I've read that Scorsese has a cameo in this film, does anyone know if he's one of the background actors in this scene? Or is his cameo somewhere else in the movie?
it was like Scorsese was stylizing violence, the fascination with that life manifested itself in his future films. who else was doing this in the late 60's?
Clásico... todos los ambientes mafiosos del mundo se cocinan, transcurren así en el desparpajo y la jala jala de doble cara burguesa. Que gran Filme... Inmortal.
I can'i grasp what's happening over the film..everyone's busy praising scorsese,that's fine but what for..What is this film talking about.Bunch of gangsters partying and one turned out wild all of a sudden..is it that?? if so,so what??? how's this interesting
Aspiring filmmakers take note: all your favorite directors were using the same techniques in their first films that they used later in their careers, so there are a lot of cool things you can do even with a shoe string budget.
Not same techniques. Most film directors experiment with everything, keeping an open tech mind, though little ‘tech-spectacle’ making it thru their final cut. What’s there all along is theme, an internal theme playing independently of the story, which is pertinent to the authorship, indeed a trace proving authenticity.
@@ellefirogeni4624 Though I mean Scorsese was already using his editing style and did tracking shots in Who’s That Knocking At My Door and Duel has shades of Spielberg’s later works as well.
@@jwheeler1106 may safely say, each director has a very particular toolbox used throughout their filmography, intently or non, leaving a touch of fixation which may be traced-supporting ‘the auteur theory’. However, a truly great audiovisual narrator need be the one to create the ‘such so and so’ freed, anonymous directorial version, an untraceable to selfilm whisper or cry, where the universal core filters out the arbitrary chance history mechanisms of ltd egotistical urge. That only might attain an unbiased grip at reality, an idealism which would ably ‘speak’ to any an audience, (see cChaplin), ie irrespectively of any given release period mindset or else. Cinema ought to break the barriers of emotional and mental attitude human habitat: completely free communication of space & time bio-socio politics, And, to that intend, most directors and producers have little quality stuff to show. Classical HW has miraculously managed to generously set a most economic anDemocratic (anti-haughty) audiovisual language, which is easily readable and that’s an American gift of high quality to Humanity. Where it has failed is Content! Would we merge marry that tool-system to the existential cause, we would ‘kill’ or-better yet-restrict to that resting-need what’s ‘empty entertainment’ that, for one (=two), steadily alludes to ‘some’ sense of innate brute male violence, or ‘some’ dumblonde female seduction, inescapable modes. and yet, i could but agree with you, dear, as regards mr mScorcese.
Terrific scene in a brutally, wonderful film debut. A 25 year-old Martin Scorsese fuses pop songs and images in a film 2 years before 'Easy Rider.' And Scorsese's choices are all GOOD. I absolutely loved his series documentary about blues music.
Can't believe Scorsese made this during his NYU days. It shows even then that he was destined to be something, and what was come in the many years to come! Love the song and seeing Harvey Keitel at such a young age. Just shows you gotta start somewhere!
@@bencheshire It came in the late 70's if the book I was reading was correct. He was barely out of film school when he made this. He couldn't even have afforded a blow addiction if he wanted one lmao.
I've read that Scorsese has a cameo in this film, does anyone know if he's one of the background actors in this scene? Or is his cameo somewhere else in the movie?
American Legend ..Martin Scorsese ....One take..
One of my favorite Scorsese films liked this more then wolf of wall street by a mile, maybe not a better film but I liked it a lot more.
it was like Scorsese was stylizing violence, the fascination with that life manifested itself in his future films. who else was doing this in the late 60's?
Never saw anything good about it maybe I missed something? , I watched it years ago, I'll watch it again to see if I come to the same conclusion.
Scorsese defined his future in these first four minutes of his first film.
finally, somebody uploads this scene with it's actual score, not "i get around".
Ya’ll feel this inspired the opening to Reservoir Dogs??
where can i watch this full film
What is the name of this music!?
Congratulations well done...Oh grandpa
I saw Scorsese at the start, or his body double in this clip. I'm positive I briefly worked for him in the seventies.
Thats soo cool sir
I wanna hook this scene up on a drip into my veins
das anyone knows where i can si this movie?? i need to see with subtitles in spanishhh, tnks
It had a DVD release from Warner Brothers, so commercial copies are out there; I own it.
Didn't he use this I. Wolf of wall street
Clásico... todos los ambientes mafiosos del mundo se cocinan, transcurren así en el desparpajo y la jala jala de doble cara burguesa. Que gran Filme... Inmortal.
I can'i grasp what's happening over the film..everyone's busy praising scorsese,that's fine but what for..What is this film talking about.Bunch of gangsters partying and one turned out wild all of a sudden..is it that?? if so,so what??? how's this interesting
go back to sleep.
Yeah, this is definitively Scorsese !
WATUSI DE RAY BARRETO
What's the name of the song??
MARTIN, WHAT IN THE HELL ARE YOU EATING? *itsa cinnamon bun*
What a pos
not the last time Scorsese uses a Ray Barreto song in his movie. You can hear some Barreto in Mean Streets !
I just finished watching this movie and its brilliant. all the scenes just flow into each other.
where did u watch it?
@@felixin0_ I can’t remember I think it was on Netflix 2 years ago
Took a dare and lost. Headache 30 seconds into this fuck fest
you know you missed out on alot when this youtube video itself was released 10 years ago
Wise guy I strongly agree
Aspiring filmmakers take note: all your favorite directors were using the same techniques in their first films that they used later in their careers, so there are a lot of cool things you can do even with a shoe string budget.
He redid the scene in Wolf of Wall Street. With a different latin song.
Not same techniques. Most film directors experiment with everything, keeping an open tech mind, though little ‘tech-spectacle’ making it thru their final cut. What’s there all along is theme, an internal theme playing independently of the story, which is pertinent to the authorship, indeed a trace proving authenticity.
@@ellefirogeni4624 Though I mean Scorsese was already using his editing style and did tracking shots in Who’s That Knocking At My Door and Duel has shades of Spielberg’s later works as well.
@@jwheeler1106 may safely say, each director has a very particular toolbox used throughout their filmography, intently or non, leaving a touch of fixation which may be traced-supporting ‘the auteur theory’. However, a truly great audiovisual narrator need be the one to create the ‘such so and so’ freed, anonymous directorial version, an untraceable to selfilm whisper or cry, where the universal core filters out the arbitrary chance history mechanisms of ltd egotistical urge. That only might attain an unbiased grip at reality, an idealism which would ably ‘speak’ to any an audience, (see cChaplin), ie irrespectively of any given release period mindset or else. Cinema ought to break the barriers of emotional and mental attitude human habitat: completely free communication of space & time bio-socio politics, And, to that intend, most directors and producers have little quality stuff to show. Classical HW has miraculously managed to generously set a most economic anDemocratic (anti-haughty) audiovisual language, which is easily readable and that’s an American gift of high quality to Humanity. Where it has failed is Content! Would we merge marry that tool-system to the existential cause, we would ‘kill’ or-better yet-restrict to that resting-need what’s ‘empty entertainment’ that, for one (=two), steadily alludes to ‘some’ sense of innate brute male violence, or ‘some’ dumblonde female seduction, inescapable modes. and yet, i could but agree with you, dear, as regards mr mScorcese.
Scorsese is the dude rubbing his nose at the beginning.
I didn't noticed ...👍
it's cocaine
Woah.
Is this funny? Funny how?
jorge garcia X like i am a clown like i amuse you i dont know you tell me how the fuck am i funny
@@AA-sn9lz I love you both. That is all.
@@kevlow9494 man, I commented that a year ago!!! Time flies
it's not a comedy its a romantic drama wdym
@@mulethedonkey2579 Goodfellas reference :P
Terrific scene in a brutally, wonderful film debut. A 25 year-old Martin Scorsese fuses pop songs and images in a film 2 years before 'Easy Rider.' And Scorsese's choices are all GOOD. I absolutely loved his series documentary about blues music.
Could you share which documentary?
Yeaa please post tha link!
Homies drinking, smoking ciggs, playing with Guns fuck my teenager year's we're the shit..
Too Gangster..
Not an Italian song at all -- sung by Puerto Rican Ray Barretto.
Italian only soundtracks have never been a Scorsese thing.
It's Cuban music
When a gun comes out ... You leave!!!! -Jeep-USN. Ret.-
Marty, stop making Hollywood shit. Time to get back to your film art roots.
Have you seen Silence?
what's the name of the song
El Watusi - Ray Barretto
Can't believe Scorsese made this during his NYU days. It shows even then that he was destined to be something, and what was come in the many years to come! Love the song and seeing Harvey Keitel at such a young age. Just shows you gotta start somewhere!
Scorsese at the beginning, rubbing his nose?
Coke-head at this stage I believe.
Coke-head at this stage I believe.
@@bencheshire It came in the late 70's if the book I was reading was correct. He was barely out of film school when he made this. He couldn't even have afforded a blow addiction if he wanted one lmao.
2:40😂😂
el watusi, ray barretto
Thanks for this post!
One of my favourite scenes period
This scene is definitely based on Fellini's LA DOLCE VITA.
you can really see how Raging Bull comes out of this imagery.
Amazing! this is a fuckin' great pill of great Scorsese!
wow this is innovative even for a late 60s film
your dad is f*ckin' cool
Great movie but sometimes i wonder what its about
people who get bored, a guy hesitating between being a gangster and having a normal life, having your first love with the weight of religion etc
- Love that Bugalu!