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Jazz Composers Present
United States
เข้าร่วมเมื่อ 17 เม.ย. 2021
JazzComposersPresent.com is an online space where composers, musicians, & listeners come together to celebrate the music we love. We livestream Composer Spotlight Masterclasses, Listening Sessions, Foundational Focus Masterclasses, Roundtables, & Artist Q&As.
Our incredible Presenting Artists include Grammy winners and nominees, jazz legends, and exciting composers from around the world: Jim McNeely, Darcy James Argue, Rufus Reid, Ayn Inserto, Richard DeRosa, Miho Hazama, and many others!
Become a member today to participate in our full-length events and receive access to our **Complete** Archives Events Library - home to over 175 events! We are pleased to offer a variety of membership options to suit any budget. JazzComposersPresent.com/membership
**Attention music faculty and students**
We are pleased to partner with institutions to provide access to our content through their academic libraries. jazzcomposerspresent.com/institutional-partnership
Our incredible Presenting Artists include Grammy winners and nominees, jazz legends, and exciting composers from around the world: Jim McNeely, Darcy James Argue, Rufus Reid, Ayn Inserto, Richard DeRosa, Miho Hazama, and many others!
Become a member today to participate in our full-length events and receive access to our **Complete** Archives Events Library - home to over 175 events! We are pleased to offer a variety of membership options to suit any budget. JazzComposersPresent.com/membership
**Attention music faculty and students**
We are pleased to partner with institutions to provide access to our content through their academic libraries. jazzcomposerspresent.com/institutional-partnership
Nick Smart on Kenny Wheeler's Early, Freer Jazz Compositions
Nick Smart, trumpeter, bandleader, & co-author of the upcoming biography “Song for Someone: The Musical Life of Kenny Wheeler,” explores Kenny Wheeler’s earlier, freer compositions, featuring “C.P.E.P.”, as recorded by the Royal Academy of Music and Frost School U Miami featuring Evan Parker. Visit JazzComposersPresent.com to watch full-length livestreams.
JazzComposersPresent.com is an online space where composers, musicians and listeners come together to celebrate the music we love. Become a member today to watch our full-length events including masterclasses, listening sessions, roundtables and artist Q&As. Watch streams live or access the past event archive to view events dating back to July of 2021.
Website: jazzcomposerspresent.com
TH-cam: th-cam.com/users/JazzComposersPresent
Facebook: JazzComposersPresent
Twitter: JazzCompPresent
Instagram: JazzComposersPresent
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Head of Jazz at the Royal Academy of Music, Nick Smart is an internationally renowned jazz educator, trumpeter and conductor. He has performed alongside some of the leading names in jazz and was a member of the late Kenny Wheeler's Big Band with whom he had a long association, recently finishing co-writing Wheeler's biography. Regarded as one of the leading experts on Wheeler's life and music, he has given masterclasses and performances around the world in residence at many of the leading jazz programmes. Nick has released three albums as a leader to critical acclaim, including 2005’s “Remembering Nick Drake”; described by Straight No Chaser magazine as “…a future classic because it really captures all that is best about British jazz….”. Since 2013 he has been awarded the Parliamentary Jazz Award for Jazz Education, Honorary Membership of the Royal Academy of Music, and conferred with Professorship from the University of London as well as completing his PhD at the Academy.
Website: www.ram.ac.uk/people/nick-smart
Facebook: nicksmartmusic
Instagram: nicksmartmusic
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AUDIO CREDITS
Intro: “Chance Encounter”, composed by Daniel Jamieson. Performed by Danjam Orchestra, on the album “Sudden Appearance” (2011) OA2 Records. danjam.ca/
Example 1: “C.P.E.P.”, composed by Kenny Wheeler. Performed by the Royal Academy of Music, Frost School at the University of Miami, and Evan Parker on the album “The Lost Scores: Kenny Wheeler Legacy” (Greenleaf Music 2025).
Closing: “Crunchy Peanut Butter”, composed by Daniel Jamieson. Performed by Danjam Orchestra, on the album “Sudden Appearance” (2011) OA2 Records. danjam.ca/
JazzComposersPresent.com is an online space where composers, musicians and listeners come together to celebrate the music we love. Become a member today to watch our full-length events including masterclasses, listening sessions, roundtables and artist Q&As. Watch streams live or access the past event archive to view events dating back to July of 2021.
Website: jazzcomposerspresent.com
TH-cam: th-cam.com/users/JazzComposersPresent
Facebook: JazzComposersPresent
Twitter: JazzCompPresent
Instagram: JazzComposersPresent
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Head of Jazz at the Royal Academy of Music, Nick Smart is an internationally renowned jazz educator, trumpeter and conductor. He has performed alongside some of the leading names in jazz and was a member of the late Kenny Wheeler's Big Band with whom he had a long association, recently finishing co-writing Wheeler's biography. Regarded as one of the leading experts on Wheeler's life and music, he has given masterclasses and performances around the world in residence at many of the leading jazz programmes. Nick has released three albums as a leader to critical acclaim, including 2005’s “Remembering Nick Drake”; described by Straight No Chaser magazine as “…a future classic because it really captures all that is best about British jazz….”. Since 2013 he has been awarded the Parliamentary Jazz Award for Jazz Education, Honorary Membership of the Royal Academy of Music, and conferred with Professorship from the University of London as well as completing his PhD at the Academy.
Website: www.ram.ac.uk/people/nick-smart
Facebook: nicksmartmusic
Instagram: nicksmartmusic
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AUDIO CREDITS
Intro: “Chance Encounter”, composed by Daniel Jamieson. Performed by Danjam Orchestra, on the album “Sudden Appearance” (2011) OA2 Records. danjam.ca/
Example 1: “C.P.E.P.”, composed by Kenny Wheeler. Performed by the Royal Academy of Music, Frost School at the University of Miami, and Evan Parker on the album “The Lost Scores: Kenny Wheeler Legacy” (Greenleaf Music 2025).
Closing: “Crunchy Peanut Butter”, composed by Daniel Jamieson. Performed by Danjam Orchestra, on the album “Sudden Appearance” (2011) OA2 Records. danjam.ca/
มุมมอง: 298
วีดีโอ
Mike Tomaro on Jazz Standards and Time Signature Conversions
มุมมอง 232หลายเดือนก่อน
Saxophonist, composer, and author Mike Tomaro discusses how changing the meter can provide new energy to an arrangement of a well-known tune, using Home On The Range and Billy Boy as examples. Visit JazzComposersPresent.com to watch full-length livestreams. JazzComposersPresent.com is an online space where composers, musicians and listeners come together to celebrate the music we love. Become a...
Vanessa Perica on Integrating Hooks Into Your Compositions
มุมมอง 382หลายเดือนก่อน
Composer, conductor, and bandleader Vanessa Perica explores integrating hooks into pieces to generate interest, create cohesion, and give the audience something to latch onto using her award-winning composition “Spaccanapoli” and other large ensemble works. Visit JazzComposersPresent.com to watch full-length livestreams. JazzComposersPresent.com is an online space where composers, musicians and...
Frank Carlberg on Fully Exploring Intervals
มุมมอง 1.3K2 หลายเดือนก่อน
Pianist, composer, and faculty member at the New England Conservatory Frank Carlberg explores incorporating larger intervals into melody, harmony, and voicings. Visit JazzComposersPresent.com to watch full-length livestreams. JazzComposersPresent.com is an online space where composers, musicians and listeners come together to celebrate the music we love. Become a member today to watch our full-...
Tim Armacost on Building Anticipation Then Satisfaction
มุมมอง 2622 หลายเดือนก่อน
Grammy-nominated saxophonist and composer Tim Armacost explores building anticipation and satisfaction in jazz by applying Leonard Bernstein's 1-2-3 GO! method to his piece "The Mayor's Counsel." Visit JazzComposersPresent.com to watch full-length livestreams. JazzComposersPresent.com is an online space where composers, musicians and listeners come together to celebrate the music we love. Becom...
Andrew Rathbun on Irregular Metric Modulations
มุมมอง 4773 หลายเดือนก่อน
Composer Andrew Rathbun explores abrupt tempo changes, going beyond double time and half time, as ways to unsettle or startle the listener using his piece “Reading The Exits”. Visit JazzComposersPresent.com to watch full-length livestreams. JazzComposersPresent.com is an online space where composers, musicians and listeners come together to celebrate the music we love. Become a member today to ...
Lauren Elizabeth Baba on Composing for Contemporary Jazz Improvisers
มุมมอง 2043 หลายเดือนก่อน
Violinist & composer Lauren Elizabeth Baba explores the relationship between through-composition & improvisation, aiming to thread them together seamlessly, using her piece "Marigold". Visit JazzComposersPresent.com to watch full-length livestreams. JazzComposersPresent.com is an online space where composers, musicians and listeners come together to celebrate the music we love. Become a member ...
Rachel Eckroth @racheleckroth on Creating Satisfying Solo Sections
มุมมอง 3233 หลายเดือนก่อน
Grammy nominated pianist, composer, and vocalist Rachel Eckroth explores how solo sections shouldn't be an afterthought - they should push the piece forward as a continuation of the composer's voice, using her piece Days On End. Visit JazzComposersPresent.com to watch full-length livestreams. JazzComposersPresent.com is an online space where composers, musicians and listeners come together to c...
Paul Read On Composing From The Inside Out
มุมมอง 3324 หลายเดือนก่อน
Composer and educator Paul Read explains how writing from the inside out produces forms we weren't expecting, using his piece "Prayer". Melody, harmony, rhythm, and orchestration may get all the credit, but form does a lot of the heavy lifting! Visit JazzComposersPresent.com to watch full-length livestreams. JazzComposersPresent.com is an online space where composers, musicians and listeners co...
Sherisse Rogers on Sus Chords and Bass Relationships
มุมมอง 8775 หลายเดือนก่อน
Composer and electric bassist Sherisse Rogers explores how experimenting with strong chordal structures paired with different bass notes can lead to discovering new sounds using her piece “For Ones Lost”. Visit JazzComposersPresent.com to watch full-length livestreams. JazzComposersPresent.com is an online space where composers, musicians and listeners come together to celebrate the music we lo...
Jihye Lee on Developing Longer Rhythmic Sets
มุมมอง 3555 หลายเดือนก่อน
Composer Jihye Lee demonstrates how broadening our rhythmic inspiration can create unpredictability and complexity in our compositions while still flowing organically using her pieces “Eight Letters” and “Born in 1935”. Visit JazzComposersPresent.com to watch full-length livestreams. JazzComposersPresent.com is an online space where composers, musicians and listeners come together to celebrate ...
Tracy Yang on Adding Personality to Your Solo Backgrounds
มุมมอง 4845 หลายเดือนก่อน
Composer Tracy Yang explores how choices about atmosphere, texture, and density can guide your improvising soloist through the storyline of your piece using her composition “Industrial Zone (Scene Taiwan III)”. Visit JazzComposersPresent.com to watch full-length livestreams. Intentional choices about atmosphere, texture, and density help guide your soloist through the storyline of your composit...
Ellen Rowe on Balancing Craft and Creativity in Your Compositions
มุมมอง 3135 หลายเดือนก่อน
Pianist and composer Ellen Rowe explores how to balance artistry and technique in composition, focusing on using your skill set to realize your artistic vision for a piece, using her arrangement of Thelonious Monk’s ‘Round Midnight’. Visit JazzComposersPresent.com to watch full-length livestreams. JazzComposersPresent.com is an online space where composers, musicians and listeners come together...
Florian Hoefner on Scale Relationships and Harmonic Vocabulary
มุมมอง 3996 หลายเดือนก่อน
Juno-winning composer & pianist Florian Hoefner explores how modern jazz harmony conceals ii-V-I resolutions, and how clever substitutions can unlock complex contemporary chord progressions and sounds. Visit JazzComposersPresent.com for full-length livestreams and past events. JazzComposersPresent.com is an online space where composers, musicians and listeners come together to celebrate the mus...
Meg Okura on Talking Authentically About Your Music
มุมมอง 2876 หลายเดือนก่อน
Jazz violinist & composer Meg Okura explores how to connect and engage with audiences when discussing your music, striving to make a genuine connection, using her piece "Lilah". Visit JazzComposersPresent.com to watch full-length livestreams. JazzComposersPresent.com is an online space where composers, musicians and listeners come together to celebrate the music we love. Become a member today t...
Mike Holober on Chord Voicings and Ensemble Textures
มุมมอง 7456 หลายเดือนก่อน
Mike Holober on Chord Voicings and Ensemble Textures
Celebrating the Music We Love! JazzComposersPresent.com
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Celebrating the Music We Love! JazzComposersPresent.com
Christine Jensen on Taming The Chorale: Writing for Brass and Saxophones
มุมมอง 4057 หลายเดือนก่อน
Christine Jensen on Taming The Chorale: Writing for Brass and Saxophones
Frank Carlberg on Working Creatively with TetraChords
มุมมอง 4577 หลายเดือนก่อน
Frank Carlberg on Working Creatively with TetraChords
Charles Pillow on Unifying Your Composition
มุมมอง 3867 หลายเดือนก่อน
Charles Pillow on Unifying Your Composition
Institutional Partnership | College and University Instructional Support
มุมมอง 1367 หลายเดือนก่อน
Institutional Partnership | College and University Instructional Support
Mike Tomaro on Effectively Supporting Your Melody
มุมมอง 7418 หลายเดือนก่อน
Mike Tomaro on Effectively Supporting Your Melody
Ed Partyka on Breaking Compositional Habits
มุมมอง 8688 หลายเดือนก่อน
Ed Partyka on Breaking Compositional Habits
Paul White on Hiding Quotes Inside Pieces
มุมมอง 2399 หลายเดือนก่อน
Paul White on Hiding Quotes Inside Pieces
Christopher Zuar on A Melodic Approach to Solo Backgrounds
มุมมอง 3069 หลายเดือนก่อน
Christopher Zuar on A Melodic Approach to Solo Backgrounds
Helen Sung on Finding Your Compositional Voice | @helensungmusic
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Helen Sung on Finding Your Compositional Voice | @helensungmusic
Migiwa "Miggy" Miyajima on the Power of Unison Writing
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Migiwa "Miggy" Miyajima on the Power of Unison Writing
Rufus Reid on Setting a Mood Using Ostinato Patterns
มุมมอง 74211 หลายเดือนก่อน
Rufus Reid on Setting a Mood Using Ostinato Patterns
Frank Carlberg on Composing Creatively Using Triads
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Frank Carlberg on Composing Creatively Using Triads
Miho Hazama on Composing Backwards, and Writing Out Of Order
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Miho Hazama on Composing Backwards, and Writing Out Of Order
Smart.
would have been nice to see the original 4/4 chart as well for comparaison
Great lesson!
Thanks, Jackson!
Thanks for watching Jackson! Tons of great masterclasses from Vanessa and others on the website -- www.jazzcomposerspresent.com
Very educational. Lovely compositions.
Thanks for watching Gussy! Tons of masterclasses from Tim and others on the website -- www.jazzcomposerspresent.com/archives
Thanks for sharing, Vanessa is so great!
Thanks for watching Juan - we're really looking forward to Vanessa's masterclass on the site! www.jazzcomposerspresent.com
Thanks Juan!
First thought is to collapse the resulting notes down into component notes and to look at the structures closely voiced. Anyhow, cheers, and thanks for sharing. 🤙🏻
Thanks for watching! Yeah, definitely tons of "next steps" we could take from this - the idea is to think about melody & harmony in a different way than we usually do and see if any interesting sounds come from it. Plenty more from Frank and others on the website -- www.jazzcomposerspresent.com/archives
@@JazzComposersPresent 🙏🏻
this is amazing
Thanks for watching Oleg! Tons more from Frank and others on the website -- www.jazzcomposerspresent.com/archives
I love this… brilliant!
Thanks for watching Michael! Tons of great masterclasses from Chuck and others on the website -- www.jazzcomposerspresent.com
Some great modulation stuff in here. In my very unprofessional opinion, I don't think that thinking in percentages is a good approach to thinking about modulations. Once you know how you modulating relative to the subdivision your using it can be nice to know that but I certainly wouldn't use it as a starting point. You can end up with much more abstract modulations if you think from a subdivision prespective(at least I think so). For example, with your 7/4 idea you have if you were to accent every 7th 16th note then your implying 4/4 as septuplets and then if you were to play the original 7/4 idea as a polymeter over the new pulse it could be cool. That approach is thinking more polyrhythmically as opposed just accenting a random number from a subdivision. That approach also has its benefits as well. Those just some thoughts. Great video!
Glad you enjoyed the video. I have also used the approach you describe as well. I thought that approaching the change in tempo as a percent would be interesting to explore, and maybe yield a different result? More “food for thought” than anything else.
Thanks for watching Finley - glad you enjoyed it (and Andrew's thoughts in reply)! Plenty of full-length masterclasses available on the website: www.jazzcomposerspresent.com
Wouldn't it be more approachable to see what's possible with the subdivisions that you like to use rather than choosing a % of the speed and forcing numbers that you've never used before. The 3:4 to 4:3 sounds neat though. You can also play in 7 by playing 4 dotted 8ths followed by 3 half triplets. Now it could be fun to add on dotted 8th or one more triplet?
Thanks for watching Yann! It's all about experimentation, so whether it's % or subdivisions or any other approach the goal is to find and try new sounds until we get something we really like. Plenty more full-length masterclasses on the website -- www.jazzcomposerspresent.com
Sure, that is a possible approach as well. I was just interested in exploring what these shifts illustrated in the video might sound like, and how I might use them in a piece. I like asking the question "what if I" when trying to think of new approaches.
I would like to study more of this method but the video was too short. Is there more information available please?
Hi Paul - glad you enjoy the mini-lesson! There are upwards of 200 full-length masterclasses and events on our website -- www.jazzcomposerspresent.com/archives - available to members. We're blessed to have had Bob Brookmeyer proteges such as Ayn, Dave Rivello, Darcy James Argue, Ed Partyka, Mehmet Ali Sanlıkol, and others present for the site. All of our live events end with a Q&A, so you can always bring a question to an upcoming event as well.
@@JazzComposersPresent Many thanks. Is it free to access them or do you need a patreon account? Much appreciated 👍
@@monsterjazzlicks There's a membership directly through the website itself - monthly and annual options, with different levels of access. www.jazzcomposerspresent.com/membership Reach out through the contact page if there's anything upcoming that interests you!
@@JazzComposersPresent ok I definitely will do. Many thanks, Paul
@@JazzComposersPresent is Bob Brook Meyer on there as I couldn't see him listed?
great! Thank you
Thanks for watching Shengying! Plenty of great full-length masterclasses from Florian and others on the website -- www.jazzcomposerspresent.com
Cool!
Thanks for watching! Plenty more from Tracy on the website -- www.jazzcomposerspresent.com
"Prayer" is truly one of most beautiful pieces I ever heard. Great video!
Thanks for watching Massimo - Paul is an incredible writer! We're looking forward to his upcoming masterclass on the site -- www.jazzcomposerspresent.com
Just found out about this channel, a true gem!
Hey Massimo - thanks for checking it out! Full-length masterclasses on the website as well - www.jazzcomposerspresent.com
@@JazzComposersPresent just purchased the yearly membership! 😍😍😍
Fun idea, thanks!
Thanks for watching Daniel! We're really excited for Sherisse's upcoming masterclass on the website -- www.jazzcomposerspresent.com
Very informative and well done!!
Thanks for watching Aundrea! Sherisse's full-length masterclass on the website looks like it will be great as well -- www.jazzcomposerspresent.com
occult knowledge. I guess sus chords are always "going somewhere" (the tonic is seriously unmoored) and the bass is the only clue that might indicate where that might be, which might be a very odd place, and the "ugliness" comes from realising that, despite the confidence of the performance, we're not going somewhere friendly: "Damn, the car broke down and now it's raining. Didn't we see a castle back there?"
Occult indeed, what a fascinating description Brennan! We're looking forward to Sherisse exploring it further on the full-length masterclass -- www.jazzcomposerspresent.com
First of all... I'm stealing this!
Geniuses steal - go right ahead Oliver! Lots more to "borrow" from the full-length masterclasses on the website -- www.jazzcomposerspresent.com
Thanks for the video Sherisse!
Thanks for watching M! We're looking forward to Sherisse's masterclass on the website -- www.jazzcomposerspresent.com
Very interesting.
Thanks for watching Gussy! Plenty more full-length events from Sherisse and others on the website -- www.jazzcomposerspresent.com
Very cool and beautiful pieces!
Thanks for watching Christian! We're looking forward to Jihye's full-length event on the website -- www.jazzcomposerspresent.com
Thanks so much for this video! Thanks Jim!
Thanks for watching! Plenty of great full-length masterclasses from Jim (and others) on the website -- www.jazzcomposerspresent.com/archives
I had lots of fun in my jazz singing life writing arrangements of standards. Reharmonizing, groove stuff, much like what you are doing here. So many standards are wonderful compositions, but they get tiresome when always done the same way. I love what you did with Night and Day. Of course when you do interesting stuff with a tune, you'd better write a really clear chart so the reading won't wreck the gig for the band. (teehee)
Thanks for watching Stella! We really enjoyed Peter's full-length event on the website -- www.jazzcomposerspresent.com/archives
Fantastic stuff! thanks for sharing!
Thanks for watching Juan! We're really looking forward to Mike's masterclass on Sunday: www.jazzcomposerspresent.com
Hi, Meg! It's Bobby Jasinski. Good to hear you're still rolling. Hope to see you in NYC soon.
Hey Bobby!!! Hope all is well. Yes please let me know when you are in NYC! I'll be around!
Thanks for watching Bobby - plenty from Meg on the website -- www.jazzcomposerspresent.com/presenting-artists/meg-okura
Go snatch that next grant, composers!!!
Almost used that quote on the graphic... thanks for joining us Meg!
Amazing!! This chart is crazy
Thanks for watching Leon! Lots of great stuff from Miho (as both Presenter and Host!) on the website - www.jazzcomposerspresent.com/archives
nice
Thanks for watching Harry! Great stuff from Mike on the website as well -- www.jazzcomposerspresent.com/archives
So beautiful! Thanks for sharing your technique and music!
Thanks for watching Sarah! Lots of great stuff from Erica (as both Presenter and Host!) on the website - www.jazzcomposerspresent.com/archives
Thank you Mrs.Jensen for activating my (non-existence) Canadian national pride
Thanks for watching Ziqi 🤣! We're really excited to have Christine come on the website and discuss the album in more detail -- www.jazzcomposerspresent.com
Yeah Charles!
Charles!
That guy is awesome ❤
Thanks for watching everyone! Looking forward to Charles' full-length masterclass on the website this month: www.jazzcomposerspresent.com Presenting a whole bunch of music from Electric Miles 2, we're excited for it!
Pure gold. Huge thanks, Jim and Jazz Composers Present! Curious as to what happens to the “save as” drafts after the piece is finished- do you keep the digital files as sketches or discard?
Thanks for watching as always Sarah! Plenty of great stuff from Jim (and others) on the website -- www.jazzcomposerspresent.com/archives (He's doing another masterclass in November, so you can ask him your question live!)
@@JazzComposersPresent Nice! Thanks and looking forward!
Lovely blend of flute, alto flute, flugel and muted trombone in the last excerpt!
Thanks for watching Eugenio - Rich is such a beautiful writer! Tons of great full-length events from him on the website -- www.jazzcomposerspresent.com/archives
Very interesting video! Having the trombones arpeggiate the chords like that is nice! I'm thinking what he could have come up with if writing for an additional mellophone section (a la Stan Kenton) - lush sounds for sure!
Hi Eugenio - thanks for watching! A mellophone section would certainly add another rich layer on top of the arrangement. We're excited for Mike's upcoming full-length Listening Session on the website -- www.jazzcomposerspresent.com
I was fortunate enough to attend the last Lake Placid Seminar in 2002. Rufus already had some great tunes in his repertoire. Being around Brookmeyer, McNeely and Billy Hart was pretty inspiring. It's fascinating to consider that Rufus started playing bass as an adult. Also, that he became serious about composing after a long and successful career as a player and educator. Everything that Rufus does is thoughtful, deeply personal and highly artistic. Thanks for this video.
Thanks for watching William! Rufus spoke in depth about his experience at that very seminar on one of his Composer Spotlights, available in our website archives -- www.jazzcomposerspresent.com/archives One of our upcoming events is a Roundtable on May 26th celebrating Jim McNeely's 75th Birthday - details also on the website!
👍
Thanks for watching Pierre - plenty more on the website: www.jazzcomposerspresent.com
Your interviews are incredible, thank you for what you do!!
Thanks for watching Robert - our pleasure. Plenty of full-length masterclasses on the website -- www.jazzcomposerspresent.com
Great video; love being able to take a look at Darcy’s music this way!!! Dynamic Maximum Tension is a masterpiece.
Thanks for watching Stephen! Two great full-length sessions from Darcy on the website - one focusing on the inspiration between Dynamic Maximum Tension, and the other exploring Real Enemies. Highly recommend! www.jazzcomposerspresent.com/archives
@@JazzComposersPresent thank you for the recommendation!
This is awesome!
Thanks for watching! Plenty more from Rich and others on the website -- www.jazzcomposerspresent.com/archives
Are the examples that Emilio wrote out available? Thank you.
Thanks Nelson - reach out at www.jazzcomposerspresent.com/contact and we'll set you up
@@JazzComposersPresent Thank you ! will do now.
It's easier as you can keep tapping your foot all the way through! 😎
Absolutely simplifies some things - thanks for watching!
Dave's a top guy. I had a Zoom lesson here in the UK! 😁
Thanks for watching Paul! Plenty of great full-length masterclasses from Dave on the website -- www.jazzcomposerspresent.com/archives
@@JazzComposersPresent Many thanks! 👍
Just came across this video-extremely slept on! Not only is Alan such a great musician, he's an amazing educator. Thanks so much for putting this out!
Thanks for watching Augustus - it was great having Alan on the channel! His full-length masterclass on the website was also excellent -- www.jazzcomposerspresent.com/archives
this channel is a pure 24k gold thanks for these videos❤
Thanks for watching Baba! Plenty of full-length masterclasses in the archives if you want to dive in further -- www.jazzcomposerspresent.com/archives
Waiting game is amazing! You are very inspiring
This is so great! Thanks for sharing
Thanks for watching Brian! We're looking forward to Helen's full-length event on the website -- www.jazzcomposerspresent.com
great stuff as usual!
Thanks for watching Juan! Looking forward to Miggy's full-length masterclass -- www.jazzcomposerspresent.com
Great explanation of how he uses ostinato, great piece as well Dreamgliding!
Thanks for watching Emiliano! Tons of great full-length masterclasses from Rufus on the website -- www.jazzcomposerspresent.com
love it. endless permutations within simple parameters. the voices moving together in this piece reminds me of a chorale or other classical structure.
Absolutely Clint, thanks for watching! We're looking forward to Frank's full-length event on the website -- www.jazzcomposerspresent.com