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Felipe Ferreira
Brazil
เข้าร่วมเมื่อ 21 มี.ค. 2021
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Chopin - Prelude in C sharp minor Op.45 (Kenner)
Chopin Prelude in C sharp minor Op.45
- Kevin Kenner (Pleyel 1848)
There is a work - a consummate masterpiece - about which pianists all too seldom remember, born entirely of the spirit of improvisation. The work in question is the Prelude in C sharp minor, composed at Nohant during the summer of 1841 and published in the autumn as a separate Opus (45). When sending the manuscript to Fontana for copying, Chopin could not hide his satisfaction, expressed in the words: ‘well modulated!’.
Read more in: chopin.nifc.pl/en/chopin/kompozycja/108_prelude-in-c-sharp-minor
0:11 We are introduced to this beautifu motif in the left hand, and a long notes theme in the right hand.
On 01:12, this new theme is shown, a beautiful theme that makes a way to the first motif to come back.
On 02:26, The left hand starts to sing the same motif multiple times, and then, the right hand joins to follow the left hand with the melody, and then, the first theme is back.
On 03:33, A cadenza starts, to prepare to something else...
On 03:46, A strong phrase starts, announcing that the end is near...
Sheet: imslp.org/wiki/Prelude_in_C-sharp_minor%2C_Op.45_(Chopin%2C_Fr%C3%A9d%C3%A9ric)
- Kevin Kenner (Pleyel 1848)
There is a work - a consummate masterpiece - about which pianists all too seldom remember, born entirely of the spirit of improvisation. The work in question is the Prelude in C sharp minor, composed at Nohant during the summer of 1841 and published in the autumn as a separate Opus (45). When sending the manuscript to Fontana for copying, Chopin could not hide his satisfaction, expressed in the words: ‘well modulated!’.
Read more in: chopin.nifc.pl/en/chopin/kompozycja/108_prelude-in-c-sharp-minor
0:11 We are introduced to this beautifu motif in the left hand, and a long notes theme in the right hand.
On 01:12, this new theme is shown, a beautiful theme that makes a way to the first motif to come back.
On 02:26, The left hand starts to sing the same motif multiple times, and then, the right hand joins to follow the left hand with the melody, and then, the first theme is back.
On 03:33, A cadenza starts, to prepare to something else...
On 03:46, A strong phrase starts, announcing that the end is near...
Sheet: imslp.org/wiki/Prelude_in_C-sharp_minor%2C_Op.45_(Chopin%2C_Fr%C3%A9d%C3%A9ric)
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I love this piece! The first time I heard it, not knowing what it was, I assumed it was Liszt, not Chopin. My favorite part is the theme that appears at 1:12 and 2:08. My teacher recently started a new Chopin competition in Nashville, Tennessee, and Kenner is one of the judges. One thing that he does that I haven't heard in any other recording is the right hand rhythm at 2:49 and 3:01: he plays two quarter notes instead of a dotted quarter note followed by an eighth note, which is unexpected because it doesn't match with the pattern established earlier in the piece. The edition you used in this video has the unusual rhythm the first time (2:49) and the expected rhythm the second time (3:01), but Kenner plays the unusual rhythm both times, which means he might be reading from the Paderewski edition, or maybe some other urtext edition.
この曲はショパンの青春時代を表しています。
This feels so unlike Chopin but also so Chopinesque at the some time… it’s so weird, but also fascinating?
Thanks for uploading these great performances, Felipe. For the write-up the claim "possibly as early as 1820" (when Chopin was 10) comes from a version of the Wikipedia article that didn't cite it, and must have been a wild guess. (Compare these three with the one Chopin wrote for Zywny when Chopin was 11.) The current version of the Wikipedia article cites the National edition and gives composition dates of 1825-27, 1829 and 1826-28 respectively.
So beautiful
.
This has some Mozart vibes
Amazing Performance! Beautifully played!
Thank you for showing a recording on a Pleyel piano (Chopin's preferred make).
Written by an 18 year-old boy... unbelievable!!
Can’t really hear the horn over the winds…
Legend Turkish pianist İdil Biret... Amazing performance...
Ótima contribuição, Felipe.
Brilliant
Started learning this a few weeks ago😅
There is nothing like piano music on a rainy day! Cozy living room, the sound of the rain outside, a cup of hot chocolate and playing the piano or listening
This piece was such a joy to learn and play, I love it so much😍
The finale sounds like the motif is taken from the muffin man
So clean
bing chilling
Sadly this wonderful piece isnt as famous and often played as the other Chopin Sonatas. Wonderfull played.
And so much harder than it may seem that the average ear!! This oboist is absolutely FANTASTIC
Bravo! Very sweet:)
I heard that No. 2 was also Chopin's favorite! I once played it, so I can tell why he and you love it
this play so bravoo i think this music arevery interesting bravo🎉🎉🎉🎉🎉
was at a Dang Thai Song concert and he played these for the encore... thought he said "etudes", but this was something I'd never heard-it's so fun!!! love them now
bonito
If this is Chopin's notion of bad music, what must he have thought of Charles Valentin Alkan!
I like how the second movement is written in a canonic manner. Schumann would have been impressed (he loved canons). Also, the second theme in the first section of the Minuet makes use of the rhythmic motif (the triplet) that ends the first theme. Beethoven liked to make good use of rhythmic motifs. The second and fourth movements sound like Germanic classical music, overall (Beethoven and Schubert maybe?)
Where do you find recordings on this kind of pleyel?
the real chopin was a project to play all chopin songs with period instruments among a lot of performers!! A playlist in Spotify was also made by a random user, putting it all together
The sound of this piano is incredible.
*it's in C-sharp minor 😅
OH I FORGOT TO CHANGE THE TITLE
The 4th scherzo is my current favorite from all 4. But this recording... it has something from another world; either the lovely Pleyel, the slightly out of tune strings, the slow and reiterative tempos, I don't know man, but it has something different from all other versions played at 28372639478 bpm in modern grand pianos. I know very well that it does not follow the score markings very faithfully (plus it brings hidden voicings that I've never thought of), but for me it really suits the narrative of an ill Chopin in his lasts years, sad for everything that has happened to him, but somehow happy... Pherhaps because he knew he had composed some of the most influencial music ever composed in the piano? Man I don't know, everything in the recording works for me except the last 2 bars which I feel could've been a litttle longer, but yeah please give us more pianoforte recordings
I'm glad you liked it!! If you want, you can check my playlists, I have one called Period Instruments, this brings my videos of pieces in period instruments! some of them are orchestral but the major is pianoforte!! also, about the performance i totally agree!! It has something really special in the slow part
Unpopular opinion: this scherzo has the best coda among all the 4. All the codas are great but this one is just something else!
YES!!
Yes, i agree. İt's so light, warm and dreamy
deosebita piesa !
Great recording. Thank you for sharing!
Zimerman e Rubinstein podem ser melhores no geral, mas essa coda é algo inacreditável
If this was published after Chopin's death so why it isn't op. Post?
I don't think this would have been written for the NATURAL horn in the first place...
its a really controversial in the music if this was or not, the fact, it's that the same person that stated that this was not written for natural horn was the same person who did say that this couldn't be played on the natural horn
My favorite piece☺️
Good job 👏 (also happy pride month too!)
👏
rebeca eu preciso falar com você urgente mas seu whats não recebe mensagem 😫
oxi, manda mensagem aí
daora 👏🗿
What's wrong with this piano..... never been tuned for ages??
Its actually a period piano, it should have a similar pitch with a 1830-40 piano