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Ceren Oran
เข้าร่วมเมื่อ 28 ก.ค. 2009
SHARD. a dance solo on the post-traumatic process
Shard (2024)
A dance solo on the post-traumatic process by Ceren Oran & Moving Borders
One circle, one dancer, one community. So many stories, lines, experiences and no end. “Shard”
paints a choreographic picture of how individuals and society deal with trauma. It shares the feeling
of loneliness resulting from traumatic experiences and sheds light on the post-traumatic inner states
of anger, grief, despair, guilt, fear and isolation. At the same time, it raises questions: Is truthful
empathy actually possible? What does support mean in such states of emergency? What do we shy
away from? What language do we find in dealing with each other? Can we hold on and endure this?
ARTISTIC DIRECTION & CHOREOGRAPHY: CEREN ORAN
DANCE & CHOREOGRAPHY: JOVANA ZELENOVIČ
MUSIC: BENNY OMERZELL
DRAMATURGY: JEAN-BAPTISTE CHARLOT
LIGHT DESIGN: RAMONA LEHNERT
CREATED WITH: RENATE EICHBERGER, CHRISTIANE HENSEL, JOHANNES HOCHHOLZER,
KONRAD MAYER, THERESA MEIDINGER, SIEGFRIED MÜNZING, PAULA NIEHOFF, JAROSLAV
ONDRUS, NINAE SEIBT, PATRICIA ULMER
CREATIVE PRODUCTION: KAROLINA HEJNOVA
PRODUCTION MANAGEMENT: MICHAEL HENNIG
PR: SIMONE LUTZ
A dance solo on the post-traumatic process by Ceren Oran & Moving Borders
One circle, one dancer, one community. So many stories, lines, experiences and no end. “Shard”
paints a choreographic picture of how individuals and society deal with trauma. It shares the feeling
of loneliness resulting from traumatic experiences and sheds light on the post-traumatic inner states
of anger, grief, despair, guilt, fear and isolation. At the same time, it raises questions: Is truthful
empathy actually possible? What does support mean in such states of emergency? What do we shy
away from? What language do we find in dealing with each other? Can we hold on and endure this?
ARTISTIC DIRECTION & CHOREOGRAPHY: CEREN ORAN
DANCE & CHOREOGRAPHY: JOVANA ZELENOVIČ
MUSIC: BENNY OMERZELL
DRAMATURGY: JEAN-BAPTISTE CHARLOT
LIGHT DESIGN: RAMONA LEHNERT
CREATED WITH: RENATE EICHBERGER, CHRISTIANE HENSEL, JOHANNES HOCHHOLZER,
KONRAD MAYER, THERESA MEIDINGER, SIEGFRIED MÜNZING, PAULA NIEHOFF, JAROSLAV
ONDRUS, NINAE SEIBT, PATRICIA ULMER
CREATIVE PRODUCTION: KAROLINA HEJNOVA
PRODUCTION MANAGEMENT: MICHAEL HENNIG
PR: SIMONE LUTZ
มุมมอง: 1 464
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Where is the stop? the suspention? the madness?
Now what???????
Dont believe the steps that she uses reflects the Frau Problem. Is just dance with not subject👺
What are they doing. To dance reflecting a subject you must used those steps thar reflects the subject
Is a discoteque?
At the beginnig this coreo uses classics expression that has nothing to do with the subjetc Dance Epidemy, then they used just any kind o dance style. Not goog
Full movie somewhere?? amazing trailer
Canım kızım❤❤
This is pure art! I want to see more videos like this 😭❤️
Satanic shit
tolles Projekt 🙂
Such an amazing trailer!
Ne güzel insansın sen
🙏
Sen Türk müsün?
Whoa, this is mesmerizing
voi.fyi cool
Amazing!
👏👏👏👏👏👏
Hummm!
Mind blowing
U so mad
Vibing on gta
Olivier vibing on gta v
Yo mama so fat dude
this is so fantastic Just that fact that you went the length to dance for a whole 6 minutes and 30 seconds I feel adds a new layer of meaning
absolutely wonderful performance!
Ok
what
When I watched, I got goosebumps. Absolutely amazing performance. I congratulate you for your own improvisation and feel. I was fascinated while watching.
Thank you!
The dance is perfect. It shows the pain, the messiness and complete lack of awareness. This is a fantastic reimagine of what most of the people suffering from the plague must have been like and went through. The music was a fantastic choice as it's chaotic, messy, no sense of structure and that's the true feeling of that this incident was told to be.
Thank you!
azim sadelik ve dünya vatandaşı olmak...
Teşekkür ederim !
Heilige scheiße wie bin ich hier gelandet
Troffea use the voice, the hysteria, the screaming, the jumping and madness, this is nothing like Troffea, sorry
Dear Nyako Nakar, Thank you very much for your attention and for your comment to my video. Actually exactly as I was writing below the video at the description part, this dance is not a repeat or re-make of Frau Troffea. It is my very personal dance improvisation, inspired by the incident of Dancing Plague of 1518, to invite people to a 30 hours dance marathon event, to experience this special body and mind state with me. A research to find an answer "why do I dance?". Because this question was the first and the biggest question, which appeared in my mind after I heard about Dancing Plague of Strasbourg 1518 and its protagonist Frau Troffea. During this process of working with my inspiration of Dancing Plague, "how?" was never a question for me. I was always interested in the "why?". On the other hand, as I was researching about the Dancing Plague of Strasbourg during 2018, I couldn't find any source which can state and picture exactly the quality of Dancing Plague and how did Frau Troffea really dance. As far as I could figure out; there are poetic descriptions as well as some predictions for how the dancing plague looked like. And as it happened more than 500 years ago, these informations are the only sources that we can get close to understand what she really did or looked like, but never a certain or exact quality. I wished so many times that there would be resources to show it to us, how it really was. Because trough my experience, knowing how a (sober) body and mind hurts and transforms after only 21 hours of non stop dancing, I would love to see how a dancing body looked, sounded and felt like after 100s of hours of dance. But I guess unfortunately or maybe fortunately we are all left alone with our own imaginations and interpretations from what we can read, think about, experience and feel. All the best, Ceren Oran
tbm n sei
so sexual at the start
Ceren, you are so beautiful. Andrea