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เข้าร่วมเมื่อ 26 เม.ย. 2021
Le Nozze di Figaro Paris 2006 - Act 3
Peter Mattei
Lorenzo Regazzo
Christiane Oelze
Heidi Grant Murphy
Christine Schafer
Lorenzo Regazzo
Christiane Oelze
Heidi Grant Murphy
Christine Schafer
มุมมอง: 6 570
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Le Nozze di Figaro Paris 2006 - Act 2
มุมมอง 5K3 ปีที่แล้ว
Peter Mattei Lorenzo Regazzo Christiane Oelze Heidi Grant Murphy Christine Schafer
Le Nozze di Figaro Paris 2006 - Act 1.
มุมมอง 4.1K3 ปีที่แล้ว
Peter Mattei Lorenzo Regazzo Christiane Oelze Heidi Grant Murphy Christine Schafer
Gábor Takács-Nagy conducts Haydn's Creation Pt. 3
มุมมอง 3.3K3 ปีที่แล้ว
Miah Persson | Soprano Bernard Richter | Tenor Peter Mattei | Baritone Andreas Bauer | Bass RIAS Kammerchor | Choir Verbier Festival Chamber Orchestra Gábor Takács-Nagy | Conductor
Mozart, Mass in C Minor, K. 427 - Benedictus
มุมมอง 3.1K3 ปีที่แล้ว
Sir John Eliot Gardiner conducts Dvořák and Mozart - With the Royal Stockholm Philharmonic Orchestra 2008 Nobel Prize Concert Miah Persson | Soprano Ann Hallenberg | Mezzo-soprano Helge Ronning | Tenor Peter Mattei | Baritone
This is absolutely brilliant. ❤
act 4 pleaseeee
PLEASE can we have Act 4? SO disappointed!
What a "mistake" to play the extraordinary Mattei and the wonderful Persson first thing in the morning. Work is waiting!!! So farvel for now... Where can I buy these recordings to play offline??? It's only fair as I listen so often... Bravi!
How beautiful! How exquisitely Soprano Miah Persson compliments "La Voce Suprema" which is Peter Mattei! I must flee after their first duet. I have books to write, and, perhaps, more music to compose...but his Winterreise is so haunting...and this beautiful production of Haydn's Creation so compelling that Ich muss sagen: "Gute Nacht..." und eine "Winterreise" über einen leeren Bildschirm und einen Pfad aus schneeweißem Papier machen... oh mein Hertz! 💐💐💐
Whatever Peter Mattei sings is a delight beyond any bounds
+ his acting talent and dancing too. A joy to listen and watch.🙂
Well now that I see that the gorgeous Peter (Per) Mattei sings at the Nobel concerts, I'll consider pushing my cause more forcefully! Watch out mediocre "grammarly" "writers!" Hah!
I would be spitting nails if I paid Paris Opera prices to watch that travesty of "Le Nozze." Note to arrogant tone deaf directors: it isn't about you and your dashed gimmicks. And unless the singer suffers from hypoglycemia or diabetes, no eating during performance. Potato crisps and vocal cords... NO NO NO NO! Yes, I'm a purist and passionate about opera etc. whoever that naffhead director was s/he destroyed the dynamic substrate of the opera...I stuck it out for Mattei and I would pay Paris Opera prices to hear him and other castmembers sing - no sets, no gimmicks, no creepy floor level simulations.
Christoph Marthaler was one of the leading stage directors of his time, admired for his creativity and for thinking outside boring conservative ideas. His new Falstaff premiered at Salzburg Festival just a few days ago. Maybe, just maybe, he knows a bit more about directing than some random person on the internet.
This is one of the best performances ever. Just watch and listen Schäfer's acting.
I'm by no means against new ideas and creative reimaginations of old repertoire but I find this performance pretty underwhelming. There are some funny ideas, sure, but they overstay their welcome in my opinion. Whether it's the recitatives with the electronic keyboard which is amusing at first but soon starts to become annoying or the stuff with the electric recliner (or however it's called). It's a funny prop at first but it makes the whole scene with Susanna, the Count and Basilio extremely static and lacking in dynamic blocking. The scene where the Count discovers Cherubino usually gets a big laugh out of the audience but because they ignored the libretto in this instance and had Cherubino hide elsewhere it falls flat. I think blocking is one of the most important parts of staging an opera and it's just lacking here. Good blocking can make a traditional performance exciting and it can turn a radical new approach into a snoozefest. Just compare this performance with the 2006 performance with Diana Damrau and Ildebrando D'Arcangelo here on TH-cam. It's a traditional version but because of the dynamic blocking and the brilliant performances I find it way more exciting than this version. It's a joy to watch.
C'est la version de mon enfance, je l'ai regardée un nombre incalculable de fois. Merci pour le reupload 🥲
Caveat: I am a purist. VOICE FIRST. Any director who requires a singer to eat on stage - especially crisps / potato chips belongs in the Tower of London, 16th century version! I endured this gimmicky production for Peter Mattei... but the gimmicks and weird 2020 "covid" style dancing altered the dynamics and cadence of "Le Nozze." Music comedy and Opera are two different genres and contemporary directors called in to "dress up" and modernise opera seem to use it to promote their own agendae ... so yes, I'm persnickity, but unless the vocalist suffers from diabetes or hypoglycemia, no drinking or eating during performance. It affects the cords and it is dangerous to the singer.
100%! Some of these choices are so weird. I wonder why the singers go along with it! Maybe they get bored?
How delightful
28:55 lmaooo
Would you have Act 4 :o ? Thank you very much for the upload!
a m a z i n g. Thank you <3
I love how much energy the Maestro has
There's only one Maestro there and that's Mattei!!!
А почему разноцветный ирокез Керубино не сделали? Это же оригинально?! Он же в армию идет офицером!?
Oooo... thank you) I've wanted to watch it since I saw a duet - Crudel perce ... It was amazing))))
How cool, thanks for uploading!!