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Materia Films
Italy
เข้าร่วมเมื่อ 28 ก.ค. 2016
www.materiafilms.com
Nel mondo animato
un documentario di Paolo Parmiggiani | Materia Films (2022)
musica/soundtrack: open.spotify.com/track/5crR670QTRcl18rUncs3SH?si=hXI1vDipTIuapS4pCUVRkw&context=spotify%3Aalbum%3A7fRjpGvnnXC7kcN84iXbPV
con/with Theo Jansen, Kanjuto Kiritake III, Jean-Baptiste Mouret, Barry Purves, Giulio Sandini
Il documentario è un viaggio alla scoperta del movimento e dell’interesse che suscita, stimolando lo sviluppo di forme artistiche e tecnologiche. Il filo conduttore di questa esplorazione è l’animazione, ossia la facoltà che consente agli esseri umani di rappresentare ciò che è vivo o che sembra vivo. Il percorso si sviluppa attraverso diversi mondi: dal teatro giapponese Bunraku, i cui pupazzi sono mossi con tecniche tradizionali altamente sofisticate, per arrivare alle ultime frontiere della robotica, capaci di interagire con l'uomo o di adattarsi all’ambiente circostante. L’indagine si estende all’artificio della stop-motion, una tecnica cinematografica ormai classica, e culmina con le "Strandbeest", strutture cinetiche animate dal vento, che si muovono in simbiosi con la natura. Grazie alle testimonianze e ai racconti di protagonisti delle arti visivo-performative e della ricerca scientifica, ogni capitolo del documentario svela un frammento fondamentale di ciò che può essere inteso come animazione, dove il confine tra il naturale e l'artificiale, tra l'immobile e il dinamico, è sottile. Un racconto che invita a riflettere su come l’animazione non sia solo una manifestazione propria dell’ingegno umano, ma anche uno strumento per comprendere il mondo e le sue infinite possibilità.
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a documentary by Paolo Parmiggiani | Materia Films (2022)
The documentary is a journey into the discovery of movement and the fascination it evokes, driving the development of artistic and technological forms. The common thread of this exploration is animation-the ability that allows humans to represent what is alive or appears to be alive.
The journey unfolds across various realms: from Japanese Bunraku theater, where puppets are manipulated using highly sophisticated traditional techniques, to the cutting-edge frontiers of robotics, capable of interacting with humans or adapting to their surroundings. The investigation extends to the artifice of stop-motion, a now-classic cinematic technique, and culminates with the “Strandbeest,” kinetic structures animated by the wind, moving in harmony with nature.
Through the testimonies and stories of key figures from the visual and performing arts as well as scientific research, each chapter of the documentary reveals a fundamental fragment of what can be understood as animation-a realm where the boundary between the natural and the artificial, between the static and the dynamic, is remarkably thin.
This narrative invites reflection on how animation is not merely a manifestation of human ingenuity but also a tool to comprehend the world and its infinite possibilities.
Materia Films 2022. All rights reserved.
------------------------------------------------
#animation #theatre #robotics
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th-cam.com/channels/JASjzwS53-jBm7ENnRDDqA.html
Visit internet site
www.materiafilms.com
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materiafilms?hl=it
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it-it. materiafilms/
musica/soundtrack: open.spotify.com/track/5crR670QTRcl18rUncs3SH?si=hXI1vDipTIuapS4pCUVRkw&context=spotify%3Aalbum%3A7fRjpGvnnXC7kcN84iXbPV
con/with Theo Jansen, Kanjuto Kiritake III, Jean-Baptiste Mouret, Barry Purves, Giulio Sandini
Il documentario è un viaggio alla scoperta del movimento e dell’interesse che suscita, stimolando lo sviluppo di forme artistiche e tecnologiche. Il filo conduttore di questa esplorazione è l’animazione, ossia la facoltà che consente agli esseri umani di rappresentare ciò che è vivo o che sembra vivo. Il percorso si sviluppa attraverso diversi mondi: dal teatro giapponese Bunraku, i cui pupazzi sono mossi con tecniche tradizionali altamente sofisticate, per arrivare alle ultime frontiere della robotica, capaci di interagire con l'uomo o di adattarsi all’ambiente circostante. L’indagine si estende all’artificio della stop-motion, una tecnica cinematografica ormai classica, e culmina con le "Strandbeest", strutture cinetiche animate dal vento, che si muovono in simbiosi con la natura. Grazie alle testimonianze e ai racconti di protagonisti delle arti visivo-performative e della ricerca scientifica, ogni capitolo del documentario svela un frammento fondamentale di ciò che può essere inteso come animazione, dove il confine tra il naturale e l'artificiale, tra l'immobile e il dinamico, è sottile. Un racconto che invita a riflettere su come l’animazione non sia solo una manifestazione propria dell’ingegno umano, ma anche uno strumento per comprendere il mondo e le sue infinite possibilità.
------------------------
a documentary by Paolo Parmiggiani | Materia Films (2022)
The documentary is a journey into the discovery of movement and the fascination it evokes, driving the development of artistic and technological forms. The common thread of this exploration is animation-the ability that allows humans to represent what is alive or appears to be alive.
The journey unfolds across various realms: from Japanese Bunraku theater, where puppets are manipulated using highly sophisticated traditional techniques, to the cutting-edge frontiers of robotics, capable of interacting with humans or adapting to their surroundings. The investigation extends to the artifice of stop-motion, a now-classic cinematic technique, and culminates with the “Strandbeest,” kinetic structures animated by the wind, moving in harmony with nature.
Through the testimonies and stories of key figures from the visual and performing arts as well as scientific research, each chapter of the documentary reveals a fundamental fragment of what can be understood as animation-a realm where the boundary between the natural and the artificial, between the static and the dynamic, is remarkably thin.
This narrative invites reflection on how animation is not merely a manifestation of human ingenuity but also a tool to comprehend the world and its infinite possibilities.
Materia Films 2022. All rights reserved.
------------------------------------------------
#animation #theatre #robotics
Subscribe TH-cam channel:
th-cam.com/channels/JASjzwS53-jBm7ENnRDDqA.html
Visit internet site
www.materiafilms.com
Follow Instagram:
materiafilms?hl=it
Follow Facebook:
it-it. materiafilms/
มุมมอง: 88
วีดีโอ
iCub Explained
มุมมอง 2.5Kปีที่แล้ว
iCub Explained a documentary by Paolo Parmiggiani and Giulio Sandini www.robotcub.org www.iit.it/people/giulio-sandini www.materiafilms.com filmed and edited by Paolo Parmiggiani photo editing, animated map: Cesare Parmiggiani music “Automata suite” | Materia Films | Paolo Parmiggiani: open.spotify.com/track/5crR670QTRcl18rUncs3SH?si=4Txk2N-gRim-CX6myiBkYg © Materia Films 2023. All rights reser...
Trnka's Dream. From Puppets to Films
มุมมอง 2.3K2 ปีที่แล้ว
Prague-Teplice, Anifest, 2012 with Edgar Dutka, Jiří Látal, Vlasta Pospíšilová filmed and edited by Paolo Parmiggiani excerpts from "A Midsummer Night's Dream" and "The Hand" by Jiří Trnka translation: Magdalena Legerska, David Kerr Thanks to Luca Marazzi © Materia Films 2012 (Safe creative identifier: 2207061532442) #puppets #trnka #animation Subscribe TH-cam channel: th-cam.com/channels/JAS.h...
Leonce und Lena. Behind the scenes of the Teatro Medico Ipnotico
มุมมอง 7203 ปีที่แล้ว
interview with Patrizio Dall'Argine and Veronica Ambrosini Vianino and Parma, 23-27 December 2013 excerpts from "Leonce und Lena" Teatro Medico-Ipnotico Patrizio Dall'Argine and Veronica Ambrosini: puppeteers Thea and Virginia Ambrosini: stage management music by Marco Amadei, Luca Marazzi, Enrico Padovani filmed by Riccardo Manfredi and Paolo Parmiggiani edited by Paolo Parmiggiani translation...
Switching the waves. An introduction to the modular synthesizer with Enrico Cosimi
มุมมอง 9K4 ปีที่แล้ว
interview with Enrico Cosimi Rome, 1 July 2020 filmed by Paolo Parmiggiani John Cage photo, courtesy Corinto Marianelli Pierre Vellones and Maurice Martenot photo ["File:Vellones et martenot.jpg" by femme de Pierre Vellones] is licensed with CC BY-SA 3.0 translation: David Kerr © Materia Films 2020. All rights reserved (Safe Creative identifier: 2012186259224) #modular #synthesizer #theremin #moog
![[Abstract] Automata. Movement and states of consciousness](http://i.ytimg.com/vi/qAG3XkkXH1A/mqdefault.jpg)
[Abstract] Automata. Movement and states of consciousness
มุมมอง 2.1K4 ปีที่แล้ว
a documentary by Paolo Parmiggiani with Theo Jansen The Hague beach, 7 August 2015 th-cam.com/video/0ePeBNJuKCQ/w-d-xo.html Jean-Baptiste Mouret Nancy, INRIA Grand Est, 16 January 2017 th-cam.com/video/3VFWAhdiu9w/w-d-xo.html Barry Purves Altrincham, Garrick Playhouse, 4 September 2017 th-cam.com/video/1LTyUd6DQbE/w-d-xo.html Kanjuro Kiritake Osaka, National Bunraku Theatre, 17 April 2019 th-ca...
The art of ningyō jōruri. Insights into Bunraku with Kanjuro Kiritake III
มุมมอง 20K5 ปีที่แล้ว
National Bunraku Theatre, Osaka interview with Kanjuro Kiritake III 17 April 2019 with the collaboration of Fumiko Nishihara (Bunraku Kyōkai) directed by Paolo Parmiggiani 1st camera op. and editing: Paolo Parmiggiani 2nd camera op.: Cesare Parmiggiani the interview was conceived with the contribution of Pietro Morasso and Giulio Sandini (IIT, Genoa) interpreting during the interview: Peishun C...
What is a puppet? Barry Purves between animation and theatre
มุมมอง 4.1K6 ปีที่แล้ว
Altrincham, Garrick Playhouse interview with Barry Purves 4th September 2017 filmed by Paolo Parmiggiani excerpts from Next, Screenplay, Rigoletto, Achilles, Hamilton Mattress, Tchaikovsky an Elegy courtesy Barry Purves, Loose Moose, Harvest Films, Studio M.I.R. timelapse sequence, stage photos: Joe Clarke, Vishal Sharma music © Materia Films thanks to Emilie De Stefano, Andrea Zanrè, Garrick P...
Robots like animals. Jean-Baptiste Mouret speaks about robotic adaptation
มุมมอง 2.8K7 ปีที่แล้ว
Inria Nancy - Grand Est interview with Jean-Baptiste Mouret 16th January 2017 filming, editing and music: Paolo Parmiggiani interpreting during the interview: Emilie De Stefano English translation: David Kerr testing and 3D footage, courtesy Jean-Baptiste Mouret and Antoine Cully Thanks to Riccardo Manfredi, Guido Castagnetti, Carla de Lucio and their cat Cicci Materia Films © 2017. All rights ...
Theo Jansen on the beach. A Strandbeest session
มุมมอง 89K8 ปีที่แล้ว
Theo Jansen's beach session The Hague, 7th August 2015, Beach club 'De Fuut', filmed and edited by Paolo Parmiggiani Thanks to Yann Urbann, Andrea Zanrè Materia Films © 2016-2017. All rights reserved (Safe Creative identifier: 1701270459664) #theojansen #strandbeest #interview #thehague #beach #paoloparmiggiani Subscribe TH-cam channel: th-cam.com/channels/JASjzwS53-jBm7ENnRDDqA.html Visit inte...
Buen video. Genial estructura.
iCub one of my favourite robots
Woah! Fantastic!
❤ Gracias ☺️ ❤❤
Beautiful, touching. this is a great channel.
Theo Jansen is a genius, he is too modest for the beautful, orgainic creations he has created.
ma che meraviglia! grazie!
Jestem pod wrażeniem tego jak przyroda Pana inspiruje i tym jak dzieli się pan z ludźmi pięknem tego jak wiatr i słońce udoskonala piękno rzeźby
❤❤❤ the little feet on it! Peaceful. Function. Articulations.
This is beyond Automata, I get the same feelings when I saw a White Moose in the snowy forest, pure magic, breathing sculptures, it makes me happy 😊Thank you! Love from Sweden💛💙
thank you. I am very happy to discover this good work - please make more little clips like this to remind me and teach me about the beauty of traditional Japanese theatrical art. thank you very much. This is very good. Thank you to Kanjuro Kiritake III -- please can we have something like this for all the leading performers.
Это просто *фантастика*, удивительные, потрясающе интересные конструкции, словно инопланетные существа!
Arte
That's the first video [that I've seen] showing people interacting with your art. I think it's interesting piece of mechanics.
Wundervolle Idee, Faszination der Biomechanik, schöne Idee auch , dass ein Schöpfer ein paar Jahre Zeit hat, aus Protein ganz passable Geschöpfe zu kreieren.
さすが勘十郎さん説明がお上手！ 文楽は本当に面白いし驚きなので世界に広がってほしいですね。
What beach? I wanna be there.....!!!
Orgoglio italiano!
I love his movies! Thank you for the upload
Enrico is truly a Master of Synths
Bravissimi
Per me resterà sempre IL SINTETIZZATORE… specie se ben temperato…. Sempre nel mio cuore di bambino quando lo ascoltai la prima volta …❤
omg. jaw drop.
Super !
I am a '90s kid, and on any given day I will pick these movies over the latest ones. So much soul! Makes you want to cry. Thank you for sharing. Lots of love from India. 💜
Truly an artist who understands that function IS form
are you an architect, too? Great conclusion!
Yes, is we copy & comprehend Nature & Natural Law's, Then We Open Up Infinite Possibilities To Help All Life Exactly As The Good Lord Has Laid The Foundations Of All Creation, Perfectly, Symmetrically Exactly As It Was Intended! ☝️ ♥️ 🌍 🏴 🍀 🌈 🕊️ ♾️ 🙏 💪
I wonder if one of these has walked into the water, and does it float?
It's made out of pipes but I think it's too heavy to stay afloat
It's definitely art, but it's not exactly life, there are more requirements for that. It's more properly an automaton that is wind-powered. That said it's still delightful art!
Your beasts are surprising and amazing. 👍👍👍Thank you for letting me see them. Don't get mad if one breaks it's leg.
amazing at first thought it was going to fly. .or was A Davinci model.
Howl's Moving Castle came to my mind right away. This is just so beautifully unreal.
Fr its howls moving castle in rl
So beautiful to see the children running along with it.
Theo is sent to clear the beaches
It's amazing the skills that GOD endowed us with to make these wonderful things!
This is absolutely incredible, this man is a true innovator
but why
Why not!!!!
Just because
Prof sei mitico...ma la vera magia e' occultare tutto il filame che ce sta dietro ai moduli😆😆
La competenza, gli aneddoti, il tono di voce e l'esposizione. Dovrebbe esserci un esercito di Prof. Enrico Cosimi per insegnare ogni materia
Ho provato a premere più volte Ctrl+D quando appare ma niente da fare... è inclonabile, indupilicabile :( Ci dobbiam tener stretto l'unico che abbiamo.
Fantastic!
Amazing. He is truly an expert and source of inspiration
Magnífica Arte Milenar!
Who’s here for school
Me to drama
anyone doing this for school?
Drama
Nice
nice
Wonderful video.Thanks.
Congratulazioni prof..
Ottimo video!!
mi è venuta una improvvisa voglia di fuck buttons...così a caso