The Egypt Centre
The Egypt Centre
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Sam Powell - Abaset Collections: restoring ma’at to the Egypt Centre Online Collection
The idea for a new online catalogue for the Egypt Centre arose in 2019. Sam Powell, a volunteer at the museum and Egyptology student, spotted the potential for a more flexible and dynamic way of the accessing the collection virtually during her own research. The Egypt Centre’s previous online catalogue had been created in 2005 and provided limited information on each object.
Working closely with museum staff, Sam designed a new online catalogue to better meet the changing needs of the diverse audience the museum caters to. This need for virtual access became greater than anticipated due to the temporary closure of the museum to the public during the COVID-19 pandemic as the primary means of access to the objects. As a result, the launch of the new Online Collection was accelerated to October 2020 rather than its scheduled March 2021 launch.
This presentation will celebrate the ongoing successes of the Egypt Centre Online Collection, highlighting the impact of the many features designed specifically for this collection to improve accessibility and virtual engagement with the objects for a range of audiences including researchers and the general public from around the world. It will also include a sneak preview of the new Harrogate Online Collection, which will be launched as part of this event.
มุมมอง: 67

วีดีโอ

Syd Howells (Egypt Centre Volunteer Manager) - Egypt Centre volunteers: a history 1997-2023
มุมมอง 7011 หลายเดือนก่อน
A look at the origins of the Egypt Centre Volunteers, exploring some of the many highlights of their activities. From the very beginning of the museum, and indeed before its physical creation, the importance of involving volunteers was recognised to ensure the success of the Egypt Centre. The volunteers are the public face of the museum, and they guide visitors around the collection and demonst...
Wendy Goodridge - Let the battle commence!: breaking barriers to museum learning
มุมมอง 3111 หลายเดือนก่อน
Since the museum opened its doors in 1998, it aimed to be as inclusive as possible and to create a positive learning environment through innovative hands on and museum led activities. This short presentation discusses the development of the learning programme offer to schools and the public and the barriers to museum learning that have been identified.
Phil Parkes - Shared history: conservation of Egypt Centre objects at Cardiff University
มุมมอง 6211 หลายเดือนก่อน
There has been close collaboration between the Egypt Centre (formerly Swansea Wellcome Collection) and Cardiff University since 1978 when objects were first sent to the Conservation course at Cardiff University for conservation. Over the years many of the objects that form part of the Egypt Centre collection have been analysed and conserved, both as student projects and as part of the commercia...
Noura Seada - Online engagement at the Egypt Centre: a view from Egypt
มุมมอง 1411 หลายเดือนก่อน
As a result of the COVID-19 Pandemic, the Egypt Centre had to look at new ways of engaging with their audiences. The introduction of Zoom allowed the museum to engage with new global audience. This brief presentation will highlight the impact that the Egypt Centre’s online engagement from an Egyptian perspective. This includes online courses, access to the online catalogue, and the use of Arabi...
Meg Gundlach - The Hood legacy: Swansea by chance, Swansea by choice
มุมมอง 2911 หลายเดือนก่อน
Stories of object movement and acquisition are woven through all museums housing the former Wellcome collection. One such tale surrounds the Victorian collection of the Reverend William Frankland Hood (1824-1864), from which almost one hundred items found their way to the Egypt Centre. That is a story of chance. Nearly a century later, another 100 items found their way to Swansea for examinatio...
Ersin Hussein - Community perspectives: understanding and voicing Cypriot heritage in Wales
มุมมอง 3211 หลายเดือนก่อน
In 2020 The Egypt Centre launched a new display - Egypt and its Neighbours. The rationale was to showcase non-Egyptological artefacts (from Cyprus, Nubia, The Near East, Greece, and Rome); explore further identity-formation in antiquity; and exhibit pieces in the collection that had not been displayed before. The need for this was evident from audience surveys and public opinion drove its desig...
Courtney Lyons - Perspective of a conservation student: treatment of EC168, a Soter-style shroud
มุมมอง 5211 หลายเดือนก่อน
A second year MSc Conservation Practice student at Cardiff University, Courtney Lyons discusses the treatment decisions and processes of a Soter-style shroud known as EC168. From what was believed to be crumpled stained fragments of a painted linen shroud follow a journey of conservation treatments uncovering information and significance, dissociation of fragments in the collection being reunit...
Christian Knoblauch - Teaching in the collection: object-centred learning at Swansea University
มุมมอง 2511 หลายเดือนก่อน
Evidence-based studies demonstrate that engaging all the senses in object centred learning (OCL) heightens student engagement, provides memorable learning experiences, encourages lifelong learning and enhances appetite for further study or employment. This paper describes and critically analyses the OCL that is employed in two second year Egyptology modules, and an extra-curricular project at S...
Jess Evans - My student experience at the Egypt Centre
มุมมอง 4611 หลายเดือนก่อน
The Egypt Centre offers invaluable support to students studying the ancient world. Over the course of the first two years of my degree, I have been lucky enough to participate in a range of exciting projects and opportunities that have enhanced my student experience. This presentation will present a brief highlight of some of these.
Anna Garnett - The Petrie Museum’s role in the distribution of the Wellcome collection
มุมมอง 4111 หลายเดือนก่อน
The staff of the Petrie Museum of Egyptian and Sudanese Archaeology, UCL, played a pivotal role in the documentation and distribution of the Wellcome Collection’s Egyptian and Sudanese material in the 1960s and 1970s. In 1964, 350 packing crates full of thousands of objects were transferred to UCL where they were assessed, painstakingly documented, and distributed to museums across the UK. In t...
Ken Griffin - Rediscovering Egypt: the Harrogate collection in Swansea
มุมมอง 15211 หลายเดือนก่อน
In February 2023, 800 objects arrived at the Egypt Centre from Harrogate Museum, where they will remain on loan for three years. During this time, the collection will be researched, displayed, and presented online, thus making the objects more accessible to Egyptologists and the wider public. Most of the objects were donated by two local Harrogate collectors, Benjamin Kent (1884-1968) and James...
Carolyn Graves-Brown - At last! Hopes, imaginations, and dreams come true
มุมมอง 2011 หลายเดือนก่อน
I want to share with you a few of the things that as Curator of the Egypt Centre, way back in the 1990s, I dreamed we could do. I won’t dwell on failures, but rather successes. In particular, some of the things I really hoped we could do which were considered strange, or downright mad at the time, and which now are very much mainstream. I shall include our hands-on-objects ethos, digital vision...
Dulcie Engel - My volunteering journey
มุมมอง 8611 หลายเดือนก่อน
A summary of the highlights of my nine years as volunteer at the Egypt Centre: from leading gallery tours to curating a case; newsletter editing to researching; transcribing to giving talks. Writing about all things ancient Egyptian to mummifying in French!
Anniversary messages
มุมมอง 10011 หลายเดือนก่อน
This video contains messages sent by past and present volunteers and staff members of the Egypt Centre.
Happy Birthday messages
มุมมอง 12311 หลายเดือนก่อน
Happy Birthday messages
11 Crazy Coincidence
มุมมอง 64011 หลายเดือนก่อน
11 Crazy Coincidence
09 Object Based Learning
มุมมอง 80ปีที่แล้ว
09 Object Based Learning
08 Numbers
มุมมอง 131ปีที่แล้ว
08 Numbers
07 Fragments
มุมมอง 125ปีที่แล้ว
07 Fragments
06 Goose Fat
มุมมอง 185ปีที่แล้ว
06 Goose Fat
05 Anubis
มุมมอง 150ปีที่แล้ว
05 Anubis
04 The Catalogue
มุมมอง 100ปีที่แล้ว
04 The Catalogue
03 Typology
มุมมอง 98ปีที่แล้ว
03 Typology
02 Why Swansea?
มุมมอง 170ปีที่แล้ว
02 Why Swansea?
01 Packing Up
มุมมอง 239ปีที่แล้ว
01 Packing Up
The Saqqara Saite Tombs Project: Re-excavation, Documentation, and New Discoveries - Ramadan Hussein
มุมมอง 3K2 ปีที่แล้ว
The Saqqara Saite Tombs Project: Re-excavation, Documentation, and New Discoveries - Ramadan Hussein
Launch of the Virtual Collection of Hilton Price
มุมมอง 1182 ปีที่แล้ว
Launch of the Virtual Collection of Hilton Price
Discussion panel with John Baines & Alan Lloyd
มุมมอง 2752 ปีที่แล้ว
Discussion panel with John Baines & Alan Lloyd
Wellcome Material in Manchester
มุมมอง 842 ปีที่แล้ว
Wellcome Material in Manchester

ความคิดเห็น

  • @elisabethm9655
    @elisabethm9655 20 วันที่ผ่านมา

    This analysis is brilliant! Natural pleating makes sense for so many reasons. The idea that cadres of slaves were lavishly assigned to hand pleat the clothes each time they were washed would only make sense for the hyper elite. But the appearance of this effect would of course be desirable for classes with less power. So yes, it appears she found the answer to what is essentially a problem of social and economic structure.

  • @TheGabygael
    @TheGabygael 22 วันที่ผ่านมา

    i want to make a 1910s-1970s haute couture gown called a delphos gown if i were a weaver i would definitely trymaking self pleating fabric (although fortuny, the designer, patented his process and his wife is credited to have made most of the earlier models by pleating with her fingernails, so it's pretty clea those gowns were pleated out of silk taffeta)

  • @1331423
    @1331423 หลายเดือนก่อน

    Good lord the comments here are ridiculous. The uncharted X and Hancock crew are out in force.

  • @zakariat2050
    @zakariat2050 2 หลายเดือนก่อน

    أود من خلال هذه الرسالة طلب استرداد جميع القطع الأثرية المستخرجة من جبل مويه. إن هذه القطع تحمل قيمة تاريخية وثقافية كبيرة، ومن المهم أن تعود إلى موطنها الأصلي حيث يمكن الحفاظ عليها وعرضها بشكل مناسب. أشكر لكم تفهمكم وتعاونكم في هذا الأمر الهام، وأتطلع إلى ردكم الإيجابي في أقرب وقت ممكن.

  • @ChellyWood
    @ChellyWood 3 หลายเดือนก่อน

    I found this article very helpful. I'm a doll clothing designer, fellow TH-camr, and writer. I'm currently doing a series on doll history for my website, and I'd like permission to embed this video on my website. I will, of course, credit you. Please let me know if you have any additional requirements. I have contact info on my TH-cam channel.

  • @simoncrewe5625
    @simoncrewe5625 4 หลายเดือนก่อน

    Cool, i wanna check this out

  • @SonicRecovery
    @SonicRecovery 4 หลายเดือนก่อน

    Freemason disinformation

  • @rossnolan7283
    @rossnolan7283 5 หลายเดือนก่อน

    You tell me. All we can say is that stone age chipping and grinding did not produce the hyper accurate stone vases on uncharted x . They do not have cylindrical interiors so not tube drilled . See the current uncharted x metrology videos on the bowls and vases.

  • @rossnolan7283
    @rossnolan7283 5 หลายเดือนก่อน

    Not all 'engineers' are equal (look up Stock's CV by the way) - Chris Dunn has posted (and Uncharted X) impeccable metrology results and videotaped the actual measuring of ancient (maybe even pre dynastic) vases MACHINED to mere thousands of an inch accuracy - UTTERLY impossible for ANY hand controlled chipping or grinding process. To those with no personal or professional exposure to manufacture of any kind (I include Dr Miano here) handwaving and use of hyperbole or just waffle (verbiage) is sufficient explanation. To the rest it is not.

  • @claudiamanta1943
    @claudiamanta1943 7 หลายเดือนก่อน

    26:21 Might it have been worn the other way around ie the narrow triangle at the back to fit between buttocks? Maybe the vertical central line was to help with keeping in place the bits of the male genitalia? Were the securing ends wrapping around towards the front in a knot? Obviously, I don’t know what I’m talking about and don’t mean to be rude.

  • @claudiamanta1943
    @claudiamanta1943 7 หลายเดือนก่อน

    40:53 😂 Indeed. I hate ironing. It’s unnatural. PS- In Victorian times maybe ironed clothes were a status symbol ie having servants who ironed.

  • @pamelallewellin354
    @pamelallewellin354 9 หลายเดือนก่อน

    That's an amazing discovery. How fortunate to match the two pieces and complete their names. Now you can fulfill the wishes of the deceased that they will not be forgotten. Magic!.

  • @XenusMama
    @XenusMama 11 หลายเดือนก่อน

    Please send that poor girl to speech class … her constant umm’s are very unprofessional. Um , ummm, um… makes her sound like she is not prepared . Had to turn off sound and read transcript. She sounds like a 4 th grader giving their 1st speech. The information is excellent , unfortunately it’s given by a person with no public speaking expertise. Sad.

  • @kevinrayner4923
    @kevinrayner4923 11 หลายเดือนก่อน

    well done everyone

  • @kevinrayner4923
    @kevinrayner4923 11 หลายเดือนก่อน

    wonderful video

  • @kevinrayner4923
    @kevinrayner4923 11 หลายเดือนก่อน

    amazing video

  • @andymom2
    @andymom2 11 หลายเดือนก่อน

    Almost like it's full circle!

  • @canadiangemstones7636
    @canadiangemstones7636 ปีที่แล้ว

    Remarkable views of ancient Egyptian knapping, thanks for sharing!

  • @EQCTV312
    @EQCTV312 ปีที่แล้ว

    Wow

  • @thepharaohnerd7235
    @thepharaohnerd7235 ปีที่แล้ว

    Wow, what a spectacular discovery! I wish we had a comparable wealth of Egyptian antiquities in Canada

    • @EgyptCentreSwansea
      @EgyptCentreSwansea ปีที่แล้ว

      Thank you! Well, you're always welcome to visit us 😀

  • @heatherolsen4018
    @heatherolsen4018 ปีที่แล้ว

    Cool discovery!

  • @JH-pt6ih
    @JH-pt6ih ปีที่แล้ว

    How far away were they that they were writing these letters to request a single item? They are all in the same village, right? Wouldn't you just go ask? Or have someone go ask for you and pick up the goose fat while they were at it? It makes me think of a whole network of couriers running these little, sometimes unnecessary, messages all over the village. Texting.

    • @EgyptCentreSwansea
      @EgyptCentreSwansea ปีที่แล้ว

      A very good question! Since Khay and Babi were two other villagers, you would expect them to be living nearby. As you say, why not go ask, or send someone? While hard to say for sure, it could be that Nakhtamun (and other villagers writing letters to other villagers) wanted to show off their ability to write. It could be that it was also considered the formal thing to do!

  • @nicky_bee
    @nicky_bee ปีที่แล้ว

    Lovely!

  • @ScribblingSandy
    @ScribblingSandy ปีที่แล้ว

    How fascinating that there is even a follow-up letter!! What an amazing find!

    • @EgyptCentreSwansea
      @EgyptCentreSwansea ปีที่แล้ว

      Isn't it just! We are so lucky to have these little snippets about life in the village 3,300 years ago!

  • @jong-minlee3277
    @jong-minlee3277 ปีที่แล้ว

    Beautiful catalogue and wonderful relics!

  • @kevinrayner4923
    @kevinrayner4923 ปีที่แล้ว

    amazing museum

  • @shehzadEBK714
    @shehzadEBK714 ปีที่แล้ว

    This guy is dumb. 😂

  • @theresaflannery1992
    @theresaflannery1992 ปีที่แล้ว

    Give them back to Egypt.

    • @EgyptCentreSwansea
      @EgyptCentreSwansea ปีที่แล้ว

      You can only give something back if the person/organisation/country you are giving it to actually want it. The Egypt Centre has never had any requests from the Egyptian government to return any objects from the collection.

  • @primevalforge1145
    @primevalforge1145 ปีที่แล้ว

    I build gemsbok oryx horn bows I have alot to add and am trying to narrow down the history of these.

  • @greysungrow2075
    @greysungrow2075 ปีที่แล้ว

    It's ridiculous that the British museum has a copyright on a picture of a tool from history or a tool set there should be a law against withholding history and truth from Humanity

  • @rossnolan7283
    @rossnolan7283 ปีที่แล้ว

    There is a thing called 'cost/benefit ratio' --HOW much endless pounding or grinding is ONE ,crude,thick walled (therefore heavy and relatively inefficient as a carrier of anything ) 'vase' or bowl WORTH? -- surely people living next to a river with lots of mud/clay etc would work out how to make bowls and jars etc (like we still do) that way rather than via VIRTUALLY endless ,yes, "drudgery' - SIX MONTHS (the Russiam 'mythologists' figure) of full time hard graft seems just a little excessive - to me at least if not to you . Maybe you would concede that at SOME point it is just not ,even remotely worthwhile to grind away for days,weeks, months ... on end to get one lousy bowl . (or maybe you would not ..) SOMEONE is feeding you (the bowlmaker) and housing you etc for that interminable slog. -THEY might not think it 'cost effective' either. Ultra precision simply demolishes Stock's eager 'debunk' -- nothing else is needed to throw all his misguided speculation out the window --for example his 'swing saw' does NOT and CANNOT leave parallel,concentric, circular arc striations -- it leaves a 'herringbone' pattern of sawmarks that cross each other -as is easily proven . World of Antiquity (Dr David Miano ) quotes and references Stocks (and "sacred Geometry decoded ) as THE authority on this "Proving; that the even parallel concentric saw marks shown by Uncharted X ARE created by a 'Stocks saw " . The blind lead the blind.

    • @russellmillar7132
      @russellmillar7132 5 หลายเดือนก่อน

      So here we have an engineer, D. Stocks, who is explicit that he can't judge ancient craftsmanship with modern (20-21st century) standards. He is meticulous and humble in his assessments. He demonstrates his claims. He shows that the claim that the ancient Egyptians couldn't possibly have achieved this level of precision to be laughably incorrect. And this drives the alt-history clowns crazy!!! Multiple posts saying the exact same thing....

  • @512Squared
    @512Squared ปีที่แล้ว

    What kind of joke is this video? It's 240 resolution???? Pathetic

    • @512Squared
      @512Squared ปีที่แล้ว

      You can't even read the writing on the slides

  • @jaomello
    @jaomello ปีที่แล้ว

    Great video! A lot of HARD WORK went into making these works of art. Thank you.

  • @fepeerreview3150
    @fepeerreview3150 ปีที่แล้ว

    Excellent demonstration, given the limited time available. Thanks! Tools have been found. Tools and craftspeople are depicted in wall paintings. The shaped stone objects show tool marks consistent with the techniques demonstrated here. The pieces all fit together. It involved a tremendous amount of labor and time. But everything the Egyptians did seemed to involve lots of labor and time. They weren't working union hours, and laboring for the God-King meant an assured place in Heaven.

  • @MyTinyBalcony
    @MyTinyBalcony 2 ปีที่แล้ว

    And now I have a new fascination. I am in the process of making a replica Egyptian spindle, to have a go at splicing and spinning yarn. I am not a clever enough weaver to try and weave with it, but maybe one day, a friend of mine can try, based on this video. Thank you so much.

  • @mohamedosman8428
    @mohamedosman8428 2 ปีที่แล้ว

    They stolen gold we think , we want our stolen thing when British colony

  • @ankyspon1701
    @ankyspon1701 2 ปีที่แล้ว

    C'mon Denys, wake up to the real world, the Egyptians did not do all these things in the same way they did not build the pyramids. If they did it was as slaves and not without help from a far more intellectual/advanced people, who then cleared off again and left the Egyptians in the same situation as they were before! How does a culture end up going from basic goat herder living, to suddenly creating incredibly advanced buildings, jewellery and pottery etc over night,,,, then just a few years after the Pharaohs disappear, the Egyptians go back to being goat herders and living in shacks again? No more giant statues, incredible buildings or exquisite artwork, something doesn't add up. Even today if you go to Egypt, they appear not to have moved on. Stop making it up, start looking for the truth. Brien Foerster and Graham Hancock are currently the only people you can trust on the subject of Egyptology, I recommend everyone research them on here.

  • @Lugeix
    @Lugeix 2 ปีที่แล้ว

    AWESOME

  • @BastadNKunt
    @BastadNKunt 2 ปีที่แล้ว

    Rest in peace

  • @rossnolan7283
    @rossnolan7283 2 ปีที่แล้ว

    I'm afraid that I am persuaded by the sheer amount of drudgery that would be involved to make everything by 'pounding' or slow wearing away, stone against stone by hand that some other technique had to have been involved -- the degree of precision acheived is a separate issue (we don't always strive for absolute precision even using machine tools , sometimes it just doesn't matter , As a qualified engineering patternmaker (dying breed) I can attest that frequently it is only functional surfaces and dimensions that are created to tolerances --the backside of a tool might be just left rough for example. But that they could, and did, make SOME things with undeniable exactitude beyond what hand pounding could possibbly achieve and that fact leads to astounding implications .....

    • @ankyspon1701
      @ankyspon1701 2 ปีที่แล้ว

      Sadly Denys Stocks appears to be a simple Northern lad, using simple logic, which is totally unscientific. He is one of the many misguided people who are trying to make sense of how a civilisation barely out of the wheel, could create such incredible architectural structures and exquisite art/jewellery etc, with often the most primitive of tools, seemingly in just a few minutes. They obviously could not, there has to be more to it. The squaring of internal and external corners done with such precision and the mirror finish polishing of them into hard granite etc are just two examples that defy logic with the tools available at that time. Stocks and others are living in a dream world, spouting garbage, which is covering up the truth and causing others not to look for it. It's a shame that Denys et al are invited to talk as though they are specialists in the field, as studying something your entire life, particularly when you only use your own theories, sadly does not make you an expert.

    • @rossnolan7283
      @rossnolan7283 2 ปีที่แล้ว

      @@ankyspon1701 I agree --as to 'barely out of the wheel' I seem to recall that we are meant to believe that the pyramid era Egyptians did not know about the wheel. Might be wrong but I can't recall any depictions of the wheel until much later --all theorists on pyramid construction do not show wheels either --of course the bowls had to be turned (but how they included the integral handles is baffling ) presuming you know about uncharted x and maybe david miano 'world of antiquity' both worth a look.

    • @rossnolan7283
      @rossnolan7283 2 ปีที่แล้ว

      @@annadalassena5460 Of course if you rule out incredibly (literally) tedious wearing away by hand using crude stones and take into account the precision of flatness, squareness, symmettry , circularity in the case of bowls vases etc and so on you must conced that they had some form of non hand guided efficient stone shaping - ie machinery ,tribilogy ,metrology . To most archeologists this is beyond astounding on to unthinkable...... "Truth"? - 'that which is correct'...? see Pontious Pilate .

    • @jonathancardy9941
      @jonathancardy9941 ปีที่แล้ว

      Re "the sheer amount of drudgery that would be involved" Egypt at the time had a large population of peasants who would have months of the year with little to do other than watch crops grow. I am open to arguments that we don't know how some things could be done with the technology that we know they have, but one resource we know they had was the time to do a truly humungous amount of drudgery. This was not some pastoral tribe where a hundred people putting in a hundred days affort every year for a hundred years would be a major commitment, they had a capacity for drudgery many orders of magnitude above that.

    • @rossnolan7283
      @rossnolan7283 ปีที่แล้ว

      @@jonathancardy9941 see the recent uncharted x video 'scanning an ancient granite vase to thousandths of an inch -game changer etc' (google will get you there ,title is approximate UNLIKE the vase which is INCREDIBLY precise -- measured by qualified metrologists and showing the cad images -- astounding accuracy in all principle axiis and circularity - FAR FAR beyond any POSSIBLE result by handwork even in 'infinite' time. This result does change everything - no room for hand waving or speculation or other 'excuses' -the things are MACHINED.

  • @kevinrayner4923
    @kevinrayner4923 2 ปีที่แล้ว

    Amazing video

  • @Alkis05
    @Alkis05 2 ปีที่แล้ว

    It is my understanding that egiptians didn't write multiples of fractions like we do, like 4/12 or 5/9. Instead they used only reciprocals of whole numbers. Eg: the reciprocal of 4 is 1/4 and of 12 is 1/12. So instead of writing 7/12 or 7 * 1/12, they turned it into a sum of reciprocals. So for 7/12, they had: 7 / 12 = 1/12 + 6/12 = 1/12 + 1/2. 1/12 + 1/2, that is what he number in line 6 is.

  • @billywarren007
    @billywarren007 2 ปีที่แล้ว

    Ramadan Hussein will be missed, his work at Saqqara has been nothing short of spectacular

  • @rossnolan7283
    @rossnolan7283 2 ปีที่แล้ว

    It was interesting but more a disproof of how the delicate, cardboard thin (using Petrie's expression) beautifully symmetrical and elegant vases and bowls etc could have been produced -- it is possible that later dynastic egyptians tried to replicate the superior work using such methods and failed - likewise the incredibly precise boxes -the "most precise object" in Uncharted X's video or that on Elephantine island with a pyramidial end cannot have been made by such crude methods - this is ;cargo cult' technology (the New Guinae natives tried to reproduce what they had seen descend from the skies in bamboo and leaves but only made the crudest ,but recognizable, facsimilies of aircraft) Sorry but no cigar.

    • @Eyes_Open
      @Eyes_Open 2 ปีที่แล้ว

      Unfortunately, Bens claims of incredible precison are untrue if you are talking about machine quality. The truth is, machines of today are to0 precise to reproduce the tolerance variations that are found in the ancient artifacts.

    • @casualviewing1096
      @casualviewing1096 ปีที่แล้ว

      Sorry to tell you dude but Uncharted X is a grifter and a bullshit artist. He deletes links to videos that show how these things are actually done. Petrie’s vases are only ‘cardboard thin’ at the necks, Uncharted claims they are thin all the way through, he also over states the precision of the work. The fact he deletes link to videos that point out his mistakes shows he knows what he is doing, he’s not just mistaken, he’s bullshitting. If you’re actually interested in the truth and not just sensational claims, look up SGD Sacred Geometry Decoded’s channel.

    • @rossnolan7283
      @rossnolan7283 ปีที่แล้ว

      @@casualviewing1096 SGD (Allan Smith) is THE bullshitter par excellance -- his videos "PROVING" that Egyptian, Peruvians et al sculpted the hardest rocks with COPPER or did delicate carving -column capitals etc, with FLINT (Stone) tools ALWAYS show modern STEEL set saws ,STEEL chisels, Diamond cutting wheels etc with just his usual painfully stilted but arrogant voice over (in bogan Australian accent) stating that 'copper and flint are the same as steel' (DIRECT VERIFIABLE QUOTE from his video. If you want senational claims ,based on bullshit, look no further than his "SACRED" geometry videos and ponder a bit the implications --he is basically a theophosist /mystic/ fantasist using the hard physical stoneworking evidence to garner a veneer of respectability by sneering and deceptive 'demonstrations' at micro scale purporting to explain away the megalithis work that Uncharted X highlights . I have shown numerous times how his handheld rocking 'saw' cannot have been the way that the Ux basalt slab was cut --also on Miano's 'World of Antiquity' (he is a devotee of SGD) Get your own copper/bronze chisels and steel counterparts and FIND OUT just how wrong he is. And carry out my test to show that Stocks' 'swing saw' does NOT leave parallel, concentric ,curved tool paths - in fact it leaves herringbone, crossing striations and a STRAIGHT line edge of cut. Easily proven if you want truth.

    • @russellmillar7132
      @russellmillar7132 5 หลายเดือนก่อน

      But you're an openminded seeker of truth, right? So, who do you think was capable of producing such precision? What tools were used? When did this advanced culture live? when did they disappear? What were they called?

    • @1331423
      @1331423 หลายเดือนก่อน

      How can a vessel be 'precise'? What does that even mean? Utter nonsense

  • @augustl3174
    @augustl3174 2 ปีที่แล้ว

    Liars and fools.

  • @daveramses8236
    @daveramses8236 2 ปีที่แล้ว

    The Romans forced Christianity on the world. The mystery system was the world religion before Christianity. Constantine killed his family and thousands more because they didn't want to follow Christianity

  • @lievenmoelants
    @lievenmoelants 3 ปีที่แล้ว

    Contrast, great work. Greetings from Belgium.

  • @marie-francevolpei9219
    @marie-francevolpei9219 3 ปีที่แล้ว

    Marvelous publication