วีดีโอ

terrific! very enjoyable.

Mexiiço. 🇲🇽 ❣️

Is that date correct? If so, then he wrote this when he was 12 or 13...Wow. Beautiful

the bass clefs are similar to those you will find in old Novello editions of Handel's Messiah etc.

❤

Why

Had Liszt lived until 1920 I could see him having written this piece.

WOW!! I'm impressed and it's drastic.

strange piece. listened to it some years ago and it seemed interesting. now and with score, why?? why all of this? so busy but it amounts to nothing. glad his 2nd string quartet (while quite demanding, too) is way way better. thanx for the score anyway!

An enjoyably cheeky work by 17-year old Nørgård.

Wonderful piece and rewarding composer.

What is the difference between this and the original?

é innocente e semplice come un bambino !! Commovente 💯

i like this music

This is actually really good and listenable 😅

No.21,22,23 the sheet music are only first two pages😮

Interessante ( Couperin contemporaneo ) BRAVO !

42:36

Real

there is no vibrato in the score. anyone knows Feldman's not supposed to be played vibrato. anyone except for this cellist.

42:20 46:48 54:35

a performer once told me that a dotted crotchet tied to a quaver followed by a crotchet in 6/8 was the same as a minim followed by a crotchet in 3/4. try saying that to Feldman :)

15:16 Mephisto waltz 3

Is this the same dude who wrote that uhhhhh....'piano concertos'? This is actually a nice short piece

These charming piano pieces are truly delightful to listen to!

Sounds like Rachmaninov? 😂

15:51 sounded very atonal

17:13 29:24 38:05 42:02

0:03 33:20 35:33 44:46 48:29 54:07 1:13:02

Reminds me of schumman

This song touches my soul in the same way it did nine years ago I was 13 at that time, very depressed and mentally ill. This Piece gave me a place to escape to when I was going downhills.. I said to myself, that I'd be able to play this piece someday. That day was today and I'm crying waterfalls... It's unbelievable what a diffrence nine years can make. I'm healthy now and unbelievably proud of my 13 year old me, that she didn't gave up and fought through all of that... This song got a special place in my heart for ever.

It's the same chord as at the beginning of Nuages Gris but inverted and transposed up a fifth 😳

I listened to the whole work yesterday, for the first time in some years. I loved it enough once upon a time to buy the full score - fascinating stuff (as both composer and organist myself - though a million steps behind Olivier Messiaen on both counts, I hasten to add!). And yet one's tastes change. After a while, I began to long for a period of 'extended composition', rather than so many short, sharply differentiated episodes separated by pauses, the whole repeated several times to make a movement. It is all so terribly fragmented to my ear these days. At the end of the day, the 'communicable language' and religious quotations are irrelevant to anyone who sits without the score and listens to the work as pure music: and I would contend that any piece of music has to stand up as pure music, no matter what external ideas or designs were used in its composition. I also experienced severe 'note fatigue': "too many tritones, Mr. Messiaen", to paraphrase a famous quote. I really did start to get the impression that in this work, Messiaen's attention to the extra-musical scheme made him lose sight somewhat of the musical content itself. (I say that not just as a listener, but as someone who has written music, organ works included: all too easy to do when writing and all too painfully obvious when it comes to hearing one's music performed). The movement I enjoyed the most was 'la joie de la grace', the only one which is really 'through-composed' - perhaps the epitome of Messiaen's birdsong writing, 'Catalogue d'Oiseau' notwithstanding. (And the very ending of the whole work is staggeringly impressive). But otherwise, I found yesterday's session a very long haul, I have to admit! (I had listened to Meditations sur le Mystere de la Sainte Trinite the previous week, again with the score, and was overwhelmed by it, as I have always been, so it's certainly not that I don't enjoy Messiaen's music any more). Just wondering if anyone else (should they chance upon this comment) feels the same about the present piece. I am a huge admirer of Messiaen, a great master of 20th century music - I even had the pleasure of meeting him in the 1980s (I used to work for his publisher, Edition Leduc, in Paris), but I am not sure Le Livre du Saint Sacrement really is the best of him. Is it??

0:53 C natural broke the spell

i like it

Great piece! Superb Scottish composer.

i have no idea what is actually going on here but i like it

Just brilliant. And then fizzle out in piano after all the firework, very lovely. 😊

at first listening it will seem insignificant, but if you try to play these mincemeats ,this melody, I don’t even know how to describe it, it’s such a delight, something eternal, ancient, unchanging, time

Somehow a bit similar to C. M. von Weber's sonatas as well, also admired by Chopin.

Very nice. Which recording is this by the way? Live or a digital piano or something else?

How absolutely marvelous. Nice normal music!

Interesting how it develops it sounds like just total trash and dissonance at first but then you start to hear the patterns and the harmonies emerging through the dissonance

11:30 - 12:13 wow!

(っ◕‿◕)っ ♥

My god, he is a genius

Nice to take a break from music every now and then.

Wow, that 4th study is incredible

Stunning!!!!

so very beautiful