วีดีโอ

we can discuss about a gazillion details, the technique is still hella convoluted just to get a result you can achieve in a much simpler way

I don’t get the part where you “isolate” frequencies from LPC. You should use Solo/Mute buttons only in the Red, Orange, Yellow rack.

Exactly, I showed it quickly and explained that can beef the body without touching the transient. So you isolate the transiet with one instance, and the body with another one.

@@beat_spot Great! Thank you!

Use "Collect All and Save"

Yeah I did you dirty on this one 💀 Here’s the full track open.spotify.com/track/6Xy4naMM0JHWwwhoBREuWU?si=Vbt1R4WeQT2-AvRI7bZCEw

I have a bunch of old and mostly free packs and yes, they deliver for EDM. Didn’t know about Drew, but I noticed only Steve marketing the plugins recently.

@@beat_spot Adieu Sounds he calls his company.. 100% free stuff

You’re right, I generally color by groups and add slight tints if there are relevant differences, and only recently started using white instead lf dark grey for drums because it made visuals easier on the eye :)

Glad you like it! Which tip did you like the most or are going to include in your productions?

you might want something like LFOTool, Flux Mini or TAL Filter 2

Don’t waste time then 😎

You’re welcome! 🙏

You can try the Frequency Shifter in Pitch Mode.

@@beat_spot I couldn't find an effect called Frequency Shifter, I found one called Shifter. Its not as accurate as the plugins I use. Is this what you are talking about. Maybe I will have to deal with lower quality just so I can have this effect.

That shifter effect has a weird delay effect that I want to remove but cant find where.

@ScalieBloke yeah sorry, it was formerly named Frequency Shifter and now it’s just Shifter. It’s not high quality but really depends on your needs. Do you need to pitch multiple sounds up altogether?

@@beat_spot The way I have had it setup for over 10 years now is that every channel has a pitch shifter on it and it is activated with a button. One slider changes the pitch for everything that uses the same type of effect. I guess I could make this less intensive by doing some complicated midi work so when you trigger the effect on it activates a send that everything sends to but that might add a micro second of lag that I don't really want. I need to do some more playing around myself. I currently use a send and a return for other effects like reverb and delay but those I can get away with them being on sends. The reason why I want to keep things separate is so I can do live side chaining. I add the side chain from my mic to the instruments but not the drums. And I want to keep it that way. But I think the better thing to do is go back and use a separate physical processor that can do the job and just side chain my voice on top of the entire mix.

This is just too convoluted and situational to call it a technique. While I learnt many other interesting stuff from Jaycen, this is flat out stupid. Stop the dickriding.

So tell me what I’m missing.

Vandalism - Shocking Deep House 3 - BS_Liquid Life

It always indicates the closest note, but red means that it’s out of tune, so kinda halfway between two notes.

@@beat_spot thanks

It applies a fixed phase rotation. It doesn’t “adapt” every single time to the sound so it’s in phase with another, also because it doesn’t analyze any other sound to do so. However, you can’t always have a perfect phase relationship between two sounds across a track because many things such as detuning, different start positions and also different notes occur, inevitably causing phase issues to some degree.

Sorry, at the moment I can't afford much to pay attention to such granular differences. This is something I've never seen, actually, but it's also true that me and most other preset makers/content creators/top artists just go with Suite and don't even think about it.

💀💀💀💀💀💀💀💀💀💀💀

😂😂😂😂

You’re right, the effect is subtle, but I still should consider re-recording this video.

I'd say it's the kind of instrument you use by scrolling presets and fine tuning whatever you need rather than create sounds from scratch. Many ableton users underestimate the raw potential of the native devices and go look for plugins.

That's a nice application! How many instances do you use on average? Which plugin do you use for preamping?

​@@beat_spot During the mixing process, I apply a preamp plugin to each channel except for the aux, then route all the drums to a drum bus and the instruments to a bus. I only increase the sampling rate of the preamp when I'm bouncing them. In my opinion, these are the best preamps in terms of sound quality and accuracy in replicating the preamp sound, and this is the console I prefer to pair them with: 1. Kiive NFuse N (RND Shelford Preamp) + bx_console AMEK 9099 (AMEK 9098i Master Recording Console) 2. Kiive NFuse F (SSL VHD Preamp) + bx_console 9000 J (SSL 9000 J Mixing Console) 3. LTL Silver Bullet MOJO N (Neve VXS Preamp) + bx_console N (Neve VXS Console) 4. LTL Silver Bullet MOJO A (API 512) + UAD API Vision (API Vision Console) 5. LTL Silver Bullet MOJO C (SSL VCA Output) + bx_console 4000 E/G (SSL 4000 E/G Mixing Console) 6. VPRE-376 (Telefunken V376) [Same topologies as Focusrite ISA] + bx_console Focusrite SC (Focusrite Studio Console) 7. VoosteQ Model N (Neve 8028/8078 Console) 8. NEOLD V76U73 (TAB/Telefunken V76 Mic Preamp and U73 Compressor/Limiter).

you're right, let's just make music blindfolded, I just threw the screen out of the window and never coming back

@@beat_spot sometimes there’s a need for complexity, sometimes not, don’t be mad💋

in fact it's simpler to set a value that mathematically works and nudge it a bit with key arrows later. High End stuff building up on top of transients can lead to nasty artifacts when limiting the whole track.

anything slower sounds just like a lullaby haha

My g… chilllll

always glad to help, yeah that's a life-changing trick

the sauce

it has some imperfections at times, but 8-bit is a bit of a stretch

You're welcome! Is there anything you'd like to be covered in a future video?

@@beat_spot broo is good data, I would like more tips of mix and master in ableton whit native plugins. This channel is gold bro, thanks

are they free for everyone? I thought they were still available for past customers. However, sad they ended their business, but still a great move to keep the website live.

You're welcome! Is there anything you'd like to be covered in a future video?

@@beat_spot The analog obsession plugins. They have many plugins that are not famous like the free trasient shaper

as a general rule, yes, except for the example shown in the video

I speed it up by a 0.25/0.33 generally just to make it more fluent and less time-consuming. Maybe I can cool it down a bit.

Well the time stretching fuck it up a bit man. Hope to see more from you soon.

Understandable, thanks for letting me know. I’m putting out more bite-sized content at the moment, so less need to speed up things insanely 👍

I just added a Live 10 compatible version. The one you downloaded was made with Live 11. Simply check your account again or go through the checkout.

Many thanks! @@beat_spot

The entire Captain Epic suite costs less and offers a plugin for each aspect of songwriting, all interlinked so they talk to each other. That alone is miles ahead the value offered by Unison's plugins. Also, a single Captain Epic plugin offers many more parameters to tweak than a single Unison plugin, and it's not even overwhelming UX-wise. I wouldn't have bothered if the plugin did cost something like $20, but $300 as a "limited-time" offer after almost a year (lol) is criminally predatory marketing.

Enjoy 🤝

You’re welcome!