วีดีโอ

S̤t̤o̤p̤ b̤ṳk̤.b̤ṳk̤ b̤ṳk̤. B̤ṳk̤. B̤ṳk̤. I̤n̤. E̤n̤g̤l̤i̤s̤h̤.. D̤o̤ t̤h̤a̤t̤ i̤n̤ h̤i̤n̤d̤h̤i̤.

How to take classes from u?

I wonder if there is a theory to explain why close notes sound bad.

But is not sashtriya used for classical.

Where should we buy tambura im from hyderabad madam

Mam class edukrela Wa number pl

Outstanding Amma on bringing out the life and Music of M Dixit and I have forwarded to about 200 music lovers and upasakas.keep up your professional work

Thararaina is alapana

Yes, mam- Time.

Creating melody with set pattern creates a raga!!!!!

EXCELLENT !!!

In your lecture , which is very well planned, you have taken an excerpt at 18.00 minutes, at which a respectable vidhwan wonders whetherAny composition of Trinity in the RAAG , sankarabaranam, starts from Gandharam. I was taught a Thigaraja Swamy ‘ s kriti, set to Rupaka thalam, which , has ( though “ Alpa “ prayogam in quantity) , starts with GMG…. “ RAMA NINNU VINA, NANNU RAKSHIMBA” . I may be excused if this pointer looks like an effort to out smart the vidhwan, as , that is not my intention.

Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️

Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️

Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️

Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️

Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️

Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️

Thanks for this wonderful series. Your lectures are of exceptional qualities- both in substance and in character. Very much appreciated ♥️

❤❤❤❤❤❤

Excelent.

The Raja among the musicians, and the musician among the Rajas.

21:57 so well said, "not very aesthetic." Actually, if every swara has heavy gamakas, listener (rasika) would miss or not appreciate that significant gamaka which beautifies the whole phrase. My analogy is, it is like drawing on a plain canvas vs drawing on a newspaper. SP Balu garu also explained it once in Paduta teeyaga!🙏

Please do a video on Koraippu and korvai madam...

Excellent teaching madam

Gangeyabhushini sounds so much like Nattai!

Beautiful explanation 🎉

Excellent Sir Where are you sir God bless you sir Pls give your number

Super madam...God bless you 🎉

Thank you for this amazing course, half way through. Your knowledge is as generous as you :)

What a seriel, hoping it to b retelecasted a request to SUN TV

Excellent presentation, even a layman like me some what gather something about carnatic music

How can I join this course

Thanks Teacher for your vedios

Wonderful explanation mam I like your vedios thank you 🙏

This is a great video that displays the amazing approaches of 2 different forms of music. However, I am curious as to why the teacher says that "Indian music has no place for harmony" 6:41 Since Indian music of other forms (other than classical) do use harmony: We know cinema music does use harmony (AR Rahman for example)... Also, even Indian classical music might use it if you consider the 'shruti'... would that not be a harmony with the singer where multiple notes are being played simultaneously in a song? For if the vocalist is 'off' in harmonizing with the shruti, everyone would be able to notice. In a crude sense, even the tabla harmonizes with the shruti and the vocalist. So i dont think the concept is really that foreign in Indian music... it is used in pretty much every other form of music in the world also!

It was a very good lecture for those who wants to know about carnatic music ❤

Sri lanka

Amazing resource. Thank you 🙏

*tries to do the same 😅

Unfortunate for an English speaker trying to learn that the portions in Tamil (or Telugu?) are not translated and that the CC do not line up with the speech. This is my only complaint about this otherwise excellent course offering!

Madam please tell me the ragam of this thillana very nice 🙏

Do not listen to the girls. They are misleading.

Very nice

Thank you very much madam

Very nice

Prananams mam.Need to enroll in this course .can anyone pls guide me

Thank you mam. I can't sing carnatic music. But I love to hear.... So I want to knoe about all the things related to carnatic music. Like ragaas.. Thus I can enjoy the music... Your videos are very helpful and informative. I will follow you mam. Thank you for sharing. ❤️🙏

Pease explain briefly what's Alapanam before performing

Very interesting and educational video, thank you for uploading. 🙏