Camilo Aybar
Camilo Aybar
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Op. 16 - Anxiety!
Reuploaded with Cantāmus voice.
I composed this aria for a group assignment in my high school's Psychology 12 course, to depict a case study on Social Anxiety Disorder for which classmate Jules Dawkins wrote the lyrics. For this publication, the lyrics have been slightly modified to better depict a more universal experience of anxiety-in any shape or form. This work not only marks the end of my high school career, but also the start of my journey into adulthood, as well as the overcoming of my very own axiety. With my knowledge of the human brain breadtened through my time taking Pyschology, this aria became a turning point in my life-a testament to the triumph over my personal fears. Through this aria, I hope to have not only brought attention the universal struggle of anxiety, but also will find my own path towards growth and new social connections.
Op. 16
Camilo Aybar, © June 2023. All Rights Reserved
มุมมอง: 60

วีดีโอ

TRAILER - Symphony No. 2 in F♯ Minor "The Futile Pursuit of Love"
มุมมอง 2102 หลายเดือนก่อน
Prepare for the symphony that dares to ask: what if-no matter how hard you try-some things in life were never meant to be? My colossal five-movement symphony encapsulates five years of heartbreak in an unrelenting yet bitterly familiar cadence of new hopes being repeatedly crushed by the mighty Hammer of Fate-in hommage to my symphonic idol, Gustav Mahler. Can perseverance amid the tempest of s...
Op. 17 - Instrument Story Suite
มุมมอง 2055 หลายเดือนก่อน
00:00 | I. Prelude: A Walk Through the Conservatory 01:21 | II. The First Rehearsal 04:49 | III. The Dispirited Pack-up 06:01 | IV. The School's Closure Looms 07:43 | V. The Second Rehearsal: Difficulty Beyond Sensibility - Three Short Dances by Vladisláv Hórrörski 07:58 | i. Szédületesen dühös és sietséges tánc 09:02 | ii. Leginkább pihentető meditáció, minden fenyegető érzés nélkül 10:15 | ii...
Op. 14 - Symphony No. 1 in D Minor "Pandemic"
มุมมอง 5K5 หลายเดือนก่อน
Score video uploaded due to the unreliability of playback of MuseScore.com. TIMESTAMPS: 0:00:00 | I. Vivace "Outbreak" - 0:15:40 | II. Lento e isolato "Lockdown" 0:26:45 | III. Scherzo: Allegrissimo "Restart Plan" 0:35:34 | IV. Tema con variazioni "Variants of Concern" - Theme 0:36:35 | Var. I 0:37:56 | Var. II - Fuga a11 "Beta" 0:40:19 | Var. III - Marcia funebre "Gamma" 0:41:52 | Var. IV - Ma...
Op. 18.1b - Trio No. 2 in C Minor, I. Allegro agitato (ww arrangement) | 2024-06-23 Live Performance
มุมมอง 1555 หลายเดือนก่อน
Camilo Aybar (clarinet), Patricia Kostek (clarinet), and Jack Edwards (alto saxophone) perform a special arrangement of Camilo Aybar's Trio No. 2 in C Minor, I. Allegro agitato on June 23 2024, 14:34 at the Victoria Conservatory of Music's Alix Goolden Hall as a part of "The Big IDEA" Pride Celebration.
WoO. 17 - Cadenza for Clarinet Concerto No. 2 in F Minor, Mvt. I by B.H. Crusell
มุมมอง 71310 หลายเดือนก่อน
My own written cadenza for the opening movement of Crusell's Clarinet Concerto No. 2 in F Minor, which I performed with the Greater Victoria Youth Orchestra in April 2023, and its performance was also met with 1st place in the Performing Arts BC and Canada West Festivals for Summer 2023. Recorded by Camilo Aybar (clarinet) in Alix Goolden Hall on 4 February 2024 WoO. 17 Camilo Aybar, © March 20...
WoO. 19 - Variations on a Theme by P. & M.J. Hill (Happy Birthday Variations)
มุมมอง 10810 หลายเดือนก่อน
A short theme and variations of "Happy Birthday" for solo clarinet written for a faraway friend. 00:00 | Cadenza 00:09 | Theme 00:29 | Var. I - Vivace scherzando 01:00 | Var. II - Adagio lamentoso 01:29 | Var. III - Alla danza 01:55 | Var. IV - Alla marcia 02:32 | Var. V - Presto 02:52 | Var. VI - Moderato grandioso 03:13 | Var. VII - Prestissimo con brio Recorded by Camilo Aybar (clarinet) in ...
Op. 13 - Concertino for String Orchestra and Violin in G Minor "Inverno pandemico"
มุมมอง 202ปีที่แล้ว
This concertino was composed to be a part of the "Creative Innovations" concert, where the Victoria Conservatory of Music Chamber Orchestra and Jonathan Crow (concertmaster of the Toronto Symphony Orchestra) as the soloist performed Vivaldi's Four Seasons with different students' compositions preceding each season. "The idea is that while Vivaldi's pieces are a reflection of the time in which h...
WoO. 16 - Michael Fanfare in C♯ Minor
มุมมอง 72ปีที่แล้ว
As a birthday gift for my stepfather, Michael, I created this orchestral medley, which combines themes from his three favourite space science-fiction shows: Space 1999, Star Trek and Star Wars. The use of these themes is protected under fair use laws, as they are being used for the purpose of commentary, criticism, and education. This work is not intended to infringe on the rights of the copyri...
"This is Me" Project - Camilo Aybar
มุมมอง 370ปีที่แล้ว
From the archives of April 2022. Created for a Career Life Education 11 assignment.
Op. 13 - Concertino for Violin and String Orchestra in G Minor ''Inverno pandemico'' | 29 May 2021
มุมมอง 317ปีที่แล้ว
From the archives of May 2021. Please donate in lieu of ticket: vcm.bc.ca/innovations See full concert: th-cam.com/video/JImn_6yiTgk/w-d-xo.html This concertino was composed to be a part of the "Creative Innovations" concert, where the Victoria Conservatory of Music Chamber Orchestra and Jonathan Crow (concertmaster of the Toronto Symphony Orchestra) as the soloist performed Vivaldi's Four Seas...
Crusell Clarinet Concerto No 2 in F Minor ''Grand'' | Camilo Aybar w/ the GVYO on 2023-04-16
มุมมอง 521ปีที่แล้ว
Camilo Aybar performs Bernhard Henrik Crusell's Clarinet Concerto No. 2 in F Minor with the Greater Victoria Youth Orchestra in UVic's Farquhar Auditorium on 16 April 2023 at 14:45. 00:00 I. Allegro 12:34 II. Andante pastorale 17:42 III. Rondo: Allegretto
Clarinet Septet Arrangement - "Autumn" by Camilo Aybar (Op. 9a) | Stellar X3 Microphone
มุมมอง 297ปีที่แล้ว
This is a little arrangement of my flute choir piece for a clarinet septet which I recorded last Autumn. Microphone: TZ Audio Stellar x3 amzn.to/3BJHDc6
Op. 10.3 - Clarinet Sonata in C Minor, III. Largo "Unrequited" | 1 June 2021 Live Performance
มุมมอง 1552 ปีที่แล้ว
Camilo Aybar and Jany Lu performed Camilo Aybar's Clarinet Sonata in C Minor, III. Largo "Unrequited" for the Victoria Conservatory of Music Wind And Brass Department Collage Year-End Concert at Alix Goolden Hall on 1 June 2021 at 19:50.
Symphony No. 1 in D Minor "Pandemic" | Virtual NotePerformer Premiere
มุมมอง 9493 ปีที่แล้ว
Listen to a newer audio mock-up of this symphony created with MuseScounds: op14musesounds.aybar.ca View programme notes here: aybar.ca/music/op/14/notes Timestamps: 00:00 - Opening Remarks 03:35 - I. Vivace "Outbreak" 19:15 - II. Lento "Lockdown" 30:05 - III. Scherzo: Allegrissimo "Restart Plan" 39:09 - IV. Tema con variazioni "Variants of Concern" 52:05 - V. Vivace "Vaccine" Symphony No. 1 in ...
Op. 10.1 - Clarinet Sonata in C Minor, I. Alla danza | 14 May 2021 Live Performance
มุมมอง 1183 ปีที่แล้ว
Op. 10.1 - Clarinet Sonata in C Minor, I. Alla danza | 14 May 2021 Live Performance
Op. 10.1 - Clarinet Sonata in C Minor, I. Alla danza | 26 Apr 2021 Live Performance
มุมมอง 1553 ปีที่แล้ว
Op. 10.1 - Clarinet Sonata in C Minor, I. Alla danza | 26 Apr 2021 Live Performance
Pièce in G minor by Joseph Edouard Barat - Performed by Camilo Aybar, accompanied by James Yi
มุมมอง 2414 ปีที่แล้ว
Pièce in G minor by Joseph Edouard Barat - Performed by Camilo Aybar, accompanied by James Yi
Op. 9 - Flute Choir in G Minor "Autumn" | Nov 24 2019 Live Performance
มุมมอง 4145 ปีที่แล้ว
Op. 9 - Flute Choir in G Minor "Autumn" | Nov 24 2019 Live Performance
Op 3a - March of Discord | June 30, 2019 Live Performance
มุมมอง 675 ปีที่แล้ว
Op 3a - March of Discord | June 30, 2019 Live Performance
B.E.D.M.A.S Aria
มุมมอง 655 ปีที่แล้ว
B.E.D.M.A.S Aria
Op. 3a - March of Discord | June 12, 2019 Live Performance
มุมมอง 705 ปีที่แล้ว
Op. 3a - March of Discord | June 12, 2019 Live Performance
Op. 5 - Walking Woodwinds Trio | June 11 2019 Live Performance
มุมมอง 1295 ปีที่แล้ว
Op. 5 - Walking Woodwinds Trio | June 11 2019 Live Performance
Op. 5 - Walking Woodwinds Trio | Jun 3 2019 Live Performance
มุมมอง 1525 ปีที่แล้ว
Op. 5 - Walking Woodwinds Trio | Jun 3 2019 Live Performance
Op. 3a - March of Discord | May 23 2019 Live Performance
มุมมอง 855 ปีที่แล้ว
Op. 3a - March of Discord | May 23 2019 Live Performance
Op. 5 - Walking Woodwinds Trio | Nov 25 2018 Live Performance
มุมมอง 4666 ปีที่แล้ว
Op. 5 - Walking Woodwinds Trio | Nov 25 2018 Live Performance

ความคิดเห็น

  • @cerealbowl7038
    @cerealbowl7038 วันที่ผ่านมา

    This is horrible.

  • @НуралиАбдулов-ы2в
    @НуралиАбдулов-ы2в 6 วันที่ผ่านมา

    hello, your cadenza is just wow, can you share the notes in pdf please

    • @camiloaybar
      @camiloaybar 6 วันที่ผ่านมา

      Glad to hear you like it! The PDF is available for free via my website: www.aybar.ca/music/WoO/17

  • @waltuh2.3bviews3secondsago3
    @waltuh2.3bviews3secondsago3 8 วันที่ผ่านมา

    just got to 1:22 and i can already tell that this is going to be REALLY good

  • @sebastoslafriteGD
    @sebastoslafriteGD 12 วันที่ผ่านมา

    this is an amazing symphony! keep going in the composing world, this is a true masterpiece, i wish i could even think of writing 5 minutes of this alone!

  • @johnpcomposer
    @johnpcomposer 15 วันที่ผ่านมา

    Excellent work, Camilo. Best of luck as you embark on the next phase of your life. I hope music will be a big part of it. You have great skill. Marvelous textures. Powerful writing. Effective orchestration. The melody reminds me of one from a big aria in Tchaikovsly's Mazzepa. Wonderful control of consonance/dissonance. 1st rate.

  • @CarlMikaelBlomkvist
    @CarlMikaelBlomkvist 18 วันที่ผ่านมา

    I don't know who you are, but this is a real masterpiece

  • @elliaskalpouzos9793
    @elliaskalpouzos9793 2 หลายเดือนก่อน

    This is how a classical composer should sound nowadays! Very Good!

  • @CrsD-Assxssin
    @CrsD-Assxssin 2 หลายเดือนก่อน

    Bro i am your age and i wouldn't be able to compose anything that even resembles that 😭

  • @ewankilpatrick3123
    @ewankilpatrick3123 2 หลายเดือนก่อน

    This is phenomenal, really impressive. Is the opening theme intentionally the soviet national anthem? If so, what is the significance of this?

  • @chautong2925
    @chautong2925 2 หลายเดือนก่อน

    CAMILO-- emotionally riveting, clear and artistic trailer, well put together. A show all in itself 🎉

  • @happypelon
    @happypelon 3 หลายเดือนก่อน

    OH MY GOSH, youtube recommended......AMAZING, the ending is wild, NEW SUB

  • @bowserfan88
    @bowserfan88 4 หลายเดือนก่อน

    Sounds like this could be in a video game! Sound amazing!!!🤩 Loved especially the Scherzo and Finale! You may be going places with these works!!😊

  • @snowcarriagechengcheng-hun3454
    @snowcarriagechengcheng-hun3454 4 หลายเดือนก่อน

    Thanks for uploading!

  • @Organic_Organist
    @Organic_Organist 4 หลายเดือนก่อน

    9:10 almost sounds like a studio ghibli melody

  • @Organic_Organist
    @Organic_Organist 4 หลายเดือนก่อน

    This is really well written. Congratulations

  • @husaammaawia3057
    @husaammaawia3057 4 หลายเดือนก่อน

    Very cool symphony

  • @АлексейМартышкин-э8с
    @АлексейМартышкин-э8с 5 หลายเดือนก่อน

    Очень понравилось. А в каком издании вы опубликовали? Может быть, там можно опубликовать из России? Научную статью за рубежом я публиковал, а музыку ни разу нигде (я тоже написал два произведения).

  • @fiddeou
    @fiddeou 5 หลายเดือนก่อน

    Mr blue sky?

  • @markbutterschmalz5158
    @markbutterschmalz5158 5 หลายเดือนก่อน

    Very talented. More great things to come from you. But none of us should whine about the pandemic. You're alive and apparently healthy. Except for those poor sick and dead millions and those directly affected by their losses, who deserve our sympathy, the rest of us should stop complaining about inconveniences and delayed plans. Life is hard, but being kept from school or friends for a while is nothing; especially when we still have technology to keep us close.

  • @olivierbeltrami
    @olivierbeltrami 5 หลายเดือนก่อน

    You must be a great admirer of Hindemith’s Symphonic Metamorphosis.

  • @phantasmal914
    @phantasmal914 5 หลายเดือนก่อน

    This is a fantastic video! We actually have quite similar interests, though in the case of your transit enthusiasm you have it quite rough, as you live in North America. I thoroughly enjoyed your first symphony and look forward to seeing more of your talent. Never give up!

  • @JustarandomaccountInnit-is8lf
    @JustarandomaccountInnit-is8lf 5 หลายเดือนก่อน

    I’d compare you to Mahler but I like this more than I like anything Mahler ever wrote. I’m getting into composition myself so I will study this. This is art. It conveys the panic of the beginning of one of the most traumatic events in our younger generations’ lives.

  • @phantasmal914
    @phantasmal914 5 หลายเดือนก่อน

    This is actually amazing. Needs more appreciation, I hereby call on every person who has seen this video to give this video a like, that way more people will see this amazing symphony!

  • @jaydentaylor8021
    @jaydentaylor8021 5 หลายเดือนก่อน

    Just listened to the entire thing and this is wonderful. I really admire the hard work and dedication that obviously went into this work. I hope to see it performed live someday. Please continue composing :)

  • @Firemind39
    @Firemind39 5 หลายเดือนก่อน

    Cathartic. Wonderful. Refreshing. Relevant. Genius and unpretentious. Masterful. This feels very much like Mahler, but at the same time contemporary like Joe Hisaishi. Beautiful motifs and brilliant orchestration.

  • @marcelolasta9509
    @marcelolasta9509 5 หลายเดือนก่อน

    Como médico veterinario-que no dejó de atender emergencias animales e incluso humanas ocasionales-en plena pandemia,sólo Die Musik me conservó la cordura,gracias Camilo,una obra que merece ya una versión en vivo,el Finale es glorioso,la verdad quiero más obras así,apasionadas y que dan un sentido condenado Bueno a la Humanidad en este Lost BluePlanet en medio de la nada cósmica,super abrazo desde Argentina!!

  • @goncalves.composer
    @goncalves.composer 5 หลายเดือนก่อน

    I loved this symphony and to be honest it's really impressive that someone who's even younger than me is composing like the greatest composers. I would love to see it being premiered by a professional orchestra and it surely will, it's just a matter of time. Good job!

  • @Imakemusicandstuff333
    @Imakemusicandstuff333 5 หลายเดือนก่อน

    8:00 my last brain cells during a test

  • @xn_does_stuff
    @xn_does_stuff 5 หลายเดือนก่อน

    This was an amazing symphony. I usually don't listen to modern symphonies on youtube, but I decided to listen to this whole symphony, and I think that this whole symphony NEEDS to be premiered by an actual orchestra. The theme and variations in the fourth movement was personally my favourite movement in this work. This definitely gives me Mahler vibes, which is great. This is easily one of the best 21st century classical pieces of music I have ever heard. Bravo! I'll check out some of your other music as well.

  • @johnpcomposer
    @johnpcomposer 5 หลายเดือนก่อน

    in the variations, var II the fuga the 1st answer comes in only a 3rd higher than the subject, should be a 5th. tonic to dominant. It's nice contrapuntal writing but not a fugue as far as I can see.

    • @camiloaybar
      @camiloaybar 5 หลายเดือนก่อน

      Thank you for your note. I think I made some enharmonic spelling errors and used the wrong key signature, as the subject was meant to be heard as being in E-flat minor (since there is a D-natural leading tone in m. 111) and the response is in B-flat minor, though the first note is altered to be in a different inversion of the key. While it is the dominant, I am not sure if it is acceptable for the entry notes to be a third apart in this instance, even if they are technically in the keys that are supposed to be a fifth apart?

    • @johnpcomposer
      @johnpcomposer 5 หลายเดือนก่อน

      ​@@camiloaybar It's a small matter really. I hope to return to the rest of your symphony and continue listening. Keep up the good work.

  • @Imakemusicandstuff333
    @Imakemusicandstuff333 5 หลายเดือนก่อน

    I really enjoyed most of the symphony, the orchestration was great, nice themes and its clear that this took a lot of hard work and effort to compose, I would like to share some tips for future compositions of yours. The Piccolo part is almost impossible to play if not impossible, on the piccolo high notes and large jumps can be VERY difficult, a good friend of mine is a Piccolo player and I've written a concert for her to play with a concert band before so that's where my experience with Piccolo writing comes from. Another note I have is that sometimes when you have many instruments in the same register they can sound like they are fighting for that register and it can sometimes result in uncertain passages, that is if the instruments have different melodies. Somrtimes in your work it doesn't bother me but sometimes it bothered me a little bit, I did that a lot in my first symphony and it bothered me quite much. I also have to point out that on every instrument playing quietly in a high register can be very difficult and can sound forced during a performance, it's often used in horror films because of this which may fit in some instances in your composition but I'm not sure about every instance. The chord layering can also be a bit weird with many thirds in them, thirds are not bad necessarily but to many thirds in a chord can make the chord sound muddy and take away from its sound. To also prevent some muddy passages I would recommend to have more space between chord notes the lower register you are in and the louder the music is, the same goes for the upper register, especially after the high C to not have notes close together because then its very easy to sound out of tune. To everything I'm saying there are exceptions and you did a splendid job with this symphony, I hope these tips help you with future compositions. Keep composing and congratulations with this enormous composition! :)

    • @johnpcomposer
      @johnpcomposer 5 หลายเดือนก่อน

      Really interesting tips and largely good advice that I will consider myself when writing, though I'm not sure about the thirds thing you are talking about. Perfect thirds are luminous and resonant, not muddy. I think if you stack enough 3rds you end up at a 9th or 11th chord which is going to then become congested. But then any large cluster chord is going to sound that way. That might be desired at given moments, particularly in contemporary music. I only listened in entirety to the 1st two movements of this so I can't really say much beyond that. I think there is great value in what you say about spacing avoiding the same octave in fully orchestrated passages gives a more 3 dimensional sound. While as you say it's important to consider if leaps in register for a given instrument are playable or not...I would make a distinction between register and octave..let's not confuse them when it comes to spacing instruments from different groups of the orchestra...it is the octave spacing that creates that broad spectrum of sound that resonates...too much played in the same octave range does make things muddy and flat. This is very true with string quartets where you have only string textures...you create color in part by spanning several octaves. However, there are exposed situations where you may want instruments to blend then using the same octave makes them blend better. So it's really a matter of context..there are no hard fast rules.

  • @severusgrabercomposer4365
    @severusgrabercomposer4365 5 หลายเดือนก่อน

    I love this, very exciting!

    • @camiloaybar
      @camiloaybar 5 หลายเดือนก่อน

      Glad you enjoyed!

  • @XIX_Koda
    @XIX_Koda 5 หลายเดือนก่อน

    The entire symphony is amazing, but I'm especially hooked on the scherzo! The entire reasoning behind everything is so beautiful, and the entire movement has an underlying sense of comedy to it. I really enjoy it!

    • @camiloaybar
      @camiloaybar 5 หลายเดือนก่อน

      Yes, it was one of my most exciting and fun movements to write, thank you!

  • @sileonclassical
    @sileonclassical 5 หลายเดือนก่อน

    i just loved it am also from 2005 and it kinda made me sad but in a good way since now i know that there will be some new promising composers from this age i really have to try harder to be able to make something like this but i hopefully will get there one day but gives a lot off inspiration keep it up :)

    • @camiloaybar
      @camiloaybar 5 หลายเดือนก่อน

      I'm glad that this symphony has brought you some inspiration! Composing a work of this scope was definitely not easy, and what helped me was not trying feeling discouraged from making even the smallest progress on the work, chipping away at even maybe just a bar per day.

  • @crimeancomposer
    @crimeancomposer 5 หลายเดือนก่อน

    Good😊

  • @封嶺
    @封嶺 5 หลายเดือนก่อน

    You were…15…then? I don’t want to live anymore (x

  • @jpj5896
    @jpj5896 5 หลายเดือนก่อน

    Mahler called.. they want their symphony back

    • @camiloaybar
      @camiloaybar 5 หลายเดือนก่อน

      Haha! It's always an honour to be compared to der meister Mahler :)

  • @yat_ii
    @yat_ii 5 หลายเดือนก่อน

    wow... wtf... this is amazing...

    • @camiloaybar
      @camiloaybar 5 หลายเดือนก่อน

      Thank you! Glad you enjoyed.

  • @FranzKaernBiederstedt
    @FranzKaernBiederstedt 5 หลายเดือนก่อน

    Well, that surely is an impressive achievement, and it's hard for me to fathom that it's the work of a 15 or 16 years old teenager when I see that you're born in 2005 and wrote the symphony in 2000 and 2001. It's not only full with good ideas, you're also already impressively capable of working them out to a convincing dramaturgy, carried by an already high level of harmonic, contrapuntal and orchestrating skills. There is nothing cringy in it like there is in most of the symphonic tryouts of other beginning composers of your age. The feeling is that I'm listening to the music of a skilled film composer. Of course, the musical language is not your own yet, it's mainly pastiche, which is not bad, that's the way most of composers have learned. But, unfortunately, it means that there most likely wount be opportunities to get the work performed in a professional setting. But you're really showing fantasy and craftsmenship, and if you continue to improve your writing and sharpen your own voice you surely can find your way in the music world. Just some examples: The main theme of the first movement is too similar to the Russian national anthem to be seen as your own invention. You're relying a little too much in the regularity of 4 or 8 bar phrases. Your music gets more unforeseeable when you manage to free yourself to some extend from the thinking in too classical theme structures. And, following the score, I recognized that there is a need to become more careful with the use of enharmonically correct sharps and flats to enhance the logic of harmonic progressions in the score. But these observations and recommendations should not be understood as discouraging or over the top critical. I see your talent and your ability to really convey musical excitement and story telling. Keep on! I wish you all the best and am looking forward to making acquaintance with new works of yours in the future.

    • @camiloaybar
      @camiloaybar 5 หลายเดือนก่อน

      Thank you for all of your kind and eloquent words. I will be exploring more of my own unique voice, beyond an imitation of the Late Romantic era in my second symphony, which will include more irregular phrases. Yes, I have had mentions of the "outbreak" theme being similar to the Russian national anthem. I am curious to what degree you feel derivate themes (intentional or unintentional) can be passed off as an original idea? For example, the first theme of Mahler's third symphony (used both in the first and last movements) is extremely similar to that of the theme used in the finale of Brahms' first symphony, however it is developed in Mahler's own unique voice, and is completely strays from Brahms. Are you suggesting, that until I develop a more original voice, that I should refrain from using derivate themes, or that I should avoid them altogether? Yes, looking at the score today I do cringe at some of the blatantly wrong enharmonic spellings I wrote back then, but I've been too preoccupied with my next symphony to go back and correct them yet.

  • @phanngockhanhchi2971
    @phanngockhanhchi2971 5 หลายเดือนก่อน

    love this so much! it has the vibes of madoka magica ost, esp of rebellion. I suggest u hear "sth is wrong" and "Symposium Magarum". The vibes r so heavy i wouldnt be surprised if u get inspiration from these tracks. Wonderful!

    • @camiloaybar
      @camiloaybar 5 หลายเดือนก่อน

      Thank you! I will check those pieces out.

  • @toxiboi5771
    @toxiboi5771 5 หลายเดือนก่อน

    PLZ TELL ME YOU ARE GETTING THIS PREMIERED

    • @camiloaybar
      @camiloaybar 5 หลายเดือนก่อน

      I wish I could tell you that! The Boulder Symphony (Colorado) was going to premiere it as a part of their 2022/23 season, but then they had a change of board members, who were more stuffy and wanted to "put the pandemic behind them." But I am still hopeful that someone else will eventually pick it up. You can view updates here: www.aybar.ca/performances/upcoming/op14

    • @waltuh2.3bviews3secondsago3
      @waltuh2.3bviews3secondsago3 8 วันที่ผ่านมา

      @@camiloaybar thar's honestly such a stupid reason to reject a piece of music

  • @starricerulean1721
    @starricerulean1721 5 หลายเดือนก่อน

    holy shit, i would love to see this performed live one day! this sounds fantastic, and im only in the first couple minutes. this will be the first symphony i listen through all the way, and i cannot wait to hear the rest edit: finished it, was an amazing experience, would also wish to play it one day. i felt a lot of emotions while listening, definitely shed a couple tears.

    • @camiloaybar
      @camiloaybar 5 หลายเดือนก่อน

      I am honoured to have written the first symphony you listen all the way, especially considering its length, and all of the competition I would have from the romantic era (Brahms, Dvořák, Mahler!), and the fact you shed tears, something that only happens to me when listening to the most profound works.

  • @TheMaestro2005
    @TheMaestro2005 5 หลายเดือนก่อน

    That note you left for strings to switch to pizz. isn’t needed, there was time. In fact, for example, Beethoven’s 9th 2nd movement (around the 3 bar phrase section) has nearly impossible switches to pizz, if you listen it’s pretty effective as is, even though it is small challenge. You must know an awesome Oboist! Great piece overall I loved the fugue at the end of the first movement and the scherzo was a fun listen. Have you had anyone look at the orchestration? you a few quite interesting choices.

    • @camiloaybar
      @camiloaybar 5 หลายเดือนก่อน

      Thank you for your comment! Yes, as I have studying more orchestral works online, I can see that my switches do not always need to be staggered, but I thought I would do this one nice thing for the strings, since I already do not go easy with them writing in such stratospheric ranges. Thank you for your kind words, and no, I have not had anyone look at the orchestration yet (my only training comes from studying scores online), so if have any suggestions, let me know.

    • @TheMaestro2005
      @TheMaestro2005 5 หลายเดือนก่อน

      @@camiloaybarlet’s exchange emails.

  • @NateSassoonMusic
    @NateSassoonMusic 5 หลายเดือนก่อน

    good video

  • @NateSassoonMusic
    @NateSassoonMusic 5 หลายเดือนก่อน

    nice

    • @camiloaybar
      @camiloaybar 5 หลายเดือนก่อน

      Thank you!

  • @johnpcomposer
    @johnpcomposer 5 หลายเดือนก่อน

    I like this trio...a good feel here for contrapuntal writing. Great playing as well, Camilo. You have a gift for developing material. Wonderful. The tonality and rhythmic complexity has a striking originality to it...Bravo.

  • @johnpcomposer
    @johnpcomposer 5 หลายเดือนก่อน

    Seems many of us have had significant life changes during the pandemic. It spurred me to begin composing. The sound world of this music feels both to be late romantic but perhaps also it owes to some film composers perhaps? I like the control and restraint you use in the orchestration, the contrapuntal movement is very free and quite accomplished. I like that you change textures in the orchestration very frequently. It's curious the opening movement which is a waltz should be marked vivace. The 2nd movement starts well too. I'm unable to listen to all of this in one sitting, but It's pretty impressive because you have easily recognizable themes, well-developed and orchestrated and so far it doesn't drag or appear unneccesarily bloated. Usually young composers are not good at filling out content. Strong start. Impressive work. I hope to return to it to complete my listening.

    • @camiloaybar
      @camiloaybar 5 หลายเดือนก่อน

      I am glad you've been enjoying it! Yes, my inspiration does come from both late romantic and soundtrack music. I am actually surprised you mention my orchestration as being "restrained", as I thought I was going too over the top right from the start with the first cymbal crash, but I am glad to hear I haven't overdone it. I do suppose the first movement could be felt in one. I may change the tempo markings in future revisions.

  • @albertomolinaricomposer
    @albertomolinaricomposer 5 หลายเดือนก่อน

    Me too ;) Fantastic Symphony! Congratulations for this amazing work! I can imagine your feelings during the pandemic; it was the same for many Composers like us, but this work shows perfectly your feelings during that bad period! here there is one more fan!

    • @camiloaybar
      @camiloaybar 5 หลายเดือนก่อน

      Thank you for your kind words! Yes, music composition was a lifeline for me during the pandemic, especially without any musical performances to look forward to then.

  • @maraisvandenberg870
    @maraisvandenberg870 5 หลายเดือนก่อน

    Congratulations! This is brilliant work! I am astounded. Please keep on composing for the sake of music. I am definitely subscribing to your channel.

    • @camiloaybar
      @camiloaybar 5 หลายเดือนก่อน

      Thank you, I am glad you enjoyed! You can expect a short orchestral work and chamber work coming this month, and my second symphony early next year!

  • @doritoapollo123
    @doritoapollo123 5 หลายเดือนก่อน

    HOW DO YOU HAVE 53 SUBS you need millions you are so underrated Great symphony!

    • @camiloaybar
      @camiloaybar 5 หลายเดือนก่อน

      Thank you for such kind words! Yes, I hope that an upcoming documentary by a local producer who discovered this symphony online would eventually bring it more publicity.