วีดีโอ

Chris .....Russell KS ...shit let's half a FUCKING BEER.....

WOW 🎸🔥🔥🔥

719

Get what ya give it Away

When it's spring Time in Alaska it's 40 below 👇🤙✌️🤘👌🤏🤌🙌👍🫶🤛👇🤙✌️🤘

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... zu schade als dieses Album nur zu konsumieren und unbeachtet im Äther der digitalen Welt verschwinden zu lassen. (Mein English ist arg eingerostet, so kann ich nur Fragmente der Texte verstehen und mir daraus ein Gesamtbild denken.) Betrachte ich den Begriff "Pseudepigrapha", dann denke ich an die Verlogenheit die den unmenschlichen Gesetzen inezuwohnen scheint, um es mal vorsichtig auszudrücken. Auf mich wirkt dass intereeant. Das Album selbst ist mit den Titeln und in der Gestaltung abwechslungsreich. Recht selten in der heutigen Zeit wo sich die Künstler über Jahre nur in einer Spur (monoton) ausleben. Ich mag die Arbeit und daher lasse ich gerne einen positiven Daumen da. Gerne mehr und eine gute Zukunft für die Künstler. 👍

Класс!!!!!Спасибо за публикацию.😮❤😂😊🎉

ONE OF THE BEST. MY HAT OFF TO YOU GOOD SIR.

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muito bom

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not bad

Awesome power metal!

Awesome

Настоящий Hard Rock, спасибо

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Wol wol woooooool FANTÁSTICO DEMAAAAAAAIS!!

thats you singing right?😮 btw killer song🤘

love it <3

اتمنى لكم حظ موفق 👍

*horse noises*

Quentin Tarantino Movie ❤

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We getting our owner beat by mule drivers with this one

This burning heart of mine.. it still hurts after all this time.. 🎶

awesome Chris 😁

Do you send out mail transcripts of your notated solos ? Could you send them if I pay for postage to my address at 5 Meon Close, Stone Cross, Pevensey, East Sussex , UK ,,,,BN24 5PZ ........Thank you.

One of the very best covers! Amazing tone. Great Job!

❤❤❤❤ очень ❤🎸❤🎸🫂

Yea

I Love This Song This is Killer🔪 0:33

tone is spot on and so is the cover. nice.

Epic 🔥

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Sehr Geil.

Hell yeah I was the 69th view I like dis song too lol

thanks for uploading! I organized this concert for Byrnell in Oxford, I'm happy to have a record of it!

Thanks for doing this. He was a genius and had gifts of intellect and incite far beyond the keyboard.

Sounds like my masterful teacher from the late 70's. He loved Schubert and it shows. Effortless performer despite multiple physical limitations. He was an indomitable spirit. HUZZAH Byrnell!!

Santiago Dobles and Aghora. The metal World wasn't ready for them. 😢. I surely loved Aghora's three albums. And Also Gustavo's Dobles album

Awesome

This was a great video. Scott is a good teacher

Brynell was a very Hands-on Teacher. If he ever saw you tensing up he would come up behind you and grab your Trapezius muscles on either side, with a Grip like a Blacksmith, give you a vigorous massage and then Wobble you back and forth till you felt like Jelly. I don't think that kind of teaching is allowed anymore. He was Truly a Lion at the Keyboard and the Strength in his hands was simply Astonishing. The Bach piece at 14:02 (little Prelude in C minor, BWV 999) was my first assignment along with the Chopin Nocturne in Db. Before I was even finished with the first Little Prelude, he assigned the Little Prelude in D major, BWV 936. I never got any of the Bach up to snuff. He wouldn't show me the fingering and they would just tie my fingers in Knots. I begged him to show me how to finger these pieces, but He insisted that I find my own way, and when I asked him why he replied " Well, It's a Right of Passage" And he would give me this look that was indicative of what he had to go through to Learn Piano. He was terribly compassionate, but He knew that I would be a tortoise without a shell if I didn't make this leap on my own. At the end of the semester when I finally played the Chopin for him he leaned over and put his hand on my forearm and said "You could have been Somebody". I was 34 at the time and had had two semesters with Brynell. That was the only real education I had had on Piano.

Brynell, who came up in St. Louis had a Musical Heritage that descends directly from Beethoven. His great friend Malcom Bilson came and stayed with us one Summer for two weeks while I was living in the basement apartment. Hearing these two masters play and all the stories they told was inexpressibly marvelous. I believe it was Schrabdji the Russian Pianist that supplied the Direct Link to Ludwig Van. Brynell was one of the first Fulbright Scholars after WWII and went to Munich to study (where people thought he was the Reincarnation of Schubert) and then Barcellona where he studied with Alicia de Larrocha. He always told the most wonderful stories, like Segovia coming in late for a Concert one very rainy evening and playing the whole Concert in his Galoshes (I can still hear Brynell laughing as he told this story). Fort Hays was about halfway in between Kansas City and Denver so a lot of Artists of great renown played there for a stopover. Brynell had a Silent Keyboard that he would work up the fingering for whatever piece he was learning. What a marvelous tool for the Memory. I mean you hear of people playing blindfolded, but Brynell took it to the next level, playing without sound, imagining the Music the Dynamics, the Phrasing. My first lesson with Brynell, first thing, He ripped off the C Major Scale with his right hand and I was just Stunned! I had never heard anyone play a Scale with Such Musicality. I asked him How on Earth he could Do This and he replied rather characteristically "Well, it Does take a lot of Practice". Funny thing is I don't recall Brynell ever practicing Scales. He just did those stretching exercises you see at the beginning of the tape. The only technique book he recommended "And the Only one you'll ever Need" was Dohnanyi Essential Finger Exercises. I lived with Brynell from 1994 to the Summer of 1996. We would often cook for each other and share single Malt Scotch in the evenings, chain smoking cigarettes. Arthur Prano would come by normally by the time we were out of cigarettes, and he'd give me a few bucks and I'd rush off to the store. We spent many a glorious evening discussing everything about Music. Arthur always called Brynell "Maestro" and I adopted the habit, but he truly was a Maestro in every sense of the word.

That's me at 0: 34 with my prominent nose in the background, Lou Kaplan just behind me, the best Physics teacher ever, and the spitting image of Albert Einstein. I'm sitting next to one of the Philosophy Professors, I forget his name but an Excellent Chap. Ehlonia sitting behind Arthur Prano (the Principal Violinist and Violin Instructor who led me through Dunis) and Orietta 2nd violins were both from Albania. for most performances Ehlonia was Principle 1st and Orietta Principle 2nd. We all also played in the Hutchinson Symphony Orchestra where the Highlight was the NutCracker with the Wichita Ballet. Julien Shew was from China and spoke very little English, but an excellent Conductor who had been all over the world and had recruited the two girls from Albania (they had both come up in the Official Albanian School of Music and each had their Debut playing the Sibelius with the Albanian Radio Symphony Orchestra at the young age 14 in subsequent years). Orietta had the most fluid wrist of any violinist I ever met and I wish I had been smart enough to take lessons with her. Carmen playing the Piccolo was a brilliant Mathematician and one of the Prettiest girls on Campus. Nate Fabricius turning pages for Byrnell, played piano in the Jazz band where I played guitar under Brad Dawson the Trumpet player and best Improviser I ever met or heard. This was recorded at Ft. Hays State in the Concert Hall and Brynell is playing the most Fabulous 7 or 9ft Grand that I've ever come across, and I tuned a lot of them while serving as a Piano Technician Apprentice at Berklee School of Music 5 years after this. Brynell retired that year and the whole Music Program changed so Julien and the Girls all went on to bigger and better things: Ehlonia to the Curtis Institute I believe and Orietta to Cleveland institute of Music, both on Scholarships. This was my Second Year at Fort Hays State. I was a Bluegrass/Jazz fiddler/guitarist who had only two semesters of classical violin under Theodora McMillen at the University of Arizona. I then served 7 years in the Navy where I taught myself to play the Prelude in E major for Unaccompanied Violin. That was the only classical piece I knew. I had never played in an Orchestra before and could barely read music, not even knowing I was the one who was supposed to turn pages when on my first rehearsal I was seated next to Ehlonia who would smack the page with her bow, give me a mean look and turn the page herself, which is how I ended up in the back seated next to Lou. Great, Great times, all of us Young Bohemians. At that time FHSU was a well-known Liberal Arts College and we had a huge cast of International Students from all over the World. Students and Teachers would often attend the same parties and being able to interact with Professors as equals was a huge adjunct to what was taught in Class. Very European, very Elegant, and a Laugh Riot most Evenings. Thanks for posting this. Cheers, Jack Willoughby

I lived in Byrnell's basement for two years while studying music at Ft. Hays State. I thought I was his worst student. My bed was right underneath the piano and I would lie in bed on Saturday mornings and listen to him practice, which is about the best education a pianist can get. He worked on the Hammer Klavier at this time and it seemed like the House and the whole neighborhood just Levitated. Thanks for posting this.

U can hear the hillbilly militia in this the hat tip from rusty cooley