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What a surprise for me did not realize it was Led Zeppelin 🔥🎼Love it 💿

Um som legal

Pour some sugar on me and mamãe passou açúcar em mim, Lexi Luna, Luna sugar mama simple but truth, do me baby I sing the song, no one will stop me until my nervous goes like a hurricane rsrsss, ask Luna by this, if fall in love by her is law, don't ask me, no no.

Fantastic and what a respiration we feel when he sings with a melodic structure timing compass by compass as you feel calm and grateful. And Dolly is nice to hear and dream like Luna Lexi Luna in front of you taking away your love by her...when metals started to play I cried and came here say thanks again GRAMOPHONE CHANNEL, no words, no never will mean this magic, Armstrong make us smile that we want to sing like him too...together...

Led Zeppelin is infamous for practicing "better stolen well, than badly created”. But their version of the old Blues Standard "Sugar Mama" has such simplified lyrics (the sexual charge, including the theme of promiscuity and infidelity, has completely disappeared (“They been bragging ‘bout your sugar / sugar mama, been bragging all over town”, sings John Lee “Sonny Boy” Williamson - the first singer / harmonica player “Sonny Boy” that is) that we can hardly speak of "borrowing” here, let alone of "stealing". But too often there was no mention of the source from which was "borrowed" on the officially released albums. The music of Led Zeppelin, in which creation Jimi Page - one of the most prolific session musicians in the UK - had a pivotal role, clearly shows how Rock Music (note: something different from the old Rock ‘n Roll) - mainly, but not exclusively, in the UK - emerged from the music played by Blues, R&B and Early Soul adepts. But a wee bit more recognition for the often barely financially honored work of the predecessors would not have gone amiss for this influential Rock Group (creating music that would give rise to Hard Rock and its many derivatives). And as for Robert Plant’s voice here: like the one of - for example - Bob Dylan, Tom Waits, Randy Newman, Neil Young: you like it or you don’t. And for those who don't: nowadays - listen to his collaborations with Alison Krauss (live and on two magnificent albums) - he sounds completely different.

This kind of music is sometimes called “Sweet Jazz” (mainly performed by “whites”) which real Jazz lovers don’t call Jazz at all - although Shep Fields was an accomplished clarinet and saxophone player. Not my cup of tea - much more “sugar” than “tea” … The “Bluebird Label” was essentially a budget label. On it were issued many varieties of music, but for Blues Aficionado's it was the label of the “Bluebird Sound”. A streamlined kind of small group Blues (almost always performed by and with the same “session musicians”) and in a way a forerunner of the electrified Blues of somewhat later in Chicago and of the early Rock ‘n Roll. But also many important “Country Acts” were on it: reissues - originally issued on the "mother label" RCA - (The Carter Family) and recordings by The Delmore Brothers and The Monroe Brothers (the best recordings by Bill Monroe - as I see it).

I love that old gramophone… what a beautiful piece of record history… Did you find it in that shape or restore it?

Проделана замечательная работа! Думаю, так оно всё и звучало в те давние годы. Прямо машина времени!

Очень надрывно! Почему-то вспомнилась мне подруга, которая не любила рок, потому что "орут". Ну, вот как не "орать", если сердце разрывается?!

Приятно послушать. Короче говоря это круто!

Great music!

Not every thing recorded needs to be released…

Queen covered this song in the rain.

The composer of "Mary Lou", the singer Gene Pitney, was a prolific songwriter. I first came across his name in relation to The Rolling Stones. They recorded the song "Can I Get A Witness" (Marvin Gaye / Holland-Dozier-Holland) and also the instrumental "Now I've Got A Witness (like Uncle Phil and Uncle Gene)" - namely Phil Spector and Gene Pitney. Both songs can be found on their first LP. Pitney may have played piano on some of The Rolling Stones' recordings, but this has never been confirmed. Gene Pitney did record a Jagger/Richards composition. Forgot which one exactly. His best song - at least in my book - is "He's A Rebel" by "The Crystals" - although many of those ladies' vocals were done in the studio by Darlene Love - and in this case by Vicky Carr and backing singers. Yes, the "Milli Vanilli" syndrome is a very old one ...

Ого! Андрей! Прочла комменты - у тебя уже появились хейтеры😮😮😮 Значит, твой канал реально растёт! Поздравляю! А на счёт рлпстинки: очень позитивная мелодия, так и хочется сказать ламповая!

I saw John live years ago. I think that was my favorite concert ever.

Creedence Clearwater Revival was a trio on this LP. John Fogerty's brother Tom, very dissatisfied with his role in the band, had already left when this album was recorded. Creedence Clearwater Revival WAS John Fogerty. When the remaining two other members demanded more control and influence, the result was this “more democratic” LP. In addition to "Mary Lou" you will find - apart from those by John Fogerty - compositions by the other two band members. They also sang - instead of lead singer and lead guitar playerJohn Fogerty. If CCR was de facto John Fogerty, this LP is not a CCR album That's why John Fogerty hated it. But also drummer Doug Clifford (who soon after had a major disagreement with John Fogerty, mainly about rights and money) was not happy with it. So he told me when we - together with guitar player / singer Louie Ortega (check out his almost completely forgotten album “Louie and the Lovers") - had Mexican food in Amsterdam,. Clifford played drums then with Doug Sahm - performing in “Paradiso” that night (Clifford wasn't very happy with Sahm's often haughty attitude towards the others in his group and with the relatively cheap hotel they were "dumped in" - his words - while Sahm and his then girlfriend stayed in a much classier hotel). OK Doug Sahm: de mortuis nil nisi bonum. He was a great Texan performer (Blues, R&B, Country and Tex Mex) and song writer. CCR basically were John Fogerty and "three others". They surely are a classic band. True, even if you only know "Proud Mary", adapted and popularised by Ike and Tina Turner. But whether you like this album or not: this is not “classic CCR”.

Why the hell would you speed the song up? I don't see any benefit.

Frank Zappa Made a medley The man from utopía Meets Mary Lou in the album "The man from utopía" great version Like!!

My least favorite CCR album…

Que hermoso ese tema, tenia 20 años y compre ese long play de CCR. QUE EPOCA FELIZ.!!!😊 Jorge de Argentina. Bs. As.

Good one.

THIS RECORD I SPEEDED UP , WHY? HORRIBLE!! SHAME ON YOU

Johnnie Johnson's piano

I love several types of jazz. This is definitely one of my most fave types.

Of course, you follow your personal taste. I can't imagine that you ever bought records based on someone else's preference. I certainly never did. Grand Funk Railroad's song here is an own composition (by singer/multi-instrumentalist Mark Farner). I mainly know the group from their cover of "Some Kind of Wonderful" - original: Soul Brothers Six (lead vocal: the great American / Canadian singer / guitar player John Ellison - the original version - penned by Ellison - is highly recommended), which shows that (Blues) Rock Bands also listened to Soul Music (which, among others, The Rolling Stones already did in the UK). To show that no music is without history: Grand Funk Railroad: "Inside Looking Out". The “original” is a number by The Animals - but … that English band adapted and arranged an old American work song. Which happened many times. For instance: the work song "Black Betty", adapted en recorded by Lead Belly, changed by Manfred Mann into "Big Betty" and as "Black Betty" again a hit in the Rock version by Ram Jam. And yes, I usually prefer the originals.

Разнообразие - это замечательно! В этом изюминка канала. И, кстати, даже приятно получать сюрпризы, ведь никогда не знаешь, что услышишь завтра. А сегодня - чудная музыка, энергичная, зажигательная!

Should anyone question the importance of this track, it knocked The Beatles off the top of the charts. That's super impressive in 1964, no matter how you slice it.

The aliens listening this 👽👽👽

Maybe the music is your personal choice, but I enjoy it. I've heard music I've forgotten about or never even knew about. Keep doing what you're doing.

It's like hearing it for the first time again

This is where it all started. What a genius.

I think this is so cool. So neat I don’t listen to this kind of music 🎼 , but I do appreciate the whole process and the age of this recording 💿💽📀

Satchmo!

So good. This is so cool 👍🎸🎹🎼😍

Это бессмертная музыка! Помню, так была очарована What a Wonderful World, что купила CD "Золотые хиты Луи Армстронга" (ну, или что-то в этом роде). Джаз вообще тогда не слушала и не особо понимала, но ни разу не пожалела о покупке. Один из любимых дисков был.

I always applauded commercial success to great musicians who did not become millionaires before that success. Like Tina Turner after her R&B and Soul period. She had to rebuild everything from scratch. Like Louis Armstring with this "pop" song. And with "What a Wonderful World" and more numbers like that. Although Armstrong was later in his life certainly not poor. But for me, Louis Armstrong will always remain the innovative cornet player (later: trumpet) with King Olivier. And next with his "Hot Five" and "Hot Seven". Also important are his collaborations with many in the music fields of his day, from Gertrude "Ma" Rainey to the "Blue Yodeler" Jimmie Rodgers. Without Louis Armstrong: no Dizzy Gillespie, no Miles Davis, no Wynton Marsalis - nor (my favorite) Clifford Brown, who died much too young - killed in a car crash - way before he could grow into more than "a splendid promise". Fortunately, in New Orleans, Louis Armstrong could.

Still #1!

Scepter acetate is the best

Indeed, the soundtrack album "The Woman in Red", 1984. I have to be honest: (Little) Stevie Wonder is an important multi-instrumentalist, singer and songwriter, but even in the Motown stable not my favourite. Those who love - for instance - "Deep Soul" (James Carr, O.V. Wright, Spencer Wiggins to name a few “Goldwax Artists”) or the early “Stax Greats” or what “Muscle Shoals” produced in terms of R&B and Soul, will mostly find little to their liking in his "post Little Stevie" music. Although some up-tempo songs have - in my opinion - stood the test of time, such as "Supersticion". I politely keep quiet about "I Just Called". Lets say: it’s a nice “Pop Song” … for those (music) lovers who feel called ... Beantwoorden

Ох, прямо унесло в мои школьные годы! Почему-то именно на рубеже 80-90-х эта песня звучала повсюду. Взгрустнулось...

Jazz inspired big band dance music, typical for the late 1920’s and 1930s before the big swing orchestras came to dominate. But who is Sam Johnson? A real existing musician (whom I don't know) or a pseudonym of music director (Victor / Decca), song writer, band leader, pianist, arranger Leonard W. Joy ? This kind of music is not my favorite (I love real Jazz) - so who can help me out ?

Представляю, как это волшебный голос действовал в живую: наверняка, покорял с первых же нот!

Verehrter Franz Schubert, lassen Sie ihre Lieder leise fliehen: I won't catch them. Not anymore. I grew up with Western Concert Music, but have developed a preference for Johann Sebastian Bach (for me the greatest) and the music from (far) before his time: the early Baroque, the Renaissance and the Middle Ages. Beethoven created some great compositions, but after that I gave up - especially when it came to the Romantics - until it became interesting for me again with Bartók, Enescu and Stravinsky. I like music which - somehow - reflects folk music. Music from Perotinus Magnus (France, 12th century) to that of Charles Mingus.

The great Johnny Johnson in the keys.

Very good syncing the video to the music!

Bom áudio

Best mix imho

this performance changed bill wymans life - watching it in a cinema in germany post ww2. story from a documentary called 'the history of the blues'.

Bom audio