#chinesemusic #guqin #meditation 古琴曲《释谈章》，又称《普庵咒》或《普安咒》，起初《普庵咒》为佛教咒语。最早在明代古琴谱《三教同声》中，《普庵咒》首次以器乐曲的面貌示人。而后在1625年陈太希编撰的《太音希声》中，亦收有《释谈章》一曲。到了民国时期，几首器乐化的《释谈章》相继出现。其中最具代表性的是《栩斋琴谱》的《普庵咒》。当代琴人查阜西、溥雪斋、张子谦、吴宗汉等演奏的，以及《北京琴会谱》都是根据此谱。这也是当今传习最普遍的《普庵咒》琴曲。
《普庵咒》的音韵具有独特的自然旋律，如闻鸟鸣风雨，又如天地交融，使人迅速进入清净空灵的境界。乐曲编配中融入大自然之声，包括竹林风声、鸟鸣、晨钟、木鱼等音效，营造出暮鼓晨钟、禅意深远的氛围。配合僧侣持咒念经的梵音，更添古刹禅意的庄严肃穆，愿听者仿佛置身丛林禅院，身心顿时安定清明。
The guqin song "Shitan Chapter", also known as "Pu'an Mantra" or "Pu'an Mantra". At first, "Pu'an Mantra" was a Buddhist mantra. At the beginning of the Ming Dynasty, in the Guqin score "Three Religions in Unison", "Pu'an Zhu" was shown as an instrumental music for the first time. Later, in "Taiyin Xisheng" compiled by Chen Taixi in 1625, the song "Shitanzhang" was also included. During the Republic of China period, several instruments of "Shitanzhang" appeared one after another. Among them, the most representative is the "Pu'an Curse" of "Xuzhai Qin Fu". Contemporary qin players played by Cha Fuxi, Pu Xuezhai, Zhang Ziqian, Wu Zonghan, etc., as well as the Beijing Qin Conference Score are all based on this score. This is also the most common "Pu'an Mantra" piano music today.
The sound and rhyme of "Pu'an Mantra" has a unique natural melody, such as hearing the birds singing of wind and rain, and like the intermingling of heaven and earth, which makes people quickly enter the realm of purity and emptiness. The music arrangement integrates the sound of nature, including the sound of bamboo forest wind, birdsong, morning bell, wooden fish and other sound effects, creating an atmosphere of twilight drums and morning bells and profound Zen. With the Sanskrit sound of the monk holding the mantra and reciting the scriptures, it adds the solemnity of the ancient temple. May the listener feel like he is in a jungle Zen temple, and his body and mind will suddenly be stable and clear. #meditationmusic #music #nationalmusic