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Four-hobbies-man
เข้าร่วมเมื่อ 24 ส.ค. 2022
I created this channel to post score-video's of pieces I really like/adore/absolutely love to share them to masses! Sometimes I also post just recordings, when I have troubles finding scores, but yet I would like to share a precious piece with people.
I mostly focus on music that is very niche, and that surely need to be popularised.
The purpose of the video's I make are PURELY EDUCATIONAL, and not to make any profits from them.
However every new subscriber makes me very happy and motivated - I am trying to celebrate important subscriber milestones with very special events, such as single videos of lenghty rare masterpieces, and as well as 'score-video festivals' (next one will take place when I will hit 2k subscribers!)
I usually do not own the presented materials unless otherwise specified, thus, if any video violates any copyright laws, please
e-mail me! I will delete the video as fast as I can. (You can find my e-mail adress below)
I mostly focus on music that is very niche, and that surely need to be popularised.
The purpose of the video's I make are PURELY EDUCATIONAL, and not to make any profits from them.
However every new subscriber makes me very happy and motivated - I am trying to celebrate important subscriber milestones with very special events, such as single videos of lenghty rare masterpieces, and as well as 'score-video festivals' (next one will take place when I will hit 2k subscribers!)
I usually do not own the presented materials unless otherwise specified, thus, if any video violates any copyright laws, please
e-mail me! I will delete the video as fast as I can. (You can find my e-mail adress below)
Bernhard Lang - GAME 17-4-7 "for Names" [RECORDING ONLY]
Bernhard Lang -
GAME 17-4-7 "for Names" (2023)
for e-violin solo and ensemble
Performers: NAMES ensemble
----------------------------------
Die GAME Serie ging aus den SCAN-Experimenten des Klangforum Wien hervor, welche Erfahrungen der freien Improvisationsmusik mit offenen Strukturen der Neuen Musik kombinieren und erforschen wollten. Sie greift dabei einerseits auf Roman Haubenstock-Ramatis Konzeption des Mobiles, andererseits auf Christian Wolffes Idee der semiimprovisatorischen, offenen Komposition zurück.
Diese existiert hier nicht mehr als Partitur-Totale, sondern nur in Einzelstimmen.
Das siebzehnte Stück der neuen GAME-Serie für Anne Lindenbaum und das NAMES-Ensemble erforscht jetzt die Möglichkeit des Spiels und Spielens mit musikalischen Strukturen und Interaktionen: durch die Einführung von Unbestimmtheit, Unsicherheit und spontaner Entscheidung wird die Partitur als determinierender Faktor geöffnet.
Das Stück ist in Runden („Rounds“) organisiert, die kanonisch verlaufen: die Musiker wählen aus gemischten Karten-Sets, und folgen dabei einem Set von Spielregeln: das wiederum erzeugt die Struktur und den Verlauf der jeweiligen Runde.
Die Entscheidungen der Spieler sind wechselseitig abhängig, bedingen einander.
Die resultierende Form des Stücks bleibt in vielen Aspekten von Aufführung zu Aufführung variabel. Selbstorganisation des Systems ist das Ziel und das Mittel dieser Strategien.
Im Zentrum des Stückes steht die solistische E-Violine, man könnte es auch als Concertino bezeichnen; auch das Soloinstrument oszilliert zwischen determinierter Partitur und improvisatorischer Offenheit, wobei von der Solistin eine neue Form der Virtuosität verlangt wird, begründet durch das neue Instrument der E-Violine und deren technische Möglichkeiten im Live-Einsatz.
Dazu kommt noch der Einsatz eines „Dreammachine“-Patches, einer Weiterentwicklung des Loop-Generators zur Generation von spatialisierten Feedback-Loops.
Bernhard Lang, Wien, 17.05.2024
------------------------------------
I do not own the recording used in this video. This is only for educational purposes. If the video violates any copyright laws, please contact me: bsch1929@gmail.com. I will delete the video immediately.
GAME 17-4-7 "for Names" (2023)
for e-violin solo and ensemble
Performers: NAMES ensemble
----------------------------------
Die GAME Serie ging aus den SCAN-Experimenten des Klangforum Wien hervor, welche Erfahrungen der freien Improvisationsmusik mit offenen Strukturen der Neuen Musik kombinieren und erforschen wollten. Sie greift dabei einerseits auf Roman Haubenstock-Ramatis Konzeption des Mobiles, andererseits auf Christian Wolffes Idee der semiimprovisatorischen, offenen Komposition zurück.
Diese existiert hier nicht mehr als Partitur-Totale, sondern nur in Einzelstimmen.
Das siebzehnte Stück der neuen GAME-Serie für Anne Lindenbaum und das NAMES-Ensemble erforscht jetzt die Möglichkeit des Spiels und Spielens mit musikalischen Strukturen und Interaktionen: durch die Einführung von Unbestimmtheit, Unsicherheit und spontaner Entscheidung wird die Partitur als determinierender Faktor geöffnet.
Das Stück ist in Runden („Rounds“) organisiert, die kanonisch verlaufen: die Musiker wählen aus gemischten Karten-Sets, und folgen dabei einem Set von Spielregeln: das wiederum erzeugt die Struktur und den Verlauf der jeweiligen Runde.
Die Entscheidungen der Spieler sind wechselseitig abhängig, bedingen einander.
Die resultierende Form des Stücks bleibt in vielen Aspekten von Aufführung zu Aufführung variabel. Selbstorganisation des Systems ist das Ziel und das Mittel dieser Strategien.
Im Zentrum des Stückes steht die solistische E-Violine, man könnte es auch als Concertino bezeichnen; auch das Soloinstrument oszilliert zwischen determinierter Partitur und improvisatorischer Offenheit, wobei von der Solistin eine neue Form der Virtuosität verlangt wird, begründet durch das neue Instrument der E-Violine und deren technische Möglichkeiten im Live-Einsatz.
Dazu kommt noch der Einsatz eines „Dreammachine“-Patches, einer Weiterentwicklung des Loop-Generators zur Generation von spatialisierten Feedback-Loops.
Bernhard Lang, Wien, 17.05.2024
------------------------------------
I do not own the recording used in this video. This is only for educational purposes. If the video violates any copyright laws, please contact me: bsch1929@gmail.com. I will delete the video immediately.
มุมมอง: 29
วีดีโอ
![Andrzej Krzanowski - Symphony no. 1 [RECORDING ONLY]](http://i.ytimg.com/vi/25wRp8KfYPk/mqdefault.jpg)
![Andrzej Krzanowski - Symphony no. 1 [RECORDING ONLY]](/img/tr.png)
Andrzej Krzanowski - Symphony no. 1 [RECORDING ONLY]
มุมมอง 518 ชั่วโมงที่ผ่านมา
Andrzej Krzanowski - Symphony no. 1 for grand symphony orchestra 0:00 - I 16:28 - II 28:02 - III Performers: Warsaw Philharmonic - National Orchestra of Poland Lucas Vis, conductor (World premiere recording, Warsaw Autumn 2011) Background art: fragment from 'Obraz DCIX' ['Painting DCIX'] by Stefan Gierowski I do not own the recording used in this video. This is only for educational purposes. If...
![Paweł Mykietyn - Chorał i Kanon [w/score]](http://i.ytimg.com/vi/IpVn9RSTWsw/mqdefault.jpg)
Paweł Mykietyn - Chorał i Kanon [w/score]
มุมมอง 351วันที่ผ่านมา
Paweł Mykietyn - Chorał i Kanon [Choral and canon] for mixed chorus a cappella to text by Leyla Daryoush Performers: Camerata Silesia conducted by Anna Szostak This video was produced with kindest permission of composer.
![Moritz Eggert - Hämmerklavier XXIV: Trigonometrie [w/score]](http://i.ytimg.com/vi/VAcq9RvYvSs/mqdefault.jpg)
Moritz Eggert - Hämmerklavier XXIV: Trigonometrie [w/score]
มุมมอง 27914 วันที่ผ่านมา
Moritz Eggert - Hämmerklavier XXIV: Trigonometrie for piano solo Performer: Huw Watkins Recording: th-cam.com/video/kNU5RgJxaUM/w-d-xo.html This video was produced with kindest permission of composer. Eines der größten Talente von Peter (Hanser-Strecker) ist sicherlich, an fast allen Orten dieser Welt gleichzeitig sein zu können und immer wieder Bezüge zwischen Gegensätzen und den unterschiedli...
![Paweł Mykietyn - Symphony No. 2 [w/score]](http://i.ytimg.com/vi/FF2Fh2s3NCI/mqdefault.jpg)
Paweł Mykietyn - Symphony No. 2 [w/score]
มุมมอง 46321 วันที่ผ่านมา
Paweł Mykietyn - Symphony No. 2 for symphony orchestra Dedicated to Teresa Krajewska Performers: NFM Filharmonia Wrocławska (NFM Wrocław Philharmonic), Benjamin Shwartz - conductor Recording: www.discogs.com/release/17648710-Paweł-Mykietyn-Symphony-No-2-Concerto-for-Flute-and-Orchestra This video was produced with kindest permission of composer.
![Giuseppe Sinopoli - Tombeau d'Armor III [w/score]](http://i.ytimg.com/vi/jV37Elrt8Lc/mqdefault.jpg)
Giuseppe Sinopoli - Tombeau d'Armor III [w/score]
มุมมอง 431หลายเดือนก่อน
Giuseppe Sinopoli - Tombeau d'Armor III (concerto per violoncello e orchestra) Part I - 0:00 Part II - 12:55 Performers: Peter Bruns, cello solo Staatskapelle Dresden Sylvain Cambreling, conductor I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If the video violates any copyright laws, please contact me: bsch1929@gmail.com
![Pierre Boulez - Troisième sonate, formant 5: séquence [w/score]](http://i.ytimg.com/vi/x2MYK8q2A1E/mqdefault.jpg)
Pierre Boulez - Troisième sonate, formant 5: séquence [w/score]
มุมมอง 274หลายเดือนก่อน
Pierre Boulez - Troisième sonate, formant 5: séquence for piano solo This is a typeset of preliminary, unfinished version, made by @hu6770 Original manuscript scorevideo appears as a part of this video: th-cam.com/video/RwDqNz9GeuI/w-d-xo.htmlsi=aGCJfoOzjM3sGDV4 Performer: Pierre Boulez I do not own neither the score, nor the recordings used in this video. This is only for educational purposes....
![Klaus K. Hübler - Feuerzauber auch ''Augenmusik'' [w/score]](http://i.ytimg.com/vi/esM2kmMsC0w/mqdefault.jpg)
Klaus K. Hübler - Feuerzauber auch ''Augenmusik'' [w/score]
มุมมอง 419หลายเดือนก่อน
Klaus K. Hübler - Feuerzauber auch ''Augenmusik'' Studie In/Über Phantasmagorie for 3 flutes, harp and violoncello Recording: www.discogs.com/release/14218658-Klaus-K-Hübler-Arie-Dissolute-Sonetto-LXXXIII-Del-Michelangelo-Reißwerck-Feuerzauber-Auch-Augenmus Performers: The musicians from the Köln Ensemble: Carine Levine, Ricarda Bröhl and Ursula Grieser: Flutes Martina Hendel and Cornelia Kolf ...
![Gerard Pape - La Naissance du Son (in memoriam Iannis Xenakis) [w/score]](/img/n.gif)
Gerard Pape - La Naissance du Son (in memoriam Iannis Xenakis) [w/score]
มุมมอง 3622 หลายเดือนก่อน
Gerard Pape - La Naissance du Son (in memoriam Iannis Xenakis) for cello solo Performer: Rohan de Saram; live at the Eclat Festival in Stuttgart, Germany Recording: soundcloud.com/dlsi/gerard-pape-la-naissance-du?in=dlsi/sets/gerard-pape Score: imslp.org/wiki/La_naissance_du_son_(Pape,_Gerard) The title of this piece in French means the "birth of sound." It is dedicated "In Memoriam Iannis Xena...
Mathias Spahlinger - Morendo [w/score]
มุมมอง 3932 หลายเดือนก่อน
Mathias Spahlinger - Morendo for orchestra 0:00 - Morendo 0:18 - Teil I 3:36 - Teil IIa 5:09 - Teil IIb Performers: Conductor - Francis Travis Orchestra - Radio-Sinfonie-Orchester Frankfurt Recording: www.discogs.com/release/436253-Mathias-Spahlinger-Morendo-Απο-Δω-Von-Hier-Vier-Stücke-Entlöschend-Störung-Sotto-Voce I do not own neither the score, nor the recordings used in this video. This is ...
Jörg Herchet - Komposition 3 für Orgel 'Namen Gottes' - I [w/score]
มุมมอง 1502 หลายเดือนก่อน
Jörg Herchet - Komposition 3 für Orgel 'Namen Gottes' (I-XLIII Part One Recording: th-cam.com/video/xkrjf_y2jf4/w-d-xo.html&pp=ygUeSsO2cmcgSGVyY2hldCDigJMgTmFtZW4gR290dGVz Performer: Gary Verkade I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If the video violates any copyright laws, please contact me: bsch1929@gmail.com
Toru Takemitsu - Eclipse [w/score]
มุมมอง 4932 หลายเดือนก่อน
Toru Takemitsu - Eclipse for biwa ans shakuhachi IMPORTANT NOTICE: this video was not created by me. Creator's channel appears on bilibili platform: space.bilibili.com/399456841/video?tid=0&pn=4&keyword=&order=pubdate - I reuploaded this video with his permission. Performers: I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If the vid...
[RECORDING ONLY] Bernhard Lang - GAME 14 - A Song for Rachela
มุมมอง 872 หลายเดือนก่อน
Bernhard Lang - GAME 14 - A Song for Rachela for voice solo, 19 instruments and live-electronics Performers: Klangforum Wien - Sarah Maria Sun, soprano - Lorenz C. Aichner, conductor [From the Ringelblum - archives:] 1 September 1939 The torn-up streets, the riflemen's trenches, the windows protected with [bags of] sand, and the mobilization posters have have all formed into one, just one, horr...
Klaus K. Hübler - Reisswerck [w/score]
มุมมอง 1743 หลายเดือนก่อน
Klaus K. Hübler - Reisswerck for guitar solo Recording: th-cam.com/video/kf17IHaF_bo/w-d-xo.htmlsi=DHBMNn2-_VP7y3Wo Performed by Tomas Laukvik Nannestad live at Norges musikkhøgskole in Oslo, 14th of May, 2021. I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If the video violates any copyright laws, please contact me: bsch1929@gmail.com
Klaus K. Hübler - Palimpsest [w/score]
มุมมอง 3353 หลายเดือนก่อน
Klaus K. Hübler - Palimpsest for bass flute solo Time-Stamps: 0:00 - Palimpsest 0:33 - Preface 1:36 - Palimpsest 4:25 - Tabulatur I 7:53 - Tabulatur II 10:13 - Introduction I 12:07 - Tabulatur III 13:30 - Introduction II Performer: Astrid Schmeling Recording: th-cam.com/video/2Sp2y9-wcmg/w-d-xo.html I do not own neither the score, nor the recordings used in this video. This is only for educatio...
Paweł Mykietyn - Concerto No. 2 for violoncello and symphony orchestra [w/score]
มุมมอง 1.4K3 หลายเดือนก่อน
Paweł Mykietyn - Concerto No. 2 for violoncello and symphony orchestra [w/score]
Paweł Mykietyn - Cztery Preludia - Four Preludes [w/score]
มุมมอง 3603 หลายเดือนก่อน
Paweł Mykietyn - Cztery Preludia - Four Preludes [w/score]
Paweł Mykietyn - Czarodziejska Góra [w/score]
มุมมอง 4663 หลายเดือนก่อน
Paweł Mykietyn - Czarodziejska Góra [w/score]
[RECORDING ONLY] Horatiu Radulescu - Cinerum, op. 108
มุมมอง 4493 หลายเดือนก่อน
[RECORDING ONLY] Horatiu Radulescu - Cinerum, op. 108
Gerard Pape - Harmonies of time and timbre [w/score]
มุมมอง 7184 หลายเดือนก่อน
Gerard Pape - Harmonies of time and timbre [w/score]
Alvin Curran - Inner Cities 1-11 [w/score]
มุมมอง 3945 หลายเดือนก่อน
Alvin Curran - Inner Cities 1-11 [w/score]
Morton Feldman - Projection I [w/score]
มุมมอง 1.2K5 หลายเดือนก่อน
Morton Feldman - Projection I [w/score]
Claus-Steffen Mahnkopf - Mehr Wasser [w/score]
มุมมอง 2996 หลายเดือนก่อน
Claus-Steffen Mahnkopf - Mehr Wasser [w/score]
Gerard Pape - Harmonies of Form and Time [w/score]
มุมมอง 7607 หลายเดือนก่อน
Gerard Pape - Harmonies of Form and Time [w/score]
Anthony Braxton - Composition no. 82 'For Four Orchestras' [w/score]
มุมมอง 1.4K8 หลายเดือนก่อน
Anthony Braxton - Composition no. 82 'For Four Orchestras' [w/score]
I still remember dacing this with my wife when we met
Beautiful
based
based
really lovely
This reminds me of Meshuggah.
great
based
Check out his opera.
What is this type of music called ? Is it baroque ? Lyrical ? Its wonderfully beautiful
based
I know Steve wasn't completely happy with the piece and for the most part he was wrong. The only problem for him was figuring out how to stop the forward motion and conclude convincingly.
Damn, this piece is wild. Such an intense and austere opening sonic environment, I love it
Eargasm
太爱啦
"The" best music since the birth of humans
Thanks for putting this up - my students will love this!
Thank you for kind words! (By the way, I love your music!!)
@@B-eSCH I am happy to hear that - as a teacher I am really super thankful that so many score videos of great contemporary music exist as they are extremely helpful. This compilation of Nancarrow is absolutely awesome! If you are interested in putting up videos of my compositions with sheet music (or know anybody who might be) I'm happy to provide you with files - sadly I'm usually too busy to manage doing it myself, so am thankful for any help!
@@MoritzEggert You absolutely made my day with this reply! I would be more than thankful if I could do a scorevideo of your works. If there is a possibility, I would really love to create a scorevideo of your "Master and Servant". I attended its performance on Warsaw Autumn and I was astonished! I really regret that I was not able to greet you in person, but I would love to do this piece for start! If you would be so kind and share me the score and recordings, I would do it as soon as possible (my email address is in info tab of channel)! Many thanks!
Discreto
Carino, la pianista è bravissima 💖💖💖💖
Pleasant enough but very much a work by Austin, loosely based on Ives's sketches. The Johnny Reinhard realisation of the work is rather closer to the real thing.
@@cliffordhill4740 good news... Reinhard version will come on the future too!!
Absolutely heroic, we purveyors of electro-boogie-woogie salute you! 🫡
based conductor and composer
è importante mettere l'anno di composizione
(1968)
Giuseppe Sinopoli was also a conductor!
of course! Bussotti's The Rara Requiem (his recording) will be a future scorevideo...
based
based
❤
thanks!
😯🤯🫨😵💫😵🤪🥴 🤟🎃🤓🧐
It was very hard to transcribe it, especially with a very bad scan of manuscript. This may not be the final version of engraving, as in the future me and @hu can find few mistakes that need to be fixed. The recording of composer was not also a helpful resource, as Boulez made many mistakes. I hope that this video would be still a usefull resource, even if the engraving might vary from original manuscript. After all, it is pretty rare, unpublished formant!
If it wasn't for efforts like yours this wonderful piece would be very difficult to listen, and even more with the score. I'm very greatful. Thank you!
Thank you for the Hübler. His aesthetic of parametrically deconstructing performance technique was a logical necessity in the development of Ferneyhough's approach to notation, and if the pursuit of such an approach to its extreme is ultimately rather limited then he was nevertheless capable of producing some beautiful works within those limitations, this being one of them.
based
based
based
Suggestive: the work recalls Oliver Messiaen's research on birdsong. ❤
literally where? how? what?
The flute part reminds me a bit of what I have already stated. My impression is obviously subjective and does not detract nothing from the value of the work.
I do agree a bit...@@paolodelvecchio1749
yes
pretty gnarly, dude
Beautiful ❤
I love III & V.
Enno Poppe: equilibrista professional entre l'absolut absurde i l'absoluta lògica! Gràcies per compartir.
The inspiration for Ligeti's Cordes a Vide
This is amazing!
💙
Solo trombone: Christian Lindberg CD: Trombone Odissey
Amazing!
Out of all the study music I've been listening to for the past MONTH this is by far the best. It's kept me focused and on target. It has helped me type over 180 pages of a much needed study guide. To whomever put this together....thank you!
hehehehehehe
This is marvelous ♥
I like enno poppe, but I always feel his scores look VERY much like they're written for sibelius playback. Do you know what I mean? I guess it doesn't seem very player-friendly.
if you are talking about rhythm, I have to admit, they are pretty hard to learn, but I would say that it's because he is just very sensitive for various rhythm changes and transformations, I feel that in his music.