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WHEN YOU UPGRADE THE TUBE INSIDE THE V69 IT WILL EVEN OUT PERFORM MORE EXPENSIVE MICS !

9:43 tengo ese st51

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great video nice nice congratulations, the best microphone is mxl v69 mogami edition, more body and armonics.

Hi ped0....I know what you look like now..and this is the same voice from the game.

The really good news is that with a little EQ from that rack that cost you several thousand dollars, 99.9% of your listeners will neither know nor care.

MXL V69 Tube & Behringer C1

Thank you. Nice demo/comparison

The worst type of a comparison. The only proper way to find out the difference between the mics is switching them on the fly without stopping singing or talking.

They all sound exactly the same. My mind is blown!

Amazing review. Boy did you just save a lot of people a lot of work.

Which audio interface do u use currently?

Pro Tools Artist is an incredible value for $9 per month.

I believe subscription is unethical. Shameful!

I love using pro tools, fast and easy, get the job done and run smooth on my mac mini 2012, but I dont really like the plugins, so I use 3. party plugins and it works fine .. but yes, avids business models sucks .. I got a great deal on a subscription though

Great job, Justin (and your singing is good) !! Thanks for all of the demos. You really went way beyond what most of us do, in presenting what these mics are all about. Here's a couple of links. If you want to hear what two mics sound like with EQ, here is the Behringer C1 and Audio-Technica AT2020. The Behringer has 3 sets of EQs that it is running through. The AT2020 has one set that it runs through, and it's bumped on the highs and lows. Here is the C1, first. th-cam.com/video/1qmpG38-v3I/w-d-xo.html Here is the AT2020 th-cam.com/video/_ab-x4gdQU8/w-d-xo.html

Believe it or not, SDC's rock on vocals (in OMNI, trust me). I do love these mics - I recently did a SDC (small diaphragm Condenser) shootout, check it out: th-cam.com/video/UT8ACoDDb5Y/w-d-xo.html I also have a bunch of other mic shootouts on my channel :)

What is the name of the song?

I appreciate this guys effort here. But Large is anything 1" and higher. Medium is between 1/2" and 1". Small is 1/2" and smaller. That's what I'm hearing anyway in the forums and on here (YT) as well.

What's your favorite MXL Mic?

just came across your video...I have three old blue digidesign 192 i/o and two digipre's sitting here doing nothing and was wondering...do you absolutely need to have the impact server in order to get audio in and out of the computer? Or just the DLI? Would love to put my old interfaces to use here rather than just having them sit idle like a massive paperweight lol...

Every time I hear someone talk like this I wonder if they have ever tried to program some computer software program as intensive as a DAW like Pro Tools.

I pulled the plug on Avid. Disrespectful company. I switched to Logic for $200 love it

MXL 880 tamed all your peaks and valleys the best. Best suited for your vocal signature.

Is the full song available anywhere?

Damn loved it, shows you that you can do it with almost any mic .

I recorded vocals with my cell phone in my dim room and it sounded well edited

Man you sing very good and the song is so nice........a real pleasure for my ears and my soul mannnnn God bless you the smooth of the MXL V69 is the best.......;

No Audio Technics 4033? Probably the best budget Large Diaphragm ever.

i wont touch products that have monthly/year feed. i would buy it what eva price is 1000 what eva i want softaware to be mine when buy. i dont ant use it 3 year spend 3*/year fee. then stop subscription and i not have any software anymore. if tool is good then make price for it is 1000 too much? or too low? if they make new version every year then 200 would be more profit. well not if tool is so good you not need upgrade lol. i hate adobe i also hate avid. i buy other tools that do same thing or use free lol say guy who bought native instruments what eva sound packs but it not have any music software lol you can get 90day ableton suite make backup and restore when time limit come in studio without internet yeah free lol

I’ve been using Logic every since it was Micro Logic, and when Apple purchased Logic I dumped my Protools TDM system and haven’t looked back.

I have the perpetual license also And also started PTs pre millennium So I still own the old unsupported versions I have one machine that still runs m-powered 8, one machine running PTs 11 as the first 64 bit daw And the current 2022 version on my newest intel iMac 5k I do pay an annual fee but I see it as an upgrade fee and since I have access to the plug-in library, support and additional free software I don’t feel it’s that much money My system has yet to freeze or crash the way it used to since my newest iMac 5k But I guess you can make the same money grab argument about Apple both iphones and IMacs, MacBooks The monthly subscription is obviously the direction everyone company is head into, It’s just so profitable I also run Logic, Studio One 5 and Ableton at home But for work I can’t do without PTs So again the yearly roll over fee is just another cost of running a shop and not even close to some amounts I have to pay I guess the point is if your working it’s a non issue considering the ease of use and workflow speed that I’ve become accustomed too and yeah I’m still not seeing anything else anywhere I work coast to coast I think Studio One is the DAW that is targeting the home user it’s clever and fun but never felt quite “Pro” to me with the little plug-in icons and some of the gimmicky? functions Like extract chord, I mean who doesn’t know the chords of their own song? And it’s incorrect too often But drag and drop loopers with 0 music theory love it Or auto FX, VCA tracks For people who never constructed a simple chain, don’t know what the letters VCA stand for never saw a patch bay and don’t often use outboard gear Protools is Pro gear and still the industry standard today And that has value at least to me Just my opinion

I had to use pro tools for school projects in audio school and I have not opened the program a single time since my final test and I don’t plan on it. Imagine using 10 year old plug-ins and paying those cost when so many other audio company are crushing it out here.

Mxl 2006,Mxl v63m, behringer and mxl 550. Sound best to me 😀 ,cheers Tony Lopez Band 😏🎸

The evil practices of avid are being exposed! I hope they change the ceo

Unfortunately every 5 or so years I hear people saying this about Protools (no innovation, high prices), and that they'll stop using it, and yet I feel like it has as many users as ever. Certainly for me, I use the software because it's what I know best, but it's frustrating that for me as someone who had an HD license, then upgraded it to an Ultimate license, I'm now stuck with the choice of the license becoming outdated or needing to essentially subscribe anyway to keep my license having any real resale value. I actually think that for many, the cost of the Studio is only justifiable if they would have had an Ultimate subscription before and now no longer need it. In short, they've just found a way to milk more money, and a lot of people are buying into it anyway. I certainly know a lot of people that don't need to have big-studio cross-compatibility (eg. for Film/Scoring work) who are using Cubase, Nuendo and Logic these days instead.

I have a total of about, 50 odd mike. A mix of studio/stage mikes, some of the same you have. I also have a Beringer C-1, I have to give your processing equipment, an A+, because I some $15 no name stage mikes. That sound much better.😊

Hilarious, I was tryin to look into this... are schools going to start teaching on different DAW any time soon? Try Reaper.. we get an update every week. I have had 20 updates since november.. The creator of Reaper is a retired millionaire, programming is his passion. Trust me it is the best DAW, i have used Cubase, Ablteon, and i watched someone use pro tools and it hurt me to watch lol..Reaper has ppl who make 3rd party scripts constantly, there are ppl who are obsessed with it, we have so many little tools we can use.

My perpetual license is showing cancelled and I can no longer open protools.

Is there a problem with the software or is this 13 minutes of complaining about the subscription plans?

My opinion:::: best sound for voice over - Rode tubes,, best for music is Samson- has some noise, but is most natural and realistic; noisiest is Behringer, overall any cheap mic on the list is worth having...CAD at $15 sounds better than Rode NT200 at $200. Mxl ribbon sounds worst; In general, the most expensive mics are for those with bad voices and ears, they cut out some harmonics to seem clearer to untrained ears that need to be given mildly amplified harmonics that say, "oh but that's crystal clear, it stands in the mix". And there's another reason why studios prefer very expensive microphones: their clients don't have gifted voices and expensive microphones must do just that, hide the flaws in the voice and simplify the harmonies of the instruments so that the client says, "oh, I like that...it sounds like a pro"...because corporations sell trics for senses, they sell what makes people more confident about themself.... Mr Justin, what is your choice, please?

🙋 𝚙𝚛𝚘𝚖𝚘𝚜𝚖

Boycott Avid !!

after 12 years in pro tools i have decided to return to cubase, prices are not a reality sorry avid

i completely agree with what u have said. i was just about all in with pro tools....but. i have a reaper and studio one 5 pro license. unfortuneately studio one doesnt manage resources as well as pro tools. plugins can eat a lot more cpu....not a deal breaker tho. u can join sphere for 16 dollars a month and have everything presonus offers. every add on plugin all the notion stuff etc... thier are still alot of pro tools nobs out there. if u have always used pro tools then u dont really miss some of the features (ara, slip editing) that some other daws offer. its never been in your work flow so,,,,your use to not having it. its hard to see what avid is really saying to people with this. and the value for money debate is raging. i do like pro tools but..they keep pushing people. so how much deeper does the average independent studio want to go ? and as much as some people still want to turn thier nose up at reaper ....its affordable ,great communty they l;isten to thier user base...does avid really think they can continue to live on the industry standard moniker that no longer exist ??

Can you use 3rd party plugins like waves and fab filters

Ridiculous avid's policy. They will face the bad outcome

Yes, thanks a LOT . . I agree with NoMoreWords in asking for a dry signal test or "the blues" . . as more as you in the beginning said you would also do a dry signal test . . but thanks again

what's the name of the song ?

And I thought I had a lot of microphones! After 40 years I’m going to be doing some voice over work and I’m used to the RE-20, RE-27 and the Shure SM7B. Based on all you’re microphone reviews, what inexpensive microphone is close? Your review is on singing. What about for voice over?