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The Art School at Old Church
เข้าร่วมเมื่อ 25 ต.ค. 2011
Studio Processes: On and Off the Wheel Workshop
Tom and Maggie Jaszczak will each discuss and demonstrate a process from their practice, combining simple wheel-thrown parts with off-the-wheel assembly and finishing. Tom will demonstrate his oval pitcher, including trimming and adding a spout and handle, and Maggie will work through the steps for a multiple-parts vase. In addition to demonstrations, the pair will discuss their varied studio processes, how they balance working together, and how they shape and run their business.
The workshop was hosted by The Art School at Old Church in Demarest NJ. It took place on May 22, 2022.
tasoc.org
The workshop was hosted by The Art School at Old Church in Demarest NJ. It took place on May 22, 2022.
tasoc.org
มุมมอง: 116
วีดีโอ
47th Virtual Pottery Show & Sale Opening Night Celebration
มุมมอง 682 ปีที่แล้ว
Our staff, curators, and 2021 potters gathered virtually for a toast to 47 years! 🍾 Here's to the opening of our Annual Pottery Show & Sale! 🥂 Sale goes live tonight at 6 PM! Please visit www.oldchurchpotteryshow.org to join the fun!
46th Annual Pottery Show & Sale - Virtual Artist Talk
มุมมอง 1783 ปีที่แล้ว
Artist Talk featuring 2020 potters Jessica Brandl, Andrea Gill, Michael Kline, and Kevin Snipes. Moderated by Old Church Pottery Show curators Bruce Dehnert, Chris Gustin, and Aysha Peltz. Hosted by The Art School at Old Church. December 5, 2020
46th Annual Pottery Show & Sale Virtual Toast
มุมมอง 1023 ปีที่แล้ว
Our staff, curators, and 2020 potters gathered virtually for a toast to 46 years! 🍾 Here's to the opening of our Annual Pottery Show & Sale! 🥂
First Friday Demo with George Taylor
มุมมอง 1.6K3 ปีที่แล้ว
Art School faculty member, George Taylor, begins construction on a whimsical castle tower made of clay! Presented as part of our free lecture/demo series: First Fridays in the Blue Studio, November 6, 2020.
Sugar Flowers Demo with Pooja Dhawan
มุมมอง 2223 ปีที่แล้ว
New Art School faculty member, Pooja Dhawan, demonstrates how to make a cute rose, handcrafted using edible materials! Premeired on Facebook LIVE - May 16, 2020
Slip Transfer Demo with Karen Snyder-Kadish
มุมมอง 21K3 ปีที่แล้ว
Virtual First Fridays in the Blue Studio with Art School faculty member Karen Snyder-Kadish - Premiered LIVE on FB & IG, October 2, 2020, 6:15 PM-6:45 PM Slip transferring is a process by which you add colored slips, and/or underglazes to paper, and then transfer them to clay. "I love this process, as it allows me the freedom to play on paper, come up with a design that I'm really happy with, a...
Introduction to Needle Felting with Christine Hsiao
มุมมอง 494 ปีที่แล้ว
TASOC Faculty member Christine Hsiao gives a brief introduction to the art of Needle Felting! Her virtual Summer Camp for Children begins August 3 - visit tasoc.org/blast-of-art to learn more and register!
Artists in Conversation: Margery Theroux interviews Kirk Maynard
มุมมอง 374 ปีที่แล้ว
In this interview, Kirk Maynard talks briefly about how the pandemic has affected him as an artist and discusses two of his ongoing portrait series' - Serenity and Periphery. In the Serenity series, Kirk seeks to re-appropriate the negativity associated with mugshots featuring BIPOC by creating beautiful portraits. His Periphery series deals with the subjects of marginalization, stereotypes, an...
Coffee with the Executive Director - July 17, 2020
มุมมอง 704 ปีที่แล้ว
Lisa Beth Vettoso, Executive Director of The Art School at Old Church, sits down for an intimate coffee hour on IG & FB live to discuss what's new this summer, important dates coming up, and more! Premiered on IG & FB Live: July 17, 2020, 3:00 PM
Artists in Conversation: Margery Theroux interviews Eileen Ferara
มุมมอง 964 ปีที่แล้ว
Margery Theroux, Mikhail Zakin Gallery Director, interviews Artist Eileen Ferara. You may remember Eileen as the curator of our 2019 exhibition, "On a Different Page!" Here, she discusses her own artwork including sources of inspiration, methodologies, and techniques.
First Friday Demo - June 5, 2020
มุมมอง 704 ปีที่แล้ว
Megan Carli, our Ceramic Studio Manager, demonstrates how to incorporate colored clay into your throwing practice. She'll be teaching a class on the same topic this summer, starting June 25 - visit www.tasoc.org to learn more and register!
Coffee with the Executive Director - June 1, 2020
มุมมอง 554 ปีที่แล้ว
Lisa Beth Vettoso, Executive Director of The Art School at Old Church, sits down for an intimate coffee hour on IG & FB live to discuss some important updates and announcements regarding the status of our Summer 2020 semester. Premiered on IG & FB Live: June 1, 2020, 11:00 AM
Artists in Conversation: Hank Gans & Maud Guilfoyle
มุมมอง 794 ปีที่แล้ว
Artists Maud Guilfoyle and Hank Gans talk about their art and how the Coronavirus pandemic has affected their art practice and the work they are currently developing. Launched in the spirit of keeping our vibrant artistic community together at home in the wake of COVID-19, Artists in Conversation is a series of virtual discussions between master guest artists and some of the renowned faculty fr...
Throwing Off The Hump - Virtual First Fridays in the Blue Studio with Michael Porfido
มุมมอง 664 ปีที่แล้ว
Throwing off the hump means to get a very large piece of clay, center it, and then throw small pieces from the top of that lump of clay. Michael Porfido is a professional pottery and beloved instructor at The Art School at Old Church (TASOC), having worked at making pottery since high school through his apprenticeship in Korea. To learn more about Michael and his work, visit www.porfidopottery....
Artists in Conversation: Margery Theroux interviews Jenny La Macchia Campbell
มุมมอง 344 ปีที่แล้ว
Artists in Conversation: Margery Theroux interviews Jenny La Macchia Campbell
Will you help us create a path forward?
มุมมอง 1104 ปีที่แล้ว
Will you help us create a path forward?
Artists in Conversation: Margery Theroux interviews Andrea Taylor
มุมมอง 484 ปีที่แล้ว
Artists in Conversation: Margery Theroux interviews Andrea Taylor
Artists in Conversation - Polly King & Ursula Schneider
มุมมอง 1104 ปีที่แล้ว
Artists in Conversation - Polly King & Ursula Schneider
Get Taller! Virtual First Fridays in the Blue Studio with Michael Porfido (Part 2)
มุมมอง 594 ปีที่แล้ว
Get Taller! Virtual First Fridays in the Blue Studio with Michael Porfido (Part 2)
Get Taller! Virtual First Fridays in the Blue Studio with Michael Porfido (Part 1)
มุมมอง 424 ปีที่แล้ว
Get Taller! Virtual First Fridays in the Blue Studio with Michael Porfido (Part 1)
"Alternate Worlds" Art Exhibit - Virtual Tour in the Mikhail Zakin Gallery
มุมมอง 314 ปีที่แล้ว
"Alternate Worlds" Art Exhibit - Virtual Tour in the Mikhail Zakin Gallery
Streamlining Oblivion - John Mungiello Live Book Reading, 3/26/20
มุมมอง 454 ปีที่แล้ว
Streamlining Oblivion - John Mungiello Live Book Reading, 3/26/20
Silversmithing at The Art School at Old Chirch (part 1: making texture)
มุมมอง 568 ปีที่แล้ว
Silversmithing at The Art School at Old Chirch (part 1: making texture)
Silversmithing at The Art School at Old Church
มุมมอง 608 ปีที่แล้ว
Silversmithing at The Art School at Old Church
Watercolor class at The Art School at Old Church
มุมมอง 898 ปีที่แล้ว
Watercolor class at The Art School at Old Church
Ken Cro-Ken - Eco-Sensitive Painting Performance
มุมมอง 769 ปีที่แล้ว
Ken Cro-Ken - Eco-Sensitive Painting Performance
Only thing I’m not sure about really is if the outline in the underglaze (presumably black) should be done first or last. She says whatever goes on last will be in the foreground after the transfer has been applied. So in order for the finished piece to look as though it’s been drawn directly on the form, that would suggest to me that the outline needs to be done on paper in underglaze last. So that when it’s transferred it looks as though it’s been done first. I hope we get some clarification. 😊❤
Loved this - thankyou from Winchester, UK
Easy to understand. What would be the difference if the slip was applied to the clay slab and then the underglaze design on top of that? Would it have the same affect?
Love your technique, I'm trying but I find that after I fire my pieces some of them bloat, what could be the reason for that?
What is bloating please?
So the clay bodies are different?
How did you transfer your art to the newsprint?
P.s. I love that you talk through it all 👍
If you’re referring to the difference between the clay body of the slab and the white slip she used, she said there wasn’t much difference in shrinkage between the two so it would be okay.
@@shelleydoxtdator753
I think she said that she drew it with a thin sharpie pen (in blue) first. Then she made a copy of it. Not sure why she made a copy (presumably so she could repeat it again and again?) I believe she then outlined the copy version with the black underglazes and then filled in with the colours. Last of all the slip is added quite near to the time that you want to apply the design either to a slab or an already-made form. I hope we get confirmation of the correct process. ❤
Great demo. Clear understandable information. Thanks so much.
SUCKS !😑
What kind of paper you used?please
She did say it was newsprint, which I understand means it’s just standard photocopier paper (nothing special). 😊
Get the artwork in the camera next time couldn’t see a thing you were doing zoom in ! good information though come show us your finished piece now please
Too much talk, no useful details in one place on what you need. Still not sure on how dry the clay should be when transfering, why would you need a wet sponge? So many quaestions. I am sorry but this is one of the most confusing tutorials I have ever seen. Would love if it was reshoot with comments in mind because I am sure this lady is great in person when you can ask questions right away.
Where can I see the finished piece?
I wish it had been much closer up so we can actually see.
Sorry, too much talk..
Great video. It would be helpful if the cameraman would zoom.in tight when you are painting or doing other interesting work. We can't see any detail of what you ate doing. Thanks for sharing.
I was interested in this technique because I'd never heard of it before. The demo gave me the gist of the process but bc of the distant camera angle I could never really see what she was doing! Very frustrating. Close-ups of the process and what her piece looked like after she finished the transfer and before it was fired would have been appreciated. Someone with experience to do the camera work would have helped a great deal to elevate this instructional video. The viewer's vantage point never changed and it looked like the camera angle took in the whole of the ceramics studio but never focused on close-ups of the process or the work. Also, I would liked to have seen a photo of the finished product after it came out of the kiln. TH-cam videos aren't difficult to make, but they do require some forethought.
You are such a fun and cool teacher
George Taylor: the teacher, the artist. Respect.
thank you for this talk! the 2020 pottery show on line was amazing! I have the same Amish Rocking chair Andrea :) I am an artist/singer/ and a healthcare worker and lost all my jobs in April. I was traumatized by the death of patients and friends. I started doing commission work to make some money had several orders then it died off. I am about to try doing some abstract art to just purge my feelings. I feel a bit stifled even though I have all this spare time. I find I have to walk everyday and try to eat right and schedule time to paint like it's a job. I paint and listen to audio book and TH-cam tutorials . I will be looking at all of your work for inspiration. Thank You and I hope things will get better soon! it would help if you had the artist links on here thanks here is mine lol www.marytaylorportraits.com
It's fascinating. I also find it very relaxing watching you do this.
Great job, George!
Excellent presentation
You’re a great instructor and I wish you luck working with tasoc :)
You’re a great instructor!