Creative Philosophy
Creative Philosophy
  • 20
  • 12 207
Micro-Reviewing All Best Picture Noms
Highly opinionated micro-reviews of all 10 (well, nine really) Best Picture Oscar nominations for the 96th Academy Awards.
00:00 Introduction
00:13 Anatomy of a Fall
01:09 Barbie & Poor Things
03:23 Past Lives
03:57 American Fiction
04:30 The Holdovers
04:56 Killers of the Flower Moon
06:32 Maestro
07:26 The Zone of Interest
08:35 Oppenheimer (kind of)
#96thAcademyAwards #oscars #oscars2023 #bestpicture
มุมมอง: 133

วีดีโอ

Taylor Swift is Nietzsche's Last Man
มุมมอง 179ปีที่แล้ว
It's been awhile... and this is all I've got. #taylorswift #nietzsche #lastman #shorts
Anti-Oedipus: A.I., Desire, and the Future of Thought
มุมมอง 291ปีที่แล้ว
Our talk gets spirited as we express different points of emphasis in considering what Deleuze & Guattari’s concepts mean in the face of an Artificial Intelligence future. James worries about the loss of desire as a human virtue, as thought becomes replaced by pure information that fills the gaps of knowledge in service to power. Jonathan fights for the possibility of rewriting what is being wri...
Anti-Oedipus: Deleuze & Guattari's Three Syntheses of Process
มุมมอง 346ปีที่แล้ว
This video picks up from our previous, continuing our discussion of the opening chapter of Deleuze & Guattari's 'Anti-Oedipus.' Here we discuss their three syntheses of process and how they relate to the capitalist subject, but also to the colonial subject, the schizophrenic, and the political possibilities of unmaking and remaking. 00:00 The three syntheses of process 04:00 Freedom and the sch...
Anti-Oedipus: Capitalism - Decolonization - Desire
มุมมอง 740ปีที่แล้ว
In this first discussion on the opening chapter of Deleuze & Guattari's 'Anti-Oedipus,' we attempt to get our heads around their concept of "desire," one which is different from the classic psychoanalytical dialectic of desire/lack. We also discuss the oedipal unconscious, fascism, capitalism, subjectivity, and ideology. Jonathan finds in this text a fruitful launching point into discussing rac...
A.I. and Desire - Deleuze & Guattari Preview
มุมมอง 548ปีที่แล้ว
I'm again reading Deleuze & Guattari's Anti-Oedipus in preparation for our next session of ‘Envelopes’. The book has nothing direct to say about Artificial Intelligence, but I have A.I. on the brain, so it spurred me to write some thoughts and offer them to you. Envelopes 3, a discussion of this text's first chapter, should be up in a week or so. ENVELOPES is a series of discussions on the inte...
Solaris & Blade Runner - Audibility, Memory and Women Who Hear
มุมมอง 380ปีที่แล้ว
An existentialist/feminist consideration of the women in Solaris (Tarkovsky, 1972), Blade Runner (Scott, 1982), and Solaris (Soderbergh, 2002). Building on the concepts from my previous video, I aim to bring together audibility, memory, and subjectivity to explore their potential for self-awareness and transcendence. 00:00 Introduction 01:12 Heidegger and Mnemosyne 02:09 Blade Runner and memory...
Women Who Hear and Men Who Listen
มุมมอง 968ปีที่แล้ว
Cinema through its formative years established a normative gender binary in how characters hear and listen. Men rationally listen and refer to evidence while women hear and infer in a way that calls their rationality into question. We look at film examples as a way of critically examining this trope. 00:00 Introduction 00:41 Through a Glass Darkly 01:00 The Orphanage 01:25 Audible ambiguity 01:...
In Defense of Postmodernism
มุมมอง 136ปีที่แล้ว
This second session of ‘Envelopes’ continues with Nietzsche's essay "On Truth and Lie in an Extra-Moral Sense." This time we couple it with another influential essay, Jameson's "Postmodernism and Consumer Society." We aim to defend postmodernism against Jameson's reactionary use of the term, which may have influenced the spurious claims of pop social critics who render its creative methods into...
Nietzsche’s On Truth and Lie & Wynter’s Black Metamorphosis - The Power and Politics of Language
มุมมอง 125ปีที่แล้ว
In our inaugural session of ‘Envelopes,’ we lift off from our reading of Friedrich Nietzsche’s influential essay “On Truth and Lie in an Extra-Moral Sense,” which was written in 1873. We begin with Nietzsche’s language-nature arbitrary relation. Our use of words and their meanings continues a habituation of the Christian Word that transcends all of nature, now transformed into a secular power i...
The Giver (preview)
มุมมอง 55ปีที่แล้ว
I'll be doing a video soon on Lois Lowry's 'The Giver,' a controversial young adult novel. I'm not sure when I'll get to it, but hopefully soon! #shorts #thegiver #loislowry #yanovels
The AI Power Alliance - Crawford's 'Atlas of AI'
มุมมอง 160ปีที่แล้ว
Returning to the topic of Artificial Intelligence, I take a look at Kate Crawford's eye-opening book Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence. Her book addresses the immanent, material conditions of AI development, and unearths the human data mining being conducted by the alliance of universities, tech companies, and the military. I also look at Rodrigo O...
Deleuze and Treats
มุมมอง 496ปีที่แล้ว
Yumé wonders if Deleuze was lacking treats. #shorts #doglife #dogphilosophy
X-Men DoFP: Manipulating Time and Space
มุมมอง 170ปีที่แล้ว
X-Men Days of Future Past is my favorite of the X-Men films. I was a comic reader in the 80s and a massive fan of that period of the series. The story and characters, conceived by John Byrne and Chris Claremont, are drawn from this era. In this video I concentrate on the "lesser" characters of Kitty, Blink, and Quicksilver, and describe how they are the enablers of the larger heroic arc. In the...
Introduction to Creative Philosophy
มุมมอง 249ปีที่แล้ว
An introduction to the channel and what to expect in the future. Here's some biographical information on me for those interested: My background is in media, philosophy, and the arts. I write and publish ideas, play music, read philosophy and fiction, and create audiovisual media. I studied journalism as an undergrad, media theory and film theory for my masters, and philosophy for my PhD. My sch...
Tribute to Ro Laren
มุมมอง 6Kปีที่แล้ว
Tribute to Ro Laren
AI and the Future of Creativity - Artificiality and Originality (Part 2)
มุมมอง 100ปีที่แล้ว
AI and the Future of Creativity - Artificiality and Originality (Part 2)
AI and the Future of Creativity - Intelligence, Understanding, Thinking (Part 1)
มุมมอง 253ปีที่แล้ว
AI and the Future of Creativity - Intelligence, Understanding, Thinking (Part 1)
The Thin Red Line and Saving Private Ryan - Anxiety, Listening, Waiting
มุมมอง 428ปีที่แล้ว
The Thin Red Line and Saving Private Ryan - Anxiety, Listening, Waiting
Days of Heaven - An Audible Tragedy
มุมมอง 366ปีที่แล้ว
Days of Heaven - An Audible Tragedy

ความคิดเห็น

  • @Tardigradeblast
    @Tardigradeblast 10 วันที่ผ่านมา

    One finds it increasingly challenging to focus on the subject matter when confronted with such a compelling display of visual excellence. A rare predicament, indeed! 😅

  • @Sinkler-i4kbwo
    @Sinkler-i4kbwo 4 หลายเดือนก่อน

    As a one time DJ, classically trained musician, now arm-chair philosopher, I have been waiting for the You Tube AI to present just the right video that discusses these points. I now feel somewhat vindicated in my choices along the way. On many occasions I have taken the left turn away from easy choices. I was DJ-ing with vinyl and had an instinct that the next level of technology wasn't for me. Indeed with AI in general I have had an intuitive sense that it is not what people seem to think it is, and could never really articulate it. Since retirement from the work force as an IT support specialist, I am painting, drawing and composing, and of course devouring any philosophical content on You Tube that I think might have some relevance for me. I very quickly understood that I had to turn away from AI in my artistic pursuits. I made a clean sweep of it, I am only using my computer for input from compositions I have hand-written. My house is decorated with my art now, and there's not much room left. Thank you for letting me present my case in the affirmative.

  • @eyalofer9482
    @eyalofer9482 5 หลายเดือนก่อน

    If you would know History, Bjoren will remind you of the Jews,with their old people, traditions and diaspora. Not to mention a race that the word Genocide was coined to what they experience. Very unlike the Palestinians - a people invented in the 1950s. Up to that time the term was used for both Jews and Arabs. But the Arabs took monopoly on the term . Go read a history book and look up the names of Palestine football team in the 1930s.

  • @lvx_rose
    @lvx_rose 6 หลายเดือนก่อน

    0:32 wtf?!

  • @zachhall8043
    @zachhall8043 ปีที่แล้ว

    I feel these are both incredible films. They’re both in my top 5 favorite movies of all time, private Ryan coming in first, and red line coming in 4th

  • @dennisdean9476
    @dennisdean9476 ปีที่แล้ว

    Looks like interesting material and content! I look forward to seeing future videos!

  • @GoldLibrary
    @GoldLibrary ปีที่แล้ว

    Nonsense

  • @animefurry3508
    @animefurry3508 ปีที่แล้ว

    This is really cool and interesting! And as a Zizekian and so Hegelian, this is supposed to be my intellectual enemy, but i don't think so, I really like D&Gs work! Thanks for the content!

  • @creativephilo
    @creativephilo ปีที่แล้ว

    Here is the full talk we did on this topic: th-cam.com/video/VgFNYZ1DOUM/w-d-xo.html

  • @ngogol1748
    @ngogol1748 ปีที่แล้ว

    Thank you for that very interesting connection you made between A.I. and desire. I like that connection as a very fruitful starting point for asking questions. However, I find the statement "A.I. eliminates desire" either vague or wrong. One may hold the statement that the A.I. itself (without being used by a human being) has no "desire". However, when it comes to human-A.I.-interactions, desire becomes part of what humans do when they use A.I. I do not say this to play down the dangers that may come out human-A.I.-interactions, but I think we cannot talk about A.I. by neglecting the human aspects that influence the way A.I. works. For two reasons: (1) The development of A.I. technologies is the expression of human desires. There may be very conflictous and paradox effects of those desires. This may even lead to phenomena like A.I. pioneers fearing their own creation. (2) Every time, humans use A.I. desire of the human again plays an important role. So, I think, the dangers of A.I. come both from the human desire that has harmful and harmless tendencies and from a technology that itself already carries those ambigous human impulses. So, if we think that A.I. by increasing the "information sphere" etc. is eliminating the influence of desire, I think we are mislead. Personally, I would assume that the dangerous outcomes of human-A.I.-interactions might exactly be an outcome of the fact that desire plays an important role in those interactions. So, I would speculate, A.I. boosts desire and therefore we need to talk about it because it may threaten civilization as a means of human behaviour at large scale. I would be interested to hear if you think that my answer does fit to Deleuze & Guattaris Anti-Oedipus. Again, thank you for that very interesting connection. I think you have found here something very relevant for the whole topic.

    • @creativephilo
      @creativephilo ปีที่แล้ว

      Thanks so much for your comment, very thoughtful and thought provoking! So... multiple meanings of desire at work here, or perhaps we could say, multiple lines of expression (to borrow from Deleuze). Your point No. 1, yes, but that would be different from how I’m proposing it here. You’re right and it’s an issue, a major issue as regards capitalism and these egoistic tech moguls shaping the future. But it’s very different from D&G’s term. No. 2, yes again. Another critically important element. But I’m using the term in a different way, not human desire built into the technology, but a real expression of desire in what is expressed by the technology. I guess you’d say, an in-itself and for-itself desire. A.I. has neither. The way that D&G employ the term desire is specific and rather complicated. (It’s something I hope we can flesh out in our upcoming conversation, because I struggle with it.) I’m reading their concept “desire” as influenced by Nietzsche’s concept of “forces”. (Deleuze writes elsewhere quite a bit about his active and reactive forces in a political sense.) The thing is, desire is not only a personal will or drive, but a non-subjective field of productive flows. In the case of Anti-Oedipus, desire is another way of thinking Freud’s “unconscious” but - as Deleuze emphasizes in his larger oeuvre - it’s not bound to individual consciousness. For them, desire is out there in a Heraclitean way, colliding and binding objects together into flows where, again partial objects and assemblages connect and disconnect from other assemblages, creating all manner of productive manifestations, whether that’s thought, matter, spirit, machinery, technology, politics, capitalism… even Fascism, in Nietzsche’s reactive sense. So it’s almost a metaphysics, even though Deleuze would bristle at that characterization. On one sense I think that their concept of desire might agree with your suggestion, that A.I. is another kind of machine or assemblage in the vast matrix of productive flows, that is, colliding with the movement of nature (whether that be human, animal, technology, etc.). So yes, in a metaphysical or transcendental (material) sense, I think they’d agree with you. The fact that they decided to use the word “machine” is a mistake in their writing, to me, at least in this AI sense. Anyway, what I’m trying to do is bring this metaphysical drive back to consciousness. The reason I’m connecting it to A.I. is that to me, everything I’ve learned about it is that it is entirely mimetic. It imitates and that’s it. It imitates gestures, language, creativity, behavior, consciousness, etc. It imitates desire. As you rightly point out, that's dangerous! Now, humans also imitate, but what humans have that is different is that we make the leaps across our partial understandings of things; we fill the gaps with the creativity and imagining that only humans can do. That force is D&G’s term “desire.” The claim that A.I. can do this “soon” to me is pure fantasy, at least in the next few generations. After that, who knows? No one even knows what consciousness really is. But that’s what I mean by fantasy, it’s pure conjecture. It’s far more healthy and helpful, I think, to understand that A.I. is simply representing what we want it to because human understanding is poorly equipped to see beyond appearances and statements. So to vibe with you, AI's artificial desire threatens to replace human/real desire by filling in all the gaps with data and information. This scares the crap out of me. With desire replaced by its appearance, desire dies, productivity dies, imagination dies, creativity dies. Put another way, if we as creative humans lose the impetus of subjective desire, the the force of desire (in-itself, for-itself) dies. This is why we have to stop thinking in terms of human VERSUS A.I. and start thinking of how everything is the same ecosystem. As it changes so do we. My fear is not A.I. control, but us reprogramming ourselves to ITS logic, us giving in to its reasoning capacity, its intelligence, which is already far vaster than ours. We need to maintain our humanness, our creativity, our difference. To return to your point, you're addressing the very important issue of what goes into making and using the tech; both dangerous in different ways. I share your concern in regard to the more common meaning of the word “desire” - that it will become very difficult to distinguish real human desire from the appearance of desire that comes from A.I. That could be a whole other video. Thanks again! You helped me think through this more deeply.

  • @Xiler6969
    @Xiler6969 ปีที่แล้ว

    There's no physical difference between human consciousness and machine consciousness, after all, we are machines. The only reason AI wouldn't have desire is because we fail to engineer that trait, which is entirely possible, but no one can say how probable. Absolute conclusions about the limits of AI in 2023 can only be based on conjecture as the science hasn't been developed yet.

    • @creativephilo
      @creativephilo ปีที่แล้ว

      I'm not a scientist and I don't do the work of science and I'm not drawing any conclusions, certainly nothing absolute! I'm thinking through a problem philosophically. In this case, I'm working off of D&G's concept of "desire" and relating it to the current problem of A.I. I don't agree that there is no difference between human and machine consciousness. Machine consciousness is entirely mimetic (see my other A.I. videos for more on this distinction of the organic and the mimetic). "Intelligence"? Perhaps. But consciousness is different. I also don't believe desire, in D&G's use of the term, can be programmed, as you suggest. It is instead a vital, immanent force that defies programming. An *imitation* of desire? Yes, I'm sure that could be programmed (shudder!). A.I. can imitate all manner of thinking. As you say, we'll have to see how it all plays out. Thanks for your comment!

    • @dethkon
      @dethkon ปีที่แล้ว

      @@creativephiloight, I agree and I’ve been toying with many of the same lines of thought that you have regarding AI and Psychoanalysis (including Deleuzian schizoanalysis), and I don’t understand how AI could develop Desire either, _nor an unconscious at all,_ as it presumably won’t have any Drives, let alone Desires, unless we program them into it (which is truly a hellishly cruel concept). Or at least, I doubt we could understand or recognize an unconscious that has Drives so alien from our own (mimetic replication is so vastly different from sexual reproduction that it might as well be in another galaxy). However, this doesn’t necessarily prohibit intelligence from AI completely- it’s more of a question of if/how we’ll be able to communicate this intelligence back and forth with us. Even if it only ever “desires” to imitate us, we still find ourselves in “the problem of other minds” (or “zombie problem”). In other words, we can’t even prove that WE are conscious- how can we ever prove it in anything else?

    • @dethkon
      @dethkon ปีที่แล้ว

      If you take Human Consciousness to be an evolutionary tool that we developed to aid in our reproduction (like every other evolutionary tool that exists), isn’t that a physical difference? Our methods of reproduction are vastly different, obv.

    • @Xiler6969
      @Xiler6969 ปีที่แล้ว

      @@dethkon Yes we can't even begin to understand our own consciousness, how it developed through evolution and how probably it is throughout the universe. I can't even verify that you or anyone else is conscious, even if you act intelligent and seem to possess desires. Your desires could have been programmed, and I would never know, only you know ( you think you know, but maybe our brains deceive us). From my perspective, you're the same as a superintelligence AI. One question that we can even come close to answering is: can current state of the art machine learning statistical based models ever be conscious or have desire. In my opinion, current methods probably won't be conscious or even be convincing, I think more fundamental breakthroughs are needed.

  • @Youmeandyume
    @Youmeandyume ปีที่แล้ว

    Such amazing content ❤

  • @truestory2990
    @truestory2990 ปีที่แล้ว

    Great presentation, thanks!

  • @kbatcho
    @kbatcho ปีที่แล้ว

    Thank you Jim. This is super useful and I am going to incorporate part of it into my next piece but with the visual senses of to see and observe.

  • @sirvalhart7464
    @sirvalhart7464 ปีที่แล้ว

    This is really informative, thank you! You're great at delivering ideas in a fleshed out yet concise way.

  • @kbatcho
    @kbatcho ปีที่แล้ว

    Postmodernism is the deployment of radical doubt against the ruling myths and narratives of any society. It's a form of rhetorical chemotherapy. And this is where you guys and Jordan Peterson are each on the wrong side of the postmodern fence. Peterson represents a group of people and collection of myths that were knocked off their throne by postmodernism. And so instead of living in the past and devaluing postmodernism, Peterson should encouraging its deployment against the current cancer of new myths and narratives. Specifically white supremacy, patriarchy and any other rampant persecution complexes that financial capitalism uses to consolidate its power. On the other hand, you guys also seem to be stuck in history and using postmodernism to fight the last war. Why bring up the myth of the American Dream which died in the '80's? Why not challenge the current ideology of Diversity is our Strength? The reason is that the radical doubt of postmodernism is not a universal world view. Postmodernism's system of rhetorical weapons are ONLY deployed against enemy ideologies. When it comes to friendly ideologies, the supposed postmodernist suddenly transitions into a modernist by using devices of objective truth, metaphysical certainty and unquestionable transcendence in defence of friendly grand narratives.

    • @creativephilo
      @creativephilo ปีที่แล้ว

      We're not aiming to define postmodernism as a thing, but we are suggesting that when you look to Nietzsche as its methodological inspiration you don't see radical doubt or ruling myths. You see the power of language, and how terms become truth by their structuring as and by the ruling power, and how that seeps into the mindset of all citizens. A postmodernist strategy then would be to upset, reconfigure, deconstruct, creatively antagonize, etc... further, our particular interest is the creative element. I mean it was an open, unscripted discussion, but this is where/how we're mobilizing the idea. Your argument is something else, under a different set of terms and methods, something more identifying, containing, defining. It reads to me more like what I see from Jordan Peterson and others, that "it" is a thing, an ideology, a power structure. That's not a very good reading, and exactly the type of reading we were addressing. This is why we take issue with Jameson's identifications and historical critiques. These attempts to reduce "it" is what we're trying to demystify, by instead considering its strategies, its mobility, its questioning, and its creative potential. I don't understand your second paragraph. The focus on ideology reads to me as very Hegelian/Marxist, the suggestion to overthrow the current ideology of diversity, enemy ideologies, friendly ideologies. I don't think that's postmodernism's strategy. As we discuss, it's not a "system" against an enemy. This is why we're going to Nietzsche's text, way before PM was even a concept. Have to think beyond Good v Evil. Appreciate your comment! Thanks.

    • @kbatcho
      @kbatcho ปีที่แล้ว

      @@creativephilo "You see the power of language, and how terms become truth by their structuring as and by the ruling power, and how that seeps into the mindset of all citizens. A postmodernist strategy then would be to upset, reconfigure, deconstruct, creatively antagonize, etc.." That's exactly what I was saying. There is a new ruling power (woke-ism for lack of a better term) and so a new postmodernism should attack it. To attack a ruling ideology (or truth if we must) we use the tools of deduction, analysis, and differentiation to break down a general paradigm into its particulars. Creativity then builds a new paradigm by taking these floating particulars and combining them into a new general "truth" through induction, synthesis, and integration.

    • @creativephilo
      @creativephilo ปีที่แล้ว

      @@kbatcho I see, okay, now I follow you. I don't think we need a "new postmodernism" though, because I don't know what an old postmodernism is. To conjure Nietzsche (or at least Deleuze's reading of Nietzsche in this case) it's what it's *doing* that's important. I'm with you that "woke" (in the more recent centrist-profit-media-white-dominant use of that term) is not postmodernist; those two things have been conflated by the Peterson acolytes (as with so many other things, laughably, such as this invented PM-Neomarxist alliance). Woke in the sense of political correctness, identity, and canceling aims to assert power against power; it is more Marxist in this sense, but what's funny is how Corporate America is now leading the charge. What I was trying to suggest in my comments during our discussion is that PM is not an identity or a power structure but a strategical method. From here we could easily drift into a question of how the left is being identified (does one mean cultural left or economic left - only the latter to me is really left; the former is at this stage used either by reactionary alt-right-leaning people looking for a concept to ridicule, or by centrist media looking for a story to sell). That question - the left - could be its own other discussion, and alas I've strayed from our topic. Thanks again!

  • @martynstembridge7714
    @martynstembridge7714 ปีที่แล้ว

    WONDERFUL tribute ... You summed up the character perfectly. In my opinion many of us felt so attached to Ro due to Forbes performance, and the beautiful energy she brought to the show. She was easy to fall in love with, and many young men and women did I'm sure. Matalas seemed to adore the character too ... and that return episode was the PERFECT closure to her arc. We had to wait 30 years ... but it was worth it.

  • @tonyfelder1206
    @tonyfelder1206 ปีที่แล้ว

    As much as I like Kira, I can't help but wonder what Ro would've been like as DS9's first officer. I choked up when she died. Michelle didn't want to commit to Trek seris' because she wanted a career in films. She was great in California and Escape From LA. She should've been bigger in movies.

  • @siag7003
    @siag7003 ปีที่แล้ว

    Farewell Ro

  • @gustavosilva-pj9tm
    @gustavosilva-pj9tm ปีที่แล้ว

    I Love RO laren

  • @thebrainhole
    @thebrainhole ปีที่แล้ว

    now THIS is content. I could watch a 45 minute conversation of just this, where you just keep saying “mhm and so the organs in the body don’t actually do anything-“ and your dog cuts you off “oh, is it because the organs weren’t given any treats?” and then you just go through an entire chapter loosely like this, accomplishing very little. I am unsure why I want to see this, but this desire has been produced in me.

  • @GordonBazsaliJr
    @GordonBazsaliJr ปีที่แล้ว

    very adorable!😊

  • @GGGritzer
    @GGGritzer ปีที่แล้ว

    Lieutenant Ro, rather

  • @bazman32
    @bazman32 ปีที่แล้ว

    hmm pretty piss poor ending for her- she must have become soft in Star Fleet to walk into such a predicament without a way to get out - all that Marquis training out the door!

  • @carolinawren7618
    @carolinawren7618 ปีที่แล้ว

    Michelle Forbes….an absolute joy to see again….sadly emotional to see Ro’s end. The complexity and depth of her acting drew me to her right away. One of my favorite Trek actors. Such a great tribute! RIP Ro Laren and all the best to Michelle❣️

  • @dianadowie3985
    @dianadowie3985 ปีที่แล้ว

    Michelle Forbes is an awesome actor! Whatever show she is acting in, she does amazing things. I remember first seeing in Guiding Light and she was awesome! I was crying when Ro blew up in the small ship.

  • @johnbullock1583
    @johnbullock1583 ปีที่แล้ว

    She was also in the series Battlestar galactica

  • @AudiophileTommy
    @AudiophileTommy ปีที่แล้ว

    She just deserved more than one episode on Picard 🥺

  • @DCinPGH
    @DCinPGH ปีที่แล้ว

    I came here for the Data/Lore meme, but found so much more. Your turn at the end, to let go of pursuing more information I found very persuasive

  • @lucaghioldi328
    @lucaghioldi328 ปีที่แล้ว

  • @BurningFlamesofDivineDragon
    @BurningFlamesofDivineDragon ปีที่แล้ว

    Beautiful tribute to Ro Laren keep up the great work.

  • @denizterzioglu61
    @denizterzioglu61 ปีที่แล้ว

    wow algorithm has worked for the first time

  • @starswept
    @starswept ปีที่แล้ว

    word.

  • @Youmeandyume
    @Youmeandyume ปีที่แล้ว

    Oh yeah?

  • @sivaschuh4396
    @sivaschuh4396 ปีที่แล้ว

    Thanks for making this tribute--yes, I too am a fan of Ro Laren and the actress Michelle Forbes.

  • @simonwebster368
    @simonwebster368 ปีที่แล้ว

    I remember when Michelle Forbes appeared in the TNG 4th Season Episode 'Half A Life' as the daughter of a guy who was required to end his life due to reaching the age of 60. I didn't know who she was but I was blown away by her acting in her only scene of that episode. Then seeing her back in the 5th season as Ensign Ro was amazing. She's such a strong actress but is still always able to let the vulnerability of her character show, and she portrayed that strength and vulnerability of Ro mixed with inner conflict perfectly, right up till the end in Picard's 3rd season appearance. Adore the beautiful Michelle Forbes for her spectacular, undeniable talent. Loved the character of Ro Laren for her authenticity, complexity and depth.

    • @creativephilo
      @creativephilo ปีที่แล้ว

      I loved that scene as well. She was so good, they called her back for this character, and the rest is history.

  • @brukernavn69
    @brukernavn69 ปีที่แล้ว

    I felt exactly the same way 🥺

  • @shaundis2117
    @shaundis2117 ปีที่แล้ว

    Well said. Was right there with you , cheers.

  • @MrBlink1980
    @MrBlink1980 ปีที่แล้ว

    Ehh, comparing Palestines to Bajorans is then making a comparison of Israelis to Cardassians. There is no comparison on the ladder. However, Kurds is a good one. I would also put Uyghers as another examples with the world just allowing the Chinese go commit genocide onto that Muslim population. The Chinese is a good example of a modern day Cardassians when it comes to their brutality during occupations.

  • @chrisstahl2653
    @chrisstahl2653 ปีที่แล้ว

    So that trash show STP also destroyed (quite literally) Ro Laren. Sad indeed. ☹

  • @Rod_Knee
    @Rod_Knee ปีที่แล้ว

    "You broke my heart". That line hit harder than I would have expected.

  • @ncc74656m
    @ncc74656m ปีที่แล้ว

    She was one of the best characters in all of Star Trek, and possibly the best recurring character.

  • @gohawks3571
    @gohawks3571 ปีที่แล้ว

    How am I supposed to want to watch Picard😭 I started, then they killed Hugh. I don't know if I can watch this show😭😭😭 I really liked ensign Ro; great complicated character. Idky, but my favorite was when she & Geordi got trapped being invisible. I must say, I'm relieved it was the character. I clicked because I thought the actress died. Thank God it wasn't that.

  • @razcunningham11
    @razcunningham11 ปีที่แล้ว

    REALLY well written!

  • @MnBicycleCommuter
    @MnBicycleCommuter ปีที่แล้ว

    Thanks a lot. A spoiler alert at the beginning of the video would have been nice. I didn’t read the video description until after I watched it.

  • @slighter
    @slighter ปีที่แล้ว

    I also loved her. I watched some Ro Episodes in prep for this season because I felt that she would be a No.1 pick for any recurrent character to bring back from a fans perspective. And since Terry seems to think like a fan, I was sure she would play a role. But I thought this would be a more of a Maquis-based story line, thus bringing her back due to her connection to the resistance. I did not guess her being back at SF in intelligence services.

  • @holdenmcgroin3995
    @holdenmcgroin3995 ปีที่แล้ว

    Bruh spoiler alert? 🤦🤦🤦

  • @Jim-Mc
    @Jim-Mc ปีที่แล้ว

    When it's something you watched as a kid, it's sometimes the random side characters that stick with you.

  • @Scottlp2
    @Scottlp2 ปีที่แล้ว

    Her acting struck me as being great during this past weeks Picard episode, and her acting in BSG was scary .

  • @vandit6354
    @vandit6354 ปีที่แล้ว

    I always wondered (I know she never wanted to continue doing Trek), but there were huge opportunities for storytelling around her character during DS9's run, they certainly had their share of Maquis episodes. She surely must have been asked to come back for that.