Mariana Casale Bibliotherapy
Mariana Casale Bibliotherapy
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āļ§āļĩāļ”āļĩāđ‚āļ­

“Porcelain” by Henrietta Rose-Innes
āļĄāļļāļĄāļĄāļ­āļ‡ 1755 āļŦāļĨāļēāļĒāđ€āļ”āļ·āļ­āļ™āļāđˆāļ­āļ™
Copyright Henrietta Rose-Innes ❗ïļBefore you listen, TW below 📚💕âœĻ🏚âœĻ💕📚 A beautiful and poignant story about fragments, presence and absences. 📚💕âœĻ🏚âœĻ💕📚 Which fragments in this story did you focus on? Which images, sensations, feelings caught your attention? How do these resonate with you? 📚💕âœĻ🏚âœĻ💕📚 How did you relate to the landscape? Was it soothing, disquieting, lulling, inspiring, irritating? Whic...
'Melina' by Lucía Berlin (A Manual for Cleaning Women) Copyright 2015 The Estate of Lucía Berlin
āļĄāļļāļĄāļĄāļ­āļ‡ 1166 āļŦāļĨāļēāļĒāđ€āļ”āļ·āļ­āļ™āļāđˆāļ­āļ™
What is being worked out through the telling of this story? 00:00 Introduction 01:19 'Melina' by Lucía Berlin 21:18 Comment
'All Night I hear the Noise of Water Sobbing' by Alejandra Pizarnik
āļĄāļļāļĄāļĄāļ­āļ‡ 1477 āļŦāļĨāļēāļĒāđ€āļ”āļ·āļ­āļ™āļāđˆāļ­āļ™
'All Night I Hear the Noise of Water Sobbing' by Alejandra Pizarnik "All night I hear the noise of water sobbing. All night I make night in me, I make the day that begins on my account, that sobs because day falls like water through night. All night I hear the voice of someone seeking me out. All night you abandon me slowly like the water that sobs slowly falling. All night I write luminous mes...
'The Word That Heals' by Alejandra Pizarnik
āļĄāļļāļĄāļĄāļ­āļ‡ 1437 āļŦāļĨāļēāļĒāđ€āļ”āļ·āļ­āļ™āļāđˆāļ­āļ™
'The Word That Heals' by Alejandra Pizarnik
"En esta noche en este mundo" de Alejandra Pizarnik (1971)
āļĄāļļāļĄāļĄāļ­āļ‡ 2397 āļŦāļĨāļēāļĒāđ€āļ”āļ·āļ­āļ™āļāđˆāļ­āļ™
En Poesía completa (ed. Ana Becciu, Random House, 2012) Copyright Myriam Pizarnik 2000
'Palabras-piedra' de Sara Mesa
āļĄāļļāļĄāļĄāļ­āļ‡ 22410 āļŦāļĨāļēāļĒāđ€āļ”āļ·āļ­āļ™āļāđˆāļ­āļ™
de Mala letra (Anagrama, 2016) Copyright Sara Mesa 2016 / Anagrama 2016
‘Sparrow’ by George Saunders (Liberation Day) copyright George Saunders
āļĄāļļāļĄāļĄāļ­āļ‡ 183āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
One of the short stories we will discuss at our next Bibliotherapy Workshop, ‘Cultural Encounters’, is ‘Sparrow’ by George Saunders. 👓â™ĨïļðŸ“š What do you think of the way this love story is narrated? Who do you think is the ‘I’ in the story? If you could articulate your thoughts in just one sentence: what would you say about ‘Sparrow’? 👓â™ĨïļðŸ“š Our Cultural Encounters series of bibliotherapy workshops ...
‘Cercanías’ de Silvia SÃĄnchez Rog
āļĄāļļāļĄāļĄāļ­āļ‡ 91āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
Las palabras, el cuerpo, el espacio Las Las palabras, el cuerpo, el espacio compartido: ÂŋCÃģmo vamos entretejiendo una relaciÃģn de pareja? ÂŋCÃģmo la narramos para que perviva? ÂŋPueden jugarnos en contra las palabras, los cuerpos, los espacios? ÂŋTe ha pasado? 👓â™ĨïļðŸ“š Te leo ‘Cercanías’ de Silvia SÃĄnchez Rog, (La mujer sin memoria y otros relatos), uno de los cuentos que vamos a comentar en el Taller ...
“GooDeed” by Etgar Keret
āļĄāļļāļĄāļĄāļ­āļ‡ 99āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
“GooDeed” by Etgar Keret (Fly Already. Stories, 2019) Copyright Etgar Keret 📚 Different worlds collide here: different ways of seeing and experiencing life cross paths. In what way do they each ‘touch’ the other? Is it a matter of encounter or clash? What does it take to touch another person’s life? Is it always what we think it is? How can we tell? 📚. In what ways can we make our intersections...
‘A propÃģsito de un olor’ de Adolfo Bioy Casares
āļĄāļļāļĄāļĄāļ­āļ‡ 183āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
‘A propÃģsito de un olor’ de Adolfo Bioy Casares (Una muÃąeca rusa, 1991). 📚ÂŋQuÃĐ es ese olor? ÂŋCÃģmo articula la relaciÃģn entre los vecinos? 📚“Yo estoy sano. Me sanÃĐ al contagiarte”: ÂŋquÃĐ te parecen estas frases? 📚Te leo en comentarios 👇ðŸŧ 📚📚📚📚Si te gustaría sumarte al taller de Bioy y no podÃĐs en noviembre, podÃĐs incorporarte a los tres encuentros de diciembre. Escribime para mÃĄs informaciÃģn. 📚📚#b...
'Margarita o el poder de la farmacopea'
āļĄāļļāļĄāļĄāļ­āļ‡ 124āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
‘Margarita o el poder de la farmacopea’ de Adolfo Bioy Casares (Una muÃąeca rusa, 1991) 📚 “Triunfo”: ÂŋquÃĐ significa esta palabra? ÂŋQuÃĐ te sugiere en este momento particular de tu vida? 📚 ÂŋQuÃĐ reflexiones te surgen a partir de esta lectura? ÂŋQuÃĐ culpa tiene Margarita? ÂŋHacen falta tÃģnicos y pociones para ‘mitigar debilidades’? ÂŋPor quÃĐ? ÂŋQuÃР‘tÃģnico’ sentís que necesitarías hoy? ÂŋCÃģmo hacer para ...
‘Ay Night’ by Etgar Keret
āļĄāļļāļĄāļĄāļ­āļ‡ 103āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
(From FLY ALREADY. STORIES) Copyright Etgar Keret 2019 â™ĨïļðŸ“šâœĻ Do you also feel that this story reads like a poem? Why do you think that may be? What holds the story together by threading all the way through it? What holds the people in the story together? How much is left unsaid? And how significant is it? What is the role of the goldfish? How did you react to it? 🐠 â™ĨïļðŸ“šâœĻ My new group starts on Tu...
'Todd' by Etgar Keret (Fly Already, 2019)
āļĄāļļāļĄāļĄāļ­āļ‡ 61āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
Copyright Etgar Keret There is a flippancy and a superficiality in this story that hides a lot of deeper, more complex feelings. ✍ðŸŧâ™ĨïļðŸ“š What are those feelings? How do they make their way through the apparent banality of this narrative? What does all this say about masculinity? Why might Keret have chosen to use a “postmodern gimmick” to speak to what Todd finds it so difficult to articulate? Wh...
'La boda' de Silvina Ocampo (LA FURIA Y OTROS CUENTOS)
āļĄāļļāļĄāļĄāļ­āļ‡ 379āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
'La boda' de Silvina Ocampo (LA FURIA Y OTROS CUENTOS)
“Voz en el telÃĐfono” de Silvina Ocampo
āļĄāļļāļĄāļĄāļ­āļ‡ 483āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
“Voz en el telÃĐfono” de Silvina Ocampo
'Pablito ClavÃģ un clavito' de Mariana Enríquez (LAS COSAS QUE PERDIMOS EN EL FUEGO)
āļĄāļļāļĄāļĄāļ­āļ‡ 647āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
'Pablito ClavÃģ un clavito' de Mariana Enríquez (LAS COSAS QUE PERDIMOS EN EL FUEGO)
'Los posatigres' de Julio Cortazar
āļĄāļļāļĄāļĄāļ­āļ‡ 344āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
'Los posatigres' de Julio Cortazar
'Continuidad de los parques' de Julio CortÃĄzar (Final del juego)
āļĄāļļāļĄāļĄāļ­āļ‡ 223āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
'Continuidad de los parques' de Julio CortÃĄzar (Final del juego)
‘Bajo tierra’ de Samanta Schweblin
āļĄāļļāļĄāļĄāļ­āļ‡ 6372 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
‘Bajo tierra’ de Samanta Schweblin
SMALL THINGS LIKE THESE by Claire Keegan Ch 4 Copyright Claire Keegan 2021 All rights reserved
āļĄāļļāļĄāļĄāļ­āļ‡ 8242 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
SMALL THINGS LIKE THESE by Claire Keegan Ch 4 Copyright Claire Keegan 2021 All rights reserved
‘SueÃąo de revoluciÃģn’ de Samanta Schweblin
āļĄāļļāļĄāļĄāļ­āļ‡ 2402 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
‘SueÃąo de revoluciÃģn’ de Samanta Schweblin
‘Mujeres desesperadas’ de Samanta Schweblin (de PÁJAROS EN LA BOCA)
āļĄāļļāļĄāļĄāļ­āļ‡ 8272 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
‘Mujeres desesperadas’ de Samanta Schweblin (de PÁJAROS EN LA BOCA)
'Mi hermano Walter' de Samanta Schweblin (PÃĄjaros en la boca) Copyright Samanta Schweblin 2002
āļĄāļļāļĄāļĄāļ­āļ‡ 4212 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
'Mi hermano Walter' de Samanta Schweblin (PÃĄjaros en la boca) Copyright Samanta Schweblin 2002
‘Mariposas’ de Samanta Schweblin
āļĄāļļāļĄāļĄāļ­āļ‡ 3922 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
‘Mariposas’ de Samanta Schweblin
'The Years of my Birth' by Louise Erdrich
āļĄāļļāļĄāļĄāļ­āļ‡ 8822 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
'The Years of my Birth' by Louise Erdrich
‘Animales de los espejos’ de J.L. Borges (El libro de los seres imaginarios, con Margarita Guerrero)
āļĄāļļāļĄāļĄāļ­āļ‡ 2702 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
‘Animales de los espejos’ de J.L. Borges (El libro de los seres imaginarios, con Margarita Guerrero)
'El idioma analítico de John Wilkins' de Jorge Luis Borges (1942)
āļĄāļļāļĄāļĄāļ­āļ‡ 1.4K2 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
'El idioma analítico de John Wilkins' de Jorge Luis Borges (1942)
'One Foot in Front of the Other' by Lucy Wood - BIBLIOTHERAPY EXERCISE: follow the prompts below
āļĄāļļāļĄāļĄāļ­āļ‡ 452 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
'One Foot in Front of the Other' by Lucy Wood - BIBLIOTHERAPY EXERCISE: follow the prompts below
'Love in the Tall Grass' by Claire Keegan
āļĄāļļāļĄāļĄāļ­āļ‡ 2732 āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§
'Love in the Tall Grass' by Claire Keegan