Gozzoli
มุมมอง 14K5 ปีที่แล้ว
THE CAMP WUPPERTAL 2015, produced by Helmut Roland
THE CAMP 2015 Ballroom Lecture on 3 Dimension Turning by Fabio Selmi
มุมมอง 75K5 ปีที่แล้ว
THE CAMP WUPPERTAL 2015, produced by Helmut Roland
THE CAMP 2015 Latin Lecture on Body Position in Paso Doble by Geir Bakke
มุมมอง 12K5 ปีที่แล้ว
THE CAMP WUPPERTAL 2015, produced by Helmut Roland
THE CAMP 2015 Ballroom Lecture on Choreography and Presentation by Horst Beer
มุมมอง 4.7K5 ปีที่แล้ว
THE CAMP WUPPERTAL 2015, produced by Helmut Roland
THE CAMP 2015 Ballroom Lecture on Expressing Uniqueness in Simple Choreography by Manfred & Anastasi
มุมมอง 21K5 ปีที่แล้ว
THE CAMP WUPPERTAL 2015, produced by Helmut Roland
THE CAMP 2016 Ballroom Lecture on Essences of Foxtrot by Asis Khadjeh Nouri
มุมมอง 67K5 ปีที่แล้ว
THE CAMP WUPPERTAL 2016, produced by Helmut Roland
THE CAMP 2016 Latin Lecture on Appearance and Movement in Cha Cha Cha by Dirk Heidemann
มุมมอง 26K5 ปีที่แล้ว
THE CAMP 2016 Latin Lecture on Appearance and Movement in Cha Cha Cha by Dirk Heidemann
THE CAMP 2016 Ballroom Lecture on Vebal Practice for Non Verbal Communication by Manfred & Anastasia
มุมมอง 3.4K5 ปีที่แล้ว
THE CAMP 2016 Ballroom Lecture on Vebal Practice for Non Verbal Communication by Manfred & Anastasia
THE CAMP 2016 Latin Lecture on Expressing Feelings in Paso Doble by Colin James
มุมมอง 14K5 ปีที่แล้ว
THE CAMP 2016 Latin Lecture on Expressing Feelings in Paso Doble by Colin James
THE CAMP 2016 Ballroom Lecture on different Body Positions by Daniele Di Gennaro
มุมมอง 32K6 ปีที่แล้ว
THE CAMP 2016 Ballroom Lecture on different Body Positions by Daniele Di Gennaro
THE CAMP 2016 Ballroom Lecture on Physical Activities in Partnering Skills by Alexandr Melnikov
มุมมอง 44K6 ปีที่แล้ว
THE CAMP 2016 Ballroom Lecture on Physical Activities in Partnering Skills by Alexandr Melnikov
THE CAMP 2016 Ballroom Lecture on Body Frame in Swing by Michele Bonsignori
มุมมอง 36K6 ปีที่แล้ว
THE CAMP 2016 Ballroom Lecture on Body Frame in Swing by Michele Bonsignori
THE CAMP 2016 Ballroom Lecture on Gravity and Movement by Lasse Oedegaard
มุมมอง 13K6 ปีที่แล้ว
THE CAMP 2016 Ballroom Lecture on Gravity and Movement by Lasse Oedegaard
THE CAMP 2016 Latin Lecture on Balance by Svetlana Tverianovich
มุมมอง 38K6 ปีที่แล้ว
THE CAMP 2016 Latin Lecture on Balance by Svetlana Tverianovich
THE CAMP 2016 Ballroom Lecture on Sway by Fabio Selmi
มุมมอง 40K6 ปีที่แล้ว
THE CAMP 2016 Ballroom Lecture on Sway by Fabio Selmi
THE CAMP 2016 Latin Lecture on Technical Knowledge and Artistic Expression by Peter Stokkebroe
มุมมอง 23K6 ปีที่แล้ว
THE CAMP 2016 Latin Lecture on Technical Knowledge and Artistic Expression by Peter Stokkebroe
THE CAMP 2017 Latin Lecture on Femail Dance by Svetlana Tverianovich
มุมมอง 18K6 ปีที่แล้ว
THE CAMP 2017 Latin Lecture on Femail Dance by Svetlana Tverianovich
THE CAMP 2017 Latin Lecture on Ideas in Presentation by Alexey Silde
มุมมอง 18K6 ปีที่แล้ว
THE CAMP 2017 Latin Lecture on Ideas in Presentation by Alexey Silde

ความคิดเห็น

  • @ThankYLord
    @ThankYLord 3 วันที่ผ่านมา

    33.39 Lady: back step after preparation. go back from HEAL TO BALL

  • @DanFarfan
    @DanFarfan หลายเดือนก่อน

    I miss the old days when a couple danced together, not just near each other ;-P Who would've thunk it would be twice as silly for BOTH people to be looking for their next partner at the same time. lol I can't help but think this "evolution" was mostly about more teachers and coaches selling more lessons and coaching.

  • @user-dw8rv3yt5m
    @user-dw8rv3yt5m หลายเดือนก่อน

    如果米尔科大師能帶我跳一次,我死而無憾。 赵艾妮老師鬆而不懈,很棒喔!肌肉柔韌力度也非常好!遺憾的是沒有把太極融納到舞蹈里面,該做的身體動作沒有做,只是頭轉來轉去延伸,沒有把舞跳活,很不理想。這種違背自身機能跳舞,失去平衡內臟各功能自我調理,耗體力傷元氣,疲憊不堪;它只是流流汗與肌肉不萎縮而已,健康收益甚少。這也是選手們共同的缺陷。 如何把舞跳活?跳出飄逸惊人人體藝術? 唯有把太極融入到舞蹈里面,則氣沉丹田,足腳吸地力 ( 壓地板 ) ,節節貫穿到腿、傳到命門突出至胯,形于腹蠕動到腰椎、胸椎含胸束肋,夾脊椎,擴胸椎上拔至頸椎節節貫穿到玉枕(頭殼)往斜上方延伸 ( 太極上講虛靈頂勁 ) 氣貫頂;同時貫穿背後微顛震出波浪狀態之感受,共同出現身前身後波浪式的滾動,連綿不斷,節節貫穿,這就把舞跳活了。 如此連綿不斷,氣運跳舞:打通任督二脈,氣血暢通,調理脾腎、健胃,療理五勞七傷、祛心火,療百病 2024年07月05日中午小天使敬啟

  • @freeman281
    @freeman281 หลายเดือนก่อน

    неприлично двигаться с расслабленным животом выпячивая назад задницу....или у партнера сколиоз?

  • @marioavila1235
    @marioavila1235 หลายเดือนก่อน

    Brian Watson has always been my man that I try 2 emulate

  • @MrBrut1234
    @MrBrut1234 หลายเดือนก่อน

    On 11:58 … did they dance to the music? It seems very far off rhythm. I’m not trying to be negative, I am genuinely trying to understand. It wasn’t with lyrics, or the rhythm of the waltz. Am I missing something? I understand interpreting a music piece in your own style, but then there is stepping off, beats for most of the song. it appears as if they have stepped off beat? What am I missing? I understand this is supposed to be the top level.

  • @marioavila1235
    @marioavila1235 หลายเดือนก่อน

    If U want 2 be on your phone, Why sit directly in front of the camera ? PAY ATTENTION

  • @marioavila1235
    @marioavila1235 หลายเดือนก่อน

    " Duck feet ".....lol

  • @marioavila1235
    @marioavila1235 2 หลายเดือนก่อน

    I feel like a lot of these young dancers already know how 2 rock that technique

  • @marivickida5258
    @marivickida5258 2 หลายเดือนก่อน

    hi! thank you for teaching me in the past I learned a lot and I am very lucky and a very happy person because I got to teach a very famous ballroom dancer, I don't know if you still remember me, but I will never forget you because I learned a lot from your teaching, Thank you again , This is Karen from Tokyo Japan 🇯🇵 I hope you enjoy the sights seeing and food here in Japan🇯🇵

  • @user-vl2kw5md8x
    @user-vl2kw5md8x 3 หลายเดือนก่อน

    예비보/ 네추럴 스핀턴/ 리버스 턴/ 샤세투라이트/ 아웃사이드체인지/ 샤세/ 네추럴 스핀 턴 / 레프트 휘스크/ 스탠딩 스핀 P•P/ 오픈네추럴/ 네추럴 팔로웨이/ 까지

  • @seanlin9374
    @seanlin9374 4 หลายเดือนก่อน

    Great lecture! Benefits so much from this. I’m so eager to share this with my female partner.

  • @minhbui1256
    @minhbui1256 5 หลายเดือนก่อน

    Bố này nói nhiều. Dở ẹc

  • @d.9025
    @d.9025 5 หลายเดือนก่อน

    Perfection❤ great couple

  • @justinjmader222
    @justinjmader222 6 หลายเดือนก่อน

    The way he explains the phases of the rumba/cha cha walks is really wrong. He starts by saying that high hip is wrong, then he says that its impossible to have stretched knees the whole time - yeah that is the reason the high hip exsists. In the WDSF books this is called extend, if you extend, high hip then it is possible. And you create very nice lines, bent knees are not pretty to look at, in dancing it is all about creating lines! Also he talks about turning the shoulders, which basically means twisting the waist. That is called Twist, you are not allowed to use a Twisting muscular action in Cha cha and Rumba, what is this teacher even talking about? The twisting !effect! in rumba and cha cha comes from the squeeze > settle+translation muscular action. The whole point of this is that you are dancing with your whole body, otherwise your center will look boring and unengaged. If you use Twist your technique is wrong, if you feel like you have to because the music is too fast then you are cheating and you are very wrong. Fun fact he also dances merengue wrong, there is general action called: Merengue action, this has to do again with the squeezing muscular action, which he doesn't use. Probably wrost lecture i ever saw. - This is a very wrong teacher imo.

  • @user-dp7jl9er2x
    @user-dp7jl9er2x 6 หลายเดือนก่อน

    Vendedor de humo

  • @user-dp7jl9er2x
    @user-dp7jl9er2x 6 หลายเดือนก่อน

    Ese Sr. Peres ni p…. Idea!!

  • @glander7060
    @glander7060 6 หลายเดือนก่อน

    Sensing, observing, breathing, awareness, concentration & relaxation... the elements that build higher quality in ballroom dancing. Great lecture! Thanks for sharing!💖

  • @bjoern.friedrich
    @bjoern.friedrich 7 หลายเดือนก่อน

    Clear and great lectutre.

  • @bjoern.friedrich
    @bjoern.friedrich 7 หลายเดือนก่อน

    Great and funny lecture.

  • @bjoern.friedrich
    @bjoern.friedrich 7 หลายเดือนก่อน

    Great lecture. I'll remember: BC BC BB ABC

  • @harveygovender18
    @harveygovender18 8 หลายเดือนก่อน

    Excellent lecture. Thank you.

  • @mayan9458
    @mayan9458 9 หลายเดือนก่อน

    This guy is amazing.

  • @veroniquebaudelet9973
    @veroniquebaudelet9973 9 หลายเดือนก่อน

    Very clear lecture. Thank you so much !

  • @ThankYLord
    @ThankYLord ปีที่แล้ว

    28.18 it was just Wow. Breathtaking! maestro Alex u r the Best!

  • @ladycaramela1
    @ladycaramela1 ปีที่แล้ว

    I always loved to dance,I waited till I got to college and joined.The thing is ,I wish I had taken lessons to build my confidence .I would have loved to compete, when I went out it was 1 guy who liked to dance with me, 2we were good together, we were Fred As fair,and Ginger Rogers.😂 Those Junior Dancers were Great. Loved it.12:06 a.m. 😊

  • @user-jr4bj3ks7z
    @user-jr4bj3ks7z ปีที่แล้ว

    ❤ l love you t .cing

  • @rogelee-TW
    @rogelee-TW ปีที่แล้ว

    13:00 The space becomes bigger in turning with the centrifugal force.

  • @user-qd9zg1wz9i
    @user-qd9zg1wz9i ปีที่แล้ว

    Такие уродливые позы, наверное есть только в бальных танцах.

  • @karolyjoo5497
    @karolyjoo5497 ปีที่แล้ว

    ez a csaj néz tükörbe ????

  • @rogelee-TW
    @rogelee-TW ปีที่แล้ว

    16:00, Technical figures(the basic figures) and artistic figures should be in different proportions in the learning process. The basic figures and be artistic by adding the top artistic sway after the technical sway was done.

  • @foreveryuichi
    @foreveryuichi ปีที่แล้ว

    I wasn't very interested, but when I heard the story, it got even more boring

  • @rogelee-TW
    @rogelee-TW ปีที่แล้ว

    11:20 Three packages, 1. lower the rear hip, shape, move, 2. The wide track, 3. Foot shapes.

  • @rogelee-TW
    @rogelee-TW ปีที่แล้ว

    32:00 99% of the Tango step is flat on the floor.

  • @richardkan8499
    @richardkan8499 ปีที่แล้ว

    Great lecture thank you

  • @giuseppelucianomannello3144
    @giuseppelucianomannello3144 ปีที่แล้ว

    Thank you for the very interesting lecture!

  • @rogelee-TW
    @rogelee-TW ปีที่แล้ว

    5:10 Three resistances, the standing leg, the moving leg, the center between the couple for powerful movement.

  • @user-gs6dt6tx9k
    @user-gs6dt6tx9k ปีที่แล้ว

    세계적으로 유명한 선수 환상적이네요 영상을 볼수있게되어 감사합니다....👍👍

  • @richardkan8499
    @richardkan8499 ปีที่แล้ว

    Sorry I disagree about shortening the Man's right side - I'd prefer to stretch the left side more otherwise there'd be a collapsed body. Also, in an upswing where the body inclines backwards, isn't this part of natural body movement?

  • @richardkan8499
    @richardkan8499 ปีที่แล้ว

    Who's Roger Lee?

  • @german1761
    @german1761 ปีที่แล้ว

    I'm confused whether he is feeling hot or cold. Or maybe both hahahah

  • @german1761
    @german1761 ปีที่แล้ว

    Wdsf shirt of teacher hahahah

  • @samuelcoleman3658
    @samuelcoleman3658 ปีที่แล้ว

    I have a question! Why is this type of natural turn so different compared to the other natural turns I see others do? Is this version just higher technique? When the gentlemen preps, then launches his right foot toward him to the right, just before moving his left foot forward, there is indeed a pos. Why do most natural nurns Viennese Waltz don't do that? What is this version of Viennese waltz considered? Gold, silver, International or standard?

  • @rogelee-TW
    @rogelee-TW ปีที่แล้ว

    24:00 Body commands the legs, on the last half beat.

  • @baoliemnguyen_dancesportin9597
    @baoliemnguyen_dancesportin9597 2 ปีที่แล้ว

    Learn swing standard from the camp ballroom. Ace nhớ đọng đưa

  • @paulo9507
    @paulo9507 2 ปีที่แล้ว

    Be precise please. Spent 6 minutes on introduction and people lost patience

  • @user-mv7ig8zv3l
    @user-mv7ig8zv3l 2 ปีที่แล้ว

    Amazing 🤩 🥳😍🥰❣️❣️❣️

  • @kalharikarunarathne8498
    @kalharikarunarathne8498 2 ปีที่แล้ว

    Wow

  • @tharakaswalpita
    @tharakaswalpita 2 ปีที่แล้ว

    Thank you again