วีดีโอ

Hey Ryan, thanks! Keep in mind that you can directly download it as pointed out in the video description. It is free for you :)

Hey, you may want to pay attention to the very left bottom corner. The mouse pointer is still there. You can even see when I am clicking on it. Did you catch it?

@@AlexPfeffersAudioArtistRise I see that now, thanks! Also curious Ableton doesn't seem to be used by many orchestral producers, why do you think that is? The program is very powerful in my opinion

@@mikeklement7223 I don't know, tbh I didn't find the option to record WHILE seeing the MIDI notes. This is something that is heavily needed in our industry and I am quite baffled why this (seemingly) doesn't work. Maybe you have a solution for that? :)

Thank you! :)

Of course, feel free to do whatever you want. If you go that route make sure to set up a big plan because it may take a few days until you get all the pieces together. Also make sure to not just get art but clarify that you have the permission to do so. Also keep in mind when creating daily content (which this automation is intended for) you will get into problems when working with real artists or you have to create a huge buffer. Basically there are no limits and no laws but I see my peps getting work in the industry by not thinking too much about recreating Hollywood but presenting their music in a bit of a different way. The style may look cheap to you but it is just one out of many that you can pick. You could go anime, cartoon or more fantasy sketch such as in WoW etc. But if you find great voiceover artists, work with visual artists and take some hours to create great content it is always the best thing to go with anyway. However, I can promise you by going this route you will probably get one piece of content done per week, if not ... less. PS: I have probably different data than you because the videos on the demo reels of my students get watched more (and therefore the music the potential client can listen to) than the actual music tracks presented as "just" music.

It's Make dot com you can check my long video about the Fantasy Story Creator. I explain everything in details.

Thank you!

Haha, thank you so much!

@@AlexPfeffersAudioArtistRise I wish you had a playlist on music production on cubase...would really help

No time for musical projects currently :)

Thank you so much for your kind comment! If you have any questions, feel free to reach out any time!

Thank you! As far as I know it wasn't even available at this time :)

Thank you so much but tbh, nothing too special. Make sure you have a bit of memory (depends on how big your template is), that you got a few more CPU cores and SSD drives. Also you may want to pay attention to your buffer settings of your sound card and the buffer size of Kontakt for used instruments. This can all heavily influence your memory usage and workflow efficiency.

Thank you!

Thanks so much!

Thank you!

😅😂

It was obviously targeted towards games. It can work for trailer music too but if it's about something that is more serious you also want to appear seriously. However, instead of posting pages about all your skills or your bio I would focus on what benefits a company would have from working with you.

Yes, thank you! :)

Thank you!

absolutely! :)

Hey, what specifically confuses you about this reverb?

Thank you so much Noemi!

What mixer do you suggest? What wokflow whn you work on 90 mins of a video game soundtrack and get constant reworks and edits? Do you stay in Midi or do you render it all to audio and then need to break up again?

@@AlexPfeffersAudioArtistRise Alex this was about actual musicians in a studio, not video games. I know it's old fashioned to have musicians come together in a studio but if they are in the same city, that's best. Use any old analog mixer, and then go straight to digital. If you can, make 2 digital masters simultaneously: 1) that's hi-res, and 2) at the bit rate that you'll actually be releasing. The sound quality might be the best you ever made :) I listened to some of your tracks on SoundCloud and there's way to much digital harshness for me. This harshness is the reason there's a resurgence in vinyl. So it does bother a lot of people. All these things may not apply to your work but I am sure you'll figure out a way so you *absolutely minimize* working in digital. If you work in digital, at the very end of it all, see if there's some software to reduce the digital harshness. If there is, I would definitely use that. Good luck.

@@user-xd9xy5yl9l So what analog mixer do you recommend?

Yep, if you orchestrate everything yourself including writing the score for the orchestral sessions.

Exactly what is not CPU friendly?

kontakt instances ... bt using midi channel with VEP or Audio Gridder helps a lot

@@gracelosianiga9808 BT probably has a few remote machines as Tom Holkenborg does? If you are on a single machine it helps a bit but it is also a lot of fiddling around. I had a template with 1200 tracks using VEP but it was too much chaos, especially if you have instruments loaded into VEP but suddenly need additional stuff (externally loaded, set up busses etc vs internal additional instruments) The "better" solution at least for me is that I can set up a template within Cubase and technically have 5000 tracks without using that much memory if I disable the tracks and only enable the tracks I need with a single shortcut. The amount of loading time easily compensates the loading time of VEP in the very beginning. To make it short, with today's machines, the difference isn't really that much anymore. What I am currently doing is not care too much about templates at all. Import a bit of basic stuff that I always know I need and that's it. I am probably at roundabout 50-100 tracks and that's it. If I had huge templates, technically I only needed 20% of the stuff, 80% of the time. So I don't mind additionally loading or drag and drop important stuff that I only need 20% of the time.