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Dissonanze 4 Strings Quartet
เข้าร่วมเมื่อ 11 ต.ค. 2015
Franz Schubert Quintetto per archi in do maggiore, op. 163, D. 956
Quintetto per archi in do maggiore, op. 163, D. 956 - Adagio
Dissonanze String Quartet - Alfredo Stengel, violoncello
Augusto Vismara & Gioacchino Pantò, violini
Gaetano Adorno, viola
Benedetto Munzone, violoncello
Dissonanze String Quartet - Alfredo Stengel, violoncello
Augusto Vismara & Gioacchino Pantò, violini
Gaetano Adorno, viola
Benedetto Munzone, violoncello
มุมมอง: 2 622
วีดีโอ
Quintetto per archi in do maggiore, op 163, D 956
มุมมอง 3889 ปีที่แล้ว
Franz Schubert Quintetto per archi in do maggiore, op 163, D 956 Allegro ma non troppo Dissonanze String Quartet Augusto Vismara & Gioacchino Pantò, violini Gaetano Adorno, viola Benedetto Munzone, violoncello Alfredo Stengel, violoncello
Mozart String Quartet No.3 in G major, K.156
มุมมอง 32K9 ปีที่แล้ว
Wolfgang Amadeus Mozart Quartetto per archi n 3 in sol maggiore, K 156 Presto; Adagio; Tempo di Minuetto Dissonanze String Quartet Augusto Vismara & Gioacchino Pantò, violini Gaetano Adorno, viola Benedetto Munzone, violoncello
Ensemble Le Dissonanze
มุมมอง 1709 ปีที่แล้ว
Festival Magie Barocche 2015 Auditoruim San Domenico (Militello - CT) Luigi Boccherini: dal Quintetto in re minore op.13 .4, G280 - Fuga. Allegro giusto Ensemble Le Dissonanze Augusto Vismara & Gioacchino Pantò, violini Gaetano Adorno, viola Alessandro Longo & Benedetto Munzone, violoncelli
Ensemble Le Dissonanze
มุมมอง 2919 ปีที่แล้ว
Festival Magie Barocche 2015 Auditoruim San Domenico (Militello - CT) Luigi Boccherini: dal Quintetto in re minore op.13 .4, G280 - Allegro Ensemble Le Dissonanze Augusto Vismara & Gioacchino Pantò, violini Gaetano Adorno, viola Alessandro Longo & Benedetto Munzone, violoncelli
E' incredibile per un giovinetto come Mozart, abbia potuto scrivere in giovane eta', un capolavoro cosi' immenso, e purtroppo insieme altri 5 quartetti risultino poco eseguiti nelle stagioni cameristiche.
0:00 presto 3:24 Adagio 9:44 Tempo di menuetto
The only good thing about this recording is the performance - which, of course, should be the reason. The recording is done at a live concert without adequate equipment and the audience makes itself heard. Listening on my headphones I can track the latecomers being seated at the midpoint of the Adagio practically aisle by aisle. The performance is stunningly old world done exactly as I prefer it - the Dissonanza and Mr. Stengel are fine.