วีดีโอ

No, no camera noises. This has onboard recording, as well as the ability to run the audio through your camera. I’ve never experienced camera noises on either the separately recorded audio nor the camera scratch audio.

Great question. I’ll have to look into that. Are you using the Rode Central app from the App Store to access your audio files?

@DetailsMatterTV I don't have to they Show up as Harddrives! But with the Go II I could Grab the Audio Via Rode central App via Ipad Android?

@@nucentury08yea I’m not sure. Never tried with the RWP. And I do have the Go II’s but I’ve also just used that system with my computer.

I actually just started using the Blackmagic iPhone app. I’ll have to look into this. Thanks for bringing this to my attention.

Sure can. Once you get the hang of the menu, using the timecode is a breeze

@@DetailsMatterTV timecode sync with multi camera?

@@MonstroInLAyea. In the video I showed you how to use the deity timecode system with the RWP. But you can also just jam timecode from RWP to your devices. It’s pretty simple.

@@DetailsMatterTV ok I only want to use the rwp system without the deity

Oooh yyeeaaa 🔥🔥🔥🔥

Thanks for the feedback 💪.

It’s actually not bad. You just have to make sure your in camera audio settings are dialed in

Yea that’s a mistake I won’t make again. Thank you for watching and for the encouragement 🙏

Thanks for the feedback.

I just received my Rode Wireless Pros today and so far am very impressed with the sound quality. Was outside recording a test podcast in the wind with the dead cats on, using the default settings and we were so impressed! I didn’t read closely about setting the O button on each tx and thought I was placing markers as we were recording when I was actually muting myself! lol Btw - I have much respect for the TH-camrs I watch online. Until one actually starts doing it, they have no idea of how much work is required to pull of a quality production; yours included. I am not at the level of critiquing white balance and didn’t even notice it as a problem and the scene switching I thought that was neat and saw it as a break point in editing. Your video impressed me and the helpful comments from the others have made me think of how to make my recording professional. I’m not even out there yet! All private test recordings so far and not even close to what you have got going on. IMO you are well on your way and have another sub from me! Also, you must have used the Lavalier microphone and must have had it tucked away as I couldn’t see it. Sound quality was very good from it too! Cheers everyone!

😂

True, but at least they made it right in the best way!

I'm with you! The more I use it, the more I appreciate its versatility and simplicity. Having 32bit float on top of my camera is great!! Thank you for the comment 🤜🤛

Interesting. I wonder if it has something to do with the locking mechanism 🤷‍♂

Exactly 🫡

It’s a couple years old. Yea it costs the same but it’s a completely different tool that serves a different purpose. I’ve been using it for a while now and it’s a great mic for 36bit float during run n gun shooting

Thanks 😊

@You Bet 🙂

You’re very welcome. Thank you for watching.

I used the Rode Wireless Pro throughout this whole video.

🤣 The best things come to those who wait 🫶

You’ll love it! The 32bit float and timecode features are extremely useful and makes post production pretty streamlined. I’m working on a video comparing the Rode Wireless pro and wireless go II system against the newest Saramonic Blink 500 ProX two person system, which is solid for the price-point. Thank you for the comment and encouragement! I’ll definitely be checking out your podcast brother 🤜🤛

Thank you brother 🙏

You have no idea! The Takis Mac and Cheese and homemade potato salad was unreal.

🔥🔥🔥

Thank you for watching 🤜🤛

Are you talking "Cable Provider" (aka Time Warner, Dish, etc.) or "cable network" (discovery, peacock, etc.)? You might be surprised how various cable networks are owned by the same corporation. There are only 6 or 7 companies that own all of the networks, and people no longer need 600 channels; they only need to subscribe to the networks that have the shows they watch. The Discovery network has a ton of channels under their network that are all available on the Discovery App, which is like $8 or $9. So I think some will benefit, and some cable diehards will stay until all of the advertiser money dries up and everything goes to paid subscriptions.

bro the first ad for tv was in like the 50s how fucking old are you

I don’t remember cable tv ever being absent of commercials. But that doesn’t mean you’re wrong 🤷‍♂️

You also didn’t need cable TV

Thanks for the comment! No, unfortunately, pushing the camera's record button does not trigger the recording on the mic's 32bit float recorder. You have to remember to push the record button on the mic (and push it to stop recording) in order to get that backup 32Bit Float recording. It's a great mic tho! By implementing the right system, I rarely forget to push record.

@@DetailsMatterTV Got it, thank you for the quick answer! I mainly shoot run and fun documentaries and I'm currently going from an heavy Ursa setup with XLR and everything (24bit internally) to a Lumix S1H which has 16bit internally. I was looking for a solution that gives me at least 24 bits easily, but it's pretty tricky in certain situations with this system. Do you know any other system that could fit my workflow? Thank you in advance! (I currently own a Sennheiser MKE 600, but if I get a XLR to 3.5 cable it would still be a 16bit audio for the camera preamps...)

Yea you’re kinda handcuffed by the camera’s capabilities. I like the M3 MicTrac as a solution for your setup; you just have to maintain a process for production so you don’t forget to press record (and end the recording when your shot is finished).

💯

I'm pumped to hear this Marshall. Thanks for the comment. I'm excited to hear that my content is useful! Media production and your storytelling will change lives. Hopefully, my content can help make the learning curve just a little shorter.

Yea you’re absolutely right. That was the general consensus from many other people here in the comments as well. Going forward I think I’ll only utilize a second camera angle for specific situations. Thank you for your feedback and encouragement. I really appreciate it.

Thank you so much! I'm grateful for your encouragement. God bless you and your family as well!

I usually export in 32bit float 💪

Good question. I’d have to look at its functionality. I do have the Ninja V+ and the Shogun Connect and I think they both accept or offer timecode, but I’ve never used it. But if you can jam timecode into the monitor/recorder, my guess it would be a fairly simple process.

No you have to make sure the mic’s transmitter is recording. The 32bit float track will be found recorded separately from your camera on the transmitter itself.

I know, right?! That was really frustrating prior to that firmware update on the Wireless GO II.

@@DetailsMatterTV - Didn't know about the firmware update. I'll check that out right now. Still, having 32-bit-float would be nice.

@@JaredRibic yeah, you can pull the audio track right off of the transmitter now, just like you can with the wireless Pro. They did a firmware update maybe a year ago that fixed that really dumb issue.

Heck yea! It would be my pleasure my friend.

Thank you my friend! I appreciate your encouragement. I love this system. It’s so good. A lot of filmmakers are turning to it because of the pro features. I know people that are running the system to a mixpre or zoom f6.

Thank you 🙏 Let’s start with your second question first. Unfortunately there’s no way to get the mic to record internally when you press record on the camera. You always have to remember to push record in the mic (and then again to stop when you’re done recording your clip). This is frustrating for me too, especially when going back to locate the clip and corresponding audio file. Regarding only recording 16bit; which file are you utilizing (primary folder WAV file, or the RAW folder files)? The 32bit float files are located in the RAW audio folder once you pull the internal MicroSD card out of the mic. I hope this helps.

@@DetailsMatterTV thank you for the answer. 16bit is the file paired in the clip video

@@SimoneNunzi yea the 32bit float is gonna be the file you take off of the mic/recorder. You’ll find it in the RAW folder on the MicroSD Card

​​@@DetailsMatterTVso you can't record 24bit directly on the camera? I tought it sounded bad when connected to the camera directly. Almost like the in built mic in an empty room. Is it possible you were recording stereo when you connected it directly to the camera. It shouldn't sound like that. Even some of the cheapest 60$ mics sound better (Diety mini).

Thank you so much!! Super grateful for your positive feedback. Sometimes the comment section can get ruthless, so it’s encouraging to hear comments like yours.

Yea diving into the timecode feature wasn’t the most simple to figure out, but now that i understand how it works it’s pretty simple. I haven’t tried the timecode with the audio channel yet but I imagine it’s the same (once you do it it’ll be turnkey). I like the functionality of the Wireless pro with the TC-1. So handy. Thanks for the comment.