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Fretboard IQ
Canada
เข้าร่วมเมื่อ 27 เม.ย. 2011
I'm a classically (and somewhat jazzically) trained musician, and I love guitar, guitar music, and music theory.
History of TAB
What came first - standard notation or tablature? While many assume that guitar tablature is a modern invention, it's history is just as long and rich as traditional notation. In this video, we’ll take a deep dive into the evolution of both systems, from ancient cuneiform and Greek notation to the neumes of medieval Europe, the intricate tablatures of the Renaissance, and the shift toward standard notation in the 19th century.
Image Credits:
Epic of Gilgamesh:
commons.wikimedia.org/wiki/File:Tablet_V_of_the_Epic_of_Gilgamesh.jpg
Hurrian hymn no. 6:
library.biblicalarchaeology.org/article/worlds-oldest-musical-notation-deciphered-on-cuneiform-tablet/
Mesopotamia map:
commons.wikimedia.org/wiki/File:Mesopotamia_9_October_2020.jpg
and
commons.wikimedia.org/wiki/File:N-Mesopotamia_and_Syria_english.svg
Babylonian cuneiform music notation:
commons.wikimedia.org/wiki/File:Hurritische_hymne.gif
Map of Greece:
commons.wikimedia.org/wiki/File:Map_of_Greece,_Archipelago_and_part_of_Anadoli;_Louis_Stanislas_d%27Arcy_Delarochette_1791.jpg
Epitaph of Seikilos:
commons.wikimedia.org/wiki/File:Seikilos_epitaph_02.jpg
commons.wikimedia.org/wiki/File:Seikilos2.tif?page=1
commons.wikimedia.org/wiki/File:Seikilos_epitaph_04.jpg
The Parthenon:
commons.wikimedia.org/wiki/File:Parthenon_(30276156187).jpg
First Delphic Hymn:
commons.wikimedia.org/wiki/File:First_Delphic_Hymn,1st_%26_2nd_verse.jpg
Neumes:
commons.wikimedia.org/wiki/File:Neume2.jpg
commons.wikimedia.org/wiki/File:Cistercian_neumes_-_Medieval_music_-_Offertorium._In_omnem_terram_-_Sch%C3%B8yen_collection_-_MS_207,_12th_century_-_detail.jpg
Liber Usualis:
imslp.org/wiki/Liber_Usualis_(Gregorian_Chant)
Guido of Arezzo:
commons.wikimedia.org/wiki/File:Guido_van_Arezzo.jpg
commons.wikimedia.org/wiki/File:Guido_e_Teodaldo.jpg
commons.wikimedia.org/wiki/File:Guidonian_hand.jpg
Gradual Aboense:
commons.wikimedia.org/wiki/File:Graduale_Aboense_2.jpg
Ambrogio Lorenzetti: Allegory of Good Government:
commons.wikimedia.org/wiki/File:Lorenzetti_amb.effect2.jpg
Various TABS:
www.lavihuela.com/tablature
Squarcialupi Codex:
en.wikipedia.org/wiki/Squarcialupi_Codex#/media/File:Francesco_Landini,_Squarcialupi_Codex,_page_246.jpg
Vihuela Tab:
en.wikipedia.org/wiki/File:Vihuela-Tab_Fuenllana_1554.png
John Dowland TAB:
www.cam.ac.uk/research/news/crown-jewels-of-english-lute-music-go-online
Harmonice Musices Odhecaton:
en.wikipedia.org/wiki/Harmonice_Musices_Odhecaton#/media/File:Petrucci2.jpg
Petrucci's printed music:
commons.wikimedia.org/wiki/File:Adieu_mes_amours_tenor.jpg
Alfabeto system:
imslp.org/wiki/Guitarra_espa%C3%B1ola%2C_y_vandola_(Amat%2C_Juan_Carlos)
www.maestros-of-the-guitar.com/alfabeto.html
Gaspar Sanz:
commons.wikimedia.org/wiki/File:Instrucci%C3%B2n_de_M%C3%B9sica_sobre_la_Guitarra_Espa%C3%B1ola_-_Passacalles.jpg
F. Sor:
imslp.org/wiki/12_Etudes%2C_Op.29_(Sor%2C_Fernando)
0:00 Early notation systems
2:15 Midieval era, neumes
3:13 Development of TAB
4:43 Alfabeto
5:52 Guitar and standard notation
6:40 Revitalization of TAB in the 20th C
Image Credits:
Epic of Gilgamesh:
commons.wikimedia.org/wiki/File:Tablet_V_of_the_Epic_of_Gilgamesh.jpg
Hurrian hymn no. 6:
library.biblicalarchaeology.org/article/worlds-oldest-musical-notation-deciphered-on-cuneiform-tablet/
Mesopotamia map:
commons.wikimedia.org/wiki/File:Mesopotamia_9_October_2020.jpg
and
commons.wikimedia.org/wiki/File:N-Mesopotamia_and_Syria_english.svg
Babylonian cuneiform music notation:
commons.wikimedia.org/wiki/File:Hurritische_hymne.gif
Map of Greece:
commons.wikimedia.org/wiki/File:Map_of_Greece,_Archipelago_and_part_of_Anadoli;_Louis_Stanislas_d%27Arcy_Delarochette_1791.jpg
Epitaph of Seikilos:
commons.wikimedia.org/wiki/File:Seikilos_epitaph_02.jpg
commons.wikimedia.org/wiki/File:Seikilos2.tif?page=1
commons.wikimedia.org/wiki/File:Seikilos_epitaph_04.jpg
The Parthenon:
commons.wikimedia.org/wiki/File:Parthenon_(30276156187).jpg
First Delphic Hymn:
commons.wikimedia.org/wiki/File:First_Delphic_Hymn,1st_%26_2nd_verse.jpg
Neumes:
commons.wikimedia.org/wiki/File:Neume2.jpg
commons.wikimedia.org/wiki/File:Cistercian_neumes_-_Medieval_music_-_Offertorium._In_omnem_terram_-_Sch%C3%B8yen_collection_-_MS_207,_12th_century_-_detail.jpg
Liber Usualis:
imslp.org/wiki/Liber_Usualis_(Gregorian_Chant)
Guido of Arezzo:
commons.wikimedia.org/wiki/File:Guido_van_Arezzo.jpg
commons.wikimedia.org/wiki/File:Guido_e_Teodaldo.jpg
commons.wikimedia.org/wiki/File:Guidonian_hand.jpg
Gradual Aboense:
commons.wikimedia.org/wiki/File:Graduale_Aboense_2.jpg
Ambrogio Lorenzetti: Allegory of Good Government:
commons.wikimedia.org/wiki/File:Lorenzetti_amb.effect2.jpg
Various TABS:
www.lavihuela.com/tablature
Squarcialupi Codex:
en.wikipedia.org/wiki/Squarcialupi_Codex#/media/File:Francesco_Landini,_Squarcialupi_Codex,_page_246.jpg
Vihuela Tab:
en.wikipedia.org/wiki/File:Vihuela-Tab_Fuenllana_1554.png
John Dowland TAB:
www.cam.ac.uk/research/news/crown-jewels-of-english-lute-music-go-online
Harmonice Musices Odhecaton:
en.wikipedia.org/wiki/Harmonice_Musices_Odhecaton#/media/File:Petrucci2.jpg
Petrucci's printed music:
commons.wikimedia.org/wiki/File:Adieu_mes_amours_tenor.jpg
Alfabeto system:
imslp.org/wiki/Guitarra_espa%C3%B1ola%2C_y_vandola_(Amat%2C_Juan_Carlos)
www.maestros-of-the-guitar.com/alfabeto.html
Gaspar Sanz:
commons.wikimedia.org/wiki/File:Instrucci%C3%B2n_de_M%C3%B9sica_sobre_la_Guitarra_Espa%C3%B1ola_-_Passacalles.jpg
F. Sor:
imslp.org/wiki/12_Etudes%2C_Op.29_(Sor%2C_Fernando)
0:00 Early notation systems
2:15 Midieval era, neumes
3:13 Development of TAB
4:43 Alfabeto
5:52 Guitar and standard notation
6:40 Revitalization of TAB in the 20th C
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😂I thought it was invented by guitar magazines in the 80’s!
But maybe more like 1380's!
This is so good. I swear the TH-cam app is listening in on me because I started ear training recently. Your examples of the octave being played right before the major 6th and how that can confuse the ear.. actually happened to me today lol.
Maybe the algorithm IS getting a little creepy - but on a personal level, I'm glad it actually found the exact right person to know what I'm talking about!
This piece some how brings me to memories of something if never experienced how is that possible
I used to worry about being out of tune, before I realized that Instruments aren't in tune, and some note pairing are further out than others. Most listeners probably don't notice.
You’re so right! I basically skirted that issue entirely bc guitar is sort of “fixed pitch” (although…). I tried to make a video thats basically about that topic - but it didn’t get many views so I might try to make a better version one day: Why you CAN’T TUNE your guitar th-cam.com/video/xhdyR225G04/w-d-xo.html
How to find or name any note on the fretboard in 60s: th-cam.com/video/syADhrIZOwg/w-d-xo.html
Ok you lost me on thirds. All of the seconds start with the root (AB, BC, CD, etc). The thirds start that way (AC, BD) but the for the 3rd row (CC), the third is listed as EG. Isn’t the 3rd of C an E? And then in th next section where you pair 2nds/7ths and 3rds/6ths,you do show CE as the thirds…..
Thanks for that, and it could for sure just be that there's a typo! But I think you're right either way bc when I made the second chart, I lined it up so it says like CE and EC on the same row, but for that first chart I had just done like ABCDEFG down the first letters of each column. So it probably says that AC is a 3rd, but if read across same row to 6ths it would say AF, and you'd have to go down the column a bit to find CA. So, either there's a typo or it's not very clearly presented, so your point is well taken! You know, I actually got annoyed with that first chart when I was editing, bc I had subsequently made the second one and it seemed more logical, but I had accidentally overwritten the file and I think I just didn't make a new one bc I thought they were all in there - and no one would notice! So I totally appreciate your comment!
Feel like most of my 10 year music theory knowledge concluded into 1 clips 😮 bravo
Thanks for that! I feel like people who 'get' theory easily already do this at least subconsciously, and I only had the idea for the video bc a student was asking how I could find mistakes in their theory homework so fast!
This was strange. I basically knew all this stuff but haven't actually realized what it meant. And now that it was said out loud it was in a way mind blowing. This felt like I was de-ja-vuing all the time - and that soothing as-a-matter-of-fact voice made it even more surreal. Now I finally understand WHY I do what I do whenever I do it. That is a sign of a well done tutorial.
Thanks so much for that, and I was worried bc it’s true in a way that ‘everyone knows’ this already! But yet it is often one of the most helpful things!
Thanks for the lesson. This is extremely helpful.
So happy to hear that, and I really appreciate your taking the time to comment!
Very helpful music theory info. Very annoying background music! Thanks for posting
Thanks so much!
❤
How to find or name any note on the fretboard: th-cam.com/video/syADhrIZOwg/w-d-xo.html
Thanks, that's insightful. But what is the consequence, what is the best solution, tuning the guitar by freds, by flageolet or by ear ... ?
I think for most people most of the time it’s probably easiest and best to just use a tuner. But some people really get into more ‘just’ intonation and might retune for each chord (when they’re recording) or other recording studio tricks like that. For classical I usually try to tune a little bit “toward” the key, but when I play electric that approach always seems to end up sounding terrible overall, and so I always just use tuner for electric and steel string, and then just classical I twiddle around a little more (but classical strings go way out for intonation and way faster, and then you can’t really do much about adjusting string length/intonation, so I feel like classical sort of needs more compromise in the tuning based on the key). And I can hear the difference between equal temperament and just tuning if I’m comparing them, and I do sort of wish our M3rds were a little smaller, but I think no matter what we do it’s always just going to be like 98% perfect at best, and then it all blends together and no one notices as long as it’s not too out!
Subbed
Great advice. Thanks!
Thank you!
Good tips and i'm sure they will help a lot of guitarist. After playing for ten years the most effective method to learning new chords and switching between them has simply been lots of repetition strategically structured. 5 minutes practice per session then take a break and practice something else. Come back to chord changing practice a bit later in that session / next day / few days later and repeat. Most of the time i'll see some improvement, (even within the same practice session after taking a little break). If I hit a 'plateau'* and begin to notice little improvement after a while, i'll take a break from it for a week or two and somehow i'll have gotten better in that time. If there any trick its not to try and rush or force the progress. Remain relaxed, it'll come in its own time, and pretty much guaranteed IF you KEEP practicing it. * i've found you never really hit a plateau as such but the improvements are just so imperceptible we are not able to notice them, but they are processing and developing in the background regardless. Good luck to everyone on there guitar journey. Its well worth it and a big return on a relatively (but repeated!) small investment of your time over a few years.
I love that comment bc it reminds me of the ‘big picture’, which is basically that the most important thing is to just keep going for the long term! I think you’re totally right about doing lots of short practices or I always think like how many times you ‘start’ practicing a skill over just total time spent! Anyway thanks for that and also for writing a long comment that was genuinely motivated just to share your experience and help people! I rarely agree with everything people say in longer comments - but this one I do! 😊 🙏
Thanks for sharing how to strum with your right hand and coordinate your Left hand holding the chord in a slow learning progressively manner until you got the right correct sound. Most beginners struggle with holding full chord and maybe this is the best ways to begin teaching them correctly.
I have been getting good results with that, like basically if the student can just do it easily then they don’t need it, but if they keep forgetting to strum then they can usually pick it up really fast this way! Thanks so much for the comment I appreciate it!
I've never tried the "just keep strumming" exercise. It sounds like an excellent thing to do.
Thanks for the comment! And that’s my favourite little thing for those students who feel like they need to stop strumming when they change, see what you think!
I think what he's trying to say in a nutshell is, don't let the barre chord drive you to the bar. 🍺🍷😂
it also helps if you're a child with a smooth finger shape. Adults have more structured fingers which have ridges and the barre needs to be developed in both your flesh and your technique. i have a callous on every segment of my forefinger and its permanently numb on the inside because as i grew up playing guitar it damaged the nerves and rubbed on the bone inside my finger and barres are easy for me and have been for a long time - but i had to hurt my hand to do it
See how nice and perpendicular his index finger is to the fretboard? I can't do that. If I try, my middle and ring fingers are bent toward the index finger. I'd have to physically pry them apart. The tip of my ring finger actually touches my middle finger. I can live without barre chords.
Thanks, very clear and precise! This might be the best way to actually read music notation !!😅
In my opinion, its all about thumb placement
Great job! You got right to the point without a lot of chatter and I learned a lot. Thank you.
Thanks so much!
Been playing for 45 years. Finger picking has always been my weakest point. This might be a breakthrough for me. Thanks
Thanks for that, and I hope it helps!
Good tip and that guitar playing was dope
Appreciate it - thanks!
can you play wonderwall?
Getting there!
I don't even play guitar but this video is nice
Ha! Thanks so much!
Nice work, keep it up!!!
You are welcome!
I’m almost 66 and started playing at 16…..I got into barre chords quickly and it was a game changer…..I became a Lifelong rhythm guitarist. I do play lead too…..but I would say rhythm guitar is my happy place.
Well that E-F / B-C tidbit is really helpful. Thanks!
@@lazarus908 pleasure and thanks!
I use BnE. Break and Enter for the notes with no sharp.
Thank you!
Thanks!
Thanks for watching, and don;t forget to Like, Share, and Subscribe: th-cam.com/channels/I-W1_9Cnpj2GyhAL1_ePcQ.html
I don't like the advice of "Fake it til You make it." That's a good way to develop a habit that's too hard to break. Slow is steady, steady is fast. You can't do anything fast that you can't do slow. Practice accuracy, speed will come.
I generally agree, but not always. For barre chords many people who are trying to do it ‘slow and perfect’ end up getting stuck in a hard to fix habit where every time they get to a barre chord they’ve trained themselves to stop to try to get it to sound perfect. So the point of my advice is that they also need to practice keeping going! And then when you try to keep going, you can assess what needs work and then you can go back and work on those things carefully. Also true some things work differently when you’re doing them fast, like say a tremolo where all the movements are happening kind of at the same time, it’s actually different than slow where it’s one finger at a time, and so at some point, like it or not you gotta go for it, and likely fail and then back to careful practice. If you’re trying to go from a double axle (sorry - one of my teachers got this from a figure skater) to a triple, there’s nothing in between so you can’t really work your way up, you gotta try, fail, dust off, go back to working on it carefully. If they don’t give it a bit of a Hail Mary try at some point they’ll be stuck and never learn it. Actually sort of true every time you go a little faster etc., if we really couldn’t make mistakes in practice it would be pretty rough!
I fight with my guitar between perfect tuning an E chord then I play G and it sounds horrific. This video exactly describes every day battles I have with my guitar, I can’t tell you how much I appreciate this! 😂
It's sort of depressing at first to realize it can't be 'perfect', at least not for everything, but it's also kind of liberating to know it only gets as good as it gets! Thanks for that!
Dude, the opening two minutes were great. I saw it coming and I love it. I needed this reminder!
Thanks for that! And yeah I feel like people always get worried their ears aren’t good enough and that’s why it’s hard to tune, but often their ears are kind of ‘too good’ and they just need to expect it to be slightly imperfect!
Here's a link to a PDF (w/TAB) of the opening music: 👇blue-krystal-62.tiiny.site
The wrong (bent) finger movements can be avoided by starting with apoyando (rest stroke) instead of tirando, since in apoyando, you already use the right ligaments at the base of your fingers. From there you can start playing chords with a separate bass stroke (with the p) follow by three simultaneous trebles (ima) as the first tirando attempt. You will see that you will automatically use the ligaments at the BASE of im and a, instead of bending in the middle of those three fingers. I really like your explanation that uses the argument of a stronger, better tone by bending the right ligaments and keeping the other ones relatively straight. Making the fingers i and m "walk" like a pair straight little legs in apoyando (rest stroke) is a good start for a powerful stroke. Then add the a. Then go to tirando by playing the chords as described.
Excellent video wish I had this advice when I first discovered bar chords. But there is one small thing you missed, frequently (for me usually) you do to need to play the high E, which great for A and G shaped chord.
This is the technique I learned from John Griggs in Norfolk VA, starting in 1973. He had studied with Sophocles Papas, who worked with whom?
I liked your witty use of engineers fixing solar panels to a roof . . . The panels really did look like giant fretboard diagrams . . . ☺
Wow, your video explains every essential point one could say about practicing barre chords. The only thing extra I would add is to use lower tuning first ( which is not necessary. ) I used the tuning trick on one super playable guitar ( got 6 ) with a student struggling with barre. DGCFAD
Yeah nice one! Lower tension is a really good idea!
Barre chords are easy. This video is bogus.
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A barre is what ballet dancers use. A bar chord is played on a guitar
...in a bar!
I am only Seconds in, but i need to ask: do we have a tab for your Intro? If so, how do I purchase it? ❤
Here you go (I'm just considering it to be public domain, anyway): drive.google.com/file/d/1VYCzkG0yTxxmcDlEDLoTcYuuJX3WXpw-/view?usp=sharing That's funny bc I was just making it so my next one would have a link to my little theme song TAB, but I was thinking no one will probably ever look at it, but you've given me hope!
I've explained it in a few ways to others. If you have seen the movie Ben Hur, during the sea battle scene, watch how the oars are moving on the Roman Trimarines. Your fingers should move like that! Another way is from an old tv commercial, (if you're old enough to remember dial phones) for the Yellow Pages. The jingle went, "Let your fingers do the walking through the Yellow Pages". "Walk" your fingers on the strings like that!
Yes, I totally remember that 'let your fingers do the walking' and that logo! and actually that's a good one!
Holding a ping pong ball, really works! Thank you.
That helped me a lot too bc it shows you how it feels - and it’s not like you have to actually practice with the ball, but just do it a little ‘like that’ - cupping your hand (with least possible effort!) - just makes it feel more stable, and then your fingers are more automatically the right spacing to cover 3 strings!. Thanks for watching!
I must be blessed as I am self taught and have always finger picked in the correct way, it’s always just felt the right way, and most efficient way to do it.
I'm always jealous of stories like that, bc I was self-taught (first) and although everyone has different ideas of what the 'right way' is, I'm sure everyone would agree the way I taught myself was pretty terrible! But I do see people like you who play with good technique from self-taught because I think you're right the best way should also feel better, and so if you have good awareness and patience you might just get it naturally!