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I would like to leave a tad controversial comment here, but i do hope that you will understand and accept and really do not take it personally, as it really has nothing to do with this great video or your channel. which are both excellent. It is rather a personal opinion based on a different approach to art and also a different cultural background. The video is very interesting and very well put together, and i guess from a western point of view it introduces the viewers to the basics of Japanese aesthetics. Although of course the symbolism of the different components of the iconography used by Hidaka, is much more deep than this and dates back 1300 years ago to 2600 years ago, and is rooted in not just Buddhism (particularly Zen Buddhism) but also the Heian Period aesthetic hence the name "Heian Ballade" and back to proto Shintoism. But a 30 hours video would not even begin to cover it all so you did immensely well and a tremendous job for a 6 minutes video However, as a half Japanese half French who graduated from Kyoto Geidai a few decades ago and work at the restoration of ancient costumes mostly for the Noh and Kabuki theatre and for the Kyoto Kagai (Geiko and Maiko [Geisha] costumes) but as well for the National Museums of Kyoto and Tokyo and certain religious gowns for the Japanese clergy and imperial garments from the private Imperial collections, i would like to point out a few things. 1 With all due respect to Fashion as a form of art, and fashion IS a form of art, i have always been extremely uncomfortable with the use of deep important cultural symbolism as form of mercantile ways to sell a product. To put it simply, using ancient Japanese, Chinese Indian, Greek, Egyptian, Byzantine, Sumerian, Mayan, symbolism to make a fashion product more exotic and more mysterious or charged with deep meaning and significance is pretty much like using a beautiful serene Himalayan landscape to sell a toilet freshener, if you see what i mean. So of course i find the attitude of Hermes despicable at best. The reason why a Japanese "artist is used to create that collection, is to avoid cultural appropriation. Now don't get me wrong, i am all about cultural appropriation, because culture throughout history has been based on appropriation, (60% of Japanese culture and art would not exist today without the influence of China and India, and we Japanese appropriated Chinese and Indian culture and then made it our own),. An d there is nothing wrong with it when it is done tastefully and with intelligence and respect. Which in a way is what Hermes is trying to do here. But of course the use of religious non french cultural and particularly religious symbols to sell a scarf is pretty much despicable. Because to some in Japan and to the practitioners of Shintoism and Buddhism, it can be seen as an affront. To make it easier to understand we can say that Hermes would have never dared using ancient arabic or sub-saharan african or native american religious symbolism, because the cultural backlash and cancellation at best, serious religious threats at worst, would have been immediate and disastrous for Hermes, particularly if Hermes had used arabic religious symbolism. Japan has sort of become the safe place to culturally appropriate because us Japanese tend to not make a big fuss about it, and rather see it as a form of flattery toward our culture and appreciation. To a certain extend though, but it is important not to cross the line. For instance you mention the chrysanthemum as a symbol of autumn, but actually in Japan this flower is associated with religion and in Shintoism it is a symbol of the Imperial Monarchy and it is VERY risky to touch at anything related to the Imperial family in Japan and abroad. The Japanese Imperial throne is still today called the Chrysanthemum throne and every Japanese Shinto Shrine and even the Japanese Passport has a Chrysanthemum on it. That's how serious this flower is in Japan. 2 and the second thing i would like to point out which is a little less serious and rather amusing, is that if it was not for Hermes, basically nobody would know Hidaka Natsuno in Japan. She is not even remotely relevant on the Japanese art scene (to which i belong). And a quick search in japanese, on Japanese internet websites and a few phone calls to some friends revealed that before Natsuno, at least 50 Japanese artists had been contacted by Hermes and they all turned the brand down, because they do not want to be associated with selling a product. It would very much be like someone asking Picasso or Rembrandt or Da Vinci, to create something to sell a car or a dishwasher. Fashion is a form of art, but Hermes is not a brand which makes art, it makes products which they sell for money, nor is Yohji Yamamoto, Dior, Chanel, etc,.... Karl, JP Gaultier, Yves St Laurent, Vivienne Westwood, John Galliano, as human beings and designers are (were) artists, but the brand they work for is not art, they are employed and used to create art which the brand can appropriate and sell as its own. It would be like saying that Renault or Mercedes or Nissan is a form of art, it is not. So after about 50 Japanese designers turned Hermes down, they dug deeper and finally found a barely known Japanese artist with barely any artistic background, willing to sell their art and soul for a quick buck and attach their culture to a scarf, so that Hermes could create something exotic without being accused of cultural appropriation and for a cheap fee as i can assure you that Hidaka San didn't cost Hermes a lot of money. It is not like they could have afford Yayoi Kusama or Aida Makoto even if they wanted. Hermes also used to source its silk from japan from the best silk producing atelier in my town Kyoto, which arguably produce the best silk on the planet. But because the price of the silk and labour force got up, Hermes has delocalized its silk sourcing to Brazil and i can assure you that a quick look at the Japanese silk vintage Hermes scarf's quality compared to a modern Brazilian silk Hermes scarf, should have decreased the price of a scarf by at least 60% but actually the price of Hermes scarves has increased exponentially in the past decade. That puts a few things into perspective doesn't it. I am in no way and by no means attacking Hermes or your very interesting channel. I am just pointing out a few facts to allow people to make a conscious and truly informed decision, regarding purchasing this product or any product, and not let an army of PR reps and publicists from a multibillion euros brand, lure people into thinking that they are purchasing something rare and exotic and rather unique, from a famous Japanese artist when in fact for between 500 euros (for a small one) to 1500 euros (for a large one), you get a printed (not hand painted) scarf, which are mass produced in a factory in Lyon, not hand painted by Hidaka Natsuno in Japan, (she just sold her design), designed by a completely irrelevant Japanese artist, 99% of Japanese people and 80% of Japanese artists, have never heard of. Bien entendu je parle le fancais qui est ma langue maternelle au meme titre que le japonais. Mais votre chaine et cette video etant en anglais je pensais qu'il etait plus approprie et judicieux de laisser un message dans cette langue plutot qu'en francais ou en japonais. J'espere sincerement que vous ne serez pas froisse par mon commentaire, et je vous souhaite tout aussi sincerement beaucoup de success avec cette chaine et vous remercie pour la video et les videos precedentes et a venir. Bonne continuation. Je souscris des aujourd'hui. Hannari.

Very interesting addition of the eyelet - thanks for your always informative and historical information!

I love all things Robert Dallet, but I am trying to show some restraint as I have many. I'm debating between this and the Nnir/blanc Tulipmania right now.

This is a wonderful scarf, thank you for talking about the artist. I didn't know who designed it, but this was one of my first choices! I have it in the burgundy, a new color for me.

I prefer a more dramatic color like the fall colours. Miss the horse themes which drew me to Hermes in the first place.

Thank you, Maya. I had been hoping you would review this scarf and was delighted when we chose the same colorway. Your description (“study in subtleties”), of the reverse side seems appropriate for not only Mille Feuilles de Soie, but other double face scarves as well. Santa will be delivering Hidaka’s design this year!

Hi there, great channel. When do we know whats coming out in the next issue? Thanks, Karen

This is really special, more so for those who have experienced this historic, beloved garden. Gardens, in general, make us feel grounded and calm. So, I can understand why their designs are so popular and meaningful. I do see your point about investment pieces. We should be moved to have something as a part of our wardrobe because we love it and it adds something to our lives. Not because we think we can sell it later at a price higher than what we paid or because it may be deemed more collectible. Every Hermes scarf is very special in its own way. Thank you, Maya.

I love this scarf so much.

May I ask, is the texture a smooth silk or a rougher raw silk feel?

Glorious! This is a scarf to end all scarves!

I have a question do men ever use these you know like cowboys and neckerchchiefs ??? Please be honest I would hate to get in a gun fight over bunk house banter 😂 but I'm pretty bad at tieing them this ones a oval with a bar chain Dar I'm not sure what you called it it was silver oval and bar appreciate any advice

Thank you for the shout out and review! Made my day 🎉. It is a beautiful item in person and the eyelet appeared to be very sturdy. As always, a very informative review. ❤

Loved the history of the brand and how it still shows up in current products. I like the eyelet (built in scarf ring) concept but would prefer a material that is hand-washable and flexible. I hand wash my silk scarves with the right products and technique. Flexible so I can still use a regular scarf ring.

Your avatar is so stylish!

The eyelet is also a bridge too far for me. Not that I am against innovation. During the past year I took the bold step of purchasing a cashmere Stole (Ex-Libris - Rose) and Giant Triangle (Tulipomanie - Grey/Electric Blue/Slate). My budget still has not recovered! Thanks Maya for keeping me up-to-date on these treasures.

Great video

What do you think of the beige one?

This one slowly crept up on me - leading to my feeling I could not live without it. I skipped past it initially. Your videos are so wonderful - highlighting the history of the artist and the inspiration. ❤

Thank you Maya! Always happy to watch a new video first thing in the morning. You might watch this version for a few editing blips. 😁.

Maya do any of your videos feature the work of Parisian artist Florence Manlik? If yes, can you reply with the link/s. Thank you.

So beautiful. And wonderful, very helpful styling tips.

Goodness, this one I really like. Hopefully I can obtain one when it appears.

Hello - At Heathrow 23 October and at the Hermes Terminal 3 store, there was a scarf with “built in” scarf ring. It was £550 approx. I’ve looked for it online but can’t find it. Do you know of this scarf and will you do a review? It was a 2024 fall/winter release and I think was 70 cm.

You do a good job of keeping my wallet heavier. Thank you. I almost just bought 2 scarves but have now decided I’m not wasting my money on Hermes scarves anymore.

Okay, I’m so confused…. I have both sizes and am trying to find ways to use them both. IMO, all your looks with the 70 were much prettier than the 90. The 90 is lovely also but I really loved the different looks of that 70. BUT my confusion is why you wear the 90 year round vs the other two?? It seems like it should be the opposite. 😂 help…

Sorry, but the hems on the fake looked the same..

Les Ailes Pleine De Joie is gorgeous

Thank you Maya, for your conservation awareness comments.... ❤

Great video Maya and I loved the mood boards seeing the different colours ,I found this very helpful. What a great idea thank you for this ❤❤❤

This was a beautiful video! I especially enjoyed Dallet’s artwork and the mood board pairings. Genius!

This is really wonderful, thank you. I was initially a bit dismissive of this design. But the history of what moved the designer to create it really opened my eyes. An important lesson I need to remember! I also love the blue/black hue as the background on the color way you highlighted. Really beautiful. I have missed your videos and am happy to tune in again! I hope you enjoy the weekend. Cheers.

Thank you for another elegant video! I like how you paired this scarf with the olive green jacket. That green edge of the scarf and ivory color next to it create a perfect balance.

I love the artist information even if I don't love/want the scarf. Then i can, at least, appreciate the scarf. I found the sticker history fascinating. I really like some of the individual "stickers" but i mostly buy large or overall designs on Hermes sxarfs rather than the "individual piece" scarves. Thinking of like Ex Libris and Three Graces rather than the one with perfume bottles. I'm just so excited because i finally found/bought the Vie de Flueve in a dark purple color way on the secondary market. I wasn't yet buying Hermes when the scarf was available, but i have lived in Tanzania and wanted that scarf. Purple is my least favorite color but i was just drawn to this colorway. Plan to wear it as an accent to navy, olive, celery, burgundy... Rather than with purple since I don't own any purple clothes. 😂

I have been wearing and enjoying Hermes scarves for many years and this is by far my favourite TH-cam channel. Your content and production is refreshingly high quality. I greatly enjoy your videos, find them very informative, and watch them regularly. Thank you for featuring the sublime silks of Hermes and the work of their enormously talented artists. 🙏❤

The introduction of the side panel for color styling possibilities has proven to be a helpful innovation from my perspective. I appreciate the continual innovation evident on cranleyplace!!

Love the dark green - Hermes doesn't use green that often and when they do, it tends to be a bright green.

The dark green is so beautiful!

I have this artist’s Objets de Curiosite scarf 90 - Bleu Lavande / Gris / Multicolore. The Bagage à Main also really appeals to me but I’m trying to avoid colorways and designs that similar to what I already have. I’ve just realized that my collection consists of designs that have architectural, graphic and comics elements with no florals or classic equestrian ones. Thanks to your guidance, I’ve made some great choices that I enjoy almost every day. Your buckets of colors are useful, although Hermès often mixes things up in unexpected ways. I recently did my color analysis and I’m bright, cool and deep, so I’ll be considering my palette more carefully moving forward.

Nice! I literally just ordered this scarf yesterday in the Dark Navy(Marine) colorway.

I love that you brought in the concept of duality ✨️ in both philosophy and quantum mechanics 🎉Bravo 👏

I really enjoyed this video. Please continue 😊

❤

Thank you. I’m really enjoying your new approach to the color pairing. Previously, I had found the scarf to feel a bit disjointed with so many objects. But your styling really brought it to life. No pun intended.

In February was contemplating between 2 scarves and Hermes Sales person cautioned against purchasing scarf with white edge as they said it would easily show discoloration from dirt/oil/makeup and everyday use. Do you find this to be true and a deterrent to purchasing a lighter colored scarf?