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Pick Up Goliath
Spain
เข้าร่วมเมื่อ 4 ก.ย. 2019
Pick Up Goliath is all about breaking boundaries and bending genres. A classically trained musician and composer, he's obsessed with pushing the limits-mixing styles, smashing walls, and creating sounds that hit hard and stay fresh. From the stage to the studio, he’s done it all, cutting his teeth as a touring musician with Armstrong, sharing the stage with legends like You Me At Six.
As the mastermind behind Mammoth Sound Studio in Spain, he produces music across an eclectic range, from metal to electronic and everything in between, with global collaborations, including work with Duran Duran guitarist Dom Brown. Before that, he taught songwriting and production at The BRIT School, working with now-superstars like Raye, Rex Orange County, Olivia Dean and black midi. Not just a creator, Pick Up Goliath shares his knowledge too-teaching the next generation of producers online and through his book, Become a Competent Music Producer in 365 Days. Ready for a sonic ride? Buckle up.
As the mastermind behind Mammoth Sound Studio in Spain, he produces music across an eclectic range, from metal to electronic and everything in between, with global collaborations, including work with Duran Duran guitarist Dom Brown. Before that, he taught songwriting and production at The BRIT School, working with now-superstars like Raye, Rex Orange County, Olivia Dean and black midi. Not just a creator, Pick Up Goliath shares his knowledge too-teaching the next generation of producers online and through his book, Become a Competent Music Producer in 365 Days. Ready for a sonic ride? Buckle up.
Inside the Songs Ep5 - River Boy on Crafting Award-Winning Game Soundtracks: Inside Cult of the Lamb
In this conversation, @RiverBoyBeats, the composer of the award-winning soundtrack for Cult of the Lamb, discusses the unique challenges and creative processes involved in writing music for video games. He emphasizes the importance of adapting music to gameplay dynamics, the influence of narrative on composition, and the innovative use of vocal manipulation techniques. Narayana also shares insights into his preferred DAW, Ableton, and his approach to mixing and mastering, highlighting the fluidity between these processes in his workflow. In this conversation, Narayana Johnson and Sam George delve into the intricacies of music production, particularly in the context of video game soundtracks. They discuss mastering techniques, the importance of loudness in music, and the collaborative process behind the 'Cult of the Lamb: Hymns of the Unholy' EP. The conversation also explores the evolving landscape of game soundtracks and the opportunities within the gaming industry for musicians. Finally, they touch on networking and the importance of building genuine relationships in the industry.
Takeaways
- Writing music for video games requires adaptability to gameplay.
- Music must evolve with player actions and narrative changes.
- Vocal manipulation adds emotional depth to the soundtrack.
- Short sonic sounds can evoke a sense of cuteness.
- Ableton allows for quick audio manipulation and creativity.
- Using vocal libraries enhances the richness of the music.
- Mixing is integrated into the composition process.
- The sound palette must fit the game's universe.
- Transitions in music are crucial for gameplay immersion.
- Collaboration and feedback shape the final sound of the tracks.
- Using Ozone 11 for mastering provides a solid starting point.
- Loudness is less of a concern in video game music production.
- The Cult of the Lamb soundtrack has gained new life through various performances.
- Game soundtracks are increasingly recognized as an important cultural element.
- Musicians are eager to work in the gaming industry due to its growth and potential.
- Networking in the game industry is about making genuine connections.
- Every game composer has a unique path into the industry.
- Being friendly and interested in others' work can lead to opportunities.
- The gaming industry is a new frontier compared to music and film.
- Maintaining the essence of original tracks in reimaginings is crucial.
Takeaways
- Writing music for video games requires adaptability to gameplay.
- Music must evolve with player actions and narrative changes.
- Vocal manipulation adds emotional depth to the soundtrack.
- Short sonic sounds can evoke a sense of cuteness.
- Ableton allows for quick audio manipulation and creativity.
- Using vocal libraries enhances the richness of the music.
- Mixing is integrated into the composition process.
- The sound palette must fit the game's universe.
- Transitions in music are crucial for gameplay immersion.
- Collaboration and feedback shape the final sound of the tracks.
- Using Ozone 11 for mastering provides a solid starting point.
- Loudness is less of a concern in video game music production.
- The Cult of the Lamb soundtrack has gained new life through various performances.
- Game soundtracks are increasingly recognized as an important cultural element.
- Musicians are eager to work in the gaming industry due to its growth and potential.
- Networking in the game industry is about making genuine connections.
- Every game composer has a unique path into the industry.
- Being friendly and interested in others' work can lead to opportunities.
- The gaming industry is a new frontier compared to music and film.
- Maintaining the essence of original tracks in reimaginings is crucial.
มุมมอง: 46
วีดีโอ
How I Mastered Cult of the Lamb: Hymns of the Unholy - Full Tutorial!
มุมมอง 252วันที่ผ่านมา
How I Mastered Cult of the Lamb: Hymns of the Unholy - Full Tutorial In this in-depth video tutorial, I take you through the entire mastering process for the metal EP Cult of the Lamb: Hymns of the Unholy. If you’re looking to enhance your mastering skills or want a behind-the-scenes look at the final steps of music production, this is the video for you! I’ll cover everything you need to know t...
Inside the Songs Ep4 - Mike Malyan on Cult of the Lamb: Creative Freedom and Mental Health in Music
มุมมอง 78วันที่ผ่านมา
In this engaging conversation, Sam George and @MalyanDrum delve into the creative process behind their EP 'Cult of the Lamb, Hymns of the Unholy'. They discuss the unique experience of merging metal music with video game soundtracks, the importance of collaboration, and the dynamics of session work. Mike shares insights on his drumming approach, the significance of silence in music, and the nec...
Demo vs. Final Mix: The Evolution of Famine ft. Howard Jones & Scott LePage | Cult of the Lamb
มุมมอง 35814 วันที่ผ่านมา
Demo vs. Final Mix: The Evolution of Famine ft. Howard Jones & Scott LePage | Cult of the Lamb
Inside the Songs Ep3 - Josh Baines on Industry Evolution: How Artists Can Adapt and Thrive
มุมมอง 19914 วันที่ผ่านมา
Inside the Songs Ep3 - Josh Baines on Industry Evolution: How Artists Can Adapt and Thrive
Mix Breakdown - DEATH by Pick Up Goliath | Guitar & Vocal Production ft Matthew K Heafy & Sean Long
มุมมอง 20221 วันที่ผ่านมา
Mix Breakdown - DEATH by Pick Up Goliath | Guitar & Vocal Production ft Matthew K Heafy & Sean Long
Inside the Songs Ep2 - Matthew K. Heafy on Hymns of the Unholy: Balancing Discipline and Creativity
มุมมอง 31321 วันที่ผ่านมา
Inside the Songs Ep2 - Matthew K. Heafy on Hymns of the Unholy: Balancing Discipline and Creativity
Mix Breakdown of CULT from Hymns of the Unholy | Vocal Production ft Howard Jones - Part III
มุมมอง 19328 วันที่ผ่านมา
Mix Breakdown of CULT from Hymns of the Unholy | Vocal Production ft Howard Jones - Part III
Mix Breakdown of CULT from Hymns of the Unholy | Guitar Production ft Scott LePage - Part II
มุมมอง 26328 วันที่ผ่านมา
Mix Breakdown of CULT from Hymns of the Unholy | Guitar Production ft Scott LePage - Part II
Mix Breakdown of CULT from Hymns of the Unholy | Drum Production Techniques ft Mike Malyan - Part I
มุมมอง 255หลายเดือนก่อน
Mix Breakdown of CULT from Hymns of the Unholy | Drum Production Techniques ft Mike Malyan - Part I
Inside the Songs Ep1 - Howard Jones on CULT: Inside Our Explosive Collaboration for Cult of the Lamb
มุมมอง 3.7Kหลายเดือนก่อน
Inside the Songs Ep1 - Howard Jones on CULT: Inside Our Explosive Collaboration for Cult of the Lamb
EQ Fundamentals: Part 3 - Subtractive vs. Additive EQ Techniques
มุมมอง 73หลายเดือนก่อน
EQ Fundamentals: Part 3 - Subtractive vs. Additive EQ Techniques
EQ Fundamentals: Part 2 - Master the Anatomy of an Equalizer
มุมมอง 180หลายเดือนก่อน
EQ Fundamentals: Part 2 - Master the Anatomy of an Equalizer
EQ Basics Explained: Master the Frequency Spectrum (Part 1 of EQ Guide)
มุมมอง 217หลายเดือนก่อน
EQ Basics Explained: Master the Frequency Spectrum (Part 1 of EQ Guide)
How to Pan Orchestral Instruments for a Wide, Realistic Mix | Stereo Field Guide
มุมมอง 349หลายเดือนก่อน
How to Pan Orchestral Instruments for a Wide, Realistic Mix | Stereo Field Guide
Unlock Pro-Level Mixes with These Advanced Panning Techniques | Stereo Field Masterclass
มุมมอง 5302 หลายเดือนก่อน
Unlock Pro-Level Mixes with These Advanced Panning Techniques | Stereo Field Masterclass
The Essential of Panning: Know Your Pan Pots
มุมมอง 235ปีที่แล้ว
The Essential of Panning: Know Your Pan Pots
What meters do you need set up in your DAW?
มุมมอง 2882 ปีที่แล้ว
What meters do you need set up in your DAW?
The VU Meter Technique and the Mixing Hierarchy
มุมมอง 3.1K2 ปีที่แล้ว
The VU Meter Technique and the Mixing Hierarchy
Must Know Tips for Beginning a Mix (Phase Cancellation, Pre-Fader Metering, and More!)
มุมมอง 3542 ปีที่แล้ว
Must Know Tips for Beginning a Mix (Phase Cancellation, Pre-Fader Metering, and More!)
Setting Up a New Mix Session (Gain Staging and Referencing)
มุมมอง 4892 ปีที่แล้ว
Setting Up a New Mix Session (Gain Staging and Referencing)
Mastering a Client's Track from Beginning to End (Part 7)
มุมมอง 1412 ปีที่แล้ว
Mastering a Client's Track from Beginning to End (Part 7)
Mixing a Client's Track from Beginning to End (Part 6)
มุมมอง 1672 ปีที่แล้ว
Mixing a Client's Track from Beginning to End (Part 6)
Mixing a Client's Track from Beginning to End (Part 5)
มุมมอง 1442 ปีที่แล้ว
Mixing a Client's Track from Beginning to End (Part 5)
Mixing a Client's Track from Beginning to End (Part 4)
มุมมอง 1722 ปีที่แล้ว
Mixing a Client's Track from Beginning to End (Part 4)
Mixing a Client's Track from Beginning to End (Part 3)
มุมมอง 2102 ปีที่แล้ว
Mixing a Client's Track from Beginning to End (Part 3)
Mixing a Client's Track from Beginning to End (Part 2)
มุมมอง 2932 ปีที่แล้ว
Mixing a Client's Track from Beginning to End (Part 2)
Mixing a Client's Track From Beginning to End (Part 1)
มุมมอง 7712 ปีที่แล้ว
Mixing a Client's Track From Beginning to End (Part 1)
I'm actually really surprised at just how natural that actually sounds
ayy mate!
Bro just got outta jail lol
if ur gonna discuss audio, dont clip your mic
@@clarenegracey excellent advice. I hadn’t thought of that! 🙄 The actual explanation is that the platform we used to record the podcast - Riverside - doesn’t meter the signal it’s recording. And the signal that is sent to the other person is not the same as the recorded signal, so they don’t even hear the distorted signal. So in fact Riverside clipped the signal destructively. As you can imagine, I was fuming. But you can’t have these conversations twice. It would never feel natural a second time. Of course I’m mortified to have my mic so distorted in this conversation. But there was no way I was going to trash it.
👍👍🔥🔥
What tuning is the guitar in?
@@joshv0373 I don’t actually know what tuning Scott recorded in. From memory, the track is in Dm, and I original demo’d in Drop D standard. But Scott’s rhythm hits an octave below that. So either he’s on a 8-string tuned to Drop E standard and then everything down another step, or he’s pitch shifting Drop D standard an octave. I don’t know which one it is I’m afraid!
They sound like shit anyway
Been binging all of these videos. I love the album and as an aspiring sound engineer, I love getting snippets of the behind the scenes. Let’s me enjoy learning the process more because it involves my favourite tracks. Keep making more! 🔥
@@si7inofficial glad they’re resonating with you. Anything specific you want to se from inside the process?
Making a bank of "demo" tones so you don't start from a complete blank canvas. And understanding how to make them somewhat slot together so the demo sounds a little mixed.
@ interesting idea. Let me think on it. I’ll add it to my content list.
My favorite song in the album. Thanks for the breakdown!
@@Kibric I think it’s my favourite too 😎
Thanks for having me!
Any time!
Getting an EP of the year and also a behind the scenes for it is a gift I will eternally be great for 😤🙏 Was a lovely look into how things shaped up from the back end, the story about CULT is hilarious considering where it sits now!
@@Grimboww glad you enjoyed it. Yeah the back story to CULT is pretty ridiculous. But some of the best things are happy accidents.
This is an amazing insight into how the ep was done love it. And youtube that's the wrong Howard Jones you've randomly decided to add to the description 🤣
@@UwUnotewew glad you enjoyed the chat!
Matt is such an inspiring guy! I've been listening to everything Trivium related since I discovered Ascendancy back in 2005 and have definitely witnessed his personal and technical growth via his music. But it was watching a lecture he gave 10 years ago when I discovered how much of a hard worker he is and how much he loves his craft. Again, such an inspiration! And kudos to Sam for being such a great host and asking all the questions I would've asked. Also, Death is my favourite track of the EP as well!
@@willdafer I’m glad you enjoyed our chat and found it so insightful. He was such an open and generous person to speak to. I have nothing but praise and admiration for the man.
Thanks so much for doing these breakdowns!!! super interesting and learning alot from your videos. Loving your videos so far and im absolutely going to be watching your catalog!! cult is quickly becoming one of my favorite songs of all time! So glad to see the inside process and see if i can apply techniques to my mixes! keep up the amazing work!!! cant wait to hear the album in full!!!!
The thumbnail is misleading....
@@joshsmith7033 why do you say that? The thumbnail says exactly what the video is.
@@joshsmith7033 thanks so much! The full record is OUT NOW!!
Crazy how many layers are in this song. It was great to listen to the original stems and how they complement the instruments to generate an atmosphere that's clearly related to the game. Excellent work, and I can't wait for part 3!
@@willdafer part III is about to drop!
@@PickUpGoliath LFG
Loved this! Amazing to see all the work behind a song, especially when it is explained so well.
@@willdafer you’re very kind 😁
This walk through is gold dust! Great to see your processes, such a musical approach to mixing!
@@nathanlilley241 thanks Nathan. Pretty sure I learned a lot of it from you though!!
This is so cool! I absolutely love Howards vocals since i was a teenager and happened to see/hear him in concert. CULT is such an awesome song and i cant get enough of it.
@@baz9293 so happy that you’re loving the song dude!
@@PickUpGoliath You guys did amazing!!!
This is sick
What's with all the cuts!? Did Howard even make those sentences!?
I just hope that Darren Korb sees this and does the same thing with Periphery for Hades 2
@@CRAY0NEAT3R now that would be fun.
This also isn't the first time Howard and Matt have worked together on a video game project. They also did the God of War 3 metal album Blood and Metal and it seems like Hymns of the Unholy is addressing my biggest issue with the God of War project. As cool as Raw Dog is, it's just a Dream Theater song. The whole album was just a collection of songs that were loosely inspired by the game. This though, this is perfect. This shows respect to the source material while still being it's own thing.
@@CRAY0NEAT3R 🙏🏻🙏🏻🙏🏻
I'm sorry, no choruses? I've been randomly singing "Awake in purgatory" over and over again to myself for the last 2 days. That's a fucking hook
@@CRAY0NEAT3R a hook, but not a chorus 😉
Not my usual content watch but damn, what an awesome watch. Thankyou & everyone else involved for Hymns.
@@Hashtag_Sam I’m glad you enjoyed it. When you’re working with a drummer as good as Malyan it’s worth highlighting!
i've been listening to CULT on repeat since it dropped, and it has quickly become one of my favorite songs! I'm so excited for the rest of the album, especially since my bf said he would buy me the vinyl ^^
@@HeyitsSmim lucky you getting one of those beautiful limited edition splatter vinyls! I’m so happy you’re loving to song. Can’t wait for you to hear the full record.
HECK YEEEE
I've never played Cult of the Lamb but the song "Cult" made me check it out. When is the rest coming out??
@@silpheedpilot7 on Monday 28th Oct. Only a few days to wait.
@PickUpGoliath Dude, I can't wait. I was reconnecting with music from my teen years, and Howard Jones was such an influential part of shaping what I love. It was very cool to see him on this project. And to add incredible talent like Scott LePage and Mike Malyan is amazing. And your production is phenomenal. After listening to Cult and playing the game, I listened to the OST, and the boss songs are all in there. You can pick them right out. It's amazing.
@@silpheedpilot7 well just wait until you hear the rest of the EP. You’ll hear all the boss songs in their full reimagined glory.
@@PickUpGoliath HOLY SHIT The full EP is amazing!!
@@silpheedpilot7 🙏🏻🙏🏻🙏🏻 I’m glad you like it! I’m extremely proud of it.
Didn't know how much I needed a metal version of the COTL ost until I burst into tears of joy the moment Howard's vocals kicked in for CULT. Might sound a little silly but I just love this game and its soundtrack so much, and you folks nailed the emotions in that track...then finding out that was the first of SIX TRACKS? So so so excited.
@@guana3812 it has a similar effect on me, and I wrote the thing 😅
I don't know how else to say this... y'all made magic happen. It sounds like you guys are sensing that too! Absolutely love CULT, and if this results in more from this team-up, the world will be better for it! Thank you!
@@nth256 yeah, we feel it too. It feels like a really special record. It’s hard to draw comparisons with too many other things, and when that’s the case you’ve normally done something fairly unique.
This is very cool. This isn't necessarily Howard's first time being featured in a videogame (Smackdown vs. Raw, Guitar Hero, Burnout Paradise, etc), however, it is definitely his first time contributing to a videogame where he actually lays down vocals that are intended for it, so that's just awesome. This now generates exposure from a new generation to his work in Killswitch Engage, Light The Torch and SION (soon to be his project with Adam Dutkiewicz).
@@heelgill absolutely. As you say, first time he’s written specifically for the video game, rather than previously written music being used for something else.
Thank you howard
Hi Howard!
i was NOT expecting to see a collab like this, but now im hooked! Howard Jones sings my favorite song of all time, and cult of the lamb is one of my favorite games of all time. very excited to hear the rest of the album!
@@LLimer3000 you won’t be disappointed. We’re so excited for you all to hear the record!
Cult was a huge banger, and I'm not gonna stop listening to it for the rest of the whole week until the album has come out. Hearing how this album came to be also makes this so much more special. Working on making songs isn't that easy, I've heard that from a good few song artists that I like to listen to that are more frequented on youtube. And hearing how this came to be makes me feel all the more happy knowing just how hard everyone's managed to get this done and more hyped to hear the other songs. =D
@@Samara202-lmk firstly, I’m pumped that you’re enjoying CULT so much. Secondly, I’m super happy that you’ve found this chat with Howard so valuable and insightful. That’s why we do it. The more we open up the more you can feel connected to it. Thanks for the love and support. The EP won’t let you down 😘
@@PickUpGoliath No problem! And believe me after hearing CULT for the first time, I know it won't! =D
CULT is such a banger. Great work and great talk here! It's fun hearing about how things came to be. You guys got together some serious talent for this and I'm excited to hear the rest of the songs. Preordered the vinyl 😤
@@TsrifElddimTsal the talent on this record is nuts isn’t it! You won’t be disappointed by the rest of it. It is a MONSTER record. Can’t wait for you to hear it.
@@PickUpGoliathWould you say it's a "Massive Monster" record? Badum-tsss
@@clorgusblorgus2239 not gonna lie. I was hoping you'd walk into that one! 🤣
This is a lovely conversation! The production and composition is really nice :) the screams *chefs kiss* 😄
@@Christinacw19 it was so much fun getting to chat with Howard. One of the nicest guys. I’m glad you enjoyed it!
Really enjoyed the conversation and having an insight on how the EP was conceived. CULT is a banger, cannot wait to listen to the rest of the EP!
@@willdafer thanks Will! Can’t wait to share the rest of the EP with the world.
No. Mix the music so that it sounds good and the stereo spectrum is occupied evenly as far as possible. Why incorporate the limitations of the real world into your recordings? Make it better!
Loved the video and the explanation of the fundamental and the octaves. Thanks for the cheat sheet, it will definitely come in handy!
@@willdafer my pleasure mate!
Thank you for continuing this! Any tips on referencing saturation or distortions with reference tracks? I find I want to match a bass tone but plugins like reference don't offer a direct "saturation" level. Yes compression levels which saturation can impart but the actual saturation "level". Any tips?
@@figityfunk5073 great question. I’m going to add it to my content plan. It’s not an easy topic to talk about, or to understand!
👏
Thank you for insighs, good to refresh knowledge, when is part 3? :3
Soon! This week if I find a window to make it.
Another amazing one! Some topic suggestions (I'm sure many are already lined up 😊) * Understanding whether to use eq, dynamic eq, mb compression, transient shapers to clean up a sound * How to create similar sounding e.g violins, to a reference. I feel like many people show matching overall references but rarely show the steps before of how to get close to individual instruments
@@figityfunk5073 nice suggestion, thank you. I’ll stick them on my list.
thanks for making a part 2 btw
@@heaaarthat no problem! There’s more to come.
What about soundtrack
Fantastic concise valuable communication! You're amazing! Hope there's more to come 😊
Part II coming very soon.
Thank you for the valuable information. You have great content and in my opinion this rare aptitude for teaching. Keep up the good work.
@@presyamz662 thanks bud. I appreciate it.
Love your Videos!
@@Mupuckl89 cheers Chris.
🎉
@@gaoleethao1536 it’s a pleasure.