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CL Composer
เข้าร่วมเมื่อ 22 ม.ค. 2013
Caleb Lackwood M.
Composer
Paypal: www.paypal.me/CalebLackwood200
Composer
Paypal: www.paypal.me/CalebLackwood200
วีดีโอ
Variations on Nel cor più non mi sento (Orchestral version) | My composition
มุมมอง 482 หลายเดือนก่อน
By Caleb Lackwood Mejía
Variations on Nel cor più non mi sento | My composition
มุมมอง 2192 หลายเดือนก่อน
By Caleb Lackwood M.
Fantasia quasi Sonata No.1 | My composition
มุมมอง 1886 หลายเดือนก่อน
Fantasia quasi Sonata No.1 | My composition
what is the inspiration?
@@kakhigiorgadze8487 Beethoven Sonatas with a modern quirk
@@clcomposer7965 the 27th one checks in at the beginning
NoIce
Introduction is copied from Grünfeld/Strauss Paraphrase on Die Fledermaus
Noice
4:50 "Pui" Mosso lol
Me gusta mucho 😍
Noice
noice
First movement 0:00 to 15:37 Second movement 15:37 to 22:38 Third movement 22:38 to 28:59 Fourth movement 28:59 to 34:22
noice
noice
Do you even know what an etude is? You should study there. The one section on 3rd minute (start from 02:00) is just inhumane. Can you learn a thing by that? Ask or Search first before you go to practice.
@@nurrasyid14_ True, in the whole B section the tempo has to be slower, at that time i did not know that much about music, this was before the pandemic, a long time ago. These pieces are old, i'm posting them to not forget them.
The subject is just cliche. you really need to learn Cantus Firmus once more, plus you have to note that Rondo should be composed in Double meter instead of triple. Plus you should compose Rondo in ternary form instead of just let the melodies flow following your mind. Your mind isn't even planning to compose a Rondo.
@@nurrasyid14_ I'll follow all the things you said, and also i'm not trying to be a total classical composer, i think its quite boring to follow always the same rules that's why Chopin made the Finale movement of his second sonata like that.
@@clcomposer7965 He actually did explore something by that movement, and he actually tried to make a canon out of that.
@@nurrasyid14_ Ok, but don't worry i'll improve and follow your advice
Nice piece bro, but I have some notes for you on this Scherzo : 1. Tempo mark isn't always about BPM number, but about moods too. You've written Presto, but in fact it's quite tranquil and not furious. You can write "Allegro tranquillo" instead because of the average mood of this piece. 2. a. About Scherzo's characteristique, the only thing you get right is that it should be composed in triple meter and in ABA form. Meanwhile the other things you should consider are that Scherzo should be Playful, Fast, and near to Furious in the entire section A. About the section B, instead of two, you should compose in three voices since it's defaultly called "Trio" section. b. And about the Section writing, you have to note that you have to compose in binary form for at least section A, or it'll be better if you compose in binary form for both sections. 3. You should consider the humanity of your own works, because the Coda seems to be impossible to be played by human hands. 4. You need to learn Cantus Firmus once more, because your progressions are kind of absurs, plus you didn't end the piece with any clear cadences.
@@nurrasyid14_ Thanks i'll consider all your suggestions, the thing is that these pieces that i'm posting are old, and nowadays i'm really busy to even correct them. But if i even get any time, i'll correct them and follow what you said.
@@nurrasyid14_ In the Coda the tempo is supposed to be slower, i'll correct that
Perez Laura White Larry Gonzalez Sarah
NoIce
0:00 Introduction 5:54 Theme 6:42 Var 1: Brillante 8:16 Var 2: Sempre Sostenuto 10:01 Var 3: Con Bravura 11:45 Var 4: Veloce ma accuratamente 14:06 Var 5: Poco piu mosso 18:49 Finale: Alla Etude
0:00 Introduction 5:54 Theme 6:42 Var 1: Brillante 8:16 Var 2: Sempre Sostenuto 10:01 Var 3: Con Bravura 11:45 Var 4: Veloce ma accuratamente 14:06 Var 5: Poco piu mosso 18:49 Finale: Alla Etude
nice piece, real workout for a pianist!
very original. good stuff!
noice
noice
noIce
Thanks for an interesting piece! I feel that the structure and rhythm of this piece shows the influence of Chopin's Op.64-1. However, the harmony and melody are unique.
noIce
noice
noice
noice
Just curious, at 29:33 until the end of the piece, is the tempo supposed to be as fast as it is? If so, then those 16th note octaves and chords are impossible to play at that tempo unless you have a pneaumatic hammer for a hand lol. But thank you for sharing this music.
True, the tempo can be more slower. Sorry at the time i made this piece i was not that good composing tbh, actually all the last movement should be a little bit slower.
noice
Thank you for the wonderful music today Feel strong.
It should be "Più", not Pui Expressivo -> Espressivo Affectuoso -> affettuoso
Yes, these pieces are old, this was in the period that i did not know italian that much. But in the final pdf of the pieces all those mistakes are corrected, so don't worry.
Allegro maestoso 0:00 Minuetto 12:00 Adagio Clasico 18:52 Allegro Vivace 25:42
Good music, but the spelling mistakes are really funny
Allegro con "focuo" again
Hi, yeah these works that i'm uploading are pretty old before the pandemic. Until following opus i corrected the mistakes. Thanks for watching btw
1:47 the con fuoco is spelled correctly!
what does "con focuo" mean? it should be "con fuoco" instead of con focuo
I'm not good at italian, but you understood the meaning anyways
this is not music. the fact that you think you deserve money for this sub-amateur garbage is crazy. study ebenezer prout's "Harmony: its theory and practice" 16th impression or later. also use the supplementary "analytical key to harmony: etc." when going through every single exercise in that book.
I wish I could play the piano like this
noice
Sounds like a combination of Chopin’s sunshine and black keys etudes
La main gauche trop dissonante... Dommage !
I'm good at listening I'd be happy. if I could handle it like that
Lets see i'm rooting for you right now
When you want to write a passage of notes that's played an octave higher than is written, you don't put a treble clef, you use a 8va and a broken line for the duration of the passage. Using the treble clef just makes it confusing to read
He used 8 clef, same function as 8va
Nice
nice
hmmmmmmmmmm…
NaIce
Interesting.
Glad you think so!
I'm beginning to envy your compositions lol