Luca Sutto
Luca Sutto
  • 17
  • 16 570
Luca Sutto | HERTHA
"HERTHA" is to this day (2023) my most significant work for vocal ensemble, born from a collaboration with Vokalensemble equilibrium in a project coordinated by Margareth Tumler and dedicated to the rediscovery of underrepresented Austrian female poets.
TIMESTAMPS
0:10 - I.
3:59 - II.
7:58 - III.
10:44 - IV.
14:48 - V.
17:20 - VI.
18:32 - VII.
PROGRAM NOTES
I chose to compose a monothematic piece about the figure of Hertha Kräftner, an Austrian poet who died young by suicide, tormented by traumatic life events that resulted in lifelong struggles with severe depression. In this piece, I retraced Hertha's final moments of life using some of her poems, both in fragmented verses and in their entirety, attempting to imagine what she must have felt in this endless spiral of love, desire, and death.
The composition, approximately 20-25 minutes long, is divided into seven movements but is conceived to be performed as a single piece. Therefore, these movements represent more sections of the piece than separate songs.
The first movement (0:10) opens the composition with the distorted image of "strange violins" (fremde Geigen), foreshadowing the mortal fear of twilight (Dämmerung), a recurring theme in Hertha Kräftner's poetry, which we will encounter in other forms later on. The piece concludes with a solitary chant, imbued with faint hope, in the resolute phrase "'on it [your dream] now hangs your world'" (“an ihm hängt jetzt dein Welt”).
The second movement (3:59) begins with the ruthless vision of twilight, presenting itself as a loud yet silent scream. This vision is followed by the melodic ostinato of the entire piece, punctuated with the words "I feel tiredly" (Ich fühl’ müd). The image of twilight generates a series of re􏰁ections on its meaning, intertwining with a face emerging from the darkness, from which one cannot escape - "my soul takes it with me" (denn meine Seele nimmt es mit).
The third movement (7:58) is a sweet, nostalgic, and temporary memory of lost childhood and entry into adolescence, represented by the red roses in the garden (in Garten die roten Rosen sind), blooming overnight. This memory is followed by the stark conclusion "and you are no longer a child" (“und man ist nicht mehr Kind”). The piece ends with a 􏰁eeting appearance of twilight, almost bringing us back, after the momentary reminiscence, to the dreadful present.
The fourth movement (10:44) opens with an image of the submerged world underwater, sealed lips (literally), and narrates the action described by the words "I am a leaf that wants to sink deep into the lake" (“Ich bin bin Blatt Das tief im See versinken will”). Abandonment to the depths of the sea, from which one will never resurface, is a metaphor for sinking into the abyss of inescapable depression, witnessing a gradual detachment from physical reality and one's own body.
It is the detachment from one's body that constitutes the theme of the fifth movement (14:48), where the image of a sexual act without involvement is portrayed as a kind of ancient ritual, a ceremony not of initiation but of closure, death, and dissociation from oneself - "I am no goal" (Ich bin kein Ziel).
The sixth movement (17:20) is wordless and revisits the musical theme of the first movement, with the words that sang of twilight, representing Hertha's final moment before succumbing to drug poisoning.
The seventh movement (18:32) chronologically occurs after the poet's death and is a choral chant of ascension based on the words "I want to go with the evening glow" (“Ich möchte mit der Abendröte gehen”), where the music resumes the nostalgic and peaceful harmonies of the third movement. The piece concludes with a pagan ascent, bittersweet in 􏰁avor, towards "the cool stars" (in die kühlen Sterne).
CREDITS
Performers: Vokalensemble equilibrium
Conductor: Natali Kazlauskaitė
Artistic Director: Margareth Tumler
Music: Luca Sutto
Texts: Hertha Kräftner
Camera Operators: Benjamin Pieber, Stephan Herzog
Editor: Stephan Herzog
Sound Mixer and Color Grading: Luca Sutto
A Herzog Media Production
~~~ ALL MY MUSIC! ~~~
🎧 Listen to my music on TH-cam:
tinyurl.com/4zbj5fcu
~~~ SOCIALSss ~~~
📸 INSTAGRAM: lucasuttomusic
🆇 TWITTER: lucasuttomusic
💼 LINKEDIN: www.linkedin.com/in/lucasuttomusic
📘 FACEBOOK: lucasuttomusic
📧 EMAIL: www.lucasutto.com/contact
🌎 WEBSITE: www.lucasutto.com
.
.
.
#composer #choir #choirmusic #newmusic #classicalmusic #lucasuttomusic
มุมมอง: 302

วีดีโอ

🎹 piano tips from the WORST SIGHT-READER
มุมมอง 11K10 หลายเดือนก่อน
Me and sight-reading have... history! - and not the fondest 😣 This video might just spare you the 15-year ordeal I went through trying to tackle the mess of reading music straight off the score. TIMESTAMPS: 0:00 - POV 0:49 - The belly of the beast (of sight-reading) 1:39 - Therapy session 6:17 - My reading journey 8:34 - The education system 10:36 - My tips for bad sight-readers 14:13 - Eyes on...
SHOW DON'T TELL - A Composer's Perspective
มุมมอง 29211 หลายเดือนก่อน
In my choir piece, "A Dream Within A Dream," I musically showed the "action" of dreaming within another dream, rather than explaining it with words... as I am doing in this video 😅. Here's how I did it! My upcoming premiere in Vienna (17.11) and Graz (24.11): Tickets: tinyurl.com/bdefnycb A Dream Within A Dream: Music: tinyurl.com/5m4entxw Score: tinyurl.com/34bbc677 TIMESTAMPS: 0:00 - Intro 0:...
why CLASSICAL MUSIC isn’t IMPROVISED ANYMORE (it's deeper than you think)
มุมมอง 1.6K11 หลายเดือนก่อน
Why have we stopped improvising classical music? Well... how much time do you have? 😅 My piano tour (no spam): www.lucasutto.com/impro-visions-piano-concert TIMESTAMPS: 0:00 - Intro 0:21 - Case study 3:04 - The origins 5:49 - What happened to classical music 8:06 - Copyright 10:50 - The "other" music 13:43 - A new (old) hope LET'S TUNE UP! - THE NEWSLETTER 📫 You don't want to miss on this: week...
Luca Sutto | Sonata For Violoncello
มุมมอง 411ปีที่แล้ว
Sonata For Violoncello 00:00 - I. 02:30 - II. 07:23 - III. 10:37 - IV. Recorded on 12.7.22 at Caja Rural La Vilavella Castellon (Spain) - Live premiere on 20.12.22 Commissioned by CellosMagics 2022 Festival (Spain) Cello: Séverine Ballon Production: @cellosmagics1657 @for-tunestrings9938 FOLLOW ME ON FACEBOOK: luca.sutto INSTAGRAM: luca.sutto.composer TWITTER: twitter...
Luca Sutto | Lamento - Penderecki In Memoriam
มุมมอง 3282 ปีที่แล้ว
Lamento - Penderecki In Memoriam for violin and piano Recorded on 26.6.22 at Klangmanufaktur Hamburg (Germany) - Live premiere on 4.9.22 Commissioned and funded by Deutscher Musikrat - Neustart Kulturfunds 2022 (Germany) Violin: Shion Tanaka Piano: Esteban Ravanal Production: Dastudio FOLLOW ME ON FACEBOOK: luca.sutto INSTAGRAM: luca.sutto.composer TWITTER: twitter.co...
K. Penderecki | X. Lacrimosa (Polish Requiem) / arr. Luca Sutto
มุมมอง 6602 ปีที่แล้ว
Part of the Lied cycle dedicated to Penderecki "Penderecki in Lied". Recorded on 29/11/2021 in HKU Music and Technology Studio 3, Utrecht (Netherlands) Soprano: Ana Rosa Morfin Chavez Piano and arrangement: Luca Sutto Audio engineer: Kaya Bax (kuubuuaudio.com) FOLLOW ME ON FACEBOOK: luca.sutto INSTAGRAM: luca.sutto.composer TWITTER: LucaSutto LINKEDIN: www...
Luca Sutto | Concertino For Orchestra
มุมมอง 2072 ปีที่แล้ว
Concertino For Orchestra (former Voci Narranti) Composed in 2019 (revision 2021) Orchestra dell'Emilia Romagna Arturo Toscanini Conductor: Luigi Mazzocchi Ph. Vlado Paunovic BANDCAMP: tinyurl.com/2p8a2npe FOLLOW ME ON FACEBOOK: luca.sutto INSTAGRAM: luca.sutto.composer TWITTER: LucaSutto LINKEDIN: www.linkedin.com/in/lucasuttocomposer TH-cam: th-cam.com/us...
Luca Sutto | Suite for euphonium
มุมมอง 3622 ปีที่แล้ว
Suite For Solo Euphonium Composed in 2021 00:00 - Overture 02:10 - Dialogo 04:04 - Corrente 05:47 - Sarabanda 09:05 - Fuga Euphonium: Marina Boselli SHEET MUSIC: tinyurl.com/yckty3et BANDCAMP: tinyurl.com/wjpse5aw SPOTIFY: tinyurl.com/27593h4a FOLLOW ME ON FACEBOOK: luca.sutto INSTAGRAM: luca.sutto.composer TWITTER: LucaSutto LINKEDIN: www.linkedin.com/in/...
Luca Sutto | Rodari 2021 (30 minutes version)
มุมมอง 992 ปีที่แล้ว
Music theater work for voices, instruments and narrator, based on poems by Gianni Rodari Class of composition A.A. 2019 First prize in the competition "Gianni Rodari" hosted by Associazione "Arte" 2021 Performed on 25/5/2021 in Sala Verdi, Conservatorio di Musica "Arrigo Boito", Parma Video courtesy of Conservatorio di Musica "Arrigo Boito", Parma. All rights reserved FOLLOW ME ON FACEBOOK: fac...
Luca Sutto | Sonata for solo flute n.1
มุมมอง 1692 ปีที่แล้ว
Sonata for solo flute n.1 Composed in 2021 Flute: Flavia Hirte SHEET MUSIC: tinyurl.com/yn874we8 BANDCAMP: tinyurl.com/9j7y2vbr SPOTIFY: tinyurl.com/8yuzdefp FOLLOW ME ON FACEBOOK: luca.sutto INSTAGRAM: luca.sutto.composer TWITTER: LucaSutto LINKEDIN: www.linkedin.com/in/lucasuttocomposer TH-cam: th-cam.com/users/LucaSutto WEBSITE: www.lucasutto.com
Luca Sutto | Die Insel, operetta / Prologo e scena prima
มุมมอง 2283 ปีที่แล้ว
Mezzo soprano - Clèmence Hicks Piano - Guy Davis Recorded on 27/07/21 Teatro Mancinelli, Orvieto FOLLOW ME ON FACEBOOK: luca.sutto TH-cam: th-cam.com/users/LucaSutto WEBSITE: www.lucasutto.com
Luca Sutto | A Dream Within A Dream for eight voices (text by E.A.Poe)
มุมมอง 3823 ปีที่แล้ว
Final concert of the International Choir Festival "Voices of Spirit", Graz (Austria) International Choir Festival Voices of Spirit (@voicesofspiritfestival) Camera and Stream Operator: Stephan Herzog Sound: Konstantin Drewes / Sine Wave Sound (@sinewavesound) Produced by Herzog Media (@herzogmedia) FOLLOW ME ON FACEBOOK: luca.sutto INSTAGRAM: luca.sutto.composer TWITT...
Luca Sutto | Capriccio for flute, cor anglais, bass clarinet and viola (WHM Call selection)
มุมมอง 2334 ปีที่แล้ว
Performed by the Willingdon House Music 2020 FOLLOW ME ON FACEBOOK: luca.sutto INSTAGRAM: luca.sutto.composer TWITTER: LucaSutto LINKEDIN: www.linkedin.com/in/lucasuttocomposer TH-cam: th-cam.com/users/LucaSutto WEBSITE: www.lucasutto.com
Luca Sutto | Duett für eine Stimme (trailer)
มุมมอง 2444 ปีที่แล้ว
Luca Sutto | Duett für eine Stimme (trailer)
Luca Sutto | Prelude, Sarabande and Fugue, Fugue for organ and electronics
มุมมอง 2004 ปีที่แล้ว
Luca Sutto | Prelude, Sarabande and Fugue, Fugue for organ and electronics
Luca Sutto | Gli strumenti raccontano Rodari (trailer)
มุมมอง 1065 ปีที่แล้ว
Luca Sutto | Gli strumenti raccontano Rodari (trailer)

ความคิดเห็น

  • @LearnCompositionOnline
    @LearnCompositionOnline หลายเดือนก่อน

    14:35 no never look at the keys. Because you will have to play in different pianos with different light situation and need to develop confidence without looking. You will look anyway when needed, but best to not rely on eyes

  • @LearnCompositionOnline
    @LearnCompositionOnline หลายเดือนก่อน

    10:19 absolutely correct ✅ whoever admin piano degrees are criminal scammers who just focus in the reality of 2% of their students. Most jobs are for co-repetition

  • @LearnCompositionOnline
    @LearnCompositionOnline หลายเดือนก่อน

    Solfeggio. Only the mafia knows what it does

  • @celinavikstrom2807
    @celinavikstrom2807 2 หลายเดือนก่อน

    Thanks! I found sight reading is difficult, I can read and say out loud the 🎵 slowly but have difficult to put my finger on the right place, especially when coordinates two hands Therefore I decided to memorize and I can play several melodies (3-4 pages) without problem; but, when I try to play a very simple melody by sight reading, I can’t memorize it (!?). Does this mean, in the future, if I mastered sight reading, I always have to bring the notes book with me? (to compare with now I can sit down and play whenever I see a piano)

  • @shivakumarnarayanan1165
    @shivakumarnarayanan1165 2 หลายเดือนก่อน

    Thank you Luca, for this inspiring vodeo. I had a question about the part where we have to hear the music as we see it. I grew up learning a system of music which was based on moveable do solfege (it wasnt do re ... But the names were in another language). The sheet music was also based on scale degrees(it isnt like the lines and dots like on western sheet music) . When i started playing the piano a couple of years ago, i saw that the notes on the sheet are absolute notes, like a b or c. However im unable to make sense of this since whenever i hear any music its always the scale degrees that i hear in my head. Is it possible / recommend to read music where instead of reading the note names we memorize/get used to the scale degree for all keys and also rely on intervals to figure stuff out? Or should i brute force the eye to hand muscle memory of just playing what i see (in this case i will not be able to hear / make sense of what im seeing).

  • @B0K1T0
    @B0K1T0 4 หลายเดือนก่อน

    Very interesting video, thanks al lot! Everybody is very different indeed regarding this (or anything). Made me think about my own life journey :) I was a huge nerd as a kid and was obsessed with wanting to know how everything works and pumping whatever theory I happened to come by in my head (and here I am in my 40s with my wikipedia and youtube habits, not much has changed 🥹). Most of it stuff out of books from school or the library etc. that I didn't need for something practical (the morse alphabet, counting in japanese, you name it..), but a fair share of it still in my head to this day. I practiced playing the trumpet as a kid and obviously I wanted to learn all about reading notes and music theory as well (no matter it often came in hand written form at that time 😅). I severely lacked the required discipline to keep practicing though (which is especially not ideal for an instrument that requires building and maintaining a good amount of facial muscle control). Which probably also didn't motivate me much to develop a creative drive. So I took a break of some 20 years not playing instruments, although I've never stopped appreciating good music or learning how sound systems and audio tech work, DJing, getting involved in music scenes etc. At some point it started to itch again some years ago and through a little bit of guitar and drums I'm now getting piano lessons from a great teacher who happens to be my neighbor as well :) I've always wanted to learn this and got some synths/keyboards that I wanted to have a closer connection with. I was a little bit afraid I was too old to start piano at age 40, but I'm so happy I did. It doesn't matter how good I'll become, just learning and slowly getting to know the instrument better keeps giving me a magical feeling. The finger movements and independence are a constant (but very rewarding) struggle. My childhood obsession with reading sheet music helps a lot, although I had to get used to that crazy bass staff (and thank god for things "8va" ;)). The nerd kid is definitely still inside of me, but it often stems from fooling around now, and mixing up elements from random things in my head, like playing a classical piece in a latin rhythm or with blues notes, simplifying pieces I want to learn but go way beyond my skills (or just altering in weird ways for funzies). So it all seems to come together now after all those years ♥

    • @lucasuttomusic
      @lucasuttomusic 3 หลายเดือนก่อน

      That’s a great story, man. More power to you! You’ve also made a great point: as long as you’re interested in improving, it doesn’t matter how good you become.

  • @mrsmokpiano
    @mrsmokpiano 4 หลายเดือนก่อน

    Good video, but you forgot to say about practising it daily (with some exceptions). Even technique isn't that necessary to do daily as sight reading if you want to improve in a few years.

  • @DihelsonMendonca
    @DihelsonMendonca 5 หลายเดือนก่อน

    💥 I see you are a true musician, when you talked about how you approached music, and that music is not simply something which is confined to a sheet of paper, but it's everywhere, in movies, CDs, on TV, etc. By listening. Music is an auditory art. I started in music by listening too. Later, I went to the conservatory, I studied classical piano, but I wanted to play jazz, popular music, film scores, improvise, create my own compositions, so, I started studying all that privately. Practicing, developing my ears, transcribing Bill Evans piano music and other jazz pianists. Studying harmony, chords, progressions, everything by myself. I didn't want to just play a sheet of paper, and memorize like a computer. Real music is not about that. Music is very broad, encompasses many things. But that's why without much daily practice, I'm not a good sight reader. Perhaps in this life, we have to choose. You can't be good in everything. 🎉❤

    • @lucasuttomusic
      @lucasuttomusic 5 หลายเดือนก่อน

      Congratulations for your accomplishments! 💪

  • @DihelsonMendonca
    @DihelsonMendonca 5 หลายเดือนก่อน

    💥 I play the piano for more than 35 years. I can compose, improvise, even learn several pieces of music, but I can't sight read. I began in music by listening. It was late, at 14, I studied classical music for 3 years, and I discovered Jazz. Since then, I mostly play jazz, but I have played several piano concertos, I studied about 60 Chopin's pieces, among several other composers, but I can't sight read. Even my music reading is poor. I need time to learn very slowly. But reading is proportional to the difficulty. I can almost sight read a Chopin's waltz, but when I sight read, I can't memorize anything. Looks like the brain is rewired in such a way that the circuits used to sight reading prevents memorizing. If I want to memorize a piece, I have to study it carefully, divide in chunks, and memorize by parts. Everybody has weakness, some in reading, some in listening, or composing, or improvising... We are never perfect like Franz Liszt ! 😅😅

    • @lucasuttomusic
      @lucasuttomusic 5 หลายเดือนก่อน

      That's a really interesting point! I had a similar experience. Since I didn't initially learn music by reading, when I started sight-reading, I focused too much on the individual notes "literally", and some parts of my brain just shut down. What really helped me was learning to recognize the "shapes" that notes form on the sheet, like chords and patterns, instead of concentrating on their exact positions.

    • @DihelsonMendonca
      @DihelsonMendonca 5 หลายเดือนก่อน

      @@lucasuttomusic Great ! Reading music becomes very easy when you recognize patterns. That's why I can read Beethoven, Mozart, Chopin, but when I try to read or memorize Scriabin and later composers, their writings doesn't make sense. I can't find patterns to hold, just a bunch of notes scattered across the paper, which are very difficult to identify, because on a single chord, one note may be flat, another one, double flat, another one, Sharp, another could be double sharp, and another could even be natural, so a single printed note can assume 5 keys ( natural, Sharp, double sharp, flat and double flat ). Just imagine this scenario changing at each tempo of a single bar, how many possibilities you would have to the keys, since each note could be in 5 different keys. It's extremely difficult, at least for my brain. And there's the rhythm, incredibly difficult rhythms and divisions, like a 3/8 on the right hand, and 5/8 on the left. My goodness 😅😅

  • @JosemariaCarrascoMolina
    @JosemariaCarrascoMolina 5 หลายเดือนก่อน

    Thank you for the warning! I'm a 5 month old beginner and I'm def gonna study some music theory and I'm going to start to practice sight reading. ✌️

  • @lucatessadrelli4216
    @lucatessadrelli4216 5 หลายเดือนก่อน

    Complimenti, Maestro Luca, HERTHA è un'intensa sequenza sonora unitaria di brani ipnotici, contemplativi, evocativi, con un sapido e calibrato rapporto con il testo poetico. E complimenti alle esecutrici. 20 minuti di musica moderna a cappella, senza sostegno strumentale, è un'impresa memorabile.

    • @lucasuttomusic
      @lucasuttomusic 5 หลายเดือนก่อน

      Grazie Maestro per il messaggio, davvero gentile!

    • @lucatessadrelli4216
      @lucatessadrelli4216 5 หลายเดือนก่อน

      @@lucasuttomusic Grazie a te, Maestro Luca, per le intense emozioni sonore e la scienza compositiva profusa.

  • @LiselotteSels
    @LiselotteSels 5 หลายเดือนก่อน

    Waw Luca, beautiful and touching.

    • @lucasuttomusic
      @lucasuttomusic 5 หลายเดือนก่อน

      Wow, thank you Liselotte! I am glad you liked it!

  • @ClaudeWernerMusic
    @ClaudeWernerMusic 5 หลายเดือนก่อน

    Bravo Luca, bravo!!! 👏👏👏👏👏👏👏👏👏

  • @rositapiritore
    @rositapiritore 5 หลายเดือนก่อน

    Excellent, cohesive compositional choices. The common thread ties the whole so naturally.

  • @Wolly639
    @Wolly639 5 หลายเดือนก่อน

    A very beautiful and nostalgic piece, congratulations!🎶

    • @lucasuttomusic
      @lucasuttomusic 5 หลายเดือนก่อน

      Glad you like it! <3

  • @lucasuttomusic
    @lucasuttomusic 5 หลายเดือนก่อน

    Thank you to everyone who participated in the premiere both live and digitally today on TH-cam, also on behalf of Vokalensemble equilibrium! ☺ If you are curious and want to know more about this piece, or Hertha Kräftner's texts, please let me know!

  • @rositapiritore
    @rositapiritore 7 หลายเดือนก่อน

    Amazing!

    • @lucasuttomusic
      @lucasuttomusic 6 หลายเดือนก่อน

      Thank you! Cheers!

  • @miroslavblagojevic7635
    @miroslavblagojevic7635 8 หลายเดือนก่อน

    I had my first encounter with a keyboard at 10 years old. It had about 2 and a half octaves (34 keys) and no pressure sensitivity, but it helped me learn the ropes of playing with my right hand. Then when I was around 14 years old I bought myself a 61 key Casio keyboard with again, no pressure sensitivity. I didn't even know sensitivity existed, it was just something I'd never seen before. I managed to develop my left hand playing and both hand coordination, and all the while without learning ANY music theory or sheet music, mainly using synthesia. Only a few months ago have I had my first ever encounter with a piano, and it was the school piano which was out of tune and had a couple of stuck keys, but it was an experience I'll never forget. Main thing is, never learned any theory, or sight reading, but still tremendously enjoyed playing what I love, which is what kept me from giving up. I'm settling on when I should start learning how to sight read, seems like a pretty cool but very difficult skill to learn, because as currently everything I play is completely by memory or ear. I don't know if anyone will bother to read my life story, but if you do, thanks for reading!

    • @lucasuttomusic
      @lucasuttomusic 7 หลายเดือนก่อน

      I bothered! Also I relate a lot to it myself, Casio 61 keys are the gateway for a lot of people hehe

  • @aleh_o
    @aleh_o 8 หลายเดือนก่อน

    I was taught by a couple of piano teachers in the late 60s. Yes I am that type of piano player. I am pretty good at sight reading but cannot play without sheet music. But in the last 20 years with youtube now being a great teacher for different levels of learners out there, there are so many avenues of learning and even though I had 6 years of piano lessons I was never taught proper music theory and never understood the circle of fifths until the last few years. The pieces I am learning are more difficult and challenging but more rewarding because I finally feel capable of playing really beautiful music. Thanks to people like you who put out these videos, people can feel comfortable about taking on more challenging pieces. 😊

    • @lucasuttomusic
      @lucasuttomusic 7 หลายเดือนก่อน

      Absolutely, way to go! :)

  • @Jim1971a
    @Jim1971a 9 หลายเดือนก่อน

    I’ve been playing piano for 40 years and I have the gift of sight reading. It came to me so easily and if you give me sheet music, I can play it songs right away that I’ve never played before. However, even if I’ve played a song 1,000 times, if you take the sheet music away, I can’t remember any of the notes. Without sheet music I can only play Mary had a little lamb. And, I can’t compose either. I can only sight read.

    • @lucasuttomusic
      @lucasuttomusic 9 หลายเดือนก่อน

      Hey Jim, thanks for your comment! I have a question: how did you learn piano?

    • @DihelsonMendonca
      @DihelsonMendonca 5 หลายเดือนก่อน

      You're my opposite. I can compose, improvise, even learn several pieces of music, but I can't sight read. I began in music by listening. I began late, at 14, studied classical music for 3 years, and I discovered Jazz. Since then, I mostly play jazz, but I have played several piano concertos, I studied about 60 Chopin's pieces, but I can't sight read. God damnit ! 😅😅

  • @laurinpoydras91
    @laurinpoydras91 9 หลายเดือนก่อน

    You’re amazing

  • @BigA1
    @BigA1 9 หลายเดือนก่อน

    As an amateur keyboard player (I'm an electronics engineer), I can totally empathise with your problems with sight reading. I have struggled for years with sight reading. My technical ability to play an instrument (I also play the accordion) far exceeds my ability to read new music pieces. I've even resorted to notating music in a computer program - then letting the program play the music ( ie the program has become my teacher). So thank you for your (and many other TH-cam videos) video, I'm not about to give up.

  • @robbes7rh
    @robbes7rh 9 หลายเดือนก่อน

    There are certain things that ditinguish the true craftsman from the dilettante. In Rennaisance painting the medium of fresco involved painting the figurine onto sections of freshly laid plaster that was still wet. You had one chance to get it right because you weren't painting on the surface, you were infusing color into the moist plaster for all time. Michelangelo took pride in having done the entire ceiling of the Sistine Chapel in Fresco. He didn't have the luxury of standing back and looking at a section he just finished, and realizing, "oh shit. That cloud is out of proportion. I'll just paint over it." No. The effect of fresco depended on the plaster being freshly laid and moist. He was stuck with what he painted for all eternity and for Popes and Cardinals and Medici princes to see. Having the skill to pull off an ambitious project like that distinguished him as an artist. Piano sightreading is the skill that distinguishes a complete musician from one who just plays classical music on the piano. There are people who can sit down and play a fairly decent rendition on the spot of virtually any music that is put in front of them - including tempo, dyynamics and phrasing. That's gangsta! (in the world of classical music). No way to fake that. Why not develop your reading skills? Do you read English letter by letter? S e e S p o t r u n . uh... S e e J a n e s l a p T o m... Become fluent with reading music.

    • @lucasuttomusic
      @lucasuttomusic 9 หลายเดือนก่อน

      Unfortunately most people don't learn music as early as they learn their native language. Also, not being able to sight read music has nothing to do with being a dilettante, it's just a skill - very useful indeed - but a skill.

    • @robbes7rh
      @robbes7rh 9 หลายเดือนก่อน

      @@lucasuttomusic - Yes. I’m talking about the world of traditional classical music and I’m talking about taking the skills of music literacy to a rational level of manifestation. Putting aside the advantages of matriculating into music at a very young age, you can still figure out what’s going on in a page of written music. It’s a question of how well and how long it takes you to do that.

  • @argi0774
    @argi0774 9 หลายเดือนก่อน

    Sight reading doesn't matter. It is just a tool for learning the piece. Nothing more. So don't let it hold you back.

    • @lucasuttomusic
      @lucasuttomusic 9 หลายเดือนก่อน

      Yes!... and no 😅 If your aim is to learn a piece - no deadlines - , take it at your own pace. However, there are instances when you can't afford weeks or months to pick up a new piece. Sometimes, you're handed the music on the fly. Different scenarios, different skill sets!

    • @argi0774
      @argi0774 9 หลายเดือนก่อน

      @@lucasuttomusic Sorry but "playing on the fly by sight reading" will always result in crap. It is exactly the same like handing a text to an actor and say "play". Result: crap

    • @lucasuttomusic
      @lucasuttomusic 5 หลายเดือนก่อน

      You would be surprised by some people who are able to do literally wonders at sight reading!

    • @argi0774
      @argi0774 5 หลายเดือนก่อน

      @@lucasuttomusic You can completely forget that. A good performance is ALWAYS the result of a lot of practice. It is NEVER a first shot from the sheet. Never. Don't act like it was otherwise if you want to be taken seriously. So once again this good advice: don't waste your time with sight reading excercises, concentrate on other way more important things than that

    • @alamolalamol9426
      @alamolalamol9426 2 หลายเดือนก่อน

      Ooh, you are of course entitled to your views but I really disagree with you. Even an ability to sight read at a reasonable level opens you up to a wonderful wonderful world of music of such rich variety. Obviously it needs to be at a level that you can manage until you get better and better at it. However it is really satisfying to be able to do so, even at any level. I also play by ear but even that could be better. Not being able to read reasonably well has always made me feel ‘outside’ that world of music out there. It feels as if I now have gone through that door and it’s wonderful. It still needs work but I love trying to play different genres of sheet music. There is so much free stuff online. Others may disagree about the need to sight read and I respect that.

  • @nousernamewhatsoever
    @nousernamewhatsoever 9 หลายเดือนก่อน

    Please make a video on how to improvise!

    • @lucasuttomusic
      @lucasuttomusic 9 หลายเดือนก่อน

      Omg that's a great idea! ❤ Any particular style or genre that you're interested in?

    • @nousernamewhatsoever
      @nousernamewhatsoever 9 หลายเดือนก่อน

      @@lucasuttomusic Yes! :) coming from classical background I'm super interested in jazz.

  • @Wampert
    @Wampert 9 หลายเดือนก่อน

    Im a violinist, and im starting to learn piano, i thought i was good at sight reading, but learning to read both keys at the same time is a whole other game, and not only that multiple notes up to 8 notes at the time, me as a single note at a time violinist, made this so hard, but this video has help me to see it another way how to aproach the piano, as a "conductor"

    • @lucasuttomusic
      @lucasuttomusic 9 หลายเดือนก่อน

      Yeah... Sight reading as a pianist is much more difficult I must say! 😅 Also quick tip, if you don't know it already: always read chords and harmonies from the bottom to the top!

  • @antoondekker
    @antoondekker 9 หลายเดือนก่อน

    Hi Luca, thank you for sharing your views on sightreading. I found it very interesting. After many year of training sight reading, I also stuck with it. Do you think this could be a kind of dislexia? I must say that I started piano playing Klavarskribo the age of 14 for some five years and I can sight reading quite complex music at ease in this notation. The notation shows me what to play on a keyboard without the need to puzzle out which key to hit. It is in matter of fact a tabulature. Would you let me know what you think about Klavarskribo? I realize that it is a kind of an handicap not being able to read standard notation, but the comfort of reading Klavar is enormous. Although the most of the whole important piano literature is transcribed, very little is availabble of music of composers who were alive 70 years ago because of author rights. Reagards, Antoon

    • @lucasuttomusic
      @lucasuttomusic 9 หลายเดือนก่อน

      Hey Antoon, appreciate your input! 🙂 Regarding Klavarskribo, I'm on the same page with your observations-it does resemble those classic "falling notes" TH-cam tutorials. There are a couple of things I want to address though: 1) Klavarskribo doesn't bother with enharmonics. While it might sound cool, it brings along some drawbacks, both in composition and performance standpoints. 2) Despite transcribing a lot of music, there's still a ton missing, significantly narrowing down your playlist options. 3) Primarily geared towards keyboard instruments like organ, piano, and accordion, even though it can spill over to other instruments. 4) Not much for orchestra, mostly focusing on solo instruments. In my view, it's a solid system for a more casual music pursuit, but it might feel limiting when collaborating or diving into academic contexts - it would be as if you were to write this very comment in Khmer language, and I had no Google Translate. 😬 Cheers! (regarding musical dyslexia, it's a real thing, but I'm no expert, so if you're concerned, it might be worth getting that checked out!)

  • @AngusCoulter
    @AngusCoulter 9 หลายเดือนก่อน

    excellent presentation Luca - more please 🎹❤

    • @lucasuttomusic
      @lucasuttomusic 9 หลายเดือนก่อน

      January is coming! 😉

  • @cleonemusician217
    @cleonemusician217 10 หลายเดือนก่อน

    Most refreshing approach to sight reading. A stunning and inspiring video with a few laughs for good measure. Grazie mille, Luca.

    • @lucasuttomusic
      @lucasuttomusic 10 หลายเดือนก่อน

      Glad you enjoyed it! See you under the next one! 🙂

  • @viewtifuljoe2123
    @viewtifuljoe2123 10 หลายเดือนก่อน

    It resembles braille. Sharps, flats, naturals only make matters worse. I painstakingly recite the alphabet A-G in forward and reverse order to triangulate the note that corresponds to the position on the sheet. It very much is like learning to read again a foreign or alien language.

    • @viewtifuljoe2123
      @viewtifuljoe2123 10 หลายเดือนก่อน

      Sad and sorry to learn smart game piano's channel was taken down. She had some of the most useful and helpful piano tutorials on youtube. She knew how students learned and didnt rely on the sheet.

    • @lucasuttomusic
      @lucasuttomusic 10 หลายเดือนก่อน

      Getting the hang of this hits home-I went through the same process when tackling old clefs, such as soprano and mezzo-soprano. In my experience, committing the staff positions to memory first is crucial before diving into sight-reading exercises. That approach did the trick for me.

    • @viewtifuljoe2123
      @viewtifuljoe2123 9 หลายเดือนก่อน

      @@lucasuttomusic There are a lot of pianists on youtube who don't know how to teach. They think playing is teaching. Some teachers are just too big to be good and can't offer specific advice or feedback. That element is perhaps the most challenging aspect of being self taught.

  • @msgingerjourney
    @msgingerjourney 10 หลายเดือนก่อน

    Thank you, Luca, for this very entertaining video. I'm one of those people who began piano as a young adult taking classical lessons. I was stuck to the page, learning one song very well at a time. Never being able to walk into a room to sit and play a few snappy tunes. As much as i want to sight-read well, and I do practice....I just want to sit down at the piano put some impromptu melodies to chord progressions and sound good. Taking an online course, making progress. Looking forward to your new videos!

  • @rudyagresta
    @rudyagresta 10 หลายเดือนก่อน

    Luca, you may not call yourself a genius (in my book you really are:) ), but this piece is genius. Very enjoyable.

    • @lucasuttomusic
      @lucasuttomusic 10 หลายเดือนก่อน

      Thank you so much Rudy for your kind comment!

  • @rudyagresta
    @rudyagresta 10 หลายเดือนก่อน

    Very helpful video, thank you for the upload. Yes, I would like to see a video on transposition. God Bless.

    • @lucasuttomusic
      @lucasuttomusic 10 หลายเดือนก่อน

      Will do! Thanks for your comment! 🙂

  • @SofiItaly
    @SofiItaly 10 หลายเดือนก่อน

    I am trying to teach music to my 5 years old daughter. Your point of view is unique and very helpful. I've meet a lot of people who went to music school for years, but at the the end they never play in their adult life or even hate music. It looks like you are from the opposite camp. I would like my daughter to develop a passion for playing and you video and comments to it are very useful.

    • @lucasuttomusic
      @lucasuttomusic 10 หลายเดือนก่อน

      Absolutely, count on me! 🙂 You can also find some free learning resources on my website, if you're interested, including piano tutorials.

  • @GregoryPLoomis
    @GregoryPLoomis 10 หลายเดือนก่อน

    Great video man I’m 36 and started playing piano at 15-16 Making beats and what not but around 18-21, I started getting into classical and movie scores. I have made many attempts to learn to read music 🎼 and I put it away because of the “struggle” I taught myself by ear and tutorials online. I can play Chopin’s ballade no. 1 and many other of his etudes. I still can’t read music BUT I’ve started to try and learn again. My brain is always making excuses like “I can’t remember these damn notes without counting the pneumonics out!” “Every Good Boy..etc “ Any tips for a late bloomer like me to get this shit to stick? More importantly how long until You saw results?

    • @lucasuttomusic
      @lucasuttomusic 10 หลายเดือนก่อน

      Well, it really boils down to your goals, man! 🙂Let's be upfront: picking up music reading as an adult comes with its challenges. It's not just about being an adult; there's also this nagging thought in your brain, "I'm doing more than fine by ear, why bother with reading?". My advice is to transform music reading into an ENJOYABLE AND COOL skill to acquire, not just a practical one. A couple of ideas: 1) There are very complex pieces that you can't for sure learn by ear. If you're drawn to such music, delve into it, and try a music reading approach. No pressure, just for fun. 2) You said you're into movie scores. Exploring "score reading," understanding how different instruments are notated - it's practically a science of its own. And it's super cool! 3) Consider delving into composing using notation, for instance counterpoint exercises or choral harmony. This kind of stuff is challenging to grasp by ear and opens up a whole new dimension in your music. Btw I'll surely make a video about that in the future! Let me know if I can of any help! 😎Cheers!

    • @GregoryPLoomis
      @GregoryPLoomis 10 หลายเดือนก่อน

      ⁠thanks for writing me back. All very solid suggestions and advice. I will keep trekking along this path and will keep you posted. Thank you 🙏

  • @pcraigmillard
    @pcraigmillard 10 หลายเดือนก่อน

    Really good stuff. One good thing that helped me out was figuring out how far to look ahead. As you say you're a conductor or the driver and I found I was focusing on what was too close to me rather than what was coming. How far you look ahead depends on your ability to parse the music and remember it, but usually is most helpful to do complete measures. I'm by no means a good sight reader, but the tip someone gave me to at least look at each complete measure got me to the next level.

    • @lucasuttomusic
      @lucasuttomusic 10 หลายเดือนก่อน

      Thanks for the heads up! 🤗 Left that out on purpose because, honestly, it's one of the most common, and yet underrated tips for nailing sight-reading. When I'm teaching, I throw in a "TH-cam metaphor" about the buffering gray bar. Imagine looking ahead is like your gray bar loading up. How much you can remember before playing (be it one note, two notes, a bar, or four bars) decides how fast your buffering bar moves. If your gray bar is charging slower than your red bar, sooner or later your video is going to freeze! 😅

  • @dgd216
    @dgd216 10 หลายเดือนก่อน

    I am happy you made this video. I am a composer who sucks at sight reading but managed to accomplish graduating from NYU with an M.A. in music composition. I use Cakewalk to compose my music, so in all actuality, I am a composer version of you. To the T.

    • @lucasuttomusic
      @lucasuttomusic 10 หลายเดือนก่อน

      That's a great achievement, congratulations! 🙂I'm curious: Did your M.A. program allow you to graduate without using music notation? Given your work with Cakewalk, I'm assuming you steer clear of any notation software.

    • @dgd216
      @dgd216 10 หลายเดือนก่อน

      @lucasuttomusic Yes, because ultimately, all of my orchestration, pedagogical consistency, and theoretical knowledge is mutually exclusive from the medium with which I used to communicate my musical decisions and influences. Music is deterministic. My ear was good at sensing the direction my ideas wanted to go. Notes have their own tension, release, ambiguity, etc. My brain fills those choices in, based on past experiences and gestalt principles anyways, and was able to compose scores quickly without letting the computer do it for me. The "scrub tool" in cakewalk was immensely useful in keeping me honed into what direction my senses led me to go as I'd make my choices, little by little via trial and error. I'm highly dependent on being able to hear my notes, so once I lose my hearing, that's it (I'm no Beethoven, that man certainly had his internal hearing fully intact almost certainly. If I ever lose my hearing, I am very likely screwed unless I get a cochlear implant, and even then the tech would have to be damn good.. but who knows, maybe if I became deaf, my brain would rewire itself to improve my internal hearing, so who knows..). Essentially, cakewalk is like an assistive technology for composers whose internal hearing is not as reliable as their external hearing, but the sense or instincts for musical choices which can elicit goosebumps and "aha" moments in music, are still intact, and that was essentially my guide, is my taste for what sounds good and give me goosebumps. I'm highly sensitive to that. My issue with academic studies was that I encountered alot of animosity for essentially being the autistic equivalent of a child with autism that has an ipad so they can communicate, except that in my case, it wasn't about needing to communicate linguistically, but musically instead. Music Composition instructors were terribly in the dark about the idea of allowing for or implementing assistive technologies without thinking it was like "cheating". No, it's just that everyone is different, and cakewalk's piano scroll view was what I used to exclusively write notes, so yes, I did not rely on notation software at all, though I would switch between piano scroll and notation view within cakewalk for specific reasons from time to time, but I almost always stayed exclusively writing in piano scroll. Cakewalk is the best for that, bar none, and I was heavily involved in the development of that software as a consultant. Certain assignments still required me to use traditional notation, and I was forced to essentially copy the notation into hand written format.. I felt like Bart Simpson being forced to write "I will not use traditional notation" like 100 times on a chalkboard as punishment, lol! It was a completely pointless exercise. It was done just to do it, no real purpose other than to get a feel for what it's like. Traditional notation has its uses, but I barely ever needed it for my purposes. Unfortunately, my degree was useless because music institutions would need to adapt to and grant me accommodations to teach using a DAW, and it would create a mismatch for the way they generally do things in music schools. So, I work for PC Richard and Son instead to make money. Ideally, I would've wanted to teach video game music scoring or history or theory, etc at the university level. The inspiration for this is that I managed to compose doctoral level works with no formal musical training whatsoever until the age of 19 by using Cakewalk. I'm a wasted research opportunity for academics. They really did have a golden opportunity to bring in new talent out there whose brains are wired like mine, and I think there are more people like us than music schools think. Alot of untapped potential because schools decide to stick to such rigid and old ways of doing things instead of being adaptive and inclusive. Call me a musical autistic if you will, where my internal musical sense perception is only functioning at 50% capacity due to my neurological wiring. Sometimes it works well, sometimes it doesn't. Let me put it this way: I hear the big picture ideas most clearly, but even then, little details and embellishments are hard for me to hear internally. That's where my scrub tool comes in. I also have difficulty separating what the individual sections of my instruments are doing (like what notes specifically are my flutes playing versus by horns), so my orchestration sense needs help with cakewalk and is best explored and considered by my external hearing sense. Not my fault, nor should we be made to feel like it is. I hope you understand what I mean. Old school composers often had a chip on their shoulder towards me, and I get it. They dedicated grueling hours to learning such an unforgiving medium of communication which for centuries has been the subject of highly limited access to the general public. The time involved to master it is atrocious, and if you are not immersed in it at a young age, you'll only have even more difficulty picking it up later. I suddenly come into their lives writing music using a tool that took me a fraction of the time to master, so while I can sympathise, Humans should have the freedom and option to get into music late if they want. Cakewalk and other software like it, can provide accessibility to the world of composition where there otherwise, is none, in a highly efficient way. I did not come from an affluent family that knew much, or had friends involved in the intellectual academic privileged pursuit of music. The literacy in my family was limited and the majority of my access to any music was video games and film. Just listening was my world, and I had a natural and insatiable passion for music from a very early age. I didn't choose to be born into a culturally limited family, nor should they be classified as a low I.Q. family for it, which I often got the sense that teachers would presume of me. I had some terrible experiences in academia, the elitism would kill me inside. I write about it alot on my facebook and you are welcome to add me. I wish my student loans from NYU could be forgiven with all the nonsense I had to deal with. Here is a link to my Master's thesis, used in several publications pertaining to video game music: www.vgmusic.com/information/vgpaper3.html

    • @lucasuttomusic
      @lucasuttomusic 9 หลายเดือนก่อน

      Amazing comment, I would love to continue the conversation! Please add me on Instagram or Facebook, you can find the links in description! @@dgd216

  • @alvodin6197
    @alvodin6197 10 หลายเดือนก่อน

    I don't get why people who can't even improvise think they need to sight-read some high level shit, because some people who don't care about them made them believe it's the "most important skill" in music, it isn't..Just read lots of music that you want to learn. Get familiar with the shapes of chords and melodic lines..No one will ever expect you to sight read a ballade, piano sonata or whatever high level piece anyway. It's much more enjoyable to able to play from ear and improvise, rather than being glued to a god damn book all day. Anyway, classically trained have been brainwashed early on so they can't even play a chord progression without sheet music telling them how 🤣

    • @lucasuttomusic
      @lucasuttomusic 10 หลายเดือนก่อน

      I figure the real deal usually hangs out in the middle! 😅 Getting better at sight-reading can come in handy in tons of situations, especially if you're a full-time pianist life and freelancing all over the place - typical scenario is accompaniment gigs. On the flip side, it wouldn't hurt for the "classical guys" to dip their toes into some basic improv skills. There's a bunch to chat about on that front, and I've actually dug into it in a previous video if you're interested! th-cam.com/video/N1Ub9sjoA6k/w-d-xo.html

  • @demejiuk5660
    @demejiuk5660 10 หลายเดือนก่อน

    The format of video suits you.

    • @lucasuttomusic
      @lucasuttomusic 10 หลายเดือนก่อน

      Thank you! 😅