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Thank you!

@@bovinehost I recommend interpretive dance.

@@solobasssteve thank you

Slowly working my recording rig up to the place where I can record some audio demos. I'll try to get at least one done this weekend. The computer application is an evolution of control applications that I have done in the past for my products. The latest version runs on PC or Mac. Please visit www.looperlative.com to see all that I do with looping products.

I've added another video with audio this time: th-cam.com/video/vS8Wvow1xlk/w-d-xo.html

The sequence can be programmed to a MIDI program change, MIDI note, or MIDI controller message.

@@bobamstadt2193 Thank, Please make this 96khz. 32 bit bits. This edges out the pigtronix looper . Near the same price range. So it is a competition. Quality that I can feel not measure matters to me and maybe others

@@frankjamesbonarrigo7162 Internally it is 32-bits. That said, careful on assuming that higher numbers mean better quality. I'd be happy to have somebody test the two units and provide a comparison.

Sorry, but you'll have to explain what that is because I don't follow what features Boss has in their products. Rather than duplicate another vendor's product, the LP1 is designed to offer versatility. If there is a specific thing that you want to do, describe what you'd like to do and I can explain how it can be done with the LP1.

@@larryseyer The LP1 can send MIDI clock based on the length of Track 1. Also, the LP1 can accept MIDI input on any or all tracks as you choose. The LP1 does not dynamically stretch audio based on tempo changes, but you can stretch audio. There is a cue function that could be used with MIDI sync tracks to switch tracks at the end of the currently playing track. Overdubs are always unlimited. There is no point in limiting them. Run me through the steps of constructing one of your songs and maybe I can help. I'm always looking to make things easier. BTW, if your drum machine is a slave to the tempo, you could avoid doing MIDI sync record and just use normal sync record including using the Switch functionality described in this video. You could define track 1 as containing only a single beat. You can set your tap tempo that way. Now your drum machine will follow that clock. You could then generate track 2 as a multiple of track 1 to get a full bar into track 2 and make it the master track. At that point, everything will be in sync with track 2. Track 1 and 2 could have audio or silence recorded in them. It wouldn't matter. There are probably a few other permutations that work, but this is the one that immediately comes to my mind.