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noctucat
āđāļāđāļēāļĢāđāļ§āļĄāđāļĄāļ·āđāļ 23 āļ.āļ. 2022
Tracks about things I've seen. ðâĨïļ
Btw: NO AI ... just Blender and Ableton. (Except that one time. ð)
Btw: NO AI ... just Blender and Ableton. (Except that one time. ð)
āļ§āļĩāļāļĩāđāļ
How to get 8 tracks on Ableton Move
āļĄāļļāļĄāļĄāļāļ 2.3K2 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
...no, but really. The social aspect of this box will be huge. Link works like a charm! Thanks @FlupVolta and @F0x3r_Fennec for taking part in the video. ð
ÄÃ je tohle vlastnÄ track?
āļĄāļļāļĄāļĄāļāļ 5884 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
MalÃĄ video esej na tÃĐma, jak se dÃĄ AI v hudbÄ pÅipodobnit k revoluci, kterou zapÅÃÄinil sampler. ...a taky o tom, jak ta zajÃmavÃĄ ÄÃĄst tÃ―hle revoluce moÅūnÃĄ skonÄÃ dÅÃv, neÅū zvlÃĄdne poÅÃĄdnÄ zaÄÃt. Odkazy na track: Spotify: open.spotify.com/track/1rw6lJ3asHeoFzc2jSeLCv?si=9133ce5d244f4aad TH-cam: th-cam.com/video/GNV68fLxUhE/w-d-xo.html Soundcloud: soundcloud.com/noctucat/headro DalÅĄÃ: listen.noc...
Who's track is this anyway?
āļĄāļļāļĄāļĄāļāļ 3114 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
A small video essay on how AI in music can be compared to the revolution caused by the sampler. ...and also about how the interesting part of this revolution may be over before it can properly begin. Links to the track: Spotify: open.spotify.com/track/1rw6lJ3asHeoFzc2jSeLCv?si=9133ce5d244f4aad TH-cam: th-cam.com/video/GNV68fLxUhE/w-d-xo.html Soundcloud: soundcloud.com/noctucat/headro Other: lis...
noctucat - Headroskwevrticleture (visualizer)
āļĄāļļāļĄāļĄāļāļ 534 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
Who's the hell's track is this? ðŪ listen.noctucat.com/headro
noctucat - In Awe (visualizer)
āļĄāļļāļĄāļĄāļāļ 32410 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
ðŪðŪð listen.noctucat.com/inawe
noctucat - Misfit (visualizer)
āļĄāļļāļĄāļĄāļāļ 15611 āļŦāļĨāļēāļĒāđāļāļ·āļāļāļāđāļāļ
ðŦĢðŦĢð
noctucat - Two Sugars, Please (visualizer)
āļĄāļļāļĄāļĄāļāļ 114āļāļĩāļāļĩāđāđāļĨāđāļ§
ðĩðââŽðŦ Something to warm you up this winter. ð Platforms: listen.noctucat.com/twosugarsplease
noctucat - Pencil Rewind (visualizer)
āļĄāļļāļĄāļĄāļāļ 101āļāļĩāļāļĩāđāđāļĨāđāļ§
ððââŽ...ð
noctucat - Find Me (visualizer)
āļĄāļļāļĄāļĄāļāļ 468āļāļĩāļāļĩāđāđāļĨāđāļ§
ðð listen.noctucat.com/findme
Hej, vÃ―bornÃĄ skladba a skvÄlÃĄ animace. Bavà mÄ hledat skrytÃĐ joky. Jen tak dÃĄlð
Hellyessss this one is finally out!! What a banger ðĨ
ÃÅūasnÃĐ video. Jen tak dÃĄl. ð
DÃky! ð
Really thoughtfully presented, thanks
Why do you need another track for the hihats? A real Ableton user knows that within a drum rack you can individually pan, and set volume. And of course... It is 16 instruments or spots, one in which to place the hihat...
@@johnnythelion.8670 Before turning into shapeshifting cat with an imaginary human avatar, I think I was a cymbal & hihat maker in my previous life youknow? Hihats gets their track! Period! They deserve it! ð
Drum tracks can have 16 mono tracks. X 4!!!!!
@@stuntmanmadeit That means this video shows you how to have 16 monophonic tracks x 8! ð
Ha
Can you sync two moves to one and other or would you need to connect it to something to do that?
Yes you can. All you need is to connect them to the same wifi. The Ableton Link protocol takes care of the rest. I think you can sync even much more of them than just two. And lots of other gear supports this protocol as well. ð
This manâs living in 3024.
Parking my DeLorean right next to Ableton HQ. Don't tell them! ðĪŦ
@@noctucat itâs pretty, pretty, pretty great Scott.
@@MoistBananaFantasmagoria ...and your great great great grand daughter is pretty fine.
Somebody is gonna smack you.
I'm missing some Rick Rolled footage here
That's so two thousand forever. We do things differently here! ð
LOL Link for the win.
It's SO much fun with Move. That protocol has a whole new reason to exist.
I've been got, and I'm not even mad ðĪĶââ Well done, and awesome jam! â
@@thegigisup_studio Thanks! ð I'm still in awe about how much fun it was to link them together. Jamming heaven. Like ... if that doesn't get synth people out of their bedrooms to hang out more, I don't know what will.
Yey! Joeâs Special! Two Moves! ð
Broâs already got the Ableton Two-ve less than a month after the MK1 released ððð
Sync Note and Move with Link. Run audio from Note into Move. You now have up to 12 tracks. 8 on Note, 4 on Move. Use Cloud to edit different sets on the different devices for whatever parameters are better to edit/play on each one for you.
âHow to demonstrate that you donât know the meaning of the word âtrackâ. â
@@ZTAudio I don't know the meaning of many words! ð (I'm secretely a cat.)
Enlighten us all maestro! Because "track" word have multiple meanings...
@@lofi-joe I lolâd
@@ZTAudio meow
@@ZTAudio tryna run a diddy train on fools?
Yeah ok.. but what about 16 tracks? I wonder how could we do it.....
ðĪ Let me think about it. ðĪ
@@noctucatDonât Push it too hard ð
â@@samprockDuly NOTEd.
Now we just need a tutorial on getting a friend!
ð
Ha ha true
No but really, connecting two Moves with Link is such an awesome way to musically hang out! ð I think this little box will be huge.
@@noctucat I do too I think itâs an underestimated device that will grow on people.
@@noctucatTotally! Despite some synth mafia whining and trying to sht on it, it will be the people device on every table! Much like you can see Arturia Keystep in every other vidâĶâĶ wait, need to check if my Keystep and Move are good friends! ð
As you demonstrated; creative people will find a way to use AI. The sampler created whole new genres of music - house and hip hop. Without doubt AI will do the same. We live in a time now where someone can fully realise and market their own virtual group. AI is a true punk app for the 21st century. I.e. anti corp, do it yourself.
Vyborny, muselo to dat mrte praceð
Pecka video! SouhlasÃm s tÃm, co v komentech popsal @fatborg, tedy Åūe AI se vyloÅūenÄ nedÃĄ pÅirovnat k samplerÅŊm, protoÅūe na samplery stÃĄle hraje ÄlovÄk a tvoÅà tu hudbu na zÃĄkladÄ svÃ―ch znalostà a kreativity. NicmÃĐnÄ vÄÅÃm, Åūe ten strach z AI je mimoÅÃĄdnej. V budoucnu bych rÃĄd sklÃĄdal hudbu do filmÅŊ. MÅŊj bratr studoval film a reÅūii, takÅūe mÃĄme totoÅūnÃĐ cÃle v tvorbÄ filmovÃ―ch dÄl (on film, jÃĄ k nÄmu hudbu) a tak jsme pÅirozenÄ o AI a budoucnosti umÄnà uÅū mluvili. MyslÃm si, Åūe v nejblÃÅūÅĄÃ dobÄ AI lidi nenahradÃ. A kdyÅū uÅū se AI do prÅŊmyslu dostane nÄjak vÃc, tak budou hudebnÃk a AI pracovat bok po boku zpÅŊsobem, Åūe si jen lidÃĐ ulehÄà prÃĄci aÅĨ uÅū mixovÃĄnÃm, balancovÃĄnÃm nebo ÄÃmkoliv jinÃ―m, co nebude vyloÅūenÄ vyuÅūÃvat AI k tvoÅenà nÃĄpadÅŊ. TÅeba ve filmovÃĐm prÅŊmyslu si velkÃĄ studia budou stÃĄle najÃmat lidi, protoÅūe na to penÃze mÃt budou, a tak by nedÃĄvalo smysl, aby vyuÅūÃvali kontroverznà AI. StejnÄ tak jako velkÃĄ filmovÃĄ studia platà ÅūivÃĐ orchestry nebo hudebnÃky mÃsto pouÅūÃvÃĄnà samplerÅŊ, i kdyÅū uÅū v roce 2007 byl Thomas Bergersen schopen sloÅūit realistickÃ― mock-up s uÅūitÃm pouze VST knihovny ''Vienna Symphonic Library''. V roce 2013 Bergersen sloÅūil skladbu ''That's a Wrap'', o kterÃ― kdyby mi nikdo neÅekl, Åūe to nenà ÅūivÃ― orchestr, tak bych si myslel opak. A teÄ se blÃÅūÃme k roku 2025, v dneÅĄnà dobÄ se dÃĄ pomocà samplerÅŊ dosÃĄhnout realismu jednoduÅĄeji, neÅū kdy pÅedtÃm a stejnÄ se preferuje ÅūivÃ― orchestr a ÅūivÃ― hudebnÃk. (VyjÃmka je napÅÃklad trailer industry, kde je tÅeba trailer dodat do cca 2 dnÅŊ a tak vÄtÅĄinou skladatelÃĐ nemÅŊÅūou volit nic jinÃĐho neÅū samply) StejnÄ tak si myslÃm, Åūe to bude s AI, protoÅūe kdyÅū mÃĄjà studia penÃze, majà i hodnÄ dÅŊvodÅŊ k tomu dÄlat umÄnà co nejvÃc lidskÃĐ. RozdÃl bude tam, kde penÃze nebudou - tam se vÄtÅĄina vÅūdy uchÃ―là k nejlevnÄjÅĄÃm variantÃĄm. TÅeba jÃĄ do filmovÃ―ch projektÅŊ tvoÅÃm hudbu pouze za pomoci virtuÃĄlnÃch nÃĄstrojÅŊ, protoÅūe na orchestr nemÃĄm. Ale mÃt ten budget, tak volÃm ÅūivÃĐ hudebnÃky 100 ze 100 pÅÃpadÅŊ=) KaÅūdopÃĄdnÄ souhlasÃm s tÃm, Åūe to, Åūe je AI schopno vydÃĄvat hotovÃĐ kvalitnÄ zpracovanÃĐ songy, mu nepÅidÃĄvÃĄ nutnÄ na tÃĐ zajÃmavosti a mysterioznosti. Touhle schopnosti nicmÃĐnÄ AI schazuje jak sebe, tak i lidskou tvorbu, protoÅūe se obecnÄ nabÃzà otÃĄzka, proÄ by mÄly bÃ―t tracky od lidà v nÄÄem lepÅĄÃ, kdyÅū je AI dokÃĄze udÄlat stejnÄ dobÅe a dokonce i mnohem rychleji? No ale jde to i naopak - proÄ by AI tracky mÄly bÃ―t nÄÄÃm zajÃmavÄjÅĄÃ, kdyÅū to stejnÃ― dokÃĄÅūou lidi?:D
KrÃĄsnej pÅÃspÄvek do diskuze. DÃky. :) Ona ta hranice je i u tech samplerÅŊ docela mÃĄznutÃĄ. Romplery a klasickÃ― samplery jsou nÃĄstroj, co jen stÅÃdÃĄ textury na ruÄnÄ hranejch notÃĄch. Ale kdyÅū mrknem na takovej AKAI MPC2000, tak ten se vyloÅūenÄ vyuÅūÃval tak, Åūe hiphopeÅi samplovali cizà tracky. Noty na nÄj nehrÃĄli. PouÅĄtÄli celÃ― pasÃĄÅūe. ...ten bod, co jsem chtÄl vyzdvihnout je, Åūe existujou podobnÄ kreativnà vyuÅūità AI, kterÃ― inherentnÄ nikoho nenahrazujou a furt vyÅūadujou umÄleckej input. Kombinatoriku, judgement, storytelling. BohuÅūel to odchÃĄzà s tÄma starejma modelama a Suno a Udio to dostÃĄvaj prÃĄvÄ do tÃ― lÃnÃ― "smÃĄÄknu ÄudlÃk a mam pÃsniÄku" polohy. To je podle mÄ ÅĄkoda. Zabijem tim kreativnà potenciÃĄl tÃ― technologie v podstatÄ jen pro prachy. ProtoÅūe ÄudlÃk co vyhodà komplet pÃsniÄku platà vÃc. :'(
Pro upÅesnÄnÃ: Tohle byl pokus vyuÅūÃt AI opravdu kreativnÄ. TÃm, kam to odvÄtvà dÃky Sunu a Udiu aktuÃĄlnÄ mÃÅÃ, absolutnÄ opovrhuju. A naprosto NIKDY se nestane, Åūe bych nÄco z tÄch platforem vydÃĄval za svoje dÃlo. To jen kdyby to nebylo z toho konce jasnÃ―. VeÅĄkerÃĄ hudba (krom tohohle jednoho experimentu) a grafika na tomhle kanÃĄle jsou ruÄnÄ dÄlanÃ―. Ableton a Blender, nic vÃc... ð
For the record, this was an attempt to use AI in an actually creative way. I absolutely despise where the industry is currently headed thanks to Suno and Udio. And there is absolutely NO WAY I would pass off anything from those platforms as my own work. Just in case it wasn't obvious from that video's finale. All the music (except for this one experiment) and graphics on this channel are handmade. Ableton and Blender, that's all... ð
SUNO je silnÃĐ ale je repetetÃvne preto Åūe je asi slabo nakÅmenÃĐ. To znamenÃĄ Åūe je to straÅĄne generickÃĐ a hudobne tam nevznikÃĄ niÄ Äo by prekvapilo,. Iba takÃ― mainstream. Dokonca aj ta tvrdÅĄia hudba je skoro ako diskotÃĐkovÃĄ. ZaujÃmavÃĐ bolo keÄ som pouÅūil Úryvok z piesne Karla Kryla .... nebolo to dokonalÃĐ ale bol som prekvapenÃ―. ObÃĄvam sa Åūe zapÃĄra rokov to bude zase niekde inde. A naozaj budÚ vznikaÅĨ celÃĐ albumy Nirvany , Beatles Äi Queen. Äo sa tÃ―ka vyuÅūitia pre skutoÄnÃĐ kapely Åūe nemusia uÅū niÄ vymÃ―ÅĄÄūaÅĨ ani text pÃsaÅĨ. Iba zoberÚ hotovÚ vec zahrajÚ ju , upravia , nejakÃĐ aranÅūmÃĄ a majÚ komerÄnÃĐ hity bez nÃĄmahy.
Hele jo i ne. Tam je rozdÃl mezi tim, jestli ten model "overfitneÅĄ" nebo "underfitneÅĄ". KdyÅū bys udÄlal 100% overfitted model, bude ti ven hÃĄzet 1:1 data z datasetu. To si ani Suno ani Udio nemÅŊÅūou dovolit, protoÅūe by je (po prÃĄvu, tbh) zaÅūalovaly labely. (Taky se o to snaÅūà uÅū teÄ.) Ty starÃ― modely, co jsem pouÅūil, byly naopak trochu "underfitted", coÅū znamenÃĄ, Åūe to vÃc kombinuje a mÃÅ se to drÅūà zdrojovejch dat. A tam je imho ten problÃĐm, na kterej jsem v tom videu chtÄl upozornit. To jÃĄdro pudla. JakÃ―koliv kreativnà vyuÅūità tak trochu poÄÃtÃĄ s tim, Åūe ten model bude underfitted. Å―e bude kombinovat. Å―e ti ukÃĄÅūe nÄjakou novou ÅĄpetku inspirace, co v tobÄ nÄco zaÅūehne. Ale to neprodÃĄvÃĄ. ProdÃĄvaj overfitted modely, co ti vyblejou ven "skoro-BeatlsÃĄky" a "skoro-Nirvanu". Tohle nesmÃme normalizovat, jinak kreativita konÄÃ.
super video, jen tak dalð
Very thoughtful on how you put these concepts and questions to light. Definitely brought up some very interesting points. I find it interesting in how the different platforms can come up with such divergent outputs to the same prompt!
â@@scottmunford3472 Thx a lot. I kinda wish I stressed a bit more the fact that the newer models spat out way less abstract outputs as a reaction to abstract prompt. Also hope for not labeling myself as AI lover. ð ðĪ I kind of hate what Suno and Udio are doing. And apart from this little experiment, I don't really use AI anywhere. ðŦĢ
Awesome video! You hit the nail on the head when comparing the emergence of these new AI technologies to the sampler in 1979! Imitating finished music is indeed boring, it's much more interesting to use these technologies to uncover new creative pathways and inspire new ideas. Let's not allow music making to become boring!
Thanks for watching man! Hopefuly it doesn't backfire. I think I might have under-estimated how this topic devides people. Once you show publically any kind of positivity towards AI, you're labled as the exact bad lazy example I point out at the end. ð
NÃĄdhernÃĐ zpracovÃĄnÃ. OsobnÄ jsem zastÃĄncem nÃĄzoru, Åūe AI bude pracovat po boku hudebnÃch tvÅŊrcÅŊ, ovÅĄem ten lidskÃ― faktor si minimÃĄlnÄ citovÄ ke konzumentÅŊm cestu najde... PS: PÅi sledovÃĄnà mÄ napadla otÃĄzka, jak se s AI vyvinou podcasty.ðĪ
ChÃĄpu kam svÃ―m filosofovÃĄnÃm mÃÅÃÅĄ, ale pÅÃstup k samplerÅŊm, jakoÅūto jednoho jedinÃĐho nÃĄstroje je rozdÃl, na ten potÃĐ reÃĄlnÄ hraje ÄlovÄk, oproti tomu AI generuje umÄnà na zÃĄkladÄ textu, tzn. vyuÅūitÃm jinÃĐ platformy/mÃĐdia, vytvoÅÃÅĄ jinou platformu/mÃĐdium. Sampler stÃĄle zÅŊstal hudebnÃm nÃĄstrojem, ostatnÄ to jsi popsal hezky, ale AI nenà hudebnà nÃĄstroj, ani vlastnÄ ÅūÃĄdnÃ― jinÃ― nÃĄstroj, je to pouze rozhranà ke generovÃĄnà matematickÃ―ch modelÅŊ, na zÃĄkladÄ hudebnà nauky a rozborÅŊ desÃtek miliÃģnÅŊ pÃsnà a trackÅŊ. Jsou muzikanti, co se inspirujÃ, Äi kopÃrujà music nÄkoho jinÃĐho, ale jsou muzikanti, kteÅà si jedou svojà hudebnà linku, vÃ―raznÄ neovlivnÄni prostÅedÃm. To ale AI nemÃĄ a hudba by se dÃky nà ubÃrala stÃĄle zuÅūujÃcÃm se smÄrem. ÄlovÄk svojà kreativitou hudbu obohacuje, AI jà bude zuÅūovat, byÅĨ bude obÄas vyuÅūÃvÃĄna ke generovÃĄnà abstraktnà zvukovÃĐ kompozice. Za video chvÃĄlÃm, ale jÃĄ tomu nehodlÃĄm otevÃrat dveÅe, srovnat se to prostÄ s nÃĄstupem samplerÅŊ nedÃĄ.
Naprosto validnà pÅÃspÄvek do diskuse. DÄkuju za nÄj. Je otÃĄzkou, jestli by v tÄch 70. letech v hudebnÃch intervalech pÅelazenej zvuk rozbitÃ― televize tenkrÃĄt nÄkdo povaÅūival za hudbu, nebo by je to urÃĄÅūelo stejnym stylem. DostÃĄvÃĄme se doslova do teritoria Johna Cage. ð JÃĄ si myslim, Åūe ta diskuse je zdravÃĄ. Å―e se daji hledat vyuzità AI na generovÃĄnà stemÅŊ, kterÃĐ si sÃĄm zahraju, nebo na pÅikrÃĄÅĄlovÃĄnà textur na mnou zahranÃ―ch notÃĄch. Ale jak zmiÅuju na konci. VyÅūaduje to, aby po takovÃĐm vyuÅūità byla poptÃĄvka. Aby to opravdu, jak sÃĄm ÅÃkÃĄte, neskonÄilo jen u toho textu a hotovÃĐ mp3ky. Na tom ÅūÃĄdnÃĄ kreativita nenÃ. To je nuda.
awesome song buddy keep it up âĨ
Thanks man! Check also the video about how this track got made: th-cam.com/video/AtyQ-XkyQBA/w-d-xo.html ð
ðĨ°
Wooooooooow
Unique and infinitely amazing
MÅam!
Is the instrument at the 2 minute mark you playing the guitar? Very cool melody
Sort of. It's also a bit mangled just for fun. Thanks for listening! <3
Cool song. Did you make it using the Push
It was involved just as a controller in this one. But Find Me, the first song on this channel, is like 60% Push 3. Sketched in SA mode and finished in a computer. ð
â@@noctucat very cool
Beautiful. Already subscribed. ðž
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