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Thank you (s) all for sharing this mighty work with all of us.

That E-natural in the climax. To be that one chamade right then: singing your lungs out, filling the space with your glory. (spoken like a trombone player lol) Love the thumbnail photo. Someone should fly a drone all over this instrument to reveal all her unseen beauty.

That croak of the 32' just clobbers me.

nice job

Fugue starts at 2:49

❤

Which recording did you take this from. I thought I had all of Madam M-B disc from St-O.

Zo mooi dat de tranen in mijn ogen staan.

Hmmmmm……. To my mind, this is the usual thing of French Symphonic n Post Symphonic using the organ like a piano and string ensemble. In the hands of the masters like Duruflé, it works. But I’m not convinced by this work of Dallier. Nevertheless, excellently performed and registered: especially no.3

Bravo !

Ich fasse es nicht: Man braucht ja 3-4 Hände, um das realisiert zu bekommen😮

Do you know the registers on this recording?

Insane an powerful sound!great performance, my respect to the Organist and person who tune the organ🙏🏼

Was played superbly at Norwich C of E Cathedral last month. Wow! The acoustics of the venue added to the surreal and, more importantly, spiritual effect.

Épico!!!

This Organ and its acoustic home must be preserved forever as an example of what the human musicality and technology of a bygone day....can achieve. Chris Smith (Aust)

The bet clean version to date

C'est magnifique! That organ at St. Etienne-du-Mont is of classic French design, with amazing reeds.

Such majestic power, not to mention subtle complexity . :)

Parfait de bout en bout... Et on ne s'attarde pas sur les 4 derniers accords de la toccata comme certains le font trop souvent. Magistral !

Awful.

Grossartig!

My friend played this for his audition, I knew it was hard, but had never seen the score before, and now it looks 10x as hard as it sounds

Well the raced finale sounds like a mud of sound

If you listened to this in the dark you leave yourself open to potential temporary mental health problems. Very scary.

À LA MÉMOIRE🍒⛑🍒 INEFFABLE DU GRANDISSIME MAÎTRE ORGANISTE🍒🇻🇦⛑🇻🇦🍒 CATHOLIQUE PIERRE COCHEREAU (1924-1984) 🌿🇻🇦🌿TITULAIRE DES GRANDES ORGUES HISTORIQUES DE LA BASILIQUE METROPOLITAINE🌹🇨🇵💒🇨🇵🌹 DE NOTRE-DAME DE PARIS POUR SON IMMENSE CHARITÉ🇻🇦🍒⛑🍒🇻🇦 CHRÉTIENNE À L'ÉGARD DES PLUS PAUVRES📚💮🪢 et le SEUL et UNIQUE HÉRITIER du GRANDISSIME MAÎTRE💐🎶🌸🌿 ORGANISTE CATHOLIQUE Louis VIERNE (1870-1937) ⛑🪢🍒🌿✝️🇨🇵🌿📚🌸💐💮🎨🏵🧭🌺🌹🎶🌸💐🕊🦁🍒🪢🙋‍♂️!!!

Murray handles Dupre perfectly. And what a great offeratory it would be!

Thrilling 🎉

❤🪢🎶🌼⛑📃🍒📚🇻🇦✝️🌿🌸🥰💮💒🍋🌺🎶GRANDISSIME MAÎTRE ORGANISTE CATHOLIQUE PIERRE COCHEREAU (1924-1984)❤🇵🇸👍🔍🇦🇲🦁🇦🇲🌸🌿🕯🍒⛑📃📚🇻🇦✝️🇨🇵💒⛑🙋‍♂️

Ohhh, what a good place for a 64 at the end!!!

Omg, I rediscovered this video now, and guess who I got the chance to hear live today? Ben van Oosten!!!

Enregistrement de mauvaise qualité

I loved this performance. Thank you for posting the score (I do have the sheet music myself but i don't think I'll be learning it any time soon). It's insanely difficult - although if you have patience to break it down into very small chunks I suppose it can be learnt. What I did feel was that I was more aware of some of th subtler moments which is really nice.

Formidable

Spectacularly magnificent, to be sure! Pity it's no longer deemed Liturgically appropriate music for the text being sung. Nevertheless, great concert music.

7:02 "Senza accelerare" (=don't speed up) at this point it's a miracle you can keep on playing ahahh

C’est mieux que M.C.Alain,ici il y a un souffle de vie

C’est parfait

Splendid ! Reminded me of great bells ringing

Were the bells around 4:03 intentional according to the score or it was just from the bell tower during the recording 😅

This organist has very poor rhythm. Extremely poor, in fact. True of so any organists today. I would add 'diminuendo poco a poco' does not mean to slow down. LEARN SOMETHING for a change. The addition of a fermata on the final chord of the symphony is absolutely awful. Evidently, this organist knows very little about musical architecture. That is what we refer to as a 'surface musician' - they play the notes but not the music.

Best intrepretation ever...!!!

2:35

Dupre was incredible, fierce to learn some of these works. It's supposed to be noisy to show off the bombardes and trompettes, a french specialty, sorely lacking in english organs. It's supposed to match the awe-inspiring beyond words architecture of their many high gothic and neo-classical cathedrals. More is...well, more.

No one dare to place words in this comment section. There are no words would do it justice.

Wonderfully played and great choice of registers! I love the slower tempo and attention to reverb. So much clarity!

This certainly is the most controlled version of this piece I've ever heard. I'll admit that I prefer Gillian Weir, who had both control and danger. It sounds like it's threatening to run away from her at any moment. th-cam.com/video/Nh9nozKnO0Q/w-d-xo.htmlsi=TnTJphNfASt64jIw

I heard this for the first time on our newly-installed pipe organ at St. Andrew's church in Ann Arbor, Michigan. The congregation exploded in thunderous applause, and rightly so!

Thanks for posting. Not sure why he forgets clips of music in the last movement. Are these mistakes heard on tbe original recording. Also, not fond of the way he takes it upon himself to change too much in the score. Tempos aren't what Vierne wrote.

Vollkommen irre!