At the heart of Daria Nazarenko’s installation stands a profound question: How can we combat the challenges of our present times and bring our inner wealth to the outer world? This pursuit drives her exploration of non-verbal communication through hand gestures, poise, and body movements. Nazarenko invites us to remember and reflect on the ways we use our bodies, focusing on the language of gestures in everyday life and artistic expression.
Nazarenko’s research centers on the intimate and collective ways we communicate non-verbally. Her work includes a two-channel film installation that focuses on gestures within a community, enriched by a complex sound background that fosters an ongoing discussion.
Her work can be embodied with the essence of play as described by Johan Huizinga in "Homo Ludens", with the term "play" referred to as "movement"
- Movement is free: Participation in these performances is voluntary, inviting viewers to engage freely
- Movement transcends ordinary life: The performances and sculptures create a unique realm of expression beyond everyday routine
- Movement establishes distinct boundaries: These artworks create immersive experiences separate from daily life.
-Movement creates order: The structured performances and crafted sculptures reflect the inherent order within playful gestural communication.
- Movement is non-materialistic: The aim is to evoke memories and emotions, fostering connections, rather than profit.
TEXT BY PALINA SLUZKAJA
Whole Concept and Choreography by Daria Nazarenko
PERFORMERS IN THE VIDEO:
Beckley Adeoye, Daria Nazarenko, David Mayinga, Enting Zhang
VIDEO COSTUMES BY: Karisma O. Ekeh
CAMERA: Stifter Studio