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stratoskd
เข้าร่วมเมื่อ 27 มิ.ย. 2012
W.A.Mozart Fantasia in F minor K.608 Karl Richter
Karl Richter plays Fantasia in F minor by W.A.Mozart. Organ
มุมมอง: 8 276
วีดีโอ
Scott Joplin- Maple Leaf Rag played by William Albright
มุมมอง 3.9K11 ปีที่แล้ว
William Albright plays Maple Leaf Rag written by Scott Joplin.
J.S.Bach Sonata for Flute and Cembalo BWV 1032 - Karl Richter & Aurele Nicolet
มุมมอง 10K11 ปีที่แล้ว
Karl Richter and Aurele Nicolet play Sonata in A Major BWV 1032, written by Johann Sebastian Bach. Karl Richter, Cembalo Aurele Nicolet, Flute Vivace [incomplete] 00:06 Largo e dolce 05:10 Allegro 08:15
J.S.Bach Sonata for Flute and Cembalo BWV 1031-Karl Richter and Aurele Nicolet
มุมมอง 32K11 ปีที่แล้ว
Karl Richter and Aurele Nicolet play Sonata for flute and cembalo in Eb Dur BWV 1031, written by Johann Sebastian Bach. Karl Richter, Cembalo Aurele Nicolet, Flute Allegro moderato 00:03 Siciliano 03:54 Allegro 06:13
J.S.Bach Chromatic Fantasia and Fugue BWV 903 in D moll - Karl Richter
มุมมอง 4.7K11 ปีที่แล้ว
Karl Richter plays Chromatic Fantasia and fugue(BWV 903), written by Johann Sebastian Bach, Cembalo. 00:04 Fantasia 05:39 Fugue
Karl Richter - Preludium Et Fugue IN LA (A) MINOR - BWV 543-Johann Sebastian Bach
มุมมอง 87K11 ปีที่แล้ว
Karl Richter plays Prelude and Fugue in A minor BWV 543 - Johann Sebastian Bach. 00:04 Prelude 03:22 Fugue
Bach sometimes sounds super-natural.
Truly monstrous recording. The definitive version.
Simplesmente maravilhoso! Bach e K. Richter parece ser uma combinação perfeita.
LA PIU' GRANDE, LA PIU' BELLA VERSIONE MAI REGISTRATA...♡
diese kontinuität...richter "trifft" bach...immer
Ja, und es ist das gleiche bei den cantaten. Richter hatte als einziger verstanden, wie groß die Rolle der Orgel ist. Sein Orgelspiel hat eine Offenheit und Luftigkeit, und gleichzeitig wird man regelrecht in die Musik hineingezogen, das ist schon einzigartig bei Richter, meiner Meinung nach.
that low A pedal is just dam magic goes for bars.O love it.
Wunderbar
Ok Bach I get it. God is real!!!
This is absolute perfection.
An amazing and wonderful performance with awesome registrations particularly in the fugue.
He is the embodiment of the organ music
Almost fifty years ago, I was given the Stereo LP version of this stunning recording. After becoming organist myself and listening to many famous and wonderful musicians playing this masterpiece, there is no doubt in my mind that Karl Richter wanted to transport us to Bach’s time by performing it on a true-to-time instrument, registration and tempo.
Karl Richter is the inventor of the Bach Reinassance. Greatly missed. 'His redoutable musical intelligence combined with the ability to bring out the majesty and splendour in music, was what made him such a great interpreter of Bach'. His epigones and their flat moans are only pale shadows.
...la profondeur de son...rigueur rythmique...l'expression....magistrale version....
Compositore ed esecutore in splendida sintonia mettono in comunicazione il loro con il nostro Essere , e dove Dio si incarna in noi . Bach-Ricther ci fanno un punto di riferimento , sono guide e nutrici per lo spirito
Mille sept cent ans après la mort de Son fils bien-aimé, Dieu a voulu apporter aux hommes qui souffrent et qui meurent une nouvelle preuve de Son existence, et Il n'a pas voulu que cette preuve se révelât dans la gloire de la seule et vraie religion, mais Il a choisi qu'elle se dissimulât dans la musique d'un obscur maître de chapelle prisonnier d'une chétive hérésie allemande.
リヒターは天才です！早くに亡くなられたのは非常に残念至極。
태초에 하나님의 말씀이 계셨느니라 아멘
Ennio Morricone's theme "The sicilian clan" seems to be influenced by this.
Bravo bravo bravo bravo bravo fantastic grandiose genial music
HERMOSA MUSICA, GRACIAS.
3:21 Fugue
I'm not really a fan of this interpretation. The overall playing style just seems a bit robotic to me. Not to mention how jarring it is in the prelude when the trumpets come in (perhaps that might be due to the quality of the recording). I did, however, like the registrations and registration changes in the fugue; it definitely made up for the robotic playing.
Organs of the baroque period did not have enclosed chambers with shutters that could be opened and closed with a pedal to change volume without a change in registration. If one is accustomed to period organs, , Richter's performances are remarkably expressive, but in quite subtle ways that novices might not even notice, much less appreciate.
Wunderbar!
Which organ please?
pipe organ
@@giovanniliguori2310 I mean, WHERE? Which organ / church / Cathedral / Hall?
Yes I was just joking
@@giovanniliguori2310 But I'm NOT! Which organ is being played here?
👏
The Fuge Need this Speed. Any other makes lose integrity.
Semplicemente MERAVIGLIOSA.
Chromatic Fantasia - this is correctly named. Richter is amazing.
543-2-1 Go Karl! Richter's riding this BWV like its a BMW.
WOOOOW QUE BELLA MUSICA DE MOZART.
William Albright is in my opinion the best interpreter of Joplin's rags. He brings these to vibrant life!
The Best interpretation of the 543. Ever.
Bella esecuzione!
Extase.
Je souscris bien sûr entièrement ! Un autre réactionnaire hautement , clairement et complètement revendiqué !!!
Richter is on another level
Gavin, he is not the only on "another level."
Just marvellous
私の持っている、カールリヒターのレコードと同じ写真ですが、曲が違います。
The Music of God
YES!!!!!!! PRAISE GOD!!!!YES. "Most obediently yours, Johann Sebastian Bach"
The God of Music.
GRACIAS!!!!
...quelle belle sonorité....profonde...et un peu sombre...où...TOUTES..!!les notes....chantent......MERCI......
Wow! They have brightened my day.
& Jhr. Humphrey. This is the absolute combinatie organ and organist (Karl Richter) so Brilliant/Geniaal
My dream is to perform like this giants of the pipe organ
Smukt, varieret og livligt orgelstykke, godt spillet😊👍🇩🇰
This has brought joy to my day!
The simplicity of the subjects in the Prelude and the Fugue made it easy for Franz Liszt to transcribe this work for pianoforte !
Is that meant as sarcasm? Simple fugue subject??
@@jsbrules well, compared to other fugues, yes. It's commonly known to be one of the most simple fugue subjects and yet developed in such a grandeur!
By no criterion is this a simple subject. The metrical ambiguity and length alone make it complex. Not to mention the several keys implied by all the arpeggiated sequences. A simple subject is the first of WTC 1 (in C) or the ninth in WTC 2 (in E) or the subject in the art of the fugue. This subject is a whirlwind all by itself!
That fugue ahhhhhhh so epic
Fantastica interpretacao
Meraviglioso!